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Hummer Car Robot Fight – Iron Wreck
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If you want to be strong learn how to fight alone? The fate of mankind is at stake when two races of...
Bun Wars: Best of fun for Boys Girls and Kids
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It's a time to DEFEND your castle by playing unique strategy Tower Defense game - Bun Wars! ...
Gareth von Kallenbach (980 KP) rated Smurfs: The Lost Village (2017) in Movies
Jul 12, 2019
Rewind back to the 80s, what was every kid doing Saturday mornings? Watching TV and catching up on their latest Smurfs’ adventure; running from the clutches of the evil wizard Gargamel. Who’s only purpose was to catch the Smurfs steal their powers and become the most powerful wizard in the world. I couldn’t help but feel a bit of nostalgia back to my childhood while watching this movie.
The film centered around Smurfette, the only female Smurf, and her struggle to find her place in Smurf Village. Smurfette was not born a Smurf. Gargamel used his magic to turn a piece of clay into Smurfette. His intent was to have his creation, Smurfette, lead him to Smurf village and capture all the Smurfs. Fortunately, Papa Smurf had his own magic and used it to turn Smurfette from evil to good.
Fast forward to present Smurf-day, Smurfette (Demi Lovato) tries her best to fit in, but ultimately has a serious identity crisis. So what does one do when they can’t figure out who they are? They go in search of their own identity. Along the way, Smurfette crosses paths with a strange creature. Eager to find out who this creature is, against Papa Smurf”s request, Smurfette decides to enter the Forbidden Forest. An area no Smurf has even been allowed to visit. She is joined by her brothers Brainy, Clumsy, and Hefty-who unfortunately end up in Gargamel’s clutches. Gargamel (Rainn Wilson) uses his magic and finds out the there is another Smurf village, one that lies beyond the Forbidden Forest. Knowing the damage they have caused, Smurfette and her brothers trek has now changed into a rescue mission. They must reach the lost village before Gargamel and his cat, Azrael and warn the villagers of his evil plan. Who are these villagers? Hmm….
You don’t have to watch the first 2 Smurf films to understand what this one is about. They are completely different storylines and this one is 100% animation. A full return to the tone and characteristics of the beloved 80s cartoon. From the comedic gestures to the close escape from Gagamel, the movie provides loads of entertainment. It tugs at the heartstrings because we’ve all experienced self doubt. It does brush on moments of girl power and of course there are musical dance numbers. Really all the Smurfy fans that enjoyed the Smurfiness of yester-year Smurfs, will definitely find this movie the Smurftastic.
The film centered around Smurfette, the only female Smurf, and her struggle to find her place in Smurf Village. Smurfette was not born a Smurf. Gargamel used his magic to turn a piece of clay into Smurfette. His intent was to have his creation, Smurfette, lead him to Smurf village and capture all the Smurfs. Fortunately, Papa Smurf had his own magic and used it to turn Smurfette from evil to good.
Fast forward to present Smurf-day, Smurfette (Demi Lovato) tries her best to fit in, but ultimately has a serious identity crisis. So what does one do when they can’t figure out who they are? They go in search of their own identity. Along the way, Smurfette crosses paths with a strange creature. Eager to find out who this creature is, against Papa Smurf”s request, Smurfette decides to enter the Forbidden Forest. An area no Smurf has even been allowed to visit. She is joined by her brothers Brainy, Clumsy, and Hefty-who unfortunately end up in Gargamel’s clutches. Gargamel (Rainn Wilson) uses his magic and finds out the there is another Smurf village, one that lies beyond the Forbidden Forest. Knowing the damage they have caused, Smurfette and her brothers trek has now changed into a rescue mission. They must reach the lost village before Gargamel and his cat, Azrael and warn the villagers of his evil plan. Who are these villagers? Hmm….
You don’t have to watch the first 2 Smurf films to understand what this one is about. They are completely different storylines and this one is 100% animation. A full return to the tone and characteristics of the beloved 80s cartoon. From the comedic gestures to the close escape from Gagamel, the movie provides loads of entertainment. It tugs at the heartstrings because we’ve all experienced self doubt. It does brush on moments of girl power and of course there are musical dance numbers. Really all the Smurfy fans that enjoyed the Smurfiness of yester-year Smurfs, will definitely find this movie the Smurftastic.
Bun War HD Fr: Strategic Battle and Strategy Fight
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It's a time to DEFEND your castle by playing unique strategy Tower Defense game - Bun Wars! ...
THE LEGO® NINJAGO® MOVIE™ app
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FUN, ACTION-PACKED NINJA RPG GAME THE LEGO® NINJAGO® MOVIE™ app is a fun, creative role-playing...
Gareth von Kallenbach (980 KP) rated Annabelle Comes Home (2019) in Movies
Jun 28, 2019
Not The Best In The Series But Entertains
One of the most intriguing yet often exaggerated lines in movie history is “based on actual events”. I’ve always had a fascination with supernatural thrillers that came with this tag line, whether it’s a movie like Amityville Horror or The Exorcism of Emily Rose. None of these are more popular than The Conjuring series, based on two real life demonologists Ed and Lorraine Warren. Whether you believe in ghosts and haunted houses or not, these films always played on the notion that the events “could” possibly happen…even if they were exaggerated for Hollywood audiences. Annabelle Comes Home breaks the trend of previous Conjuring movies by not bothering to pretend that it’s based on any of the “actual” events from the previous films. So how does it stack up to its predecessors?
The movie begins with Ed and Lorraine Warren retrieving Annabelle and taking the scary doll home to lock her away in the now infamous artifact room. The dolls presence is so evil, that it takes not only blessings by a priest but being locked away in a case made up of glass from an old church to keep it’s evil at bay. Not only is the display case locked, but a sign is placed upon it, warning any who may enter not to release the doll within. Several pad locks later the Warrens feel comfortable that the evil within is contained.
A year passes and both Ed and Lorraine are called away on business, entrusting the care of their young daughter Judy (McKenna Grace) to her responsible babysitter Mary Ellen (Madison Iseman). Mary Ellen’s friend Daniela (Katie Sarife) blackmails Mary Ellen into allowing her to come over and stay with her and Judy in the Warren’s household. Using an opportunity when both Judy and Mary Ellen are out of the house, Daniela finds the artifact room (and the keys necessary to open it), and what at first appears to be idle curiosity, quickly turns into an attempt to utilize the artifacts in the room to reach out to her recently deceased father. It is in this attempt that Daniela unknowingly releases the evil in the room when she opens the case that Annabelle is in (it’s not like there was a BIG sign warning her not to do so).
Annabelle in her search for a soul, releases the full power and evil of all the artifacts in the room. Everything from an empty suit of Samurai armor to a wedding dress the drives the wearer insane is on display. Even a werewolf is released upon the world hunting an unwary suitor of Mary Ellen’s who happens to be at the wrong place at the wrong time. It’s up to this band of babysitters and children to restore order to the house and find a way to contain the evil that has been brought upon the world.
Annabelle Comes Home starts out fairly slow and takes awhile to build the tension. The first hour of the movie is mainly the interaction between the family and friends, and introductions to the various artifacts that are in the room. It’s not until the second half of the film when things really begin to take off. When the movie finally hits its creepy stride, it has plenty of genuine scares and intense moments, but focuses on several of the iconic artifacts and their affect on the individuals in the house.
While each of the artifacts has its own unique and interesting characteristics, we are hit with a barrage of items that are each going after one of the guests in the house. Whether it’s the television that can predict the future, or the locket that allows communication with the dead, it’s a lot to keep track of and tends to lose focus on the main plot. The movie attempts to cram every noticeable item from its previous films and give it some main purpose in the plot. In fact, the creepiest of all the artifacts Annabelle, takes on the role of evil puppet master controlling the artifacts which means less screen time and scares for her. Personally, Annabelle is scary enough to carry her own film (she has in previous installments), but in this film she is relegated to a side character, where the haunted artifacts take center stage.
The area I feel the movie loses the most is in the “believability” state. Remember that the Conjuring universe is based on real people, and on their actual encounters. Unfortunately, at no point in this film does one believe that any of these supernatural events could be mistaken for reality. It’s what I feel is the difference between a supernatural thriller and simply a monster movie. Much like other supernatural films, it’s about what you don’t see, rather than what you do, and Annabelle Comes Home unfortunately relies too much on its visuals leaving little to the viewers imagination. Imagining what a demon could look like is scarier than what Hollywood can dream up and show on the screen.
Ultimately Annabelle Comes home is a good movie which should have been great. It forgoes much of what made the series popular and replaces it with some goofy scenes and special effects. The artifacts are interesting, which makes the movie enjoyable, but not scary. I went in with hopes that I’d leave at least a little unnerved, looking under my covers, or turning the numerous dolls around that adorn my wife’s doll room. Unfortunately, I left feeling as though I’d simply been given a tour of the artifact room, with one night of scares that would disappear the next morning, as if from a bad dream. If you are looking to be scared, this movie likely won’t do that. If you are looking for an interesting movie with deeper background into the artifacts that have adorned the Warrens room for the past films, then this is the film for you.
3 out of 5 stars
http://sknr.net/2019/06/20/annabelle-comes-home/
The movie begins with Ed and Lorraine Warren retrieving Annabelle and taking the scary doll home to lock her away in the now infamous artifact room. The dolls presence is so evil, that it takes not only blessings by a priest but being locked away in a case made up of glass from an old church to keep it’s evil at bay. Not only is the display case locked, but a sign is placed upon it, warning any who may enter not to release the doll within. Several pad locks later the Warrens feel comfortable that the evil within is contained.
A year passes and both Ed and Lorraine are called away on business, entrusting the care of their young daughter Judy (McKenna Grace) to her responsible babysitter Mary Ellen (Madison Iseman). Mary Ellen’s friend Daniela (Katie Sarife) blackmails Mary Ellen into allowing her to come over and stay with her and Judy in the Warren’s household. Using an opportunity when both Judy and Mary Ellen are out of the house, Daniela finds the artifact room (and the keys necessary to open it), and what at first appears to be idle curiosity, quickly turns into an attempt to utilize the artifacts in the room to reach out to her recently deceased father. It is in this attempt that Daniela unknowingly releases the evil in the room when she opens the case that Annabelle is in (it’s not like there was a BIG sign warning her not to do so).
Annabelle in her search for a soul, releases the full power and evil of all the artifacts in the room. Everything from an empty suit of Samurai armor to a wedding dress the drives the wearer insane is on display. Even a werewolf is released upon the world hunting an unwary suitor of Mary Ellen’s who happens to be at the wrong place at the wrong time. It’s up to this band of babysitters and children to restore order to the house and find a way to contain the evil that has been brought upon the world.
Annabelle Comes Home starts out fairly slow and takes awhile to build the tension. The first hour of the movie is mainly the interaction between the family and friends, and introductions to the various artifacts that are in the room. It’s not until the second half of the film when things really begin to take off. When the movie finally hits its creepy stride, it has plenty of genuine scares and intense moments, but focuses on several of the iconic artifacts and their affect on the individuals in the house.
While each of the artifacts has its own unique and interesting characteristics, we are hit with a barrage of items that are each going after one of the guests in the house. Whether it’s the television that can predict the future, or the locket that allows communication with the dead, it’s a lot to keep track of and tends to lose focus on the main plot. The movie attempts to cram every noticeable item from its previous films and give it some main purpose in the plot. In fact, the creepiest of all the artifacts Annabelle, takes on the role of evil puppet master controlling the artifacts which means less screen time and scares for her. Personally, Annabelle is scary enough to carry her own film (she has in previous installments), but in this film she is relegated to a side character, where the haunted artifacts take center stage.
The area I feel the movie loses the most is in the “believability” state. Remember that the Conjuring universe is based on real people, and on their actual encounters. Unfortunately, at no point in this film does one believe that any of these supernatural events could be mistaken for reality. It’s what I feel is the difference between a supernatural thriller and simply a monster movie. Much like other supernatural films, it’s about what you don’t see, rather than what you do, and Annabelle Comes Home unfortunately relies too much on its visuals leaving little to the viewers imagination. Imagining what a demon could look like is scarier than what Hollywood can dream up and show on the screen.
Ultimately Annabelle Comes home is a good movie which should have been great. It forgoes much of what made the series popular and replaces it with some goofy scenes and special effects. The artifacts are interesting, which makes the movie enjoyable, but not scary. I went in with hopes that I’d leave at least a little unnerved, looking under my covers, or turning the numerous dolls around that adorn my wife’s doll room. Unfortunately, I left feeling as though I’d simply been given a tour of the artifact room, with one night of scares that would disappear the next morning, as if from a bad dream. If you are looking to be scared, this movie likely won’t do that. If you are looking for an interesting movie with deeper background into the artifacts that have adorned the Warrens room for the past films, then this is the film for you.
3 out of 5 stars
http://sknr.net/2019/06/20/annabelle-comes-home/
Ross (3284 KP) rated The Grim Company in Books
Sep 27, 2017
Once I got into the swing of the book (it chops and changes between different characters each chapter) I started to really enjoy it. I like being thrown into a world without having a long made-up history lesson first and getting straight into the action.
I liked the setting for this book: numerous city states ruled by magelords who are constantly battling each other.
We join the action just as one magelord overcomes another (from a distance), but in the aftermath a third looks to capitalise on the weakened victor's defences.
I like how nobody was really the good guy here, everyone was pretty sure they would be fighting for an evil overlord against someone who would likely be just as evil. Citizens were unwilling to fight for their own magelord because their own lives couldn't possibly get any worse.
As is common in more modern, "grimdark" fantasy, none of the characters are the flawless hero of old, all have their own failings and foibles, whether it be drug abuse, being useless, being a psychopath or just generally nasty. All except Brodar Kayne, who for me was somewhat reminiscent of Logen Ninefingers from Joe Abercrombie's First Law series. He is an aging warrior who is no longer welcome in the savage North and is looking for a new life in the baffling, more civilised South.
I found the story and characters somewhat similar to Joe Abercrombie's in other areas, but the writing style was very different, flowing much more smoothly I would say. And this is not to suggest in any way it is a rip-off of the First Law series, only that some of the characters and certain aspects of the plot bore a similarity.
Altogether a thoroughly enjoyable read with a well designed world and great characters.
I liked the setting for this book: numerous city states ruled by magelords who are constantly battling each other.
We join the action just as one magelord overcomes another (from a distance), but in the aftermath a third looks to capitalise on the weakened victor's defences.
I like how nobody was really the good guy here, everyone was pretty sure they would be fighting for an evil overlord against someone who would likely be just as evil. Citizens were unwilling to fight for their own magelord because their own lives couldn't possibly get any worse.
As is common in more modern, "grimdark" fantasy, none of the characters are the flawless hero of old, all have their own failings and foibles, whether it be drug abuse, being useless, being a psychopath or just generally nasty. All except Brodar Kayne, who for me was somewhat reminiscent of Logen Ninefingers from Joe Abercrombie's First Law series. He is an aging warrior who is no longer welcome in the savage North and is looking for a new life in the baffling, more civilised South.
I found the story and characters somewhat similar to Joe Abercrombie's in other areas, but the writing style was very different, flowing much more smoothly I would say. And this is not to suggest in any way it is a rip-off of the First Law series, only that some of the characters and certain aspects of the plot bore a similarity.
Altogether a thoroughly enjoyable read with a well designed world and great characters.
Connor Sheffield (293 KP) rated Evil Never Dies by Lesbian Bed Death in Music
Jul 24, 2017
New vocals are powerful (2 more)
Awesome Rock
More classic horror references\songs
New Vocals, same great Rock!
Sienna Venom is absolutely awesome as the new vocals for Lesbian Bed Death. I was introduced to this band at the time of Kittie Racchea being the vocalist and was saddened to hear she was departing from the band, but also couldn't wait to hear someone new take over and bring us the new era of LBD music. Myself, like many fans were not disappointed.
Sienna Venom is strong and sexy and that comes across in her vocals. Songs like Book of the Dead, Drag Me To Hell and Son of a Thousand Maniacs show her strong dominating attitude whilst songs like Evil Never Dies, and Make Your Wish, bring out the sexiness that comes with having a female as the lead vocalist. That's not to say that Male vocalist's can't sound sexy to certain audiences, but I am simply stating that this band has always been lead by female vocals and that those vocals have always shown strength, beauty and sexiness, and Sienna Venom is carrying on that tradition in her own new way.
Book of the Dead is a song about the Necronomicon from Evil Dead, and Son of a Thousand Maniacs, (Watch the music video) is inspired by and certainly has aspects of the Nightmare on Elm Street franchise. The horror movie connections have always been something I love about this band, and the lyrics are always brilliantly written and performed to a rocking beat, that'll easily get stuck on repeat in your head.
If you haven't listened to this album yet, then what are you waiting for? Watch the music video's above, and listen to the rest of the album. They're awesome and so is their music!
Sienna Venom is strong and sexy and that comes across in her vocals. Songs like Book of the Dead, Drag Me To Hell and Son of a Thousand Maniacs show her strong dominating attitude whilst songs like Evil Never Dies, and Make Your Wish, bring out the sexiness that comes with having a female as the lead vocalist. That's not to say that Male vocalist's can't sound sexy to certain audiences, but I am simply stating that this band has always been lead by female vocals and that those vocals have always shown strength, beauty and sexiness, and Sienna Venom is carrying on that tradition in her own new way.
Book of the Dead is a song about the Necronomicon from Evil Dead, and Son of a Thousand Maniacs, (Watch the music video) is inspired by and certainly has aspects of the Nightmare on Elm Street franchise. The horror movie connections have always been something I love about this band, and the lyrics are always brilliantly written and performed to a rocking beat, that'll easily get stuck on repeat in your head.
If you haven't listened to this album yet, then what are you waiting for? Watch the music video's above, and listen to the rest of the album. They're awesome and so is their music!
Rachel King (13 KP) rated Blood Promise in Books
Feb 11, 2019
Oh, the tortures that Rose puts herself through in the name of love and loyalty must be what make her such a fascinating character to follow. I have to say that it was rather predictable that Rose would succumb to Dimitri's evil wiles, because hey, he's hot and Mead has a book to fill. It was strangely satisfying for a little while in that Rose and Dimitri's relationship got cut short in the previous book and so they could not revel in their love for each other. Sappiness aside, I think I loved this book the most out of the series not only for Rose's escapades, but also for the setting in Russia and Siberia. I don't recall ever reading any fictional book that took place in these locations and it was a little bit of a learning experience for me.
Dimitri's family gave me some insight into who Dimitri is, which I appreciate since he always seems so mysterious. I also loved the character of Yeva - she did and said whatever she wanted and everyone was terrified of her - I hope she makes another appearance in the final book of the series!
The new element of the Alchemists was interesting in that humans have the potential to play a centralized role even in the Moroi/ Dhampir society, even though Rose has previously believed that her world was almost completely segregated from the human world. Unfortunately, this also creates just another layer in the caste system, for the Alchemists are essentially the "clean-up crew", which puts them at a lower position than even the Dhampirs who choose not to be guardians. No wonder Sydney sees Rose as "pure evil." In her shoes, I probably would, too.
Dimitri's family gave me some insight into who Dimitri is, which I appreciate since he always seems so mysterious. I also loved the character of Yeva - she did and said whatever she wanted and everyone was terrified of her - I hope she makes another appearance in the final book of the series!
The new element of the Alchemists was interesting in that humans have the potential to play a centralized role even in the Moroi/ Dhampir society, even though Rose has previously believed that her world was almost completely segregated from the human world. Unfortunately, this also creates just another layer in the caste system, for the Alchemists are essentially the "clean-up crew", which puts them at a lower position than even the Dhampirs who choose not to be guardians. No wonder Sydney sees Rose as "pure evil." In her shoes, I probably would, too.
RəX Regent (349 KP) rated Snow White and the Seven Dwarfs (1937) in Movies
Mar 7, 2019
Darker than you might expect...
Contains spoilers, click to show
The first of Walt Disney's historic features was a pleasure to watch. Beautifully animated with deceptively gentle strokes, we are delicately guided through the Brothers Grimm's fairy tale. But this is still a fairy tale and a 1930′s film, made at a time where stories were not so toned down for our children, and a healthy dose of fear and horror was not shied away from.
Snow White is definitely a ditsy princess, so innocent that her counter has to be the personification of pure evil and she certainly is. The Queen, represents some of our darkest emotions, and there is little effort to tone this down, which I liked, a lot. She is evil, driven by her vain jealously to firstly attempt to have Snow White murdered, and then failing that, to poison her into a narcoleptic state and have her buried alive! Is this what you now think of a s Disney film, with a U rating? No, but thanks to this and the following films successes, this is a prized classic and untouchable. I think that this is a true family movie, with as much darkness as there is light, with some great musical numbers, indelible characters and an animation style which is truly timeless.
I mean this is a musical which was made in Technicolor less than ten years after the innovation of sound was introduced to black and white films. This is a film which children feel a part of and don't even compare to black and white's of the same era, which of course, they hate and don't feel are real.
Hats off to Walt, who I must admit, I've never really been a fan of, but I'm working my way through his classics and am liking what I am seeing so far.
Snow White is definitely a ditsy princess, so innocent that her counter has to be the personification of pure evil and she certainly is. The Queen, represents some of our darkest emotions, and there is little effort to tone this down, which I liked, a lot. She is evil, driven by her vain jealously to firstly attempt to have Snow White murdered, and then failing that, to poison her into a narcoleptic state and have her buried alive! Is this what you now think of a s Disney film, with a U rating? No, but thanks to this and the following films successes, this is a prized classic and untouchable. I think that this is a true family movie, with as much darkness as there is light, with some great musical numbers, indelible characters and an animation style which is truly timeless.
I mean this is a musical which was made in Technicolor less than ten years after the innovation of sound was introduced to black and white films. This is a film which children feel a part of and don't even compare to black and white's of the same era, which of course, they hate and don't feel are real.
Hats off to Walt, who I must admit, I've never really been a fan of, but I'm working my way through his classics and am liking what I am seeing so far.