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The Ghost Tree
Book
Five years after the death of his wife, MacAoidh Armstrong moves into a smallholding in southern...
Death in Holy Orders
Book
When the body of a theology student is found on a desolate stretch of coast in East Anglia, his...
Deeper Than Midnight
Book
In an instant her privileged world disappears and a new, dangerous and erotic one beckons...At the...
ClareR (5906 KP) rated The Sleeper and the Spindle: Winner of the Cilip Kate Greenaway Medal 2016 in Books
Jul 8, 2020
I’ve been wanting to read this for quite some time, but for one reason or another, I haven’t. COVID-19 and lockdown gave me the ideal opportunity to borrow it from my library’s ebook selection. It’s a quick read for an adult and possibly some young people too, but it’s just the right length for the story.
I loved it - Sleeping Beauty with a twist. It definitely has the fairy story vibes, where the good people are good, and the bad are thoroughly bad. Some would say that’s a very one-dimensional way of looking at it, but isn’t that what fairy stories are all about? As for those who’s ah it’s too scary for young children, I would disagree. I would have loved this as a young child. Yes, it’s scary in places, but it’s a typical fairy story, in that good triumphs over evil. Actually, who am I kidding? I loved this as an adult!
And the art work is stunning. Chris Riddell’s drawings are always wonderful, and the drawings in this book are no exception. Beautiful drawings that complimented the story so well.
I loved it - Sleeping Beauty with a twist. It definitely has the fairy story vibes, where the good people are good, and the bad are thoroughly bad. Some would say that’s a very one-dimensional way of looking at it, but isn’t that what fairy stories are all about? As for those who’s ah it’s too scary for young children, I would disagree. I would have loved this as a young child. Yes, it’s scary in places, but it’s a typical fairy story, in that good triumphs over evil. Actually, who am I kidding? I loved this as an adult!
And the art work is stunning. Chris Riddell’s drawings are always wonderful, and the drawings in this book are no exception. Beautiful drawings that complimented the story so well.
David McK (3562 KP) rated Dark Prince (Greek Series, #2) in Books
Jul 25, 2020
Sequel to David Gemmell's earlier Lion of Macedon, with more emphasis on the mystical elements this time around: whereas that earlier novel was perhaps 90/10 in favour of history, this is (IMO) closer to 40/60.
As the novel starts, Alexander is but a 4 year old and Parmenion is out of favour with Philip of Macedon, who is jealous of the Spartan general's success in battle. Alexander is still plagued by the Chaos Spirit, and - at around the 1/4 mark - is magically transported into an alternate Greece, where the myths and monsters of Greek legend are all real. With a little help from Aristotle and the Siptrassi stones, Parmenion is soon off on a rescue mission, accompanied by Philip's assassin Attalus (without Philips knowledge). The bulk of this novel - parts 2 and 3 (of 4) - then takes place in that alternate Greece, with Parmenion - again - reliving his past and playing a key role in proceedings, before it returns to 'our' Greece for the final part of the novel.
As is standard for Gemmell, lots of musing on the nature of Good and evil throughout, and with a conflicted central protagonist.
As the novel starts, Alexander is but a 4 year old and Parmenion is out of favour with Philip of Macedon, who is jealous of the Spartan general's success in battle. Alexander is still plagued by the Chaos Spirit, and - at around the 1/4 mark - is magically transported into an alternate Greece, where the myths and monsters of Greek legend are all real. With a little help from Aristotle and the Siptrassi stones, Parmenion is soon off on a rescue mission, accompanied by Philip's assassin Attalus (without Philips knowledge). The bulk of this novel - parts 2 and 3 (of 4) - then takes place in that alternate Greece, with Parmenion - again - reliving his past and playing a key role in proceedings, before it returns to 'our' Greece for the final part of the novel.
As is standard for Gemmell, lots of musing on the nature of Good and evil throughout, and with a conflicted central protagonist.
Hazel (2934 KP) rated The Jigsaw Man in Books
Feb 21, 2021
This is a gruesome and dark thriller and it's great!!
I must say though that if you're a bit squeamish and don't like graphic descriptions of murder, then don't read this. If you do or don't mind a bit of gore, then crack on.
The characters are great, the plot is absorbing and complex and the ability of the author to capture the feelings of the various protagonists is excellent.
I absolutely love a good "baddie" and Nadine Matheson has created one such character in Peter Olivier; he is deliciously evil, extremely charming, highly intelligent, an excellent manipulator and everything you would want in a (fictitious) serial killer ... think Ted Bundy crossed with Jeffrey Dahmer and you have a pretty good picture.
This is a gripping read which although starts a little slow, it builds in tension and action as you turn the pages culminating in an exciting finale which definitely leaves the door open for a sequel and the intriguing backstory lends itself to a prequel ... well I would certainly read either or both!
Thank you to HQ (an imprint of HarperCollins UK) and NetGalley for my copy in return for an honest and unbiased review.
I must say though that if you're a bit squeamish and don't like graphic descriptions of murder, then don't read this. If you do or don't mind a bit of gore, then crack on.
The characters are great, the plot is absorbing and complex and the ability of the author to capture the feelings of the various protagonists is excellent.
I absolutely love a good "baddie" and Nadine Matheson has created one such character in Peter Olivier; he is deliciously evil, extremely charming, highly intelligent, an excellent manipulator and everything you would want in a (fictitious) serial killer ... think Ted Bundy crossed with Jeffrey Dahmer and you have a pretty good picture.
This is a gripping read which although starts a little slow, it builds in tension and action as you turn the pages culminating in an exciting finale which definitely leaves the door open for a sequel and the intriguing backstory lends itself to a prequel ... well I would certainly read either or both!
Thank you to HQ (an imprint of HarperCollins UK) and NetGalley for my copy in return for an honest and unbiased review.
Awix (3310 KP) rated Halloween (1978) in Movies
Oct 30, 2020
John Carpenter's landmark horror movie; not the first slasher movie, but pretty much the textbook example of the genre. A homicidal maniac (and, just possibly, vessel of pure evil) breaks out of an institution and returns to his home town, where he murdered his sister at the age of six. Obsessive doctor Donald Pleasence is in hot pursuit, but Jamie Lee Curtis (in her debut) is about to find that babysitting really deserves danger money...
Always interesting to watch these classic horror films back on the big screen: as usual, there was a lot of nervous sniggering at some of the technical shortcomings of a low-budget production (plus Halloween has been so extensively ripped off and parodied it's the kind of film you feel you've seen before, even if you haven't). However, there were yelps and screams in the appropriate places as the film got going: Carpenter handles the jump scares with consummate technical skill, but it works as well as it does because of the atmosphere he creates, helped mainly by Pleasance. A film that really sets out to do only one thing, and for the most part achieves that brilliantly.
Always interesting to watch these classic horror films back on the big screen: as usual, there was a lot of nervous sniggering at some of the technical shortcomings of a low-budget production (plus Halloween has been so extensively ripped off and parodied it's the kind of film you feel you've seen before, even if you haven't). However, there were yelps and screams in the appropriate places as the film got going: Carpenter handles the jump scares with consummate technical skill, but it works as well as it does because of the atmosphere he creates, helped mainly by Pleasance. A film that really sets out to do only one thing, and for the most part achieves that brilliantly.
