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Lesser Evil (Star Wars: Thrawn Ascendency, #3)
7.0
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The fate of the Chiss Ascendancy hangs in the balance in the epic finale of the Star Wars: Thrawn...
Morgan Sheppard (931 KP) created a post
Aug 12, 2023
ClareR (5784 KP) rated She Who Became The Sun in Books
Jun 13, 2023
She Who Became the Sun is a book that I could really immerse myself in. It took its time over laying the foundations of what will continue to be, I’m sure, an epic story. This is a re-imagining of the life and rise of Zhu Yuanzhang - the peasant rebel who expelled the Mongols, unified China and became the founding Emperor of the Ming dynasty. So, no small story then!
Shelley Parker-Chan has added a twist to the story, though. The Zhu Yuanzhang in this story is actually female. Born a girl, she steals her brothers identity when he dies so that she can survive - girls were not important enough to survive otherwise. She decides to live her brothers life, and as a fortune teller has foretold, she will rise to great heights in his name. And this process starts by Zhu being taken in and educated by the monks at a monastery.
This isn’t fantasy as much as it is historical fiction. Ok, there is a little bit of magic, but I took that as being an explanation of a leaders charisma. The writing IS beautiful, particularly the descriptions of the relationship between Zhu and the eunuch General Ouyang, and the queer story of Zhu and her wife.
We’re left on a bit of a cliffhanger, I’ll warn you, but we won’t have long to wait for the sequel!
Shelley Parker-Chan has added a twist to the story, though. The Zhu Yuanzhang in this story is actually female. Born a girl, she steals her brothers identity when he dies so that she can survive - girls were not important enough to survive otherwise. She decides to live her brothers life, and as a fortune teller has foretold, she will rise to great heights in his name. And this process starts by Zhu being taken in and educated by the monks at a monastery.
This isn’t fantasy as much as it is historical fiction. Ok, there is a little bit of magic, but I took that as being an explanation of a leaders charisma. The writing IS beautiful, particularly the descriptions of the relationship between Zhu and the eunuch General Ouyang, and the queer story of Zhu and her wife.
We’re left on a bit of a cliffhanger, I’ll warn you, but we won’t have long to wait for the sequel!
The Silence In Between
9.0
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Imagine waking up and a wall has divided your city in two. Imagine that on the other side is your...
Historical fiction Germany WW2 East/ West Berlin The Berlin Wall
Daniel Boyd (1066 KP) rated The Dark Knight (2008) in Movies
Oct 31, 2017 (Updated Oct 31, 2017)
A stone cold classic at this point (2 more)
Nolan's direction
Fantastic performances all around
The Movie That Comic Book Fans Deserve
Contains spoilers, click to show
Almost 10 years on from the original release of this film, it is still the best superhero film ever made up until this point. While a few movies, such as Logan and Winter Soldier, have came close to the quality of TDK, nothing has surpassed it in the last decade. There is so much to love here, whether it is Nolan's deliberate and effective direction, Hans Zimmer's uplifting yet melancholy score, the beautifully epic cinematography provided by Wally Pfister and of course Heath Ledger's incredible, electrifying performance as the Clown Prince Of Crime.
The movie starts as it means to go on, with an awesome opening sequence introducing the Joker. It plays out like a short film that could even be viewed independently of the rest of the movie and still make complete sense. We see a group of criminals dressed in clown masks robbing a bank and offing each other one by one after they complete their part of the heist. This all builds up to the reveal of the enigmatic Joker, complete with an awesome Cesar Romero reference in the Joker's mask as well. The sequence works so well, because it shows even those who aren't comic book fans or aren't familiar with these characters, exactly what kind of villain we are dealing with.
On the other hand though, there is a lot here for long time fans of Batman comics as well. A good amount of plot elements in the movie were taken from one of my favourite Batman stories ever written: The Long Halloween. Things such as the Harvey Dent working with Jim Gordon and Batman to prevent crime to then go on to show his eventual transformation into the totally unhinged Two-Face. The character design for the characters is also clearly inspired by a comic by Brian Azzarello and Lee Bermejo, simply titled: Joker. Lastly, the ending of the movie shares similar elements to the ending of The Dark Knight Returns graphic novel, in that they both end with Batman being framed for a murder he didn't commit and having to go into hiding and retire from crime fighting.
Overall, this is a perfect movie in my opinion. It is an astonishing achievement for a comic book movie and it is a great crime epic in its own right as well. The performances across the board are great, with Heath Ledger being the obvious standout and absolutely stealing every single scene that he appears in. The technical elements of the movie are great and it is just a fantastic cinematic experience all around. I first saw the movie in IMAX and that definitely was the premium way to initially experience this movie, but no matter what format you watch it on, its hard to deny that it is a masterpiece.
The movie starts as it means to go on, with an awesome opening sequence introducing the Joker. It plays out like a short film that could even be viewed independently of the rest of the movie and still make complete sense. We see a group of criminals dressed in clown masks robbing a bank and offing each other one by one after they complete their part of the heist. This all builds up to the reveal of the enigmatic Joker, complete with an awesome Cesar Romero reference in the Joker's mask as well. The sequence works so well, because it shows even those who aren't comic book fans or aren't familiar with these characters, exactly what kind of villain we are dealing with.
On the other hand though, there is a lot here for long time fans of Batman comics as well. A good amount of plot elements in the movie were taken from one of my favourite Batman stories ever written: The Long Halloween. Things such as the Harvey Dent working with Jim Gordon and Batman to prevent crime to then go on to show his eventual transformation into the totally unhinged Two-Face. The character design for the characters is also clearly inspired by a comic by Brian Azzarello and Lee Bermejo, simply titled: Joker. Lastly, the ending of the movie shares similar elements to the ending of The Dark Knight Returns graphic novel, in that they both end with Batman being framed for a murder he didn't commit and having to go into hiding and retire from crime fighting.
Overall, this is a perfect movie in my opinion. It is an astonishing achievement for a comic book movie and it is a great crime epic in its own right as well. The performances across the board are great, with Heath Ledger being the obvious standout and absolutely stealing every single scene that he appears in. The technical elements of the movie are great and it is just a fantastic cinematic experience all around. I first saw the movie in IMAX and that definitely was the premium way to initially experience this movie, but no matter what format you watch it on, its hard to deny that it is a masterpiece.
Movie Metropolis (309 KP) rated Final Destination 5 (2011) in Movies
Jun 10, 2019 (Updated Jun 11, 2019)
Did we really need another Final Destination film? After the last, merely average movie, the answer on everyone’s lips was a firm and resounding no. However, a surprising return to form for the franchise has ensured that even this old goat has life in it yet.
Gone are the cheap, cheesy shocks that littered Final Destination 3 and 4. In their place are the genuine thrills and spills from the first two films. The movie returns the guessing game element to its audience and for that I am thoroughly grateful.
Newcomer Steven Quale helms this instalment which combines excellent 3D with fantastic special effects and a dazzling set of opening credits which showcase the deaths from the films that preceded it. I wasn’t expecting much from this film, I have to admit, but the credits really are a highlight as you try and remember which film each death is from.
As with any film in the Final Destination franchise, an epic opening disaster is the norm. Whilst the motorway pileup from Final Destination 2 has been the best up until now, the bridge collapse in this film is utterly mesmerising and edge of your seat thrilling. From the flawless special effects to the scale of the production, it surpasses anything seen before in the series.
The deaths have also returned to form too. Instead of out and out cheese, they’re shocking to the point of jaw-dropping. It’ll have you checking every loose nut and bolt from now on and probably have you resisting that fashionable laser eye surgery too. Thankfully though, away from the deaths, it errs on the side of humorous without delving into slapstick.
Nicholas D’Agosto leads a small cast as they try and find a way to cheat death after surviving that epic bridge disaster. An interesting storyline this time around has the cast told that they are able to cheat death by killing someone else, therefore having their life swapped with yours. The acting from all corners leaves a lot to be desired and the dialogue and performances are unashamedly wooden but this is a small point in a film that really does shock and surprise.
However, perhaps the best part of the film and the reason why it’s so enjoyable is the final twist, a twist that will leave you shouting at the screen in dismay. It’s practically impossible to see it coming until the last 5 minutes and in these last minutes you realise just how clever director Steven Quale has been in creating this film.
It may not be the most original movie to ever grace the big screen and the cast aren’t going to trouble the Oscars but Final Destination 5 returns a lifeless franchise to what it once was, bloody good fun and as such it is by far, the best in the series.
So, the question now is; do we need Final Destination 6?
https://moviemetropolis.net/2011/09/21/review-final-destination-5-2011/
Gone are the cheap, cheesy shocks that littered Final Destination 3 and 4. In their place are the genuine thrills and spills from the first two films. The movie returns the guessing game element to its audience and for that I am thoroughly grateful.
Newcomer Steven Quale helms this instalment which combines excellent 3D with fantastic special effects and a dazzling set of opening credits which showcase the deaths from the films that preceded it. I wasn’t expecting much from this film, I have to admit, but the credits really are a highlight as you try and remember which film each death is from.
As with any film in the Final Destination franchise, an epic opening disaster is the norm. Whilst the motorway pileup from Final Destination 2 has been the best up until now, the bridge collapse in this film is utterly mesmerising and edge of your seat thrilling. From the flawless special effects to the scale of the production, it surpasses anything seen before in the series.
The deaths have also returned to form too. Instead of out and out cheese, they’re shocking to the point of jaw-dropping. It’ll have you checking every loose nut and bolt from now on and probably have you resisting that fashionable laser eye surgery too. Thankfully though, away from the deaths, it errs on the side of humorous without delving into slapstick.
Nicholas D’Agosto leads a small cast as they try and find a way to cheat death after surviving that epic bridge disaster. An interesting storyline this time around has the cast told that they are able to cheat death by killing someone else, therefore having their life swapped with yours. The acting from all corners leaves a lot to be desired and the dialogue and performances are unashamedly wooden but this is a small point in a film that really does shock and surprise.
However, perhaps the best part of the film and the reason why it’s so enjoyable is the final twist, a twist that will leave you shouting at the screen in dismay. It’s practically impossible to see it coming until the last 5 minutes and in these last minutes you realise just how clever director Steven Quale has been in creating this film.
It may not be the most original movie to ever grace the big screen and the cast aren’t going to trouble the Oscars but Final Destination 5 returns a lifeless franchise to what it once was, bloody good fun and as such it is by far, the best in the series.
So, the question now is; do we need Final Destination 6?
https://moviemetropolis.net/2011/09/21/review-final-destination-5-2011/
Merissa (12351 KP) rated In Pain and Blood (Spellster #1) in Books
Jun 15, 2018
In Pain and Blood (Spellster #1) by Aldrea Alien
In Pain and Blood is the first book in the Spellster series, and has all the hallmarks of everything I enjoy - epic fantasy, m/m, romance, action, and adventure. Dylan has spent his life in 'the Tower' learning how to be a spellster. Magic comes easily to him, but his guardian keeps on telling him to stay safe in the tower, and not to make waves. However, one event shoves him to the forefront, and he sees more of life than he expected. Trying to make his way back to the Tower, he becomes part of a ragtag group and sees life in a completely different way.
This should have been a good book. I really wanted it to be a good book, but it fell short for me on a number of different levels. First of all, it's long. And I mean REALLY long. Now don't get me wrong, I love epic fantasy, and regularly read books of a thick volume. However, for this book, it felt like it needed some serious editing to get some of the monotonous repetition removed. Also, this land is supposed to be under attack, but they manage to completely miss any and every member of either army on their two month trek across the land - which we hear about in great detail. How this book started actually had me going back to check on the blurb as I thought I was reading a completely different book. It does change and become the story the blurb describes, but only after a long start. It is only the two main characters who we really meet, and I wouldn't say I 'know' them very well. Even their companions, who they spend so much time with, aren't really fleshed out. It didn't help when one of the main characters spoke to everyone as 'my dear hunter/my dear warrior/my dear spellster'. I know this was supposed to be one of his quirks, but I got it after the first dozen times. It really didn't need repeating multiple times on every page. The ending, such as it was, is the only thing in the book that felt rushed. Big events happen, something life-changing happens to a supporting character, opinions change, a lifetime's enduring love is pronounced, and it happens at the speed of light.
I struggled to finish this book. It was only my sheer stubborn nature and optimistic belief that it would get better (and if I finished it before it ended, I would never know) that kept me turning the pages to the very end. I am glad I've read it, but I wouldn't recommend it.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This should have been a good book. I really wanted it to be a good book, but it fell short for me on a number of different levels. First of all, it's long. And I mean REALLY long. Now don't get me wrong, I love epic fantasy, and regularly read books of a thick volume. However, for this book, it felt like it needed some serious editing to get some of the monotonous repetition removed. Also, this land is supposed to be under attack, but they manage to completely miss any and every member of either army on their two month trek across the land - which we hear about in great detail. How this book started actually had me going back to check on the blurb as I thought I was reading a completely different book. It does change and become the story the blurb describes, but only after a long start. It is only the two main characters who we really meet, and I wouldn't say I 'know' them very well. Even their companions, who they spend so much time with, aren't really fleshed out. It didn't help when one of the main characters spoke to everyone as 'my dear hunter/my dear warrior/my dear spellster'. I know this was supposed to be one of his quirks, but I got it after the first dozen times. It really didn't need repeating multiple times on every page. The ending, such as it was, is the only thing in the book that felt rushed. Big events happen, something life-changing happens to a supporting character, opinions change, a lifetime's enduring love is pronounced, and it happens at the speed of light.
I struggled to finish this book. It was only my sheer stubborn nature and optimistic belief that it would get better (and if I finished it before it ended, I would never know) that kept me turning the pages to the very end. I am glad I've read it, but I wouldn't recommend it.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Gareth von Kallenbach (980 KP) rated Ben-Hur (2016) in Movies
Jul 15, 2019
Published in 1880, Ben-Hur: A Tale of the Christ is considered one of the most influential Christian books of the nineteenth century. The success of the novel led to film adaptations, most notably the 1955 academy award winning version of the film string Charlton Heston. Fast forward to 2016 and MGM and Paramount Pictures hope to see continue the success of this proven story with their newest film adaptation Ben-Hur.
The story follows a fictional Jewish Prince, Juda Ben-Hur (Jack Huston) as he is betrayed by his adopted brother and roman officer Messala (Toby Kebbell). Juda’s family is falsely accused of treason and Juda becomes enslaved by the Romans. Fueled by hate, Juda returns to Jerusalem seeking vengeance, until he unexpectedly finds compassion, forgiveness and redemption.
Walking into Ben-Hur, I did not know what to expect. I watched the 1955 version of Ben-Hur in 7th grade and did not remember anything accept the amazing chariot scene. That being said, this 2016 version of Ben-Hur stands on its own as a good film. Set in the time of Jesus, the story of Ben-Hur can be universally understood by people in all walks of life, religious or otherwise. That was something that I really appreciated about this film. Often stories set in a Christian setting can turn out to be distractingly preachy. However, Ben-Hur was the perfect blend of religion being hinted at throughout the story but never actually becoming the focal point of the story as a whole until redemption is found. Sure, it is there throughout for those who want it to be, but it also plays as a quiet catalyst for Juda through the compassion he sees in his wife Esther (Nazanin Boniadi) and Jesus (Rodrigo Santoro).
The film is acted well and the use of relatively unknown actors to play these major roles in an epic like this only works to strengthen the story as a whole. In fact, the most popular actor by far is Morgan Freeman (Ilderim) who has maybe 15-20 minutes of total screen time.
From a technical standpoint, Ben-Hur works not only visually with fantastic epic action scenes, but also in its pacing. The film’s pacing finds balance between intense action moments and the quieter exposition scenes that helps develop these characters, most notably Juda. We witness Juda’s transformation from naive prince, to a slave fighting for survival, to a man on a mission for revenge and the forgiveness he gains along the way.
Ben-Hur stands out to me this summer because at its core, it is a good coherent story told between impressive action pieces. Unlike so many recent summer blockbusters that are intent on showing off huge set pieces and not much more, Ben-Hur doesn’t forget that those action scenes are there to further the plot and tell a human story.
The story follows a fictional Jewish Prince, Juda Ben-Hur (Jack Huston) as he is betrayed by his adopted brother and roman officer Messala (Toby Kebbell). Juda’s family is falsely accused of treason and Juda becomes enslaved by the Romans. Fueled by hate, Juda returns to Jerusalem seeking vengeance, until he unexpectedly finds compassion, forgiveness and redemption.
Walking into Ben-Hur, I did not know what to expect. I watched the 1955 version of Ben-Hur in 7th grade and did not remember anything accept the amazing chariot scene. That being said, this 2016 version of Ben-Hur stands on its own as a good film. Set in the time of Jesus, the story of Ben-Hur can be universally understood by people in all walks of life, religious or otherwise. That was something that I really appreciated about this film. Often stories set in a Christian setting can turn out to be distractingly preachy. However, Ben-Hur was the perfect blend of religion being hinted at throughout the story but never actually becoming the focal point of the story as a whole until redemption is found. Sure, it is there throughout for those who want it to be, but it also plays as a quiet catalyst for Juda through the compassion he sees in his wife Esther (Nazanin Boniadi) and Jesus (Rodrigo Santoro).
The film is acted well and the use of relatively unknown actors to play these major roles in an epic like this only works to strengthen the story as a whole. In fact, the most popular actor by far is Morgan Freeman (Ilderim) who has maybe 15-20 minutes of total screen time.
From a technical standpoint, Ben-Hur works not only visually with fantastic epic action scenes, but also in its pacing. The film’s pacing finds balance between intense action moments and the quieter exposition scenes that helps develop these characters, most notably Juda. We witness Juda’s transformation from naive prince, to a slave fighting for survival, to a man on a mission for revenge and the forgiveness he gains along the way.
Ben-Hur stands out to me this summer because at its core, it is a good coherent story told between impressive action pieces. Unlike so many recent summer blockbusters that are intent on showing off huge set pieces and not much more, Ben-Hur doesn’t forget that those action scenes are there to further the plot and tell a human story.
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"The boxing game we deserve." 8/10 – Gamezebo "A big, brash boxing game that's surprising tactical...