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Wicked
Wicked
Gregory Maguire | 2006 | Fiction & Poetry
8
7.4 (35 Ratings)
Book Rating
I saw the musical version of Wicked two or three years ago, and ADORED it. I'd been wanting to pick up this book for sometime, and finally found both it and the sequel at my local library. (I just learned there are two more books, A Lion Among Men and Out of Oz, so I'll be requesting those from the library soon!) I started the book knowing, from other reviewers, that it was very different from the musical. Unlike most of the reviews I read, that didn't make me not like it. Quite the contrary. I loved seeing the politics and social unrest hidden behind the scenes. The musical hints at the pogroms against Animals (the sentient ones) but doesn't go into the Whys and Hows like the book does. Wicked and its sequel are much grittier, much darker. At times they feel like political commentary. I loved them.

Wicked is the story of Elphaba, Oz's Wicked Witch of the West. Her story tells us about her birth, her childhood, her school years, and how she eventually came to be the Wicked Witch of the West. Throughout the course of the book we meet Glinda, the Good Witch (and Elphaba's college roommate), the Wicked Witch's flying monkeys, and the Wizard of Oz. The Wicked Witch, unsurprisingly, is not as evil as she's painted to be. Her sister, though...I might not call her wicked, but dictatorial? Yes. Wicked also introduces Liir, Elphaba's son. His story is the sequel, Son of a Witch.

In Son of a Witch, we watch Liir try to decide who he is and what he wants to do with his life. Is he really Elphaba's son? What does that mean for his future? Should he take up her mantle and her responsibilities? So many people seem to think it's his duty to do so, but he's not Elphaba. She never confided her dreams and goals to him, so he doesn't even really know what those duties are, much less if he wants to take them up. Son of a Witch is really the story of an identity crisis, but it's an identity crisis with the added pressure of entire tribes and races of peoples looking to Liir for help, or guidance, or simply answers that he does not have.

I very much enjoyed both books, and I'm excited to find out there are two more in the series. I definitely had some unanswered questions at the end of Son of a Witch, and was disappointed when I thought that was the end. I also plan to look up the author's other, similar books - Confessions of an Ugly Stepsister (Cinderella), Mirror Mirror (Snow White), and many others not based on fairy tales. Or recognizable fairy tales, anyway.

Reading these two books has also made me want to re-read the Oz series - I read most of them years ago in middle school, but I think I may try to grab them from the library again. Oz is such an interesting world, and re-reading them after reading The Wicked Years might shine a whole new light on them.

You can find all my reviews at http://goddessinthestacks.wordpress.com
  
Twilight's Dawn (The Black Jewels, #9)
Twilight's Dawn (The Black Jewels, #9)
Anne Bishop | 2011 | Fiction & Poetry
10
6.5 (4 Ratings)
Book Rating
Anne Bishop's newest addition to the Black Jewels series is a collection of four novellas that fill in a few gaps in the growing storyline, as well as answering the question of what happens after certain central characters are gone from the series.
The first story, "Winsol Gifts", takes place a year after Daemon Sadi and Jaenelle Angelline have been married and after the events in Tangled Webs (Black Jewels, Book 6). It is a sweet story that explores Daemon's new roles as the Warlord Prince of Dhemlan, as well as Tersa's relationship with both Daemon and Lucivar. The question of whether Jaenelle can ever take back the Ebony - and if she will - is also answered, which was very satisfying for me.
The second story, "Shades of Honor", centers on Prince Falonar and the on-going damage he causes from his own prejudices. Surreal and Rainier's recoveries from injuries sustained from the evil haunted house are also central to the story. It also answers the question of how Rainier came to work for Daemon Sadi. Lucivar is also forced to learn how to better run Ebon Rih, which allows the reader to learn a bit more about Eyriens. This story also sparked my curiosity about the Dea al Mon, Surreal's heritage, since the story ended with her going to stay with them.
The third story, "Family", is about what happens to Sylvia, Saetan's lover and wife, and her sons. Through her story, the reader gets a clearer picture of what life is like for the demon-dead, as well as a glimpse of the kind of power that Tersa can wield. The reader also gets to find out if Jaenelle will ever take on the role of a Queen again, as well as how Daemon and Jaenelle deal with the issue of no children.
The final story, "The High Lord's Daughter", spans a period of decades in the telling. This story is both the most tragic and the most promising of the four novellas, as two main characters pass on, while the next generation of the SaDiablo family opens up brand-new story lines for Bishop to explore, should she decide to do so. While it was pretty obvious from the cover description that Jaenelle would die in this story, I was not satisfied with the explanation as to why she could not become demon-dead. I did find it both believable and realistic that Daemon would need to marry again, despite his own grief and stubbornness, and I was very happy that he married the woman he did, as I saw their unique bond long before this book came along. Their daughter also made me quite happy, as I can see how she could continue the magic of "dreams made flesh". I was also happy for Marian and Lucivar, as they finally got their daughter. Of course, now I have a new question that will drive me nuts until the next book - if a person's Birthright Jewel is Twilight's Dawn, then what stone does she descend to?
  
Tales of Vesperia
Tales of Vesperia
Role-Playing
I finally got done playing Tales Of Vesperia, but I'm not completely done. There's an extra dungeon you can play through at the end of the game if you do a specific side quest during the regular game play through. I've never played a Tales Of game that I didn't like yet and this one was no exception.
 I genuinely liked the main character Yuri because he's not a perfect hero. He isn't purely good, but he's not necessarily evil either. It's a matter of he's had to make the hard decisions that others around him are not willing to make, but in the end he's always stayed true to himself and his ideals. I think a lot of the reason why that scenario worked is because of the story line with Yuri's best friend Flynn. Flynn is the other side of the coin, walking a different path, but ultimately the goal to try and make the world a better place is similar.
 The idea of blastia technology is interesting and they do explain how it came to be and what it is used for as the game and story progress. It also explains the reasons behind how the empire that controls it came to exist which I thought that the developers did a pretty good job of intertwining with the main story line.
 You meet more characters along the way on this adventure and they all have pretty decent back stories. I myself liked Raven's and Judith's in particular. There are of course, the usual skits during game play, but they never get tedious. In fact, some of them are amusing with jokes that are actually funny and add a little more depth to the story and the characters themselves. The anime cut scenes are very well done and great to watch. The musical soundtrack not only is beautiful, but fits well with the various battles and pivotal plot points throughout the story.
 There are one or two boss battles that can be a little frustrating because of certain mystic artes attacks, but once you get through them you feel a sense of accomplishment for having won. Of course, if you get too frustrated you do have the option of changing the difficulty level to easy without being penalized for it which is a nice perk. With a myriad of fun extra side quests like getting cafe costumes for all the characters or the cute disguise costumes for the female characters in your party, you get a pleasant break from level grinding and the main story. Overall, the game is a good time and fun to play. Even level grinding in this particular RPG is enjoyable because of a decent battle system, and beautifully designed scenery and enemies. Now, I'm going to get back to playing this extra dungeon I've won. As for all of you, I suggest you pick up Tales Of Vesperia for the Xbox 360 and give it a try. I am sure you will have as much fun as I did playing it.
  
Harry Potter and the Chamber of Secrets
Harry Potter and the Chamber of Secrets
J.K. Rowling | 1998 | Children
9
9.0 (208 Ratings)
Book Rating
Characters (3 more)
New plot
Humour, Wit and Sarcasm
Mystery
Terrifying me as a child (0 more)
Ssssomething Special
As with all Harry Potter books I love them, because why wouldn’t you? And the one thing I find is that in the movies they tend to miss some of Rowling’s amazing sarcastic and hilarious scenes and if you are only a lover of the movies you tend to miss so much.
Now I will admit the book and the film absolutely terrified me when I was younger and still gives me a bit of creeps now, even though I do own a snake and love them to bits. Any who …
In this movie we meet new characters, one of which becomes very dear to everyone’s heart – aka Dobby! We meet the funny little House Elf who manages to wreck havoc in poor Harry’s life before he even gets to school with the whole dropping a pudding in the middle of the living room and then blocking 9 and 3 quarters to both Harry and Ron. Hence them then breaking the first law, do not expose Magic to Muggles. Then who could forget Gilderoy Lockhart? The incompetent but very good at memory spells Dark-Arts teacher. And then there is Moaning Myrtle, good old Myrtle.
Harry and Ron’s misadventures start right at the beginning of term, causing them to nearly be expelled. Thankfully not, other wise the book series would have been very short. More and more drama ensues to the Trio (Harry, Ron and Hermione) and the rest of the school as the book continues with Harry talking to snakes, Ginny acting strange, and then student’s being petrified including our brilliant Hermione. It’s then up to Harry and Ron to try and solve the mystery. You know, because all those suitably qualified teachers can’t do anything but a twelve year old can?
But what started off with causing everyone to avoid Harry within an inch of his life soon became the reason all the muggle-borns and half-blood’s stayed awake and not petrified. What would they ever do without Harr Potter?
A funny and dramatic second book in this series which grips you straight from the start with Rowling’s brilliant way to use mischief, sarcasm and wit in her writing.
A Favourite scene of mine that is in the books is:
“Fred and George, however, found all this very funny. They went out of
their way to march ahead of Harry down the corridors, shouting, "Make way for
the Heir of Slytherin, seriously evil wizard coming through ......

Percy was deeply disapproving of this behavior.

"It is not a laughing matter," he said coldly.

"Oh, get out of the way, Percy," said Fred. "Harry's in a hurry."

"Yeah, he's off to the Chamber of Secrets for a cup of tea with his fanged
servant," said George, chortling.

Ginny didn't find it amusing either.

"Oh, don't," she wailed every time Fred asked Harry loudly who he was
planning to attack next, or when George pretended to ward Harry off with a large
clove of garlic when they met.”
― J.K. Rowling, Harry Potter and the Chamber of Secrets
  
40x40

Sassy Brit (97 KP) rated Vendetta in Books

Jun 5, 2019  
Vendetta
Vendetta
10
10.0 (1 Ratings)
Book Rating
Vendetta by Iris Johansen brings back characters introduced in the Eve Duncan books. Although it is billed as an “Eve Duncan” she is only mentioned briefly. But, this does not take anything away from the plot and the main characters, Rachel Venable and Jude Brandon. The story centers on these two and their attempts to bring down Max Huber, the head of Red Star, a terrorist organization with immense power.

The story begins with the shooting of a top CIA official, Carl Venable. His dying breath to the operative, Jude Brandon, to save his daughter, Dr. Rachel Venable, and give her the choice of eliminating Huber to prevent him from wreaking further havoc on a global scale. Huber wants revenge on Rachel, believing that she killed his father by poisoning him. Enlisting the help of her good friend, CIA operative Catherine Ling and her on again, off again boyfriend, Richard Cameron, they work together to bring Huber down.

Johansen noted, “Every other chapter has a choice come into play. It is all about making choices. Rachel had to decide if she would go after the bad guys. Brandon whether he would involve himself emotionally with Rachel. Catherine made the choice not to hide from her desire for Cameron, as well as knowing she had to give Rachel space and control over her own destiny. The bad guy Huber is pure evil without redeeming qualities and his choice was to inflict as much collateral damage as possible. Even though I have a choice as a writer, I just wanted to kill Huber for doing terrible things to the people I love in my books.”

Both Rachel and Catherine had similar experiences of having to overcome rape. At the age of fifteen Rachel was captured by the Taliban in Afghanistan, watched them kill her mother and brother, and was brutally raped as well as tortured. What Johansen does wonderfully is to show how Rachel is determined to overcome her past experiences. One of the reasons she becomes a medical doctor is to heal people. Both Catherine and Rachel are intelligent, tough, strong, independent, and stubborn.

The book quote has Rachel determined to not be seen as a cripple. “I wrote that because I consider it the bravest thing she ever said. She went through a terrible event, but she fought and conquered it. Catherine also had a tough life, growing up on the Hong Kong waterfronts. She learned from it to become stronger. These two women are more similar than different. They had rough teenage years that they had to overcome. I think they are more sisters than friends and will always go to bat for each other. I think Catherine is more like the older sister because she has a son, which makes a big difference.”

Johansen writes female characters that are something other than constant damsels in distress. They find a way to survive and have come out even stronger. This story shows how a character’s past and the decisions made influence the present and future, sometimes to the point of getting revenge by pursuing a vendetta.
  
Suicide Squad (2016)
Suicide Squad (2016)
2016 | Action
Yet another missfire
It’s hard to remember such a lacklustre summer blockbuster season. From unnecessary sequels to underwhelming novel adaptations, it’s been one disappointment after another.

After the criticism of spring’s Batman v Superman, DC Comics and Warner Bros. really needed a hit on their hands if they were to compete with the Marvel Cinematic Universe. Suicide Squad is their answer, but after an exhaustive marketing campaign, is the final product any good?

To be frank, not really. Director David Ayer has one of the best ensemble casts in years, but wastes them in a film as loud as any Transformers movie, and about as clever as one too.

Figuring they’re all expendable, a U.S. intelligence officer (Viola Davis) decides to assemble a team of dangerous, incarcerated supervillains for a top-secret mission. Now armed with government weapons, Deadshot (Will Smith), Harley Quinn (Margot Robbie), Captain Boomerang (Jai Courtney), Killer Croc and other despicable inmates must learn to work together. Dubbed Task Force X, the criminals unite to battle a mysterious and powerful entity, while the diabolical Joker (Jared Leto) launches an evil agenda of his own.

From the outset, you can tell Suicide Squad isn’t going to waste time with lengthy introductions to its main characters, and this is a breath of fresh air. It gets around this stumbling block in stylish ease as each villain is given his or her own 3 minute backstory, with nifty graphics completing the sequences.

It’s a pleasing start to a film that promised so much in its trailers, but things really start to go downhill from there as our characters are forced to muscle their way through countless faceless enemies, culminating in a derivative battle against, you guessed it, more dull enemies. It’s almost like watching a third-person video game taking place on a massive screen.

Nevertheless, the cast does well with the material they’re given. Will Smith is his ever-likeable self and channels Deadshot from the source material with flair. However, the film really belongs to Margot Robbie and Jared Leto. Their performances are spot on, with Robbie in particular being the film’s ray of sunshine. Leto’s Joker is unfortunately not given anywhere near enough screen time despite the film’s two hour length.

The soundtrack is fantastic. Boasting Eminem, Grace and Panic at the Disco, it’s a pleasant distraction from the at times incomprehensible mayhem taking place on screen.

Special effects wise, Suicide Squad is fine, if a little uninspiring. The editing and cinematography are very clever indeed but the CGI goes from great to poor in a heartbeat. Considering the film’s $175million budget, this is completely unacceptable.

Overall, Suicide Squad promised us so much and has delivered relatively little. Drawing from the exceptional DC Universe, audiences could’ve had a film completely different from the slew of superhero films we are constantly blighted with these days. Instead, we’ve been given one of the most generic yet and it continues 2016’s trend as one of the worst summer blockbuster seasons in recent memory.

https://moviemetropolis.net/2016/08/08/yet-another-misfire-suicide-squad-review/
  
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
2017 | Action, Adventure, Fantasy
Here we go again
I can’t be the only one surprised that the Pirates of the Caribbean franchise has managed to withstand five films. Created on a whim by Disney in 2003, the first film propelled Johnny Depp into the lives of movie fans like never before.

However, come 2017 and Depp’s star is sinking faster than the Black Pearl. After three pretty dreadful sequels, the cast reunites for Salazar’s Revenge. But does a change in directors herald a new and exciting path for the plucky pirates?

Thrust into an all-new adventure, a down-on-his-luck Captain Jack Sparrow (Depp) feels the winds of ill-fortune blowing strongly when ghost sailors led by his nemesis, evil Captain Salazar (Javier Bardem), escape from the Devil’s Triangle. Jack’s only hope lies in seeking out the legendary Trident of Poseidon, but to find it, he must forge an uneasy alliance with a brilliant and beautiful astronomer (Kaya Scodelario and a headstrong young man in the British navy (Brenton Thwaites).

Newcomer directors Joachim Rønning and Espen Sandberg craft a film that is magnificent to look at and stunning to listen to, but features all of the same problems as its predecessors. The time really is up on this franchise.

Of the cast, only Javier Bardem’s snarling Salazar makes any sort of lasting impact. In fact, he’s probably the best antagonist the series has ever had and makes for a menacing presence throughout. Depp looks like he’s on autopilot, almost as bored of Jack Sparrow’s drunken antics as we are, and the normally excellent Kaya Scodelario (Skins, Maze Runner) plays a particularly bland female lead during the films running time.

Speaking of which, at 142 minutes, this is one migraine inducing slog. All four previous films have suffered from being overstuffed, and with the extra abundance of characters this time around, it’s even more painful. There simply is no need to create a film that’s nearly two and a half hours long, especially considering the plot is as paint-by-numbers as you can get.

Nevertheless, to look at, Salazar’s Revenge really is breath-taking. The action is filmed confidently and the sets are fantastically detailed using some exceptional practical effects. There are ghost sharks, glistening islands and the motion capture used on Javier Bardem and his crew is seamless. Only the CGI-heavy finale lets the film down. The music is also sublime. Geoff Zanelli’s thunderous melody features the trademark theme-tune mixed with some really lovely orchestral music.

Overall, Pirates of the Caribbean: Salazar’s Revenge kicks off a summer season filled to the brim with sequels and after the previous film’s poor reception, expectation was almost as low as it is for Transformers: the Last Knight.

What we’ve ended up with is a bit of a double-edged sword then. It’s certainly better than the previous three sequels and almost up to the standard of the 2003 original; the problem is, that film wasn’t particularly good in the first place.


https://moviemetropolis.net/2017/05/26/here-we-go-again-pirates-of-the-caribbean-salazars-revenge-review/
  
Kingsman: The Secret Service (2015)
Kingsman: The Secret Service (2015)
2015 | Mystery
Simply Brilliant
Director Matthew Vaughn has brought some visually striking films to the big screen in his fairly short career, from the brilliant Layer Cake, to the movie which many credit as saving the X-Men franchise, First Class, he certainly knows his way around a camera.

However, Kingsman: The Secret Service is probably his riskiest proposition yet. Can a dark comedy about upper-class British spies with their tailor-made suits compete with the very best films in the genre?

Thankfully the answer is a resounding yes. The spectacular cinematography and fantastic performances in Kingsman ensure it is one of the most memorable and cleverly crafted blockbusters of the last decade.

The film follows the story of underprivileged Eggsy, played wonderfully by Taron Egerton in his first full role, as he does his best to join The Kingsmen, a secret society of spies working to bring down evil in the world.

An absolutely marvellous Colin Firth and a slightly underused Michael Caine also play part of this group – possibly creating the poshest ensemble of characters seen in a film for years.

Naturally a spy flick isn’t complete without a villain and Samuel L Jackson is on course here to become one of the cheesiest megalomaniacs ever put to the big screen. His deliberately camp performance goes well with the dark humour throughout.

Kingsman is also genuinely funny and a real treat to watch with explosive, over-the-top visuals and beautiful scenery which utilises what the world has to offer rather than delving into the CGI drawer many directors employ nowadays.

It all feels decidedly old fashioned and all the better for it with an almost grainy quality to the production – think The Avengers TV series but with a higher budget.

The plot is top notch and whilst it may border on cliché at times, Kingsman manages to steer the story in enough directions to make sure the audience never settles into a rut, the use of our reliance on modern technology being a particular highlight.

Special effects wise, it holds up well with most other blockbusters and has just a few lapses in CGI at the start and towards the riveting finale,Taron_Egerton_SDCC_2014 though these are barely noticeable if you’re not looking hard enough.

Moreover, it is a true pleasure to sit in a film and not wonder what the producers had to cut to achieve a crowd-pleasing 12A certification. Kingsman pulls no punches, this is a violent rollercoaster ride and well deserves the BBFC 15 rating it has been given. Whether or not this hurts its box-office performance remains to be seen.

Overall, Kingsman: The Secret Service is one of the only films which combines the ever-popular spy genre with comedy and manages to keep its dignity in tact as the end credits role.

So many films, Johnny English: Reborn and Get Smart to name a couple, simply delve into slapstick territory once the writers run out of ideas – this isn’t the case here.

From its exciting plot and brutally dark humour, to the engaging performances from every single character, Kingsman: The Secret Service is simply brilliant.

https://moviemetropolis.net/2015/01/30/simply-brilliant-kingsman-the-secret-service-review/
  
Krampus (2015)
Krampus (2015)
2015 | Comedy, Horror
Full of festive chills and thrills
It’s the most wonderful time of the year, or in the case of one typical US family, it’s not, as they face off against a whole host of festive monsters and ghouls, all serving their evil overlord, Krampus.

This horror comedy takes the genre to a whole new level, throwing in a nice dose of cheesy festive calamity for good measure. But will you be wishing for it on this year’s Christmas list?

Krampus follows the story of a family, who after getting together for the holiday; forget the spirit of Christmas and what it means to hope for a better future and for the well-being of those around you.

Unfortunately, there aren’t any visits from Santa on the cards for this unlucky group, as their continuous bickering summons Krampus, St. Nicholas’ shadow. Krampus is a popular piece of German folklore, a hooded anthropomorphic figure who punishes naughty children in the run up to Christmas.

Naturally, the legend of Krampus gets an American makeover but surprisingly the end result is one of the best horror comedy films in years with some well-time scares and just the right amount of laughs. The family, known only by their first names, is a well-acted group featuring talent like Toni Collette, Adam Scott and the ever-popular David Koechner.

The family unit has just the right amount of chemistry to make their relationships feel believable with Krista Stadler providing an eerie performance as the film’s eldest character.

What sets Krampus apart from its peers is the ingenious plot and fascinating story, with one particular scene featuring some crazed gingerbread men and demonic toys proving to be the film’s highlight. The constant shifts in tone ensure it never settles into a rut, and unusually for the genre, Krampus manages to steamroll itself to a genuinely pleasing climax that’ll have you talking long after you’ve walked out of the cinema.

There’s also a beautifully animated backstory explaining the origins of our antagonist that just proves how above average this film truly is. Only Harry Potter & the Deathly Hallows: Part 1 managed to do such a tasteful cut to animation and it works fantastically well here too.

The titular character is a menacing figure in a long cloak, with dangling chains and large hooves, and despite his lack of screen time, he makes his presence felt. There’ll be no chance of bickering around the Christmas dinner table if there’s the possibility of Krampus showing up.

If there’s one criticism to be directed towards Krampus, it’s the lack of actual horror. Yes, there are scares but the majority of them are of the jump variety and there’s only so much terror that can be inflicted by maniacal biscuits.

Overall, Krampus is a highly entertaining romp with one of the best endings ever seen in the horror comedy genre. This frighteningly funny festive treat should most definitely be on your must watch list – it’s a delight.

Just remember, he knows when you’ve been bad or good, so be good for goodness sake! Krampus is coming to town.

https://moviemetropolis.net/2015/12/06/full-of-festive-thrills-and-chills-krampus-review/
  
Also read my review here: http://bookbum.weebly.com/book-reviews/beyond-belief-my-secret-life-inside-scientology-and-my-harrowing-escape-by-jenna-miscavige

<i>3.5 stars</i>

<b><i>The problem is that Scientology is a system that makes it nearly impossible for you to think for yourself.</b></i>

What is Scientology? Is it a religion or is it just a way of life? I can’t quite get my head around it. I also can’t get my head around the fact that Scientology has become such a widely followed… thing. L. Ron Hubbard, was a sci-fi author, an adulterer (he eloped with his 2nd wife while still married to his first wife), an abuser, a hypocrite and a criminal. Did you know, when he <i>kidnapped</i> his 2nd wife, he told her she would never see her baby again if she didn’t go with him. He then, obviously, retracted this statement and told her that he’d “chopped the child into little pieces and watched them float down a river” and it was her fault he had done so, because she had left him. What kind of sick maniac was this man, and <i>why</i> do people follow his beliefs? No wonder he thinks psychiatry is evil, they obviously all told him he was medically insane and he refused to believe it because his ego was so big.

Scientology is just a big manipulation machine. Do as you’re told or you get humiliated - it’s disgusting.

<b><i>Anyway,</b></i> on to a review of the actual novel, not just the religion/following (which clearly I have some issues with).

Reading all about Jenna’s life in Scientology from such a young age is certainly eye opening and while a lot of people are saying she gives us too much information, I actually thinks it’s great that she’s included so much of what she did day in and day out throughout her progression in Scientology because it really gives us an insight into how messed up being in the Sea Org is and Scientology as a whole.

The humiliation and abuse she was put through, all because she did something as trivial as fancying a guy with a lower title than her or wanting to call her parents, is absolutely horrid and I’m amazed she’s come out of this life long experience rather normally. That being said, this isn’t as juicy as I was hoping it would be. I’m glad she wasn’t beaten and physically harmed in anyway, but I was lead to believe this was going a bit more terrifying by the “My Harrowing Escape” part of the title. Don’t get me wrong, Jenna went through some awful, awful stuff, I’m not discounting that at all, but… I don’t know, it just wasn’t macabre enough for me, as horrible as that sounds.

This is definitely a great book if you want to get a better look into life as a Scientologist, it gives you plenty of insider info, but I wouldn’t say it was the best of these kinds of book that I’ve read, though it’s probably the best about Scientology.