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Never Alone: Ki Edition
Games and Education
App
A worldwide App Store Editors’ Choice. “Stunningly poignant - and quite brilliant. 10/10.” -...
DomiNations
Games and Entertainment
7.5
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App
Grow a flourishing civilization and journey through all of human history as the leader of a mighty...
Hocus Pocus and the All-New Sequel
6.8
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Book
Hocus Pocus is beloved by Halloween enthusiasts all over the world. Diving once more into the...
LeftSideCut (3778 KP) rated Hawkeye in TV
Dec 23, 2021
Contains spoilers, click to show
Marvel Studios continue their streak of enjoyable mini-series with Hawkeye, a series that was met with a fair amount of indifference upon its announcement, which is understandable. On the surface , Clint Barton isn't the most exciting Avenger to build a series around, but Hawkeye surprises with a team of decent writers, and a story adapted from Matt Fraction and David Aja's acclaimed comic book run.
Most of Barton's specific plot beats revolve around his family, and his loss of hearing. The human elements ensure that he remains a relatable, street level character. The "Hawkeye" that this series is really about of course is MCU newcomer Kate Bishop, a fan favourite comic character who is portrayed wonderfully by Hailee Steinfeld. The series is essentially her origin story, and I for one can't wait to see her in future projects. The chemistry between Steinfeld and Jeremy Renner is great, and provides a huge amount of heart to the overall story.
Florence Pugh has a welcome return as Yelena, and her involvement ensures that Hawkeye is as much of a tribute to Black Widow as anything else, and serves some much needed closure for her concluded story arc that has been frustratingly absent since the events of Avengers: Endgame.
Elsewhere, the likes of Vera Farmiga, Tony Dalton, and Alaqua Cox make up a strong supporting cast, and sets up an upcoming series for Echo, a deeper cut from the Marvel vaults, but one that I'm intrigued to see develop.
And then of course, there's motherfucking Kingpin. Arguably the most popular character from the Netflix shows, the decision to bring Vincent Donofrio back as Wilson Fisk is a smart one. His presence in the MCU is incredibly exciting to me, and Donofrio does and excellent job once again, at filling the boots of one of Marvel's most intimidating villains. Welcome back sir.
There are plenty of exciting action set pieces sprinkled throughout (a car chase involving various trick arrows is a particular highlight) and the decision to keep Hawkeye firmly street level in its execution is a wise one. It allows New York City to feel like a character in it's own right, and the Christmas setting adds to that. It does feel like a proper holiday watch at times, and this is probably why the show feels so goofy on more than one occasion. I know that the MCU likes to keep the mood light for the most part, and is often found guilty of undercutting serious or epic moments with jokes. Hawkeye occasionally goes overboard with these moments, especially in the finale. It's not enough to derail what is an incredibly entertaining series, but it's a little frustrating.
Overall though, Hawkeye is another decent and fleshed out mini series in this sprawling franchise. The extra runtime of a season has ensured that all of the MCU shows this year have been high quality and worth watching. I just hope it's not too long until we get a Kate Bishop/Yelena reunion!
Most of Barton's specific plot beats revolve around his family, and his loss of hearing. The human elements ensure that he remains a relatable, street level character. The "Hawkeye" that this series is really about of course is MCU newcomer Kate Bishop, a fan favourite comic character who is portrayed wonderfully by Hailee Steinfeld. The series is essentially her origin story, and I for one can't wait to see her in future projects. The chemistry between Steinfeld and Jeremy Renner is great, and provides a huge amount of heart to the overall story.
Florence Pugh has a welcome return as Yelena, and her involvement ensures that Hawkeye is as much of a tribute to Black Widow as anything else, and serves some much needed closure for her concluded story arc that has been frustratingly absent since the events of Avengers: Endgame.
Elsewhere, the likes of Vera Farmiga, Tony Dalton, and Alaqua Cox make up a strong supporting cast, and sets up an upcoming series for Echo, a deeper cut from the Marvel vaults, but one that I'm intrigued to see develop.
And then of course, there's motherfucking Kingpin. Arguably the most popular character from the Netflix shows, the decision to bring Vincent Donofrio back as Wilson Fisk is a smart one. His presence in the MCU is incredibly exciting to me, and Donofrio does and excellent job once again, at filling the boots of one of Marvel's most intimidating villains. Welcome back sir.
There are plenty of exciting action set pieces sprinkled throughout (a car chase involving various trick arrows is a particular highlight) and the decision to keep Hawkeye firmly street level in its execution is a wise one. It allows New York City to feel like a character in it's own right, and the Christmas setting adds to that. It does feel like a proper holiday watch at times, and this is probably why the show feels so goofy on more than one occasion. I know that the MCU likes to keep the mood light for the most part, and is often found guilty of undercutting serious or epic moments with jokes. Hawkeye occasionally goes overboard with these moments, especially in the finale. It's not enough to derail what is an incredibly entertaining series, but it's a little frustrating.
Overall though, Hawkeye is another decent and fleshed out mini series in this sprawling franchise. The extra runtime of a season has ensured that all of the MCU shows this year have been high quality and worth watching. I just hope it's not too long until we get a Kate Bishop/Yelena reunion!
Lyndsey Gollogly (2893 KP) rated Tenacity ( Rise of Iliri book 5) in Books
Feb 1, 2022
Contains spoilers, click to show
❗️❗️❗️ spoiler in last paragraph!‼️‼️
20 of 230
Kindle
Tenacity ( Rise of Iliri book 5)
By Auryn Hadley
WAR, HEARTBREAK, MORE WAR... AND A NEW FRIEND
In the fifth heart-stopping tale of her epic fantasy series The Rise of the Iliri, Auryn Hadley interjects a compelling sci-fi action fantasy with an emotionally charged reverse harem romance, setting the heart-warming experience of everyday community against the heart-wrenching reality of war - and the loss it causes. A jarring emotional roller coaster, Tenacity tells the age-old tale of pure love amidst a struggle between good and evil - but with a heaping dose of the light-hearted, cross-cultural birds and bees. This one has plenty of laughs. And plenty of heartbreak.
Slowly, region by region, the Lieutenant Salryc Luxx and her elite Black Blades are pushing forward and liberating an enslaved nation from the emperor's reign of terror. But the battle's not without consequence.
While scoping out the quiet remains of a fallen town - too quiet, actually - they discover scores of slaughtered families. But they also discover life: a young girl, locked in a cage below a tavern. No one is certain exactly what she is. She has unusual streaks of red, blonde, and white hair, and two different-colored eyes. She's fluent in iliri language, and she's terrified. So terrified that when an officer approaches to unlock her, her fear burns a hole in his armor.
The girl's name is Shaden. She's too young to know what exactly her talents are, or how to control them, but she's powerful. Immediately recognizing Sal as the fabled Kaisae, she trusts only Sal. Meanwhile, as the Black Blades continue their assault on a city thought to be impenetrable, Shaden manages to harness her power to help keep her newfound family of warriors safe. But for Sal's part, Shaden triggers difficult emotional memories of her own enslavement as a girl. And her longing to free anyone she can
With every win, Sal is bombarded by the thanks of those she rescued, and the disdain of those whose families she could not save. She can't sleep, she can't eat ... but she cannot stop fighting, either.
Victory is near. The Emperor is losing. He knows this. He knows Sal's responsible, and he knows exactly how to destroy her - go after those she loves most.
There’s me going a long nicely really enjoying the book and being back with Sal and her guys the Bam!!!! Not only does Balaec get killed in front of her she has to watch the dogs eat him! My heart broke this was a character death I won’t forget in a hurry poor Sal. Poor black blades. This was another brilliant book from a series I absolutely love! I just need to hide this one in the freezer (if you know you know) .
20 of 230
Kindle
Tenacity ( Rise of Iliri book 5)
By Auryn Hadley
WAR, HEARTBREAK, MORE WAR... AND A NEW FRIEND
In the fifth heart-stopping tale of her epic fantasy series The Rise of the Iliri, Auryn Hadley interjects a compelling sci-fi action fantasy with an emotionally charged reverse harem romance, setting the heart-warming experience of everyday community against the heart-wrenching reality of war - and the loss it causes. A jarring emotional roller coaster, Tenacity tells the age-old tale of pure love amidst a struggle between good and evil - but with a heaping dose of the light-hearted, cross-cultural birds and bees. This one has plenty of laughs. And plenty of heartbreak.
Slowly, region by region, the Lieutenant Salryc Luxx and her elite Black Blades are pushing forward and liberating an enslaved nation from the emperor's reign of terror. But the battle's not without consequence.
While scoping out the quiet remains of a fallen town - too quiet, actually - they discover scores of slaughtered families. But they also discover life: a young girl, locked in a cage below a tavern. No one is certain exactly what she is. She has unusual streaks of red, blonde, and white hair, and two different-colored eyes. She's fluent in iliri language, and she's terrified. So terrified that when an officer approaches to unlock her, her fear burns a hole in his armor.
The girl's name is Shaden. She's too young to know what exactly her talents are, or how to control them, but she's powerful. Immediately recognizing Sal as the fabled Kaisae, she trusts only Sal. Meanwhile, as the Black Blades continue their assault on a city thought to be impenetrable, Shaden manages to harness her power to help keep her newfound family of warriors safe. But for Sal's part, Shaden triggers difficult emotional memories of her own enslavement as a girl. And her longing to free anyone she can
With every win, Sal is bombarded by the thanks of those she rescued, and the disdain of those whose families she could not save. She can't sleep, she can't eat ... but she cannot stop fighting, either.
Victory is near. The Emperor is losing. He knows this. He knows Sal's responsible, and he knows exactly how to destroy her - go after those she loves most.
There’s me going a long nicely really enjoying the book and being back with Sal and her guys the Bam!!!! Not only does Balaec get killed in front of her she has to watch the dogs eat him! My heart broke this was a character death I won’t forget in a hurry poor Sal. Poor black blades. This was another brilliant book from a series I absolutely love! I just need to hide this one in the freezer (if you know you know) .
Bila Yarrudhanggalangdhuray
Book
Gundagai, 1852 The powerful Murrumbidgee River surges through town leaving death and destruction...
Suswatibasu (1701 KP) rated Killers of the Flower Moon: The Osage Murder and the Birth of the FBI in Books
Nov 24, 2017 (Updated Nov 24, 2017)
Mind-blowing and a disconcerting read
I can say without a doubt, this is one of the best novels I've read this year. It is a disturbing and excellent real-life account of the plight of Native Americans who found themselves the unwitting beneficiaries of a financial boom in the 1920's after oil was discovered under the previously barren and worthless reservation they were moved to.
This fantastic book relates to a story covered in blood, racism and greed. Oil, black gold, made the Plains Osage tribe incredibly wealthy. By the 1890's, the remnants of this great people were in the scrub lands of Northern Oklahoma.
Their life was continually harsh, the soil poor. In the late 1890's, by chance, oil was struck in Osage County, flowing in abundance and in great demand. From 1918 to 1928, $202 million was paid to the tribe which by then numbered around 3000, transforming their lives. 680 barrels were obtained in a day in 1920 from a strike at Burbank, angering the whites and thus began the "Reign of Terror" in which hundreds of the Osage tribe members were subsequently killed in the most horrendous display of corruption.
The book itself begins in 1921 with an Osage woman who had a share of the mineral riches to be found under the Osage land. Mollie like others was subject to a law that treated her tribe as juveniles whose estates had to be administered by white guardians, that is local lawyers and businessmen, appointed by local courts.
Guardianship was unpoliced and few records were kept. Fraud was therefore prevalent and many of the local white community participated in corruption - murder was widespread as a result. Mollie's sister, Anna, was the first noticeable murder in which she was shot and killed, launching a major probe into similar killings in the area. Many other murders were committed over the following years, with poisoning as the most common method of killing. Essentially it was a covert form of genocide.
The locals refused to act, partly due to fear or involvement in this heinous plot, so J. Edgar Hoover, who was the first president of the FBI, became involved in the investigation. He sent a tall Texas Ranger called Tom White to scrutinise an epic series of murders in which even investigators were targets.
What follows is not only history but a riveting detective story and the book demonstrates yet again the enormous cost of American nationhood. It provides some fascinating insight into the early workings of the FBI (not least Hoover's nascent megalomania) for whom this was a celebrated case and a valuable reminder for folk who thought the persecution of American Indians ended in the late 19th century. Author and journalist David Grann does a superb job in collating all of the information with dozens of pages solely highlighting attributions and references - it is thorough and well-researched. Therefore it is hardly surprising that Hollywood has snapped up this book to turn it into a major motion picture - let's hope they don't whitewash history once again.
This fantastic book relates to a story covered in blood, racism and greed. Oil, black gold, made the Plains Osage tribe incredibly wealthy. By the 1890's, the remnants of this great people were in the scrub lands of Northern Oklahoma.
Their life was continually harsh, the soil poor. In the late 1890's, by chance, oil was struck in Osage County, flowing in abundance and in great demand. From 1918 to 1928, $202 million was paid to the tribe which by then numbered around 3000, transforming their lives. 680 barrels were obtained in a day in 1920 from a strike at Burbank, angering the whites and thus began the "Reign of Terror" in which hundreds of the Osage tribe members were subsequently killed in the most horrendous display of corruption.
The book itself begins in 1921 with an Osage woman who had a share of the mineral riches to be found under the Osage land. Mollie like others was subject to a law that treated her tribe as juveniles whose estates had to be administered by white guardians, that is local lawyers and businessmen, appointed by local courts.
Guardianship was unpoliced and few records were kept. Fraud was therefore prevalent and many of the local white community participated in corruption - murder was widespread as a result. Mollie's sister, Anna, was the first noticeable murder in which she was shot and killed, launching a major probe into similar killings in the area. Many other murders were committed over the following years, with poisoning as the most common method of killing. Essentially it was a covert form of genocide.
The locals refused to act, partly due to fear or involvement in this heinous plot, so J. Edgar Hoover, who was the first president of the FBI, became involved in the investigation. He sent a tall Texas Ranger called Tom White to scrutinise an epic series of murders in which even investigators were targets.
What follows is not only history but a riveting detective story and the book demonstrates yet again the enormous cost of American nationhood. It provides some fascinating insight into the early workings of the FBI (not least Hoover's nascent megalomania) for whom this was a celebrated case and a valuable reminder for folk who thought the persecution of American Indians ended in the late 19th century. Author and journalist David Grann does a superb job in collating all of the information with dozens of pages solely highlighting attributions and references - it is thorough and well-researched. Therefore it is hardly surprising that Hollywood has snapped up this book to turn it into a major motion picture - let's hope they don't whitewash history once again.
Sensitivemuse (246 KP) rated Falling Kingdoms in Books
May 5, 2018
Interesting Villains, annoying heroes
Contains spoilers, click to show
***Spoilers ahead you’ve been warned***
I rather enjoyed this one. Somewhat. The characters are really what drives this book (some of them that is) and while the plot moves at a medium pace, it’s understandable as this introduces you to the setting, the characters and what’s in store for us as readers.
World building is straight forward and there’s a handy guide in the beginning so you can figure out who is who and from which Kingdom (there are three). It pretty much centralizes on a small group that are central to the main plot and it’s easy to figure out who is who as you quickly start developing favorites :)
And this is where it starts getting interesting. I notice this happens sometimes with fantasy books. The good characters are downright annoying, nauseating (even more so when the love factor is involved) and induce eye rolling moments while reading. The not so nice characters are more interesting to read, you quietly cheer for them and hope they turn out for the better because you don’t want them going down that path because most likely, they’ll end up being gone and you’ll have nothing else to read but the good guys.
I tried to like Cleo. I really did. However all I see is a little naive twit who’s annoying and I don’t really see her worth in this book and I wonder why Magnus just doesn’t end her so she can join good ol dependable Theon. I am hoping she turns out better in the later books but so far she’s not looking so good and her romance with Theon was so eye rolling inducing it’s characters like these that make or break the novel.
Thankfully, I love the Magnus story arc. He’s turned into a jerk but it’s not really his fault as dad isn’t really nice. The thing with Lucia is creepy and although they’re not blood related it still gives moments of queasiness (dude, you have like so many girls in the Kingdom come on). That being said though, I love reading about Magnus and Lucia. Their story lines are interesting, they have faults, and they deal with it (albeit, perhaps not in an all too healthy manner).
The story arc with Jonas was also interesting and I wish more was written about him (I think Cleo’s got way too much time in spotlight) as he’s gone through so much to get his revenge and only to find out it just opened a giant Pandora’s box and we’re heading towards more epic battling.
The latter third of the book gets really interesting. I’m only hoping there’s going to be a good outcome for everyone and I really hope Cleo’s character improves because she’s really what could make or break my desire to continue onto this series. Sometimes it takes that one character to ruin it all. That being said, I think it’s off to a great start and I’m ready for some more! Great for those into YA fantasy.
I rather enjoyed this one. Somewhat. The characters are really what drives this book (some of them that is) and while the plot moves at a medium pace, it’s understandable as this introduces you to the setting, the characters and what’s in store for us as readers.
World building is straight forward and there’s a handy guide in the beginning so you can figure out who is who and from which Kingdom (there are three). It pretty much centralizes on a small group that are central to the main plot and it’s easy to figure out who is who as you quickly start developing favorites :)
And this is where it starts getting interesting. I notice this happens sometimes with fantasy books. The good characters are downright annoying, nauseating (even more so when the love factor is involved) and induce eye rolling moments while reading. The not so nice characters are more interesting to read, you quietly cheer for them and hope they turn out for the better because you don’t want them going down that path because most likely, they’ll end up being gone and you’ll have nothing else to read but the good guys.
I tried to like Cleo. I really did. However all I see is a little naive twit who’s annoying and I don’t really see her worth in this book and I wonder why Magnus just doesn’t end her so she can join good ol dependable Theon. I am hoping she turns out better in the later books but so far she’s not looking so good and her romance with Theon was so eye rolling inducing it’s characters like these that make or break the novel.
Thankfully, I love the Magnus story arc. He’s turned into a jerk but it’s not really his fault as dad isn’t really nice. The thing with Lucia is creepy and although they’re not blood related it still gives moments of queasiness (dude, you have like so many girls in the Kingdom come on). That being said though, I love reading about Magnus and Lucia. Their story lines are interesting, they have faults, and they deal with it (albeit, perhaps not in an all too healthy manner).
The story arc with Jonas was also interesting and I wish more was written about him (I think Cleo’s got way too much time in spotlight) as he’s gone through so much to get his revenge and only to find out it just opened a giant Pandora’s box and we’re heading towards more epic battling.
The latter third of the book gets really interesting. I’m only hoping there’s going to be a good outcome for everyone and I really hope Cleo’s character improves because she’s really what could make or break my desire to continue onto this series. Sometimes it takes that one character to ruin it all. That being said, I think it’s off to a great start and I’m ready for some more! Great for those into YA fantasy.
Lee (2222 KP) rated Wild Rose (2018) in Movies
Mar 20, 2019 (Updated Mar 20, 2019)
A Star Is Born
I've talked before about how disappointed I was with 'A Star Is Born' last year. An overrated movie of two halves, with an incredible first half and a dire second half. What I wanted from that movie was the story of a girl chasing a dream, culminating in the birth of a star and an epic singing finale. That all happened in the first half though, with the second half spiraling into boring filler territory. Wild Rose tells the story of Rose-Lynn, a down on her luck, aspiring country singer with dreams of becoming a star. It more closely follows that story I was looking for than 'A Star Is Born' did and is a much better movie overall, despite remaining fairly average throughout. If you put Sheridan Smith in the lead role, this could have just as easily been shown on ITV as their latest big weeknight drama series.
Things kick off with Rose-Lynn (Jessie Buckley) being released from a year in prison where she served time for drug charges. Before anything else, she meets up with a friend to catch up on some sex before heading over to her mums house (Julie Walters). Mum has been looking after Rose-Lynn's two young kids, aged 5 and 8, for the last year and it's clear the bond between mum and children has taken a serious hit. She doesn't exactly make any effort to reconnect with her children either, pulling on her cowboy boots and heading down to Glasgows Grand Ole Opry to try and pick up the regular singing slot she held there before winding up in jail. Rose-Lynn is a huge country music fan, and has plans to head over to Nashville in order to try and become a star.
Rose-Lynn lands a day job, cleaning for a wealthy couple in their large house. The lady of the house, Susannah (Sophie Okonedo) takes a shine to Rose-Lynn and after her children hear her belting out a song while cleaning, goes out of her way to try and help her. Using her connections to get a demo video to BBC Radio 2 legend 'Whispering' Bob Harris and even landing Rose-Lynn a gig at her 50th birthday party with a view to getting her wealthy guests to help 'crowdfund' Rose-Lynn.
Rose-Lynn is not a very likeable character for much of this movie. Selfish, annoying and with questionable life choices and actions. But that's the whole idea - to manipulate our feelings towards her. She's played wonderfully by Jessie Buckley and as her character grows and learns from life, we begin to like her that little bit more too. I was worried that if she eventually did find her way to Nashville, we'd see her become this huge star and I would have felt cheated if that were the case. Without heading too much into spoiler territory, I'll just say that things don't exactly work out that way. It's an unexpected but welcome change in direction, and leads to an incredible and emotional final number.
Things kick off with Rose-Lynn (Jessie Buckley) being released from a year in prison where she served time for drug charges. Before anything else, she meets up with a friend to catch up on some sex before heading over to her mums house (Julie Walters). Mum has been looking after Rose-Lynn's two young kids, aged 5 and 8, for the last year and it's clear the bond between mum and children has taken a serious hit. She doesn't exactly make any effort to reconnect with her children either, pulling on her cowboy boots and heading down to Glasgows Grand Ole Opry to try and pick up the regular singing slot she held there before winding up in jail. Rose-Lynn is a huge country music fan, and has plans to head over to Nashville in order to try and become a star.
Rose-Lynn lands a day job, cleaning for a wealthy couple in their large house. The lady of the house, Susannah (Sophie Okonedo) takes a shine to Rose-Lynn and after her children hear her belting out a song while cleaning, goes out of her way to try and help her. Using her connections to get a demo video to BBC Radio 2 legend 'Whispering' Bob Harris and even landing Rose-Lynn a gig at her 50th birthday party with a view to getting her wealthy guests to help 'crowdfund' Rose-Lynn.
Rose-Lynn is not a very likeable character for much of this movie. Selfish, annoying and with questionable life choices and actions. But that's the whole idea - to manipulate our feelings towards her. She's played wonderfully by Jessie Buckley and as her character grows and learns from life, we begin to like her that little bit more too. I was worried that if she eventually did find her way to Nashville, we'd see her become this huge star and I would have felt cheated if that were the case. Without heading too much into spoiler territory, I'll just say that things don't exactly work out that way. It's an unexpected but welcome change in direction, and leads to an incredible and emotional final number.
Movie Metropolis (309 KP) rated The Good Dinosaur (2015) in Movies
Jun 10, 2019
Is it as good as Inside Out?
2015 has been a great year for film. From long-awaited sequels to the conclusion of epic franchises, it’s been one of the best and most successful movie seasons in recent memory, and with Star Wars: the Force Awakens out in December, it can only finish on a high.
It also marks the first time that Pixar has released two films in the same year. Summer saw the release of instant-classic Inside Out and now animation fans get to enjoy another movie from the studio, The Good Dinosaur, but has Pixar bitten of more than it can chew?
The Good Dinosaur follows the story of a young Apatosaurus named Arlo, voiced beautifully by Raymond Ochoa, as he comes to terms with growing up in an ever-changing world where dinosaurs never met their well-documented fates.
He, alongside human child Spot suddenly find themselves embroiled in a dangerous journey after getting lost a long way from their homes.
If this all sounds a little formulaic to you, then that’s because it is. The Good Dinosaur has a plot more akin to Paramount animation, rather than the exceptional storytelling we have come to expect from Pixar. There’s nothing particularly special or unique about the plot and this is a real shame.
Thankfully, Pixar’s usual gut-punches are out in full force and The Good Dinosaur is among one of the emotional films in the studio’s roster. Personal tragedy is never an easy thing to convey in a movie meant to be enjoyed by the whole family, but here it is dealt with in a beautiful and tasteful manner.
Scenes in which Arlo and Spot share their circumstances with each other hit home hard and are deeply saddening to watch.
The cinematography too is absolutely exceptional. The breath-taking prehistoric landscapes are rendered in such stunning animation, they almost feel real. From raging white-water to beautiful sun-flooded forests, everything is a joy to behold and this is where The Good Dinosaur excels – a firefly swarm in particular is spectacular and propels the film into How to Train Your Dragon territory for sheer spectacle.
However, the entire film feels like a show reel, albeit a mesmerising one, for the talents at Pixar. Each shot of scenery is lingered on for a little too long and agoraphobic Arlo’s plight can sometimes take a backseat to this beauty.
Nevertheless, there are some wonderful characters here. A trio of T-Rex, who turn out to be cowboys – or should that be cowdinos, provide The Good Dinosaur with some of its more standout moments and it’s the lack of these sequences where the film is found wanting.
Overall, Pixar has created another excellent piece of animation with The Good Dinosaur. Though not quite at their ‘gold standard,’ the film is a wonder to behold and shows just how gorgeous animated features can be.
Unfortunately, the lack of an original story ensures it’ll prove second best to Inside Out in this year’s battle despite its deeper emotional resonance.
https://moviemetropolis.net/2015/11/29/is-it-as-good-as-inside-out-the-good-dinosaur-review/
It also marks the first time that Pixar has released two films in the same year. Summer saw the release of instant-classic Inside Out and now animation fans get to enjoy another movie from the studio, The Good Dinosaur, but has Pixar bitten of more than it can chew?
The Good Dinosaur follows the story of a young Apatosaurus named Arlo, voiced beautifully by Raymond Ochoa, as he comes to terms with growing up in an ever-changing world where dinosaurs never met their well-documented fates.
He, alongside human child Spot suddenly find themselves embroiled in a dangerous journey after getting lost a long way from their homes.
If this all sounds a little formulaic to you, then that’s because it is. The Good Dinosaur has a plot more akin to Paramount animation, rather than the exceptional storytelling we have come to expect from Pixar. There’s nothing particularly special or unique about the plot and this is a real shame.
Thankfully, Pixar’s usual gut-punches are out in full force and The Good Dinosaur is among one of the emotional films in the studio’s roster. Personal tragedy is never an easy thing to convey in a movie meant to be enjoyed by the whole family, but here it is dealt with in a beautiful and tasteful manner.
Scenes in which Arlo and Spot share their circumstances with each other hit home hard and are deeply saddening to watch.
The cinematography too is absolutely exceptional. The breath-taking prehistoric landscapes are rendered in such stunning animation, they almost feel real. From raging white-water to beautiful sun-flooded forests, everything is a joy to behold and this is where The Good Dinosaur excels – a firefly swarm in particular is spectacular and propels the film into How to Train Your Dragon territory for sheer spectacle.
However, the entire film feels like a show reel, albeit a mesmerising one, for the talents at Pixar. Each shot of scenery is lingered on for a little too long and agoraphobic Arlo’s plight can sometimes take a backseat to this beauty.
Nevertheless, there are some wonderful characters here. A trio of T-Rex, who turn out to be cowboys – or should that be cowdinos, provide The Good Dinosaur with some of its more standout moments and it’s the lack of these sequences where the film is found wanting.
Overall, Pixar has created another excellent piece of animation with The Good Dinosaur. Though not quite at their ‘gold standard,’ the film is a wonder to behold and shows just how gorgeous animated features can be.
Unfortunately, the lack of an original story ensures it’ll prove second best to Inside Out in this year’s battle despite its deeper emotional resonance.
https://moviemetropolis.net/2015/11/29/is-it-as-good-as-inside-out-the-good-dinosaur-review/