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    Knuddels Chat, Freunde, Flirt

    Knuddels Chat, Freunde, Flirt

    Social Networking and Entertainment

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    Chat, flirt, get to know new friends. Childs play with Knuddels, the unique community from Germany....

Maneater
Maneater
2019 | Action/Adventure, Role-Playing
Playing as a shark (4 more)
Nice open world
Funny characters
Location collection quest
Story
Bugs (3 more)
Lack of targeting
Bit repetitive
Similar to other open world RPG titles
A game with Bite
Let me start by saying any game where you play as a "monster/ animal" against evil people is fun. This game is really fun and addictive.

The controls are simple enough and work, never felt I had no control over my shark. Graphics are not AAA for this generation and sometimes takes few seconds to render the Shark or some environment.

Gameplay by far is what I love about this game even when it is a bit repetitive. In fairness Sharks can only do so much. Nothing more fun than swimming around eating other predators and humans.

Game starts you of as a "pup" meaning you need to avoid alligators and eat as much as possible to level up to a "teen". Even then alligators will kill you 90% of the time. Once you get to around level 10 you grow to an "adult" then you can take it to the gators and pretty much anything in your first few areas.

Yes this game is open world, however it uses a trope seen in Witcher 3 and Assassin's Creed. Where by the story keeps you in areas to allow you enjoy the increase in difficulty. Letting you level up and evolve your shark before heading out into the ocean.

The games story is fun, full of over the top characters, like a throw back to GTA3 etc. Only just getting started. But the main Villain Scaly Pete is fair flushed out. Based on a sort of Ahab type character seeking revenge against sharks.

Gameplay is a mix of kill so many humans/prey, kill this predator/ human, collection quests and starting trouble to kill hunters which increases you infamy rating.

The ideas are not original, but they work really well. Knowing when to pick a fight with a rival predator is key. This is based on their and your level. As seen in AC Origns/ Odyssey and Witcher 3. Evolving reminds me of upgrading Max's car in Mad Max and feels fun. The story has elements of GTA or Saints Row with its OTT characters.

Sadly it can be a bit repetitive and sometimes feels bit of a slog having to swim somewhere to kill so many of something. But sometimes this is good as it is easy to drop in and out off. If you like Jaws, Deep Blue Sea, The Meg and any SyFy B Movie with killer sharks. Then this is the game for you.

It's a good game kept from greatest by few bugs and the limitations of being a Shark.
  
40x40

Charlotte (184 KP) rated The Mistake in Books

Mar 20, 2021  
The Mistake
The Mistake
Mandy Swiftson | 2020 | Contemporary
10
10.0 (1 Ratings)
Book Rating
Although this is a review it will also serve as a letter to Mandy and any other person who has been in this or similar position.

Also this is trigger central with physical and emotional abuse, rape, bereavement, suicide attempts and self harm. If ANY of this affects you please seek help.

Let's start at the beginning.....yes maybe it was a mistake BUT remember you were being MANIPULATED. At the point you made that first 'mistake' he had already done the ground work, he'd slowly started controlling you and your environment......you didn't have a real choice.

He was a master of manipulation and deception, he already knew what words and phrases to use to get compliance........he had experience of it, he relished it. The guy had plausibility and knew how to create a good story....a believable one, well, multiple stories. The story to fool authorities, the story to fool family and friends, the story that became the script of your life.....this is NOT your fault! Whether due to generally being a trusting person or (for Mandy) being vulnerable from a previous bad relationship, you were taken advantage of.

Hope is a make or break feeling, meeting number 4 full of hope for things to get better was bittersweet. I don't have children but can only imagine what emotional trauma was caused from the very first moment of fear for the children. I take my hat off to all the survivors who steeled themselves and did what was necessary to protect their babies. Mandy did what was needed, not for her but her babies.....that's selflessness right there.

MB passing, for goodness sake! It's fluffing heartbreaking. Not going to lie I cried, for MB, for someone that deserved happiness but yet again was dealt a crap hand in life.
   Totally unimpressed with flakey bake, I won't say anything else as I'll just swear a lot.

I've actually met Mandy a few times. She came across as outspoken, independent and strong in person, as well as fun (She's serious about the changing hair colours).
    Having read this I have no doubt of the strength of this amazing woman. Followed for years by many demons yet still able to stand up and carry on, able to put into words, write a book, about things that most people wouldn't be capable of imagining let alone have touch their lives. A true inspiration.

I know how depression can creep up on you, stalk you, cloak itself so self doubt sets in......I also know how hard it is to ask for help but please ask, it's a lifesaver.

A story of freedom, survival, heartbreak, despair, hope and love as well as so much more.

This is a tissues and chocolate read from start to finish.
  
Another Music in a Different Kitchen by Buzzcocks
Another Music in a Different Kitchen by Buzzcocks
1978 | Punk
8.4 (5 Ratings)
Album Favorite

Autonomy by Buzzcocks

(0 Ratings)

Track

"‘Autonomy’ was a massive wakeup call for me. I bought the album the day it came out, I got the bus after school and it was in a silver plastic bag. When I got home and put it on I knew the singles, but when I got to ‘Autonomy’ it was genuinely a new kind of rock music. “There’s no way I can ever separate the fact that I was aware it was from my town. If it had been from Düsseldorf I would have been mind blown, but I was more mind blown it was from Manchester, because it could have been from Düsseldorf. I knew it couldn’t have been from Los Angeles and sounded like The Doobie Brothers, Fleetwood Mac or Jackson Browne and knowing it now I don’t think it could have come from London. “London at that time was very dominated by the sound of The Clash and The Pistols and in spite of what people like to say it was quite testosteroney and straight, certainly compared to the Buzzcocks and Magazine. Wire were a different matter, they had an arch femininity and an intellectual aspect about them, but Buzzcocks sounded like my environment, in much the same way Joy Division were going to a year later, the way The Smiths did a few years after that and the way The Fall did. “I might have been projecting, but when I put it all together it sounded so modern and so Manchester and it gave me an insight into my city, modern Manchester. I was always looking for clues, for a key to pick up, to open and go through the next door as a musician and a thinker and I probably still am, that’s the best way I can describe it. ‘Autonomy’ was like a key, it was ‘This riff is very, very deliberate, it’s not bluesy, it’s very bold and it doesn’t sound anything like classic rock.’ It’s really in your face, the words are very clever and sang in quite an effeminate, challenging vocal. I love The Clash but to me it was better than ‘White Riot’, it was this cross between aggression and arty. “The punks I’d see around Manchester personified that, they looked like little thugs and they were very effeminate, so again it’s that thing about the feminisation of rock music. I hadn’t realised that actually, but almost everything I’ve mentioned has got a non-testosterone aspect to it. That was quite a moment and being that age, fourteen, fifteen, you’re so fearless and open to being free, well I was anyway, I was looking for things to give me juice to fire that fearlessness up. I think you see through bullshit really well when you’re that age, when you get older you think too much!"

Source
  
The Lost City of Z (2017)
The Lost City of Z (2017)
2017 | Biography, Drama, History
Charlie Hunnam (Sons of Anarchy) stars as the British Explorer Colonel Percival Fawcett, who disappeared on an expedition in search of an ancient city and civilization in the Amazon. The film centers on the true-life adventure of Col Fawcett and his journey to find evidence of a lost people while engaging audiences in the ego and superiority complex that much of western civilization finds itself.
We are introduced to Fawcett as he is an Army Major who seeks to have some sense of distinction and recognition. Seeking notoriety and a sense of honor, Fawcett accepts the task of mapping out disputed territory between Peru and Brazil at the opening of the 20th century in order to prevent war between the two nations.

In his exploits, he is confronted with the exploitation of the indigenous population, extraction of resources, and an untamed land. Upon subsequent journeys and serving in World War I, he is consumed with the need to find a sense of honor in his duty to his nation. Over the course of the film, we begin to see how invested he is in this struggle to learn more about the people and places that he is exploring, however, there isn’t a true connection made between Hunnam’s portrayal and the audience. At times, I found myself not caring about Fawcett’s contributions or career. I could not get invested in his story or his struggle to find a lost city that he believed existed in the wild. By the end of the film, I wasn’t invested in who Fawcett was, what he set out to accomplish, or even his legacy.

One thing that I did find remarkable was that the film helps to expose much of the anxiety and danger that existed during this period and previous expeditions into the region. Additionally, it gave me an appreciation for the endless heights of the human ego, ambition, and drive. The film allows for a critique to emerge about western interference and exploration of the region and the ethnocentrism held by western nations. Lost City of Z is an expansive visual spectacle. The jungle becomes a living, breathing, creature that audiences will connect with, become fearful of, and appreciate. It is the character that carries the film.

The actors and actresses are the background. This aspect allows for the audience to become absorbed by the surroundings and the environment that the characters find themselves in.

The film is beautifully shot and captivating. The sequences are engaging and give the sense of being transported to a foreign, mysterious land that holds secrets that many of us could never comprehend or witness with our own eyes.