"The two supreme works of childhood/horror. Lamentations of worlds lost and the innocents trapped in them. Sublime fairy tales of despair that depict the adult world as a toxic environment for kids to exist in. Secret treasures kept in the hearts of children must be safeguarded from the corruption of an adult world full of certainty and arrogance. Both films are so beautiful and so dark—they truly make me weep in awe."

"The two supreme works of childhood/horror. Lamentations of worlds lost and the innocents trapped in them. Sublime fairy tales of despair that depict the adult world as a toxic environment for kids to exist in. Secret treasures kept in the hearts of children must be safeguarded from the corruption of an adult world full of certainty and arrogance. Both films are so beautiful and so dark—they truly make me weep in awe."

"I wanted to throw in a film as well and this is a real classic. There’s a lot to say about it but what I really love is the location. It takes place in a vaguely French/Italian/Mediterranean environment. It’s like a fantastical Amalfi coast or Cote d’Azur seen through the eyes of a Japanese genius. Like all Miyazaki, it can be appreciated by people of any age and has deep, moving insights about growing up."

"Between 1971 and 1975, Robert Altman could do no wrong, and Nashville is the culmination of that streak. There had rarely been before him in Hollywood such a sense of liberty, of independence, of genuine spontaneity. The long takes, the tracking shots, the space he gives actors, the way he lets them overlap, the looseness and the depth of the narratives—it was a breath of fresh air in a usually stuffy and hostile environment. It didn’t last long, though."