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Lee KM Pallatina (951 KP) rated the Xbox 360 version of Ride to Hell: Retribution in Video Games
Feb 27, 2020
Ride to Hell..and stay there!
Ride to hell retribution was obviously designed to cash in on the success of popular tv show Sons of Anarchy, which it fails to and if you haven't had the unfortunate time wasting so called opportunity...you have no idea how lucky you are.
announced in 2008 and cancelled later the same year was just the beginning.
Ride to Hell has been donned one of the worst video games ever, broken and repetitive gameplay, terrible controls, outdated graphics, poor voice acting, poor A.I, the most awkward sex scenes, seriously offensive portrayal of women, almost constant bugs and glitches, and dropped original plan for it to be an open world.
Plot:
1969
Vietnam veteran Jake Conway returns home to his family of bikers, uncle Mack and brother Mikey. Mikey has grown distant from his brother and uncle, but is infatuated with his college friend and tutor, Ellie, who likes bands.
Mikey leaves angered when Mack refuses to allow him to go to a concert with Ellie.
Mack sends Jake after him
after consoling, they go to a diner.
Outside they're confronted by The Devil's Hand bike gang.
Jake intervenes as Devil's Hand member notices Mikey's jacket causing a chase.
The Devil's Hand hold the brothers at gunpoint over their fathers rival gang jacket. Mikey spills
Meathook (yep...bad guy name) slits Mikey's throat, and as Jake mourns (cheesey scream) his brother he is shot and left for dead.
From this point, many broken levels follow, getting to the end of a level doesn't mean you finished it...usually means you failed because this game sucks.
announced in 2008 and cancelled later the same year was just the beginning.
Ride to Hell has been donned one of the worst video games ever, broken and repetitive gameplay, terrible controls, outdated graphics, poor voice acting, poor A.I, the most awkward sex scenes, seriously offensive portrayal of women, almost constant bugs and glitches, and dropped original plan for it to be an open world.
Plot:
1969
Vietnam veteran Jake Conway returns home to his family of bikers, uncle Mack and brother Mikey. Mikey has grown distant from his brother and uncle, but is infatuated with his college friend and tutor, Ellie, who likes bands.
Mikey leaves angered when Mack refuses to allow him to go to a concert with Ellie.
Mack sends Jake after him
after consoling, they go to a diner.
Outside they're confronted by The Devil's Hand bike gang.
Jake intervenes as Devil's Hand member notices Mikey's jacket causing a chase.
The Devil's Hand hold the brothers at gunpoint over their fathers rival gang jacket. Mikey spills
Meathook (yep...bad guy name) slits Mikey's throat, and as Jake mourns (cheesey scream) his brother he is shot and left for dead.
From this point, many broken levels follow, getting to the end of a level doesn't mean you finished it...usually means you failed because this game sucks.
Kara Skinner (332 KP) rated Mine Completely in Books
Sep 10, 2019
Money sucks.
It can be a good thing, but at the same time it can ruin relationships or at the very least cause fights and angst. Simon and Kara haven’t totally figured out how to deal with their money, even though they are engaged. Kara is still self-conscious about the income gap between them and wants a prenup. Simon is worried that Kara doesn’t think that he trusts her and wants to do anything and everything to prove that he does. Then there’s the little matter of Kara’s pregnancy.
While I enjoyed this Simon and Kara story very much, I only enjoyed reading it once. One read through is enough time to enjoy the romantic gestures and Simon’s and Kara’s hopeless love and attraction to each other. But like a significant other, the more time you spend with the story, the more you see flaws and annoying habits that make you cringe. Simon and Kara fight like two teenagers riddled with hormones and angst. While Simon is still smokin’ hot, and the sex scenes are well worth the read, Simon slowly loses his brain cells until he sounds more like a caveman and less like a video game designer with alpha male tendencies. I don’t know how many times he called Kara “his woman”, but it was enough to annoy me. Severely annoy me.
But like any other significant lover worth loving, you get over the flaws. The Billionaire’s Obsession is a fantastic, well detailed erotic romance that has fantastic sex scenes, great characters, and even a plot, which is a rare find in the dark and dangerous realm of erotica.
It can be a good thing, but at the same time it can ruin relationships or at the very least cause fights and angst. Simon and Kara haven’t totally figured out how to deal with their money, even though they are engaged. Kara is still self-conscious about the income gap between them and wants a prenup. Simon is worried that Kara doesn’t think that he trusts her and wants to do anything and everything to prove that he does. Then there’s the little matter of Kara’s pregnancy.
While I enjoyed this Simon and Kara story very much, I only enjoyed reading it once. One read through is enough time to enjoy the romantic gestures and Simon’s and Kara’s hopeless love and attraction to each other. But like a significant other, the more time you spend with the story, the more you see flaws and annoying habits that make you cringe. Simon and Kara fight like two teenagers riddled with hormones and angst. While Simon is still smokin’ hot, and the sex scenes are well worth the read, Simon slowly loses his brain cells until he sounds more like a caveman and less like a video game designer with alpha male tendencies. I don’t know how many times he called Kara “his woman”, but it was enough to annoy me. Severely annoy me.
But like any other significant lover worth loving, you get over the flaws. The Billionaire’s Obsession is a fantastic, well detailed erotic romance that has fantastic sex scenes, great characters, and even a plot, which is a rare find in the dark and dangerous realm of erotica.
LeftSideCut (3778 KP) rated Vampires vs. the Bronx (2020) in Movies
Oct 12, 2020 (Updated Oct 12, 2020)
Starting with the positives for this one...
The three young leads are pretty likable, one of them wears a Ghost shirt at one point which was cool. Method Man plays a priest which is always going to be a good time. It has a diverse cast and deals with the issue of gentrification which you don't see often in movies.
But that was about it for me, everything else is just kind of shoddy. Although the whole cast seem to gel nicely, aside from a few moments that made me smile, none of the humour really landed.
The vampire aspect of this movie was just a bit lame. There's a lot of references to Blade, and a nod to The Lost Boys, but all that does is remind the audience that they could be watching a much better vampire film.
I appreciate that this a family friendly film, but I don't recall seeing a single drop of blood, which is weird considering the subject matter.
There aren't really any set pieces until the end, and honestly, the final showdown is woefully shit. The stakes never seem high throughout, and the twist regarding the vampire leader is telegraphed from the first moment they appear on screen.
Living in the UK, I can't comment on how well Vampires vs The Bronx represents The Bronx itself. In that regard, I've heard positive things, and the closing lines of the movie suggest that this is a film made for those who live there, which is a great thing, but it may somewhat explain why I just didn't connect with it in the way that others have.
As a commentary on several relevant social issues, it's not too bad. As a vampire film, it sucks, pun fully intended.
The three young leads are pretty likable, one of them wears a Ghost shirt at one point which was cool. Method Man plays a priest which is always going to be a good time. It has a diverse cast and deals with the issue of gentrification which you don't see often in movies.
But that was about it for me, everything else is just kind of shoddy. Although the whole cast seem to gel nicely, aside from a few moments that made me smile, none of the humour really landed.
The vampire aspect of this movie was just a bit lame. There's a lot of references to Blade, and a nod to The Lost Boys, but all that does is remind the audience that they could be watching a much better vampire film.
I appreciate that this a family friendly film, but I don't recall seeing a single drop of blood, which is weird considering the subject matter.
There aren't really any set pieces until the end, and honestly, the final showdown is woefully shit. The stakes never seem high throughout, and the twist regarding the vampire leader is telegraphed from the first moment they appear on screen.
Living in the UK, I can't comment on how well Vampires vs The Bronx represents The Bronx itself. In that regard, I've heard positive things, and the closing lines of the movie suggest that this is a film made for those who live there, which is a great thing, but it may somewhat explain why I just didn't connect with it in the way that others have.
As a commentary on several relevant social issues, it's not too bad. As a vampire film, it sucks, pun fully intended.
Airpocalypse
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A Wedding in December
8.0
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The Top Five Sunday Times Bestseller ‘Sarah Morgan is back in style with a perfect snow-filled...
Sophia (Bookwyrming Thoughts) (530 KP) rated Smoke and Key in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<h2><b>Kelsey Sutton sucked me right into <em>Smoke and Key</em>.</b></h2>
I thought <em>Smoke and Key</em> would be a fascinating murder mystery set underground with the dead. But as I got in the story, I discovered I was so <em>so</em> wrong. From early in the novel, Sutton sucks me into the world of Under. Key wakes up dead with no memories other than a key around her neck. Others who live in Under are the same as well, and like Key each of them has an item they came with they identify themselves with.
<h2><strong>Mysterious and creepy.</strong></h2>
<em>Smoke and Key</em> is everything I thought a world of dead people would be - mysterious and creepy. When Key awakens in Under, she has a feeling everyone around her is in the world for a reason - she just can't remember why. As she sets out to discover who she is, some of the residents are murdered brutally with no return. Key hopes that as she discovers the reason why everyone is there, she'll solve the cause as well before she is murdered.
Sutton creates an atmospheric world while building a mystery that kept me turning the pages. There were moments where I thought I would know how the story will play out in the end, but I would turn out to be entirely wrong. Sutton continues to do this until near the end when everything circles together.
<h2><strong>A little romance underneath.</strong></h2>
Sutton includes a good amount of romance in her latest novel developing throughout that I enjoyed. Despite the romance being a trope I normally have a dislike for, Sutton turns the tables and handles it nicely. There is also a good balance between the romance and everything else in the story, so it doesn't overshadow the plot despite ultimately being a love story.
<h2><strong>Superb character development.</strong></h2>
I adored all of the characters who made up the world of Under. Each of them has individual contributions to the society that is developed. What's neat about <em>Smoke and Key</em> is the story is in two timelines that come together in the end. One timeline is in the present in Under while the other as Key discovers her past that led them all to this world. Having the two timelines allows readers to see how the relationships have developed.
<h2><em><strong>Smoke and Key</strong></em><strong> is a beautifully written novel with magic and romance built with mysterious and creepy vibes.</strong></h2>
<a href="https://bookwyrmingthoughts.com/smoke-and-key-by-kelsey-sutton/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<h2><b>Kelsey Sutton sucked me right into <em>Smoke and Key</em>.</b></h2>
I thought <em>Smoke and Key</em> would be a fascinating murder mystery set underground with the dead. But as I got in the story, I discovered I was so <em>so</em> wrong. From early in the novel, Sutton sucks me into the world of Under. Key wakes up dead with no memories other than a key around her neck. Others who live in Under are the same as well, and like Key each of them has an item they came with they identify themselves with.
<h2><strong>Mysterious and creepy.</strong></h2>
<em>Smoke and Key</em> is everything I thought a world of dead people would be - mysterious and creepy. When Key awakens in Under, she has a feeling everyone around her is in the world for a reason - she just can't remember why. As she sets out to discover who she is, some of the residents are murdered brutally with no return. Key hopes that as she discovers the reason why everyone is there, she'll solve the cause as well before she is murdered.
Sutton creates an atmospheric world while building a mystery that kept me turning the pages. There were moments where I thought I would know how the story will play out in the end, but I would turn out to be entirely wrong. Sutton continues to do this until near the end when everything circles together.
<h2><strong>A little romance underneath.</strong></h2>
Sutton includes a good amount of romance in her latest novel developing throughout that I enjoyed. Despite the romance being a trope I normally have a dislike for, Sutton turns the tables and handles it nicely. There is also a good balance between the romance and everything else in the story, so it doesn't overshadow the plot despite ultimately being a love story.
<h2><strong>Superb character development.</strong></h2>
I adored all of the characters who made up the world of Under. Each of them has individual contributions to the society that is developed. What's neat about <em>Smoke and Key</em> is the story is in two timelines that come together in the end. One timeline is in the present in Under while the other as Key discovers her past that led them all to this world. Having the two timelines allows readers to see how the relationships have developed.
<h2><em><strong>Smoke and Key</strong></em><strong> is a beautifully written novel with magic and romance built with mysterious and creepy vibes.</strong></h2>
<a href="https://bookwyrmingthoughts.com/smoke-and-key-by-kelsey-sutton/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Ace (Moonshine Task Force #4)
10.0
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Ace is saving lives and mending hearts....... Anthony “Ace” Bailey I’m not a rules...
Mel Rodriguez recommended Bicycle Thieves (1948) in Movies (curated)
LeftSideCut (3778 KP) rated X (2022) (2022) in Movies
Mar 22, 2022
Ti West has been gruesomely carving his name into the horror genre for a little while now, but with X, it feels like everything is really falling into place. It's a snappy, funny, unnerving, visceral, and chaotic ride that is easy to get lost in.
Despite it's fast moving narrative, it still finds time to slowly build its tension. Even before shit goes south, and everyone's having a bloody lovely time snorting cocaine and filming porn, something just feels off, to an almost unbearable degree.
Creepy, elderly antagonists have been done before, but the villains of the piece here have a well realised soft edge to them in the form of their relationship. There's some touching moments between them (as well as some gross ones), and it very much drives home the point that getting old sucks, and there's definitely a sliver of sympathy in there somewhere in between all the stabbing and nastiness.
The main group of protagonists are all a joy to watch on screen and are all pretty likable. Mia Goth is superb in her dual role, and it's great to see Jenna Ortega furthering a promising career in horror. The whole cast are decent and sell the unfolding madness with aplomb.
It's beautifully shot as well, from the opening scene, to the moment the credits roll, every frame feels like it's been slaved over with a great degree of passion. There's homages everywhere you look, the most obvious of course, being The Texas Chainsaw Massacre, from its setting and general vibe, to the very arthouse style that the film is presented in. It's really quite a treat to look at.
The more slasher side of things eventually takes over, and proceedings do become relatively predictable, but by that point, the film has descended into a crazy, gory, good time, and it's hard to care about any slight misgivings.
In short, X is a fucking blast and is well worth making a cinema trip for any fans of the genre. Don't sleep on it!
Despite it's fast moving narrative, it still finds time to slowly build its tension. Even before shit goes south, and everyone's having a bloody lovely time snorting cocaine and filming porn, something just feels off, to an almost unbearable degree.
Creepy, elderly antagonists have been done before, but the villains of the piece here have a well realised soft edge to them in the form of their relationship. There's some touching moments between them (as well as some gross ones), and it very much drives home the point that getting old sucks, and there's definitely a sliver of sympathy in there somewhere in between all the stabbing and nastiness.
The main group of protagonists are all a joy to watch on screen and are all pretty likable. Mia Goth is superb in her dual role, and it's great to see Jenna Ortega furthering a promising career in horror. The whole cast are decent and sell the unfolding madness with aplomb.
It's beautifully shot as well, from the opening scene, to the moment the credits roll, every frame feels like it's been slaved over with a great degree of passion. There's homages everywhere you look, the most obvious of course, being The Texas Chainsaw Massacre, from its setting and general vibe, to the very arthouse style that the film is presented in. It's really quite a treat to look at.
The more slasher side of things eventually takes over, and proceedings do become relatively predictable, but by that point, the film has descended into a crazy, gory, good time, and it's hard to care about any slight misgivings.
In short, X is a fucking blast and is well worth making a cinema trip for any fans of the genre. Don't sleep on it!
Phillip McSween (751 KP) rated Saving Private Ryan (1998) in Movies
Apr 13, 2020
One of the GOATS
At the time of this writing, Saving Private Ryan is sitting at fourteen on my all-time list. It is one of those once-in-a-lifetime movies that doesn’t come along too often. The story revolves around an army captain in WWII taking his men on a suicide mission to rescue a private before he is killed in action. Private Ryan’s three brothers have already been killed in action and the military wants to get the remaining Ryan home so his mother won’t have lost all of her children in one war.
Acting: 10
Where do I start? With Tom Hanks and his brilliant performance as Captain John Miller? Vin Diesel in probably one of his best roles as Private Caparzo. Tom Sizemore…Matt Damon…There are so many amazing performances that contributed to the greatness of this movie. You usually see it in glimpses as each character doesn’t get much in the way of their own screen time. The movie is packed with so many of those glimpse moments from these stellar actors, it’s hard to forget each of their roles.
Beginning: 10
Boasts one of the best opening twenty minutes in movie history. It’s violent, touching, and sucks you right in to the meat of the movie. There is so much intensity here, from the raucous sounds to the visceral feel of everything, that it’s hard to catch your breath afterwards.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
If you want knock-your-socks-off action from beginning to end, Saving Private Ryan is absolutely the movie for you. The battles are amazing giving you a front row seat to World War II. Steven Spielberg relies on a number of different camera angles to give you the full effect. Every scene is heartstopping as you realize the stakes and understand that no one is safe in this ultimate battle to stay alive. This movie has more action in the first twenty minutes than most films do through their entirety.
Entertainment Value: 10
Memorability: 10
Pace: 10
Plot: 10
For the most part, the story is pretty linear. There is a mission. Go and complete the mission. The end. However, there are two existing twists within the movie that definitely make things more interesting and entertaining. Those small tweaks were enough to satisfy my craving for originality.
Resolution: 10
Overall: 100
There is a scene on the beach where the camera shoots from underwater then repeatedly rises and falls in the water showing the grit of everything happening. This is one of a number of shots that makes Saving Private Ryan one of the all-time movies to ever exist in cinema. This movie is flat out amazing.
Acting: 10
Where do I start? With Tom Hanks and his brilliant performance as Captain John Miller? Vin Diesel in probably one of his best roles as Private Caparzo. Tom Sizemore…Matt Damon…There are so many amazing performances that contributed to the greatness of this movie. You usually see it in glimpses as each character doesn’t get much in the way of their own screen time. The movie is packed with so many of those glimpse moments from these stellar actors, it’s hard to forget each of their roles.
Beginning: 10
Boasts one of the best opening twenty minutes in movie history. It’s violent, touching, and sucks you right in to the meat of the movie. There is so much intensity here, from the raucous sounds to the visceral feel of everything, that it’s hard to catch your breath afterwards.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
If you want knock-your-socks-off action from beginning to end, Saving Private Ryan is absolutely the movie for you. The battles are amazing giving you a front row seat to World War II. Steven Spielberg relies on a number of different camera angles to give you the full effect. Every scene is heartstopping as you realize the stakes and understand that no one is safe in this ultimate battle to stay alive. This movie has more action in the first twenty minutes than most films do through their entirety.
Entertainment Value: 10
Memorability: 10
Pace: 10
Plot: 10
For the most part, the story is pretty linear. There is a mission. Go and complete the mission. The end. However, there are two existing twists within the movie that definitely make things more interesting and entertaining. Those small tweaks were enough to satisfy my craving for originality.
Resolution: 10
Overall: 100
There is a scene on the beach where the camera shoots from underwater then repeatedly rises and falls in the water showing the grit of everything happening. This is one of a number of shots that makes Saving Private Ryan one of the all-time movies to ever exist in cinema. This movie is flat out amazing.