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Annabelle Comes Home (2019)
Annabelle Comes Home (2019)
2019 | Horror, Mystery, Thriller
Not The Best In The Series But Entertains
One of the most intriguing yet often exaggerated lines in movie history is “based on actual events”. I’ve always had a fascination with supernatural thrillers that came with this tag line, whether it’s a movie like Amityville Horror or The Exorcism of Emily Rose. None of these are more popular than The Conjuring series, based on two real life demonologists Ed and Lorraine Warren. Whether you believe in ghosts and haunted houses or not, these films always played on the notion that the events “could” possibly happen…even if they were exaggerated for Hollywood audiences. Annabelle Comes Home breaks the trend of previous Conjuring movies by not bothering to pretend that it’s based on any of the “actual” events from the previous films. So how does it stack up to its predecessors?

The movie begins with Ed and Lorraine Warren retrieving Annabelle and taking the scary doll home to lock her away in the now infamous artifact room. The dolls presence is so evil, that it takes not only blessings by a priest but being locked away in a case made up of glass from an old church to keep it’s evil at bay. Not only is the display case locked, but a sign is placed upon it, warning any who may enter not to release the doll within. Several pad locks later the Warrens feel comfortable that the evil within is contained.

A year passes and both Ed and Lorraine are called away on business, entrusting the care of their young daughter Judy (McKenna Grace) to her responsible babysitter Mary Ellen (Madison Iseman). Mary Ellen’s friend Daniela (Katie Sarife) blackmails Mary Ellen into allowing her to come over and stay with her and Judy in the Warren’s household. Using an opportunity when both Judy and Mary Ellen are out of the house, Daniela finds the artifact room (and the keys necessary to open it), and what at first appears to be idle curiosity, quickly turns into an attempt to utilize the artifacts in the room to reach out to her recently deceased father. It is in this attempt that Daniela unknowingly releases the evil in the room when she opens the case that Annabelle is in (it’s not like there was a BIG sign warning her not to do so).

Annabelle in her search for a soul, releases the full power and evil of all the artifacts in the room. Everything from an empty suit of Samurai armor to a wedding dress the drives the wearer insane is on display. Even a werewolf is released upon the world hunting an unwary suitor of Mary Ellen’s who happens to be at the wrong place at the wrong time. It’s up to this band of babysitters and children to restore order to the house and find a way to contain the evil that has been brought upon the world.

Annabelle Comes Home starts out fairly slow and takes awhile to build the tension. The first hour of the movie is mainly the interaction between the family and friends, and introductions to the various artifacts that are in the room. It’s not until the second half of the film when things really begin to take off. When the movie finally hits its creepy stride, it has plenty of genuine scares and intense moments, but focuses on several of the iconic artifacts and their affect on the individuals in the house.

While each of the artifacts has its own unique and interesting characteristics, we are hit with a barrage of items that are each going after one of the guests in the house. Whether it’s the television that can predict the future, or the locket that allows communication with the dead, it’s a lot to keep track of and tends to lose focus on the main plot. The movie attempts to cram every noticeable item from its previous films and give it some main purpose in the plot. In fact, the creepiest of all the artifacts Annabelle, takes on the role of evil puppet master controlling the artifacts which means less screen time and scares for her. Personally, Annabelle is scary enough to carry her own film (she has in previous installments), but in this film she is relegated to a side character, where the haunted artifacts take center stage.
The area I feel the movie loses the most is in the “believability” state. Remember that the Conjuring universe is based on real people, and on their actual encounters. Unfortunately, at no point in this film does one believe that any of these supernatural events could be mistaken for reality. It’s what I feel is the difference between a supernatural thriller and simply a monster movie. Much like other supernatural films, it’s about what you don’t see, rather than what you do, and Annabelle Comes Home unfortunately relies too much on its visuals leaving little to the viewers imagination. Imagining what a demon could look like is scarier than what Hollywood can dream up and show on the screen.

Ultimately Annabelle Comes home is a good movie which should have been great. It forgoes much of what made the series popular and replaces it with some goofy scenes and special effects. The artifacts are interesting, which makes the movie enjoyable, but not scary. I went in with hopes that I’d leave at least a little unnerved, looking under my covers, or turning the numerous dolls around that adorn my wife’s doll room. Unfortunately, I left feeling as though I’d simply been given a tour of the artifact room, with one night of scares that would disappear the next morning, as if from a bad dream. If you are looking to be scared, this movie likely won’t do that. If you are looking for an interesting movie with deeper background into the artifacts that have adorned the Warrens room for the past films, then this is the film for you.

3 out of 5 stars

http://sknr.net/2019/06/20/annabelle-comes-home/
  
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Ross (3284 KP) rated The Grim Company in Books

Sep 27, 2017  
The Grim Company
The Grim Company
Luke Scull | 2013 | Science Fiction/Fantasy
9
7.8 (4 Ratings)
Book Rating
Once I got into the swing of the book (it chops and changes between different characters each chapter) I started to really enjoy it. I like being thrown into a world without having a long made-up history lesson first and getting straight into the action.
I liked the setting for this book: numerous city states ruled by magelords who are constantly battling each other.
We join the action just as one magelord overcomes another (from a distance), but in the aftermath a third looks to capitalise on the weakened victor's defences.
I like how nobody was really the good guy here, everyone was pretty sure they would be fighting for an evil overlord against someone who would likely be just as evil. Citizens were unwilling to fight for their own magelord because their own lives couldn't possibly get any worse.
As is common in more modern, "grimdark" fantasy, none of the characters are the flawless hero of old, all have their own failings and foibles, whether it be drug abuse, being useless, being a psychopath or just generally nasty. All except Brodar Kayne, who for me was somewhat reminiscent of Logen Ninefingers from Joe Abercrombie's First Law series. He is an aging warrior who is no longer welcome in the savage North and is looking for a new life in the baffling, more civilised South.
I found the story and characters somewhat similar to Joe Abercrombie's in other areas, but the writing style was very different, flowing much more smoothly I would say. And this is not to suggest in any way it is a rip-off of the First Law series, only that some of the characters and certain aspects of the plot bore a similarity.
Altogether a thoroughly enjoyable read with a well designed world and great characters.
  
Evil Never Dies by Lesbian Bed Death
Evil Never Dies by Lesbian Bed Death
2016 | Rock
New vocals are powerful (2 more)
Awesome Rock
More classic horror references\songs
New Vocals, same great Rock!
Sienna Venom is absolutely awesome as the new vocals for Lesbian Bed Death. I was introduced to this band at the time of Kittie Racchea being the vocalist and was saddened to hear she was departing from the band, but also couldn't wait to hear someone new take over and bring us the new era of LBD music. Myself, like many fans were not disappointed.

Sienna Venom is strong and sexy and that comes across in her vocals. Songs like Book of the Dead, Drag Me To Hell and Son of a Thousand Maniacs show her strong dominating attitude whilst songs like Evil Never Dies, and Make Your Wish, bring out the sexiness that comes with having a female as the lead vocalist. That's not to say that Male vocalist's can't sound sexy to certain audiences, but I am simply stating that this band has always been lead by female vocals and that those vocals have always shown strength, beauty and sexiness, and Sienna Venom is carrying on that tradition in her own new way.

Book of the Dead is a song about the Necronomicon from Evil Dead, and Son of a Thousand Maniacs, (Watch the music video) is inspired by and certainly has aspects of the Nightmare on Elm Street franchise. The horror movie connections have always been something I love about this band, and the lyrics are always brilliantly written and performed to a rocking beat, that'll easily get stuck on repeat in your head.

If you haven't listened to this album yet, then what are you waiting for? Watch the music video's above, and listen to the rest of the album. They're awesome and so is their music!
  
Blood Promise
Blood Promise
Richelle Mead | 2009 | Fiction & Poetry
8
8.6 (25 Ratings)
Book Rating
Oh, the tortures that Rose puts herself through in the name of love and loyalty must be what make her such a fascinating character to follow. I have to say that it was rather predictable that Rose would succumb to Dimitri's evil wiles, because hey, he's hot and Mead has a book to fill. It was strangely satisfying for a little while in that Rose and Dimitri's relationship got cut short in the previous book and so they could not revel in their love for each other. Sappiness aside, I think I loved this book the most out of the series not only for Rose's escapades, but also for the setting in Russia and Siberia. I don't recall ever reading any fictional book that took place in these locations and it was a little bit of a learning experience for me.
Dimitri's family gave me some insight into who Dimitri is, which I appreciate since he always seems so mysterious. I also loved the character of Yeva - she did and said whatever she wanted and everyone was terrified of her - I hope she makes another appearance in the final book of the series!
The new element of the Alchemists was interesting in that humans have the potential to play a centralized role even in the Moroi/ Dhampir society, even though Rose has previously believed that her world was almost completely segregated from the human world. Unfortunately, this also creates just another layer in the caste system, for the Alchemists are essentially the "clean-up crew", which puts them at a lower position than even the Dhampirs who choose not to be guardians. No wonder Sydney sees Rose as "pure evil." In her shoes, I probably would, too.
  
Snow White and the Seven Dwarfs (1937)
Snow White and the Seven Dwarfs (1937)
1937 | Animation, Classics, Family
Darker than you might expect...
Contains spoilers, click to show
The first of Walt Disney's historic features was a pleasure to watch. Beautifully animated with deceptively gentle strokes, we are delicately guided through the Brothers Grimm's fairy tale. But this is still a fairy tale and a 1930′s film, made at a time where stories were not so toned down for our children, and a healthy dose of fear and horror was not shied away from.

Snow White is definitely a ditsy princess, so innocent that her counter has to be the personification of pure evil and she certainly is. The Queen, represents some of our darkest emotions, and there is little effort to tone this down, which I liked, a lot. She is evil, driven by her vain jealously to firstly attempt to have Snow White murdered, and then failing that, to poison her into a narcoleptic state and have her buried alive! Is this what you now think of a s Disney film, with a U rating? No, but thanks to this and the following films successes, this is a prized classic and untouchable. I think that this is a true family movie, with as much darkness as there is light, with some great musical numbers, indelible characters and an animation style which is truly timeless.

I mean this is a musical which was made in Technicolor less than ten years after the innovation of sound was introduced to black and white films. This is a film which children feel a part of and don't even compare to black and white's of the same era, which of course, they hate and don't feel are real.

Hats off to Walt, who I must admit, I've never really been a fan of, but I'm working my way through his classics and am liking what I am seeing so far.
  
Captain Marvel (2019)
Captain Marvel (2019)
2019 | Action, Adventure
I had to explain the notion of video rental to my kids (0 more)
Great, exciting fun and so much more than an origin film
I think Marvel have finally nailed an origin story. Lord knows they've had plenty of shots at it, but have finally delivered one that also works as a film in its own right.
We join Vers as she travels with her Kree companions doing their bit against the evil Skrull forces. She doesn't seem to know much of her own past and over the two hours she gradually pieces things together. We are treated to hints and teasers and but by bit they are all tied together to tell a twisting and turning tale of war, good vs evil, propaganda, power and self belief, all wrapped up with some science-y stuff.
I wouldn't say the plot is perfect but made a good attempt at it and it all hangs together. We are even treated to an old school Mar-vell character (albeit as a female rather than the cringey 60s negative zone-dweller).
There is humour galore and Sam Jackson gets the majority of the laughs, mainly through his interaction with Goose the cat (CHEWIE DAMMIT!). Brie Larson is somewhat po-faced and serious throughout but still a believable superhero (and if she is set to replace Captain America as head of the Avengers it makes sense if she isn't all that entertaining in her own right!).
There is a good, female-dominated soundtrack for the majority of the film (Garbage, Sheryl Crow, TLC, Hole etc).
A fun film and a good backstory for someone set to be a big deal in the next MCU release.
  
Show all 6 comments.
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Ross (3284 KP) Mar 12, 2019

Given how long it takes my kids to pick a film on Netflix, I think we'd have to pay rent to Blockbusters for the amount of time we'd be there!
It was easy in my day - we had to go to the small dusty beta-max section because my Dad made bad tech choices, so there wasn't a great deal of choice.

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John Martens (1 KP) Apr 27, 2020

John

The House
The House
Eden Darry | 2019
10
10.0 (1 Ratings)
Book Rating
Sadie, Fin, and their two children were a perfectly ordinary family. Even if Fin felt taken for granted sometimes. Even if their introverted son, Liam, had terrible nightmares and knew things he shouldn't.
But everything changes the night Sadie is viciously assaulted by former client Lance Sherry. Sherry knows where they live, and when the police fail to catch him, Sadie and Fin are forced to run. They think they've found the perfect place to start over. The house is everything Fin dreamed of, but as they settle in, Sadie discovers their home may not be what it seems, and daughter Lucy's imaginary friend might not be imaginary at all. Or even a friend. With Lance Sherry hunting them, the house could be the least of their problems. He's coming to finish what he started. And he won't stop until he finds Sadie.

This is the kind of book that is not easy to review because you don’t want to give anything away.
There is a paranormal element to this, but it’s almost more evil than what you think about a “normal” haunting with ghosts. And there is also a real life evil person the characters have to deal with so it’s a lot on their plates.
The combination of the real and the paranormal was a nice touch.
For the most part, the story is told from both heroines point of view, but at times the reader is also privy to what’s going on in little Liam’s head as well as the villains.
This was a great read to me and I really enjoyed it.
Recommend reading.

Copy provided by the publisher, Bold Strokes Books, via NetGalley.
  
The Chill Factor (1973)
The Chill Factor (1973)
1973 | Horror, Mystery, Sci-Fi
2
4.0 (2 Ratings)
Movie Rating
Storyline (0 more)
Acting, Gore scenes (0 more)
Contains spoilers, click to show
A group of friends are out Snowmobile racing when one has a critical accident. Out in the middle of nowhere in freezing conditions, 2 of the friends go to find help and stumble across a Cabin. The Cabin looks like it was once a Religious Camp but seems abandoned; it has an upside down cross of the mantle and is just very creepy in general. They ignore this and move their friend into the Cabin. Whilst looking around the Cabin they find a picture of some kids in the 1950's who attended when the place was a Camp. Below their picture there is a scroll that says "keep the beast in the field", which one of the friends alludes to the fact that "the beast" often references the Devil. They also discover a "Devil's Eye" board, similar to a Ouija Board and decide to use it. During this, one of the friends that went out for help is killed, one has a seizure and one woman is convinced they've let something evil in; further strengthened by the fact that one of friends finds an article about a Satanic Killer murdering people around that area. Soon enough the friends are getting picked off one by one by supernatural forces, yet the critically injured man is thriving. Could the Killer have returned to the Cabin? Or could this be the work of the Devil's Eye Board?

Chill Factor is one of those typically terrible 80's Horrors (made in 1989). It's slow burning and not in a good way, it feels more like a cheesy TV drama and the murders are substandard and really nothing at all that us Horror fans haven't seen a million times over. Also, it ends in a ridiculous Snowmobile race between Woman and evil... ludicrous.
  
Kings of Muraine (The Journals of Ravier #1)
Kings of Muraine (The Journals of Ravier #1)
J.R. Vaineo | 2019 | Science Fiction/Fantasy
8
8.0 (1 Ratings)
Book Rating
Kings of Muraine is the first book in The Journals of Ravier and what you get is a high fantasy story told by a thirteen-year-old boy, Tyler. He lost his dad in a bombing or so he thought. It appears things aren't as straightforward as he presumed.

This was a great read that kept my interest and the pages turning. The world-building is great, giving you clear and concise scenes of both sides of the portal. With Gemma by his side, Tyler has adventures he never even dreamed of as he tries to unravel who his father was and, in turn, who he is.

If I had anything negative to say, it would be this. First off, the numbers. I loved and loathed them! I really enjoyed how they ruled Tyler's life and had such an impact on him but I also loathed how they showed up so often. Some of the 'clues' were cryptic enough, without adding numbers to the mix! The other thing for me is the simple amount of characters in here. By the time we reached the end, I was struggling to remember who was who, which side of the portal they belonged, etc.

Fair warning also - this book ends on one helluva cliffhanger with a character who seems to be both good and evil - or maybe evil with designs I don't yet know about! Yes, I am left with questions unanswered but that just leads me onto the next book so I'm happy.

A great fantasy book that I thoroughly enjoyed. Definitely recommended by me.

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!