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BankofMarquis (1832 KP) rated Snow White and the Seven Dwarfs (1937) in Movies
Oct 6, 2018
Still the "Fairest of Them All"
It's always a fear of mine when I go back to visit a beloved film of mine - especially a film that was beloved to me in my childhood. Will it hold up? Is it as good as I remember it? Will the re-visitation tarnish the precious memory of this film that I have?
I am happy to report that, upon a fresh viewing of the first full length animated film every, that I can still declare SNOW WHITE AND THE SEVEN DWARFS "the fairest of them all".
Made in 1937, by the visionary Walt Disney, this film defies the odds - many calling it "Walt's Folly". No one had attempted a full length animated film before and the skeptics were many, but what Walt knew is that he had all the standard elements of a good story - a heroine we can root for, an evil villain, some comic characters that can help us laugh (and cry) and, more importantly, he had the skillful craftsmen of the Walt Disney Studios that can pull off such a feat.
And...pull it off they did! This film is gorgeous and lush to look at. Upon this viewing, I was drawn to the background, and the edges of the frame, marveling at the detail that was interwoven into each, hand drawn imagery - giving this tapestry a lushness and thickness heretofore unseen on the screen.
As for the story of the film - and the film itself - Disney was smart enough to know that "less is more". The film is compact - running a relatively quick 83 minutes - this was a two-fold solution. (1) It helped move the film along at a sprightly pace, never once resting or losing energy and (2) this means that the artists only had to draw what was necessary for this streamlined story.
The music, of course, is wonderful and important part of this film. This was one of the first movie musicals, and was the first film to release a Soundtrack Album. From "Some Day My Prince Will Come" to "I'm Wishing" to "Heigh-Ho" and "Whistle While You Work", the songs moved the story forward and added depth to the characters portrayed on the screen.
If you haven't caught this film in awhile, I heartily recommend you check it out - it works for young and old alike. A good film to share with children of today, to show them what lush, hand drawn animation looks like. Come for the fun of the Dwarfs and the Villainy of the Evil Queen, stay for the richness of the tapestry and the attention to detail that a true classic film portrays.
Letter Grade: A+
10 (out of 10) stars and you can take that to the Bank (ofMarquis)
Next Month: WRECK-IT RALPH and (of course) the sequel RALPH BREAKS THE INTERNET (coming to theaters in November).
I am happy to report that, upon a fresh viewing of the first full length animated film every, that I can still declare SNOW WHITE AND THE SEVEN DWARFS "the fairest of them all".
Made in 1937, by the visionary Walt Disney, this film defies the odds - many calling it "Walt's Folly". No one had attempted a full length animated film before and the skeptics were many, but what Walt knew is that he had all the standard elements of a good story - a heroine we can root for, an evil villain, some comic characters that can help us laugh (and cry) and, more importantly, he had the skillful craftsmen of the Walt Disney Studios that can pull off such a feat.
And...pull it off they did! This film is gorgeous and lush to look at. Upon this viewing, I was drawn to the background, and the edges of the frame, marveling at the detail that was interwoven into each, hand drawn imagery - giving this tapestry a lushness and thickness heretofore unseen on the screen.
As for the story of the film - and the film itself - Disney was smart enough to know that "less is more". The film is compact - running a relatively quick 83 minutes - this was a two-fold solution. (1) It helped move the film along at a sprightly pace, never once resting or losing energy and (2) this means that the artists only had to draw what was necessary for this streamlined story.
The music, of course, is wonderful and important part of this film. This was one of the first movie musicals, and was the first film to release a Soundtrack Album. From "Some Day My Prince Will Come" to "I'm Wishing" to "Heigh-Ho" and "Whistle While You Work", the songs moved the story forward and added depth to the characters portrayed on the screen.
If you haven't caught this film in awhile, I heartily recommend you check it out - it works for young and old alike. A good film to share with children of today, to show them what lush, hand drawn animation looks like. Come for the fun of the Dwarfs and the Villainy of the Evil Queen, stay for the richness of the tapestry and the attention to detail that a true classic film portrays.
Letter Grade: A+
10 (out of 10) stars and you can take that to the Bank (ofMarquis)
Next Month: WRECK-IT RALPH and (of course) the sequel RALPH BREAKS THE INTERNET (coming to theaters in November).
Goddess in the Stacks (553 KP) rated Forest of a Thousand Lanterns in Books
Jan 11, 2018
A fun blend of Fairy Tales and Asian mythology.
You know I love my Fairy Tales! Especially re-imagining the villains. Forest of a Thousand Lanterns is an Asian take on the evil queen from Snow White. The author is a Vietnamese American, and this is her debut novel. She has quite skillfully woven a new origin story for the wicked stepmother in a fantasy land heavily influenced by East Asian mythology and culture. I don't know enough about the individual countries' mythologies to tell you if the influences come specifically from Vietnam, or more generically from the area. I know that their beliefs can vary pretty wildly by locale.
That said, this is another superb debut novel. I'm eager to read the sequel - it's billed as "A Rise of the Empress novel" so I'm sure there will be one or more. Xifeng is a pretty complex character - she is somewhat single-minded in what she wants, but conflicted in what to do to get it. (It being the position of Empress.) I was intrigued by who was chosen to fill the roles of the traditional tale; Xifeng, of course, would be the wicked stepmother. The Fool is Xifeng's version of Snow White, and Xifeng thought for some time that she knew who The Fool was. The reader, of course, knows the Fool must be Snow White, and so not the people who Xifeng suspected. The one that surprised me was the identity of The Huntsman. I won't spoil anything - but he was unexpected.
There's also more going on than just the Snow White plot. There are gods and goddesses and spirits and an underlying war. I am quite eager to see how those play out.
There is a slow spot in the middle - I set the book down for a couple of days before picking it up again, and that's always a sign I'm not as absorbed in the book as I could be. But I did pick it up again and read straight through to the end, so it's not too bad!
If you like Fairy Tales and Asian mythology, this is definitely a neat blend of the two. I really liked it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
That said, this is another superb debut novel. I'm eager to read the sequel - it's billed as "A Rise of the Empress novel" so I'm sure there will be one or more. Xifeng is a pretty complex character - she is somewhat single-minded in what she wants, but conflicted in what to do to get it. (It being the position of Empress.) I was intrigued by who was chosen to fill the roles of the traditional tale; Xifeng, of course, would be the wicked stepmother. The Fool is Xifeng's version of Snow White, and Xifeng thought for some time that she knew who The Fool was. The reader, of course, knows the Fool must be Snow White, and so not the people who Xifeng suspected. The one that surprised me was the identity of The Huntsman. I won't spoil anything - but he was unexpected.
There's also more going on than just the Snow White plot. There are gods and goddesses and spirits and an underlying war. I am quite eager to see how those play out.
There is a slow spot in the middle - I set the book down for a couple of days before picking it up again, and that's always a sign I'm not as absorbed in the book as I could be. But I did pick it up again and read straight through to the end, so it's not too bad!
If you like Fairy Tales and Asian mythology, this is definitely a neat blend of the two. I really liked it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
LeftSideCut (3778 KP) rated Resident Evil: The Final Chapter (2017) in Movies
Jan 6, 2021 (Updated Jan 6, 2021)
Contains spoilers, click to show
Well here we have it - a messy and underwhelming finale, to a messy and underwhelming franchise.
Where to begin with this - even though it was silly and impractical, the previous film in the series ends on a cliffhanger (?), setting up a big ass battle between an army of undead, and a line up of heroes mainly made up of characters from the games (stood on top of the white house of course because Paul W.S. Anderson). This film opens in the aftermath, meaning that we don't even see the ensuing battle, but all these characters are un-ceremoniously killed off screen between movies. Alice is alive though....yaaay.
You know what comes next by now, an opening Milla Jovovich speech about who she is, edgy soldier characters saying edgy shit all the damn time (with added Ruby Rose for a little extra edginess), wire frame blue print segments of whatever facility they're in this time. Anderson mercifully cuts out all the gratuitous slow motion for his final bow, but unfortunately replaces it with seizure inducing quick edits. Like, it's fucking ludicrous how many edits there are whenever a fight starts and it just sucks. It's unexciting and difficult to sit through at times.
Then there's the ret-conning. Jesus Christ, Iain Glen is back for no reason other than the fact he became more of a household name thanks to Game of Thrones, plot be damned. Wesker is a villain again and the Red Queen is now a good guy, the origins of the T-Virus is different, and Milla Jovovich is actually an old woman (complete with Jackass quality aesthetics). These movies stopped making sense a while back but they just went full ham on this one. You know when you're on your last day of work before leaving a job and you just don't really give a fuck about your final shift? Yeah it's that, but a multi million dollar film.
I'm extremely happy that Resident Evil is finally being rebooted, into hopefully something that resembles the source material a bit more, and is actually scary. And good. Maybe. This franchise has given me trust issues.
Where to begin with this - even though it was silly and impractical, the previous film in the series ends on a cliffhanger (?), setting up a big ass battle between an army of undead, and a line up of heroes mainly made up of characters from the games (stood on top of the white house of course because Paul W.S. Anderson). This film opens in the aftermath, meaning that we don't even see the ensuing battle, but all these characters are un-ceremoniously killed off screen between movies. Alice is alive though....yaaay.
You know what comes next by now, an opening Milla Jovovich speech about who she is, edgy soldier characters saying edgy shit all the damn time (with added Ruby Rose for a little extra edginess), wire frame blue print segments of whatever facility they're in this time. Anderson mercifully cuts out all the gratuitous slow motion for his final bow, but unfortunately replaces it with seizure inducing quick edits. Like, it's fucking ludicrous how many edits there are whenever a fight starts and it just sucks. It's unexciting and difficult to sit through at times.
Then there's the ret-conning. Jesus Christ, Iain Glen is back for no reason other than the fact he became more of a household name thanks to Game of Thrones, plot be damned. Wesker is a villain again and the Red Queen is now a good guy, the origins of the T-Virus is different, and Milla Jovovich is actually an old woman (complete with Jackass quality aesthetics). These movies stopped making sense a while back but they just went full ham on this one. You know when you're on your last day of work before leaving a job and you just don't really give a fuck about your final shift? Yeah it's that, but a multi million dollar film.
I'm extremely happy that Resident Evil is finally being rebooted, into hopefully something that resembles the source material a bit more, and is actually scary. And good. Maybe. This franchise has given me trust issues.
The Grimm Forest
8.4
Rate It
Tabletop Game
Who will benefit most from the cunning of Robin Hood, the beauty of Snow White, the bountiful gifts...
Lottie disney bookworm (1056 KP) rated Mistress of All Evil: A Tale of the Dark Fairy (Villains #4) in Books
Sep 28, 2019
YES SERENA!
Mistress of Evil is precisely the book I wanted from the villain’s tales series: it had everything – an intriguing backstory; familiar characters as well as new ones who were pivotal to the plot; and of course, magic.
I couldn’t put this book down and I am so relieved that I can finally be super positive for the first time since Fairest of All.
Mistress of Evil takes place immediately after Poor Unfortunate Soul (these books have an order for a reason people!) and, with the odd sisters temporarily out of action, we learn that Maleficent must appeal to Circe and Nanny for assistance with a spell. However, it is soon revealed that Nanny, Maleficent and the odd sisters share a history.
What I loved most about this book is that Valentino spends a lot of time in Maleficent’s backstory, and it was evident that she took a lot of pride in the younger fairy she created. Maleficent is not 100% bad. Don’t get me wrong, she isn’t 100% good either, but the reader witnesses the circumstances that have made her this way. We observe abandonment, bullying and rejection but overall we witness prejudice against someone who is different and I feel it is this that really humanises Maleficent.
Familiar characters are also introduced; namely Flora, Fauna and Merryweather. Now, Merryweather has always been my favourite of the three fairies: something about her sarcastic and feisty personality calls to me. However, young Merryweather is a bit of a cow and, although I didn’t want to, I loved this twist. As usual, Valentino’s world is not black and white: if the good fairies had always been good, events may have turned out very differently.
Snow and her mother also play a role in the progression of the underlying story throughout all these tales: the one of the odd sisters. It wasn’t a complete surprise that Valentino brings one of her previous characters into the story, after all each tale has led into the next. However, it was really interesting to meet Queen Snow and glimpse at her life since we left her in Fairest of All. Also, a book from the odd sisters that possibly binds all our heroes and villains together is pure genius- particularly for someone who was obsessed with Once Upon a Time.
The level of detail in Valentino’s writing is superb. You can really picture the village in which Maleficent was raised- an experience that I haven’t felt in the previous tales. She also doesn’t neglect Aurora just because she is asleep but creates a dream world of mirrors that for some reason conjured images of Labyrinth for me. I also appreciated that, although snippets of the original story are included, they are just snippets- not a retelling.
I think it’s pretty clear that I loved this book. It wasn’t perfect (I still just don’t “get” Tulip and Popinjay and the timing at the start of the book was confusing) but it was pretty close! A prequel to Sleeping Beauty, complete with a fairy school, tree lords, dream worlds and fallouts that would make Jeremy Kyle wince? What more could you want?
A MASSIVE twist? You got it! I always knew no-one would be that angry over not being invited to a christening….
Mistress of Evil is precisely the book I wanted from the villain’s tales series: it had everything – an intriguing backstory; familiar characters as well as new ones who were pivotal to the plot; and of course, magic.
I couldn’t put this book down and I am so relieved that I can finally be super positive for the first time since Fairest of All.
Mistress of Evil takes place immediately after Poor Unfortunate Soul (these books have an order for a reason people!) and, with the odd sisters temporarily out of action, we learn that Maleficent must appeal to Circe and Nanny for assistance with a spell. However, it is soon revealed that Nanny, Maleficent and the odd sisters share a history.
What I loved most about this book is that Valentino spends a lot of time in Maleficent’s backstory, and it was evident that she took a lot of pride in the younger fairy she created. Maleficent is not 100% bad. Don’t get me wrong, she isn’t 100% good either, but the reader witnesses the circumstances that have made her this way. We observe abandonment, bullying and rejection but overall we witness prejudice against someone who is different and I feel it is this that really humanises Maleficent.
Familiar characters are also introduced; namely Flora, Fauna and Merryweather. Now, Merryweather has always been my favourite of the three fairies: something about her sarcastic and feisty personality calls to me. However, young Merryweather is a bit of a cow and, although I didn’t want to, I loved this twist. As usual, Valentino’s world is not black and white: if the good fairies had always been good, events may have turned out very differently.
Snow and her mother also play a role in the progression of the underlying story throughout all these tales: the one of the odd sisters. It wasn’t a complete surprise that Valentino brings one of her previous characters into the story, after all each tale has led into the next. However, it was really interesting to meet Queen Snow and glimpse at her life since we left her in Fairest of All. Also, a book from the odd sisters that possibly binds all our heroes and villains together is pure genius- particularly for someone who was obsessed with Once Upon a Time.
The level of detail in Valentino’s writing is superb. You can really picture the village in which Maleficent was raised- an experience that I haven’t felt in the previous tales. She also doesn’t neglect Aurora just because she is asleep but creates a dream world of mirrors that for some reason conjured images of Labyrinth for me. I also appreciated that, although snippets of the original story are included, they are just snippets- not a retelling.
I think it’s pretty clear that I loved this book. It wasn’t perfect (I still just don’t “get” Tulip and Popinjay and the timing at the start of the book was confusing) but it was pretty close! A prequel to Sleeping Beauty, complete with a fairy school, tree lords, dream worlds and fallouts that would make Jeremy Kyle wince? What more could you want?
A MASSIVE twist? You got it! I always knew no-one would be that angry over not being invited to a christening….
Kristy H (1252 KP) rated Girls on Fire in Books
Feb 8, 2018
Hannah Dexter has led a fairly mundane life in the small town of Battle Creek, where everyone knows everyone else and everything that happens to everyone. But her life is turned upside town by two events: the suicide of a local boy, Craig, and the arrival of a new girl, Lacey, who quickly becomes the town's resident bad girl. Hannah and Lacey unite over their hatred of the town's "it girl" Nikki Drummond. Lacey transforms Hannah into Dex--a darker version of Hannah--who adores Lacey and Kurt Cobain's music (this is the early '90s after all). But Hannah doesn't realize that Lacey is hiding a secret from her, a pretty big one, which threatens to destroy the very fabric their friendship is based on.
"Girls on Fire" is an oddly captivating and compelling novel. The story unfolds before you and you're powerless to stop the events as they occur. It's told mainly from the alternating points of view of Lacey and Hannah, and we slowly learn about the events that led to their friendship and its aftermath-- and also Craig's suicide. The book wasn't a particularly fast read for me, but it was fascinating. It's an accident where you can't look away, even though you know something horrible will happen. This book is dark and disastrous and makes you afraid to ever send your children off to high school.
Parts of the novel are a bit cliched (it's almost too dark, too awful) but it doesn't stop it from being intriguing and captivating. It pulls you in to Lacey and Hannah's world and as time somehow moves forward, yet we learn about what happened to Craig in the past, Wasserman does an amazing job of unfurling her plot. I was drawn to the book and the characters. Tragic Lacey, confused Hannah, evil queen Nikki: you can see them so clearly in your head. The book almost casts a spell over you as it sucks you into its world. The writing is intense, the storyline is intense, and you're left almost breathless at the end. I didn't really enjoy the book, per se, but I appreciated it. It's a wild ride, a dark one, and definitely one worth taking.
I received an advanced copy of this novel from Edelweiss (thank you!); it is available everywhere on 5/17/2016.
"Girls on Fire" is an oddly captivating and compelling novel. The story unfolds before you and you're powerless to stop the events as they occur. It's told mainly from the alternating points of view of Lacey and Hannah, and we slowly learn about the events that led to their friendship and its aftermath-- and also Craig's suicide. The book wasn't a particularly fast read for me, but it was fascinating. It's an accident where you can't look away, even though you know something horrible will happen. This book is dark and disastrous and makes you afraid to ever send your children off to high school.
Parts of the novel are a bit cliched (it's almost too dark, too awful) but it doesn't stop it from being intriguing and captivating. It pulls you in to Lacey and Hannah's world and as time somehow moves forward, yet we learn about what happened to Craig in the past, Wasserman does an amazing job of unfurling her plot. I was drawn to the book and the characters. Tragic Lacey, confused Hannah, evil queen Nikki: you can see them so clearly in your head. The book almost casts a spell over you as it sucks you into its world. The writing is intense, the storyline is intense, and you're left almost breathless at the end. I didn't really enjoy the book, per se, but I appreciated it. It's a wild ride, a dark one, and definitely one worth taking.
I received an advanced copy of this novel from Edelweiss (thank you!); it is available everywhere on 5/17/2016.
Emma @ The Movies (1786 KP) rated Maleficent: Mistress of Evil (2019) in Movies
Dec 8, 2019
I questioned the need for a second film, much like other Disney properties furthering this franchise over producing new content didn't seem all that sensible, but the effects in the trailer had me intrigued enough to want to see it.
Aurora has settled into her life on the Moors, life is a fairy tale and soon it will become even more so. Everyone is elated when Prince Philip proposes to her, everyone but Maleficent.
As she tries to come to terms with the news and be happy for the couple it becomes evident that something more sinister is afoot and that those seeking power will do anything to get it.
Angelina Jolie never seems to disappoint. Here she summons the peak anti-social qualities and refines them into something elegant. All her little reactions and the way she tries to smile create a magnificent second outing for Maleficent and thankfully the story that they wove for her was strong enough to be a worthy sequel.
I am still not a great fan of Elle Fanning, I find her acting style to be rather eerie and on occasion bland. I didn't entirely believe the way her character had been written, and her acting didn't help, even if you take into account the "stroppy child" moments I found the choices that Aurora made to be dubious.
There are a lot of other faces to recognise. Michelle Pfeiffer makes for a formidable foe and she's strong throughout as the Queen. Robert Lindsay's brief reprise of the King is suitably amusing. Chiwetel Ejiofor and Ed Skrein are good additions to the line up and Sam Riley back as Diaval is as entertaining as ever.
The effects that pulled me to the film weren't a disappointment, seeing the way they crafted the different kingdoms and the overall look of everything was stunning. The only thing that really sticks out is the animation on the three fairy godmothers, I didn't like it in the first film and it doesn't change in this one either.
I was entertained through the whole film but since seeing it I don't have much of an urge to see it again or to see a third instalment. It didn't make much of an impression on me but it wasn't boring, on the scale of things I guess that's not bad.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/maleficent-mistress-of-evil-movie-review.html
Aurora has settled into her life on the Moors, life is a fairy tale and soon it will become even more so. Everyone is elated when Prince Philip proposes to her, everyone but Maleficent.
As she tries to come to terms with the news and be happy for the couple it becomes evident that something more sinister is afoot and that those seeking power will do anything to get it.
Angelina Jolie never seems to disappoint. Here she summons the peak anti-social qualities and refines them into something elegant. All her little reactions and the way she tries to smile create a magnificent second outing for Maleficent and thankfully the story that they wove for her was strong enough to be a worthy sequel.
I am still not a great fan of Elle Fanning, I find her acting style to be rather eerie and on occasion bland. I didn't entirely believe the way her character had been written, and her acting didn't help, even if you take into account the "stroppy child" moments I found the choices that Aurora made to be dubious.
There are a lot of other faces to recognise. Michelle Pfeiffer makes for a formidable foe and she's strong throughout as the Queen. Robert Lindsay's brief reprise of the King is suitably amusing. Chiwetel Ejiofor and Ed Skrein are good additions to the line up and Sam Riley back as Diaval is as entertaining as ever.
The effects that pulled me to the film weren't a disappointment, seeing the way they crafted the different kingdoms and the overall look of everything was stunning. The only thing that really sticks out is the animation on the three fairy godmothers, I didn't like it in the first film and it doesn't change in this one either.
I was entertained through the whole film but since seeing it I don't have much of an urge to see it again or to see a third instalment. It didn't make much of an impression on me but it wasn't boring, on the scale of things I guess that's not bad.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/maleficent-mistress-of-evil-movie-review.html
Eleanor (1463 KP) rated The Priory of the Orange Tree in Books
Jan 14, 2020
Strong female characters (2 more)
No filler
Deep history and lore
Compelling Fantasy
Wanting to try and branch out from just reading mainly thrillers this year I decided to get back on the fantasy track and picked this up at the library. I’m really glad I did it’s a great fantasy adventure set in a lore and history-rich world. I did have to get the ebook as well, as my wrists couldn’t cope with long reading sessions of the hardback copy and I didn’t want to put it down…..
It’s not an overly complicated fantasy tale and despite its 800+ pages, I found I was breezing through it at pace. It easily kept my interest and didn’t get too bogged down at any point. We have a tale of ancient evil rising, and a divided world will need to find a way to work together to defeat it.
Brimmed full of strong female characters we meet Ead hiding in the royal household of Inys under the guise of a maid-in-waiting but really is a kick-ass slayer/mage type, trying to protect the Queen. Meanwhile, on the other side of the great Abyss (big continent dividing ocean), we have Tane who has spent most of her life training to be a fearless dragon-riding warrior. The story is told from 4 different POVs but those two are the most engaging.
We have some romance (sigh lovey-dovey stuff - gross) but we don’t get bogged down in it and it feels entirely part of the story (not just tits and arse for the sake of it).
None of this book felt like unnecessary filler, despite epic journey's, we didn't have to read about every breakfast and lunch eaten (cough...). If anything some of the coincidences in characters meeting felt like it could of had more embellishment but I’m not really complaining it kept the story moving at a good clip. I felt the world that was built deserved a bit more of a complicated/nuanced tale but appreciate not having to slog through many years of sequels to get a conclusion. I didn’t feel the battles lived up to the overall size of the story but that may just be me watching too much TV...
Overall just what I needed to get me to want to keep branching out and reading a more diverse selection of genres - Go libraries!!!.
It’s not an overly complicated fantasy tale and despite its 800+ pages, I found I was breezing through it at pace. It easily kept my interest and didn’t get too bogged down at any point. We have a tale of ancient evil rising, and a divided world will need to find a way to work together to defeat it.
Brimmed full of strong female characters we meet Ead hiding in the royal household of Inys under the guise of a maid-in-waiting but really is a kick-ass slayer/mage type, trying to protect the Queen. Meanwhile, on the other side of the great Abyss (big continent dividing ocean), we have Tane who has spent most of her life training to be a fearless dragon-riding warrior. The story is told from 4 different POVs but those two are the most engaging.
We have some romance (sigh lovey-dovey stuff - gross) but we don’t get bogged down in it and it feels entirely part of the story (not just tits and arse for the sake of it).
None of this book felt like unnecessary filler, despite epic journey's, we didn't have to read about every breakfast and lunch eaten (cough...). If anything some of the coincidences in characters meeting felt like it could of had more embellishment but I’m not really complaining it kept the story moving at a good clip. I felt the world that was built deserved a bit more of a complicated/nuanced tale but appreciate not having to slog through many years of sequels to get a conclusion. I didn’t feel the battles lived up to the overall size of the story but that may just be me watching too much TV...
Overall just what I needed to get me to want to keep branching out and reading a more diverse selection of genres - Go libraries!!!.
Chris Sawin (602 KP) rated The Northman (2022) in Movies
Apr 30, 2022
The bloody action. (2 more)
The rhythmic, pounding score.
Amleth's visions and strange encounters.
May be too weird or slow for some. (2 more)
Won't change your opinion of Robert Eggers if you already dislike him as a filmmaker.
...Did you say fart sniffing?
A Gory Viking Epic Forged in Boisterous Greatness
The Northman is director Robert Eggers third feature length film after The Witch and The Lighthouse. The film is written by Eggers and Sjón (Lamb, frequent collaborator with Björk). The Northman is described as an epic historical action drama, but is essentially a Viking revenge film. Taking place in AD 895, King Aurvandill War-Raven (Ethan Hawke) is killed by his brother, Fjölnir (Claes Bang). Aurvandill’s son, Amleth (Oscar Novak portrays young Amleth) flees and swears revenge on his uncle while vowing to save his mother Queen Gudrún (Nicole Kidman).
In AD 914, a now adult Amleth (Alexander Skarsgård) has been raised as a Viking and was enlisted as a berserker. Seemingly losing his focus in furious battle, Amleth is reminded of his vengeful mission a few years later by a Seeress (Björk) that predicts that Amleth will soon get his sought after revenge on his uncle.
The film is based on the story of Amleth, which was written sometime before the year 1200 and inspired Shakespeare’s Hamlet. The Northman feels like it’s forged by the same cinematic swordsmith that created the likes of Conan the Barbarian, Beowulf, and Gladiator, but with a bloodier, and slightly trippier ambiance Robert Eggers tends to be known for.
Amleth’s opening voiceover as the film opens with a monstrously intimidating volcano on the verge of erupting is haunting. Alexander Skarsgård has this gruff and nearly grunt-like growl to his speech that you can feel reverberate in your chest as he speaks. The score to the film is also just as memorable and incredible. On paper, it’s just a series of loud drumming or pounding, a fancy string arrangement, and some harmless chanting. But all of those elements together suddenly become this impressive musical declaration of war. The score constantly crescendos and always finds a way to ignite a fire within you.
It’s humorous to think that most will have seen Willem Dafoe last in Spider-Man: No Way Home. Dafoe’s role as Heimir the Fool is also a leap in a different direction even when compared to his role as Thomas Wake in The Lighthouse. Heimir’s key role in the story is to oversee the spiritual journey Almeth takes with Aurvandill right before his death. It’s a bizarre sequence as both grown men and young boy are dressed in nothing but loin cloths as they act like dogs, get on their hands and knees, drink water from a bowl, belch, and take turns sniffing each other’s farts. It’s an intriguing role for Dafoe as he’s this crowd pleasing jester one minute and a spiritual guide the next.
The barbaric action is fairly straightforward in The Northman, but what complicates things are Amleth’s visions. Beginning with his encounter with the Seeress, Amleth also battles an undead spirit for the Night Blade, has a vision of a Valkyrie taking him to Valhalla, and sees his unborn children in rare glimpses of the future. These surreal sequences have a palpable dream-like quality to them. It makes you wonder if they’re actually occurring or are only in Amleth’s head.
Nicole Kidman is exceptional as Queen Gudrún. The character is written in a way that makes her seem like a damsel in distress, but she’s much more evil and manipulative. At first, she seems like the typical Queen character that is pushed aside in order to give the spotlight to the king. But once Gudrún comes face to face with an adult Amleth, she strikes like a snake with venomous words that pierce Amleth deeper than any weapon actually could. Kidman shines in the role as well as you seem to love the fact that a mother could be so cruel to one of her children.
Spoiling a film is no fun, but since The Northman is kind of bombing at the box office right now ($23.5 million opening weekend on a $70-$90 million budget) this is worth mentioning. The finale of the film takes place at the volcano Hekla, which resides at the Gates of Hel. Lava is spilling out everywhere as smoke fills the air and two grown men sword duel to the death. That’s right, the ending of The Northman has two naked men sword fighting at the base of an erupting volcano. It’s freaking nuts.
The Northman is a bloody and ferocious battle cry of a revenge film. The action is brutal and the performances are extraordinary. This is Robert Eggers at his most savage and masterful.
In AD 914, a now adult Amleth (Alexander Skarsgård) has been raised as a Viking and was enlisted as a berserker. Seemingly losing his focus in furious battle, Amleth is reminded of his vengeful mission a few years later by a Seeress (Björk) that predicts that Amleth will soon get his sought after revenge on his uncle.
The film is based on the story of Amleth, which was written sometime before the year 1200 and inspired Shakespeare’s Hamlet. The Northman feels like it’s forged by the same cinematic swordsmith that created the likes of Conan the Barbarian, Beowulf, and Gladiator, but with a bloodier, and slightly trippier ambiance Robert Eggers tends to be known for.
Amleth’s opening voiceover as the film opens with a monstrously intimidating volcano on the verge of erupting is haunting. Alexander Skarsgård has this gruff and nearly grunt-like growl to his speech that you can feel reverberate in your chest as he speaks. The score to the film is also just as memorable and incredible. On paper, it’s just a series of loud drumming or pounding, a fancy string arrangement, and some harmless chanting. But all of those elements together suddenly become this impressive musical declaration of war. The score constantly crescendos and always finds a way to ignite a fire within you.
It’s humorous to think that most will have seen Willem Dafoe last in Spider-Man: No Way Home. Dafoe’s role as Heimir the Fool is also a leap in a different direction even when compared to his role as Thomas Wake in The Lighthouse. Heimir’s key role in the story is to oversee the spiritual journey Almeth takes with Aurvandill right before his death. It’s a bizarre sequence as both grown men and young boy are dressed in nothing but loin cloths as they act like dogs, get on their hands and knees, drink water from a bowl, belch, and take turns sniffing each other’s farts. It’s an intriguing role for Dafoe as he’s this crowd pleasing jester one minute and a spiritual guide the next.
The barbaric action is fairly straightforward in The Northman, but what complicates things are Amleth’s visions. Beginning with his encounter with the Seeress, Amleth also battles an undead spirit for the Night Blade, has a vision of a Valkyrie taking him to Valhalla, and sees his unborn children in rare glimpses of the future. These surreal sequences have a palpable dream-like quality to them. It makes you wonder if they’re actually occurring or are only in Amleth’s head.
Nicole Kidman is exceptional as Queen Gudrún. The character is written in a way that makes her seem like a damsel in distress, but she’s much more evil and manipulative. At first, she seems like the typical Queen character that is pushed aside in order to give the spotlight to the king. But once Gudrún comes face to face with an adult Amleth, she strikes like a snake with venomous words that pierce Amleth deeper than any weapon actually could. Kidman shines in the role as well as you seem to love the fact that a mother could be so cruel to one of her children.
Spoiling a film is no fun, but since The Northman is kind of bombing at the box office right now ($23.5 million opening weekend on a $70-$90 million budget) this is worth mentioning. The finale of the film takes place at the volcano Hekla, which resides at the Gates of Hel. Lava is spilling out everywhere as smoke fills the air and two grown men sword duel to the death. That’s right, the ending of The Northman has two naked men sword fighting at the base of an erupting volcano. It’s freaking nuts.
The Northman is a bloody and ferocious battle cry of a revenge film. The action is brutal and the performances are extraordinary. This is Robert Eggers at his most savage and masterful.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Last of the Firedrakes (The Avalonia Chronicles #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<b>If there's one thing positive coming from me in regards to <i>The Last of the Firedrakes</i>, at least it has a spine.</b> Cheesy pun intended.
<b>Farah's debut has the bare bones of a novel. Her writing is vivid and there's definitely evidence the world is meticulously planned.</b> The main character, Aurora, is a character who's curious and inquisitive she wants to learn as much as she can about Avalonia from its residents from the moment she enters the world, which brings back my point of a <b>well-built fantasy world. The residents of Avalonia are colorful</b> we have an all-too-serious professor, a cheery "old" fairy, a jolly duke. There's high school drama, but it lasts for a chapter or two and isn't a problem.
But <b>lots of things just fell short.</b>
<b>The writing feels too amateur</b> I'm just not feeling it. It's just not good enough.
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://3.bp.blogspot.com/-Pbedm8KI2dE/VcY_-HnNY5I/AAAAAAAAE1U/pl4RL0fc5Ns/s1600/giphy.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/08/giphy.gif"; width="320" height="179" border="0" /></a></div>
<b>There's this evil queen who may or may not be pulling the actual strings who wants to get rid of Aurora. There's this archmage who's on the hunt for this book that can enable him to control demons or some other evil creature</b>, and probably the one pulling the strings in the queen's ears.
<b>Then there's Aurora.</b>
Aurora is an <b>absolute damsel in distress</b>. I don't know if she cried much in her past Farah brings us from high school drama to Avalonia early on. <b>Aurora doesn't do much fighting she's saved every single time while doing almost nothing.</b> Every time, it's the <b>same mysterious dude named Rafe who Aurora can't stop thinking about constantly and falls "in love" with.</b>
At that point, I don't buy it. I don't buy it AT ALL.
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://1.bp.blogspot.com/-MwnX1lRcBWk/VcZAm_y4NcI/AAAAAAAAE1c/cKyY6P7O5BM/s1600/giphy.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/08/giphy-1.gif"; width="320" height="177" border="0" /></a></div>
<b>I don't know how Rafe even knows where she is at the right time</b> is he just stalking her to make sure she doesn't get into trouble? Is it just a coincidence, because of all the times she's rescued, <b>it's beginning to <i>not</i> be a coincidence</b> and just makes me think <b>he's probably stalking her while making illegitimate excuses that the character falls for. Aurora falls into a tight snitch and seconds or minutes later, Rafe is coming to the rescue.</b>
Have I mentioned Aurora's <i>in love</i> with the bleeping guy? Yeah... she's falling in love with him after all he did was come to her rescue without her lifting a finger after so many bleeping times?
I think <b>the only thing I achieved from reading <i>The Last of the Firedrakes</i> is finding the new crown holder for Damsel in Distress.</b> Katy Swartz just passed on the crown to Aurora.
I think Aurora is going to have that crown for a <i>very</i> long time.
<a href="https://bookwyrmingthoughts.com/dnf-arc-review-the-last-of-firedrakes-by-farah-oomerbhoy/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<b>If there's one thing positive coming from me in regards to <i>The Last of the Firedrakes</i>, at least it has a spine.</b> Cheesy pun intended.
<b>Farah's debut has the bare bones of a novel. Her writing is vivid and there's definitely evidence the world is meticulously planned.</b> The main character, Aurora, is a character who's curious and inquisitive she wants to learn as much as she can about Avalonia from its residents from the moment she enters the world, which brings back my point of a <b>well-built fantasy world. The residents of Avalonia are colorful</b> we have an all-too-serious professor, a cheery "old" fairy, a jolly duke. There's high school drama, but it lasts for a chapter or two and isn't a problem.
But <b>lots of things just fell short.</b>
<b>The writing feels too amateur</b> I'm just not feeling it. It's just not good enough.
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://3.bp.blogspot.com/-Pbedm8KI2dE/VcY_-HnNY5I/AAAAAAAAE1U/pl4RL0fc5Ns/s1600/giphy.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/08/giphy.gif"; width="320" height="179" border="0" /></a></div>
<b>There's this evil queen who may or may not be pulling the actual strings who wants to get rid of Aurora. There's this archmage who's on the hunt for this book that can enable him to control demons or some other evil creature</b>, and probably the one pulling the strings in the queen's ears.
<b>Then there's Aurora.</b>
Aurora is an <b>absolute damsel in distress</b>. I don't know if she cried much in her past Farah brings us from high school drama to Avalonia early on. <b>Aurora doesn't do much fighting she's saved every single time while doing almost nothing.</b> Every time, it's the <b>same mysterious dude named Rafe who Aurora can't stop thinking about constantly and falls "in love" with.</b>
At that point, I don't buy it. I don't buy it AT ALL.
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://1.bp.blogspot.com/-MwnX1lRcBWk/VcZAm_y4NcI/AAAAAAAAE1c/cKyY6P7O5BM/s1600/giphy.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/08/giphy-1.gif"; width="320" height="177" border="0" /></a></div>
<b>I don't know how Rafe even knows where she is at the right time</b> is he just stalking her to make sure she doesn't get into trouble? Is it just a coincidence, because of all the times she's rescued, <b>it's beginning to <i>not</i> be a coincidence</b> and just makes me think <b>he's probably stalking her while making illegitimate excuses that the character falls for. Aurora falls into a tight snitch and seconds or minutes later, Rafe is coming to the rescue.</b>
Have I mentioned Aurora's <i>in love</i> with the bleeping guy? Yeah... she's falling in love with him after all he did was come to her rescue without her lifting a finger after so many bleeping times?
I think <b>the only thing I achieved from reading <i>The Last of the Firedrakes</i> is finding the new crown holder for Damsel in Distress.</b> Katy Swartz just passed on the crown to Aurora.
I think Aurora is going to have that crown for a <i>very</i> long time.
<a href="https://bookwyrmingthoughts.com/dnf-arc-review-the-last-of-firedrakes-by-farah-oomerbhoy/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>