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Matthew Krueger (10051 KP) rated Aeon's End in Tabletop Games
Feb 22, 2021
Excellent Deck Builder
Aeons End- is a excellent deck builder game that has a intresting twist. Lets talk more about it.
Aeon’s End is a cooperative deck building game in which you and your teammates are attempting to take down a member of The Nameless before it is able to destroy your home city of Gravehold. You do this by adding powerful spells, gems, and relics to your decks and strategically using them in a way that helps you defeat the enemies that come your way.
At the beginning of each game of Aeon’s End, you’ll set up your characters’ unique decks, put together a nemesis deck for the boss monster, and create a supply of cards that players can buy throughout the game. After all of that’s done, you’re ready to play!
Turn order is determined by the turn order deck. At the start of the game and after every turn, you’ll draw a card from this deck to see whose turn it is (the nemesis or a player).
On each turn, you can do one or more of the following actions in any order:
buy a card
play a card
charge up your special ability
focus or open a breach
prep a spell
react to a keyword on a nemesis card.
Aether is the currency in the game. You’ll use it to pay for new cards (spells, relics, and gems), to focus/open breaches, and to gain charges. You’ll start out with some basic cards that give you one aether apiece, but some of the cards you buy from the supply will give you more.
You cast spells in a unique way in this game. Open breaches allow you to prep a spell without paying a cost, while closed breaches need to be focused or opened in order to use them. When you focus a breach, you simply turn it clockwise and pay the “focus” cost written on the card. The spells you prepped can be cast on your next turn; prepped spells in closed breaches must be cast, while those in open breaches don’t have to be if you want to wait until a future turn.
Another unique aspect of this game is the way deck building works. Your deck is never shuffled, so you have to think about the order in which you put cards in your discard pile. When you cast spells or buy cards from the supply, those cards will go directly into your discard pile. When you use gems or relics, you’ll wait until the end of your turn and put them on top of your discard pile in any order. When your draw deck is empty, you simply flip your discard pile to create your new draw deck.
The main way to beat the nemesis is to take its life total down to zero, but you can also win if the nemesis’ deck runs out and there are no nemesis cards in play. You’ll lose if Gravehold is destroyed or if every player is exhausted (i.e. at zero life).
Its a excellent deck builder game. I highly recordmend playing it and owning it.
Aeon’s End is a cooperative deck building game in which you and your teammates are attempting to take down a member of The Nameless before it is able to destroy your home city of Gravehold. You do this by adding powerful spells, gems, and relics to your decks and strategically using them in a way that helps you defeat the enemies that come your way.
At the beginning of each game of Aeon’s End, you’ll set up your characters’ unique decks, put together a nemesis deck for the boss monster, and create a supply of cards that players can buy throughout the game. After all of that’s done, you’re ready to play!
Turn order is determined by the turn order deck. At the start of the game and after every turn, you’ll draw a card from this deck to see whose turn it is (the nemesis or a player).
On each turn, you can do one or more of the following actions in any order:
buy a card
play a card
charge up your special ability
focus or open a breach
prep a spell
react to a keyword on a nemesis card.
Aether is the currency in the game. You’ll use it to pay for new cards (spells, relics, and gems), to focus/open breaches, and to gain charges. You’ll start out with some basic cards that give you one aether apiece, but some of the cards you buy from the supply will give you more.
You cast spells in a unique way in this game. Open breaches allow you to prep a spell without paying a cost, while closed breaches need to be focused or opened in order to use them. When you focus a breach, you simply turn it clockwise and pay the “focus” cost written on the card. The spells you prepped can be cast on your next turn; prepped spells in closed breaches must be cast, while those in open breaches don’t have to be if you want to wait until a future turn.
Another unique aspect of this game is the way deck building works. Your deck is never shuffled, so you have to think about the order in which you put cards in your discard pile. When you cast spells or buy cards from the supply, those cards will go directly into your discard pile. When you use gems or relics, you’ll wait until the end of your turn and put them on top of your discard pile in any order. When your draw deck is empty, you simply flip your discard pile to create your new draw deck.
The main way to beat the nemesis is to take its life total down to zero, but you can also win if the nemesis’ deck runs out and there are no nemesis cards in play. You’ll lose if Gravehold is destroyed or if every player is exhausted (i.e. at zero life).
Its a excellent deck builder game. I highly recordmend playing it and owning it.
Matthew Krueger (10051 KP) rated A Nightmare on Elm Street (1984) in Movies
Jul 3, 2020
Introduce a horror icon (3 more)
Robert Englund
Freddy
Wes Craven
Whatever you do, don’t fall asleep!
Contains spoilers, click to show
A Nightmare on Elm Street- is one of my all time favorite horror films. Its also one of the greatest horror movies of all time. That being said, the ending sucks and i will get to that, but first lets talk more about the film.
I just love the idea of someone who appears in your dreams. Someone who stalks you, someone who messes with you, someone who kills you in your dreams. Now Wes got the idea from several newspaper articles printed in the Los Angeles Times in the 1970s about Southeast Asian refugees, who, after fleeing to the United States because of war and genocide in Laos, Cambodia, and Vietnam, suffered disturbing nightmares and refused to sleep. Some of the men died in their sleep soon after and some of his own childhood nightmares.
The idea of Freddy was Craven's early life. One night, a young Craven saw an elderly man walking on the sidepath outside the window of his home. The man stopped to glance at a startled Craven and walked off. Now Initially, Fred Krueger was intended to be a child molester, but Craven eventually characterized him as a child murderer to avoid being accused of exploiting a spate of highly publicized child molestation cases that occurred in California around the time of production of the film. This idea happened in the 2010 remake.
Lets talk about the plot: In Wes Craven's classic slasher film, several Midwestern teenagers fall prey to Freddy Krueger (Robert Englund), a disfigured midnight mangler who preys on the teenagers in their dreams -- which, in turn, kills them in reality. After investigating the phenomenon, Nancy (Heather Langenkamp) begins to suspect that a dark secret kept by her and her friends' parents may be the key to unraveling the mystery, but can Nancy and her boyfriend Glen (Johnny Depp) solve the puzzle before it's too late?
The plot/story is excellent, the mystery surrounded of Krueger. Who he exactly is, why is he do this, what made him do this, how do the parnets know about Krueger? All of these questions and more your trying to figure out and the movie does a excellent job explaining them.
The deaths: the death scenes are excellent. Tina revolving around her room, Rod's bed sheets wrapping around him while he is in a prison cell and dies hanging and Glen getting pulled through his bed and then his blood gushes to the ceiling. Excellent deaths and memorable.
The Ending: Craven originally planned for the film to have a more evocative ending: Nancy kills Krueger by ceasing to believe in him, then awakens to discover that everything that happened in the film was an elongated nightmare. However, New Line leader Robert Shaye demanded a twist ending, in which Krueger disappears and all seems to have been a dream, only for the audience to discover that it was a dream-within-a-dream-within-a-dream.
According to Craven, "The original ending of the script has Nancy come out the door. It's an unusually cloudy and foggy day. A car pulls up with her dead friends in it. She's startled. She goes out and gets in the car wondering what the hell is going on, and they drive off into the fog, with the mother left standing on the doorstep and that's it. It was very brief, and suggestive that maybe life is sort of dream-like too. Shaye wanted Freddy Krueger to be driving the car, and have the kids screaming. It all became very negative. I felt a philosophical tension to my ending. Shaye said, "That's so 60s, it's stupid." I refused to have Freddy in the driver's seat, and we thought up about five different endings. The one we used, with Freddy pulling the mother through the doorway amused us all so much, we couldn't not use it."
Heather Langenkamp states that "there always was this sense that Freddy was the car", while according to Sara Risher, "it was always Wes' idea to pan to the little girls' jumping rope". Both a happy ending and a twist ending were filmed, but the final film used the twist ending. As a result, Craven who never wanted the film to be an ongoing franchise, did not work on the first sequel, Freddy's Revenge (1985).
Also Nancy's mom getting pulles through the window door was wierd and you can tell it was a blow up doll.
The Music: The lyrics for Freddy's theme song, sung by the jumprope children throughout the series and based on One, Two, Buckle My Shoe, was already written and included in the script when Bernstein started writing the soundtrack, while the melody for it was not set by Bernstein, but by Heather Langenkamp's boyfriend and soon-to-be husband at the time, Alan Pasqua, who was a musician himself. One of the three girls who recorded the vocal part of the theme was Robert Shaye's then 14-year-old daughter. Per the script, the lyrics are as follow: One two, Freddie's coming for you.Three four, better lock your door. Five six, grab your crucifix. Seven eight, gonna stay up late. Nine ten, never sleep again.
End Thoughts: A Nightmare on Elm Street is a excellent horror movie, it introduces a horror icon, has great charcters, has great death scenes and above all is perfect. Thank you Wes for giving us this movie.
I just love the idea of someone who appears in your dreams. Someone who stalks you, someone who messes with you, someone who kills you in your dreams. Now Wes got the idea from several newspaper articles printed in the Los Angeles Times in the 1970s about Southeast Asian refugees, who, after fleeing to the United States because of war and genocide in Laos, Cambodia, and Vietnam, suffered disturbing nightmares and refused to sleep. Some of the men died in their sleep soon after and some of his own childhood nightmares.
The idea of Freddy was Craven's early life. One night, a young Craven saw an elderly man walking on the sidepath outside the window of his home. The man stopped to glance at a startled Craven and walked off. Now Initially, Fred Krueger was intended to be a child molester, but Craven eventually characterized him as a child murderer to avoid being accused of exploiting a spate of highly publicized child molestation cases that occurred in California around the time of production of the film. This idea happened in the 2010 remake.
Lets talk about the plot: In Wes Craven's classic slasher film, several Midwestern teenagers fall prey to Freddy Krueger (Robert Englund), a disfigured midnight mangler who preys on the teenagers in their dreams -- which, in turn, kills them in reality. After investigating the phenomenon, Nancy (Heather Langenkamp) begins to suspect that a dark secret kept by her and her friends' parents may be the key to unraveling the mystery, but can Nancy and her boyfriend Glen (Johnny Depp) solve the puzzle before it's too late?
The plot/story is excellent, the mystery surrounded of Krueger. Who he exactly is, why is he do this, what made him do this, how do the parnets know about Krueger? All of these questions and more your trying to figure out and the movie does a excellent job explaining them.
The deaths: the death scenes are excellent. Tina revolving around her room, Rod's bed sheets wrapping around him while he is in a prison cell and dies hanging and Glen getting pulled through his bed and then his blood gushes to the ceiling. Excellent deaths and memorable.
The Ending: Craven originally planned for the film to have a more evocative ending: Nancy kills Krueger by ceasing to believe in him, then awakens to discover that everything that happened in the film was an elongated nightmare. However, New Line leader Robert Shaye demanded a twist ending, in which Krueger disappears and all seems to have been a dream, only for the audience to discover that it was a dream-within-a-dream-within-a-dream.
According to Craven, "The original ending of the script has Nancy come out the door. It's an unusually cloudy and foggy day. A car pulls up with her dead friends in it. She's startled. She goes out and gets in the car wondering what the hell is going on, and they drive off into the fog, with the mother left standing on the doorstep and that's it. It was very brief, and suggestive that maybe life is sort of dream-like too. Shaye wanted Freddy Krueger to be driving the car, and have the kids screaming. It all became very negative. I felt a philosophical tension to my ending. Shaye said, "That's so 60s, it's stupid." I refused to have Freddy in the driver's seat, and we thought up about five different endings. The one we used, with Freddy pulling the mother through the doorway amused us all so much, we couldn't not use it."
Heather Langenkamp states that "there always was this sense that Freddy was the car", while according to Sara Risher, "it was always Wes' idea to pan to the little girls' jumping rope". Both a happy ending and a twist ending were filmed, but the final film used the twist ending. As a result, Craven who never wanted the film to be an ongoing franchise, did not work on the first sequel, Freddy's Revenge (1985).
Also Nancy's mom getting pulles through the window door was wierd and you can tell it was a blow up doll.
The Music: The lyrics for Freddy's theme song, sung by the jumprope children throughout the series and based on One, Two, Buckle My Shoe, was already written and included in the script when Bernstein started writing the soundtrack, while the melody for it was not set by Bernstein, but by Heather Langenkamp's boyfriend and soon-to-be husband at the time, Alan Pasqua, who was a musician himself. One of the three girls who recorded the vocal part of the theme was Robert Shaye's then 14-year-old daughter. Per the script, the lyrics are as follow: One two, Freddie's coming for you.Three four, better lock your door. Five six, grab your crucifix. Seven eight, gonna stay up late. Nine ten, never sleep again.
End Thoughts: A Nightmare on Elm Street is a excellent horror movie, it introduces a horror icon, has great charcters, has great death scenes and above all is perfect. Thank you Wes for giving us this movie.
Cal Brown (53 KP) rated Spider-Man: Homecoming (2017) in Movies
Jul 7, 2017
Great alternative perspective on the marvel universe. (4 more)
Great casting. Love the racial diversity and equality of characters.
Amazing references to the original films and the MCU.
Tom Holland's performance and presence is incredible.
Air-gasping plot twists.
The aspect ratio of the smartphone-video diary doesn't make sense. (1 more)
A few minor logic flaws.
Spider-teen
Contains spoilers, click to show
Spiderman, a superhero that has been the go-to Halloween costume for the past 15 years and rightly so. With this being the 6th Spiderman movie, most would expect a drained and exhausted movie. I try to go into the cinema with an unbiased opinion on any movie, but even I expected it. However, it was a replenishing surprise to see a cinematic and equally entertaining Marvel film.
I loved seeing an alternative, somewhat more realistic, perspective on the MCU (Marvel Cinematic Universe). Hearing the 'voice of the people' and what students think of the avengers was a quirky amusement.
As a filmmaker, it was incredulous to see a specific inter-textual reference within one of the scenes. Night draws and the Vulture is driving the car with Peter Parker in the back. Things are getting tense as he realises that Peter Parker is Spiderman. The car is stationary at a set of traffic lights. The light turns green, cut to a close up of the Vulutre's face as he replicates the Green Goblin's expression and speaks the exact same words to Spiderman that the Green Goblin did in the very fist movie.
It's hard to believe that Tom Holland (Peter Parker) was born and raised in London as his American accent is spot on! This was complimented by his excellent and energetic performance.
The casting for this film was noteworthy. The racial diversity and equality of characters was great.
There were a few logic flaws within the film, but they're not worth enough value to even discuss them as the story and value of the film overall was excellent. I'm content with giving this film an almost perfect 9/10 as there were a few parts of the story where I felt like it was getting repetitive and the plot was starting to feel a bit 'back-and-forth'.
I loved seeing an alternative, somewhat more realistic, perspective on the MCU (Marvel Cinematic Universe). Hearing the 'voice of the people' and what students think of the avengers was a quirky amusement.
As a filmmaker, it was incredulous to see a specific inter-textual reference within one of the scenes. Night draws and the Vulture is driving the car with Peter Parker in the back. Things are getting tense as he realises that Peter Parker is Spiderman. The car is stationary at a set of traffic lights. The light turns green, cut to a close up of the Vulutre's face as he replicates the Green Goblin's expression and speaks the exact same words to Spiderman that the Green Goblin did in the very fist movie.
It's hard to believe that Tom Holland (Peter Parker) was born and raised in London as his American accent is spot on! This was complimented by his excellent and energetic performance.
The casting for this film was noteworthy. The racial diversity and equality of characters was great.
There were a few logic flaws within the film, but they're not worth enough value to even discuss them as the story and value of the film overall was excellent. I'm content with giving this film an almost perfect 9/10 as there were a few parts of the story where I felt like it was getting repetitive and the plot was starting to feel a bit 'back-and-forth'.
Haley Mathiot (9 KP) rated Genocide of One: A Thriller in Books
Apr 27, 2018
Genocide of One completely blew my mind, multiple times. The plot twists just kept happening, new characters kept being introduced and then turning out to be totally different characters than I thought they’d be, and the adrenalin was pumping almost immediately. There were so many little things that became big later, so many details, so many connections, that I feel like if I read it again, it would be just as exciting, maybe more exciting the second time, because I might actually understand it on a deeper level. The ending was fulfilling but left opportunity and excitement. I definitely didn’t want it to end and I would read a sequel or another book by Takano in a heartbeat.
The book switches from one side of the world to the other every chapter. Initially I wasn’t sure how the two totally different stories were connected, but one connection at a time the two sides became one. There was a war thriller and a medical mystery happening at the same time and they were two different aspects of the same problem.
The hardest part of the book was the technical lingo and jargon in the medical chapters. I won’t say it was unnecessary because I’m not sure how else the author could have described the specifics of what went on, and being vague just wouldn’t have worked for this kind of story, but the jargon was a little hard to follow. I got won’t say I understand genetics now, but I do have a pretty good idea of what happened (medically speaking) in the story and I think it added to the book rather than taking away from it, so I’m okay with it.
The narration was excellent and not in any way distracting from the story. Joe Knezevich did an excellent job with all the different voices and accents, American and Japanese.
The bottom line is I loved this story and recommend it to anyone who likes thrillers or adventure stories. There was some violence during the war scenes, but it wasn’t gruesome or grotesque.
The book switches from one side of the world to the other every chapter. Initially I wasn’t sure how the two totally different stories were connected, but one connection at a time the two sides became one. There was a war thriller and a medical mystery happening at the same time and they were two different aspects of the same problem.
The hardest part of the book was the technical lingo and jargon in the medical chapters. I won’t say it was unnecessary because I’m not sure how else the author could have described the specifics of what went on, and being vague just wouldn’t have worked for this kind of story, but the jargon was a little hard to follow. I got won’t say I understand genetics now, but I do have a pretty good idea of what happened (medically speaking) in the story and I think it added to the book rather than taking away from it, so I’m okay with it.
The narration was excellent and not in any way distracting from the story. Joe Knezevich did an excellent job with all the different voices and accents, American and Japanese.
The bottom line is I loved this story and recommend it to anyone who likes thrillers or adventure stories. There was some violence during the war scenes, but it wasn’t gruesome or grotesque.
Bong Mines Entertainment (15 KP) rated Cry Baby (Pt. 1) by Maja Francis in Music
Jun 7, 2019
Maja Francis is an Electro-Pop singer outta Stockholm, Sweden. Not too long ago, she released an excellent EP, entitled, “Cry Baby (Pt. 1)” EP.
I’M NOT A DISCO
Francis sings about being lonely and dancing on the dancefloor with tears in her eyes. She needs human contact from someone she’s currently in love with.
But there’s one problem. That person has his eyes on someone other than Francis.
Also, Francis makes it clear that she’s too real to get caught up in the bright disco lights. What she needs is a kiss under the moonlight around a warm fireplace.
FEEL
Francis recites a poem about her feelings. She urges listeners to wear their feelings like a tiara. Also, she sings about expressing yourself while in public.
STRESSED
Francis realizes her failed relationship started well but has now turned sour. She mentions crying her eyes out when the relationship was over.
Also, deep within, she wants to know why? Why did he leave her stressed out? It’s bad enough feeling lonely, but seeing him on the street is unbearable. Usually, she’s expressive. But when she sees him, she can’t utter a word.
SAVED BY THE SUMMER
Francis shines brightly on our favorite song on the EP. Her warm voice sounds wonderful and expresses the warmth of a summer vacation filled with lots of fun. No longer does Francis think about her ex? She has moved on to bigger and better thing.
BREAK
Francis recites a poem about her mental state of mind after her breakup.
CRY BABY
Francis ends the project with a lovely ballad. During a previous interview, she told us that this was her favorite song on the EP.
Francis sings that it’s therapeutic to cry. Also, crying is a prerequisite for letting go of a hurtful past.
CONCLUSION
Maja Francis’ “Cry Baby (Pt. 1)” EP is an excellent project filled with heartfelt tunes, relatable lyrics, and an evergreen theme. Also, it guides listeners on a recovery path towards achieving happiness after a hurtful breakup.
https://www.bongminesentertainment.com/maja-francis-cry-baby-pt-1/
I’M NOT A DISCO
Francis sings about being lonely and dancing on the dancefloor with tears in her eyes. She needs human contact from someone she’s currently in love with.
But there’s one problem. That person has his eyes on someone other than Francis.
Also, Francis makes it clear that she’s too real to get caught up in the bright disco lights. What she needs is a kiss under the moonlight around a warm fireplace.
FEEL
Francis recites a poem about her feelings. She urges listeners to wear their feelings like a tiara. Also, she sings about expressing yourself while in public.
STRESSED
Francis realizes her failed relationship started well but has now turned sour. She mentions crying her eyes out when the relationship was over.
Also, deep within, she wants to know why? Why did he leave her stressed out? It’s bad enough feeling lonely, but seeing him on the street is unbearable. Usually, she’s expressive. But when she sees him, she can’t utter a word.
SAVED BY THE SUMMER
Francis shines brightly on our favorite song on the EP. Her warm voice sounds wonderful and expresses the warmth of a summer vacation filled with lots of fun. No longer does Francis think about her ex? She has moved on to bigger and better thing.
BREAK
Francis recites a poem about her mental state of mind after her breakup.
CRY BABY
Francis ends the project with a lovely ballad. During a previous interview, she told us that this was her favorite song on the EP.
Francis sings that it’s therapeutic to cry. Also, crying is a prerequisite for letting go of a hurtful past.
CONCLUSION
Maja Francis’ “Cry Baby (Pt. 1)” EP is an excellent project filled with heartfelt tunes, relatable lyrics, and an evergreen theme. Also, it guides listeners on a recovery path towards achieving happiness after a hurtful breakup.
https://www.bongminesentertainment.com/maja-francis-cry-baby-pt-1/
Goddess in the Stacks (553 KP) rated Gentleman's Guide To Vice And Virtue in Books
Jun 8, 2018
This was excellent! First, all the diversity here - between the bisexual main character, his best friend, who is biracial, has an "invisible" disability, and also likes men (or at least likes Monty!) and his seemingly asexual sister - the book covers so many facets, it's great.
Given that it's historical fiction, set in Victorian Europe, Percy's biracial heritage has him just seen as black to most people they encounter. Monty doesn't seem to understand what that means, most of the time, and is a little blinded by his rich white boy privilege. He gets talked to a couple of times about how he's being blind to the problems his friend is facing.
I liked that we got to peek under Monty's playboy facade a few times, when being punched has him flashing back to being beaten by his father for being a "disappointment." An interaction between him and a pirate captain was particularly sweet, teaching him to fight back because he's worth defending.
I LOVE Felicity, Monty's sister, and I'm really eager to read her story in the sequel to this book, The Lady's Guide to Petticoats and Piracy. She is so badass, and incredibly intelligent.
The writing was fun, the action well-paced, and the dialogue clever. I was a little put off at first by the size of the book, but I flew through it quickly. I especially liked Monty's bisexuality - how he just cheerfully perved on practically everyone his age. It definitely reminded me of a few people I know!
Something that I noted, near the end of the book, was Percy not asking Monty to stop his perving. What he said was "if you ever go behind my back..." which implies as long as Percy knows, it's not an issue. Yay for non-monogamy being present in YA! It's nice to see alternative relationship structures being presented, though I wish it had been more than just implied.
This was an excellent read for Pride Month, and I loved the amount of diversity and intersectionality present in it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Given that it's historical fiction, set in Victorian Europe, Percy's biracial heritage has him just seen as black to most people they encounter. Monty doesn't seem to understand what that means, most of the time, and is a little blinded by his rich white boy privilege. He gets talked to a couple of times about how he's being blind to the problems his friend is facing.
I liked that we got to peek under Monty's playboy facade a few times, when being punched has him flashing back to being beaten by his father for being a "disappointment." An interaction between him and a pirate captain was particularly sweet, teaching him to fight back because he's worth defending.
I LOVE Felicity, Monty's sister, and I'm really eager to read her story in the sequel to this book, The Lady's Guide to Petticoats and Piracy. She is so badass, and incredibly intelligent.
The writing was fun, the action well-paced, and the dialogue clever. I was a little put off at first by the size of the book, but I flew through it quickly. I especially liked Monty's bisexuality - how he just cheerfully perved on practically everyone his age. It definitely reminded me of a few people I know!
Something that I noted, near the end of the book, was Percy not asking Monty to stop his perving. What he said was "if you ever go behind my back..." which implies as long as Percy knows, it's not an issue. Yay for non-monogamy being present in YA! It's nice to see alternative relationship structures being presented, though I wish it had been more than just implied.
This was an excellent read for Pride Month, and I loved the amount of diversity and intersectionality present in it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
BookwormMama14 (18 KP) rated Through Waters Deep (Waves of Freedom, #1) in Books
Jan 2, 2019
Tensions run high as a saboteur begins to wreck havoc at the Boston Naval Yard. America is on the brink of entering the second World War and there are those who will stop at nothing to make sure the nation stays out of it.
Mary Stirling is content with her job as a secretary at the Boston Naval Yard, so long as she can stay out of the spotlight. Mary is determined to remain in the shadows and keep her pride suppressed. On her journey, she learns that using the talents and gifts that God has given her, is not a sin. And it brings glory to the One who gave her those gifts. The last thing Mary expected was Ensign Jim Avery, a childhood friend now assigned to the USS Atwood. As they investigate the strange goings on at the Naval Yard, they become increasingly attached to one another. But will they ever get to tell each other how they feel? Or will they be separated forever?
First of all, I am completely in love with the cover of this book! I admit that I am a sucker for a good cover. And I would have to rate this as one of my all time favorites. Watch the photo shoot for the cover here. I could not stop reading this book. I was hooked from page one! There is so much going on in the story line that there is never a dull moment. It was interesting to watch Mary and Jim's relationship grow. There were a few times that I got very upset (you'll know what I'm talking about when you get there), but Sarah did an excellent job of bringing it all together in the end. The history within these pages is incredible. Although the author did take some creative license, she explains it in her notes at the end. Overall an excellent read and one I will be sharing with my friends! Through Waters Deep is the beginning of Sarah Sundin's third series, but the first book of hers that I have read. I look forward to reading the rest of her books!
I received a free copy of Through Waters Deep from Revell in exchange for my honest review.
Mary Stirling is content with her job as a secretary at the Boston Naval Yard, so long as she can stay out of the spotlight. Mary is determined to remain in the shadows and keep her pride suppressed. On her journey, she learns that using the talents and gifts that God has given her, is not a sin. And it brings glory to the One who gave her those gifts. The last thing Mary expected was Ensign Jim Avery, a childhood friend now assigned to the USS Atwood. As they investigate the strange goings on at the Naval Yard, they become increasingly attached to one another. But will they ever get to tell each other how they feel? Or will they be separated forever?
First of all, I am completely in love with the cover of this book! I admit that I am a sucker for a good cover. And I would have to rate this as one of my all time favorites. Watch the photo shoot for the cover here. I could not stop reading this book. I was hooked from page one! There is so much going on in the story line that there is never a dull moment. It was interesting to watch Mary and Jim's relationship grow. There were a few times that I got very upset (you'll know what I'm talking about when you get there), but Sarah did an excellent job of bringing it all together in the end. The history within these pages is incredible. Although the author did take some creative license, she explains it in her notes at the end. Overall an excellent read and one I will be sharing with my friends! Through Waters Deep is the beginning of Sarah Sundin's third series, but the first book of hers that I have read. I look forward to reading the rest of her books!
I received a free copy of Through Waters Deep from Revell in exchange for my honest review.
JT (287 KP) rated It: Chapter Two (2019) in Movies
Mar 10, 2020
“For 27 years, I dreamt of you. I craved you… I’ve missed you!” The return of Pennywise the Dancing Clown was one of the most eagerly anticipated horror icons of the year – and we weren’t left disappointed.
Bill Skarsgård‘s demented shape-shifting entity is a performance for the horror ages, as he yet again terrifies the Losers Club. Now all grown up but still suffering from their traumatic problems and insecurities, the group must reunite once again to honour a promise they made to each other all those years ago.
Stephen King’s mammoth book would always be a hard piece of work to adapt, but director Andy Muschietti has more to play with this time around – and he doesn’t hold back. Kicking off proceedings with a rather nasty homophobic attack, Muschietti sets out his stall for what is a nerve-shredding 160 minutes.
Fast forward 27-years and the Losers Club appear to be living successful lives, having left the town of Derry and their pasts behind. However, it is all about to catch up them when Mike (Isaiah Mustafa), the only one not to leave, calls each one, in turn, to reveal that ‘It‘ has returned.
It is fantastically well cast with both young and old actors delivering excellent performances.
In shock and not willing to continue the fight, the group are brought back together by their close-knit bond for each other and the willingness to end the horror that has plagued them for almost three decades – however, Pennywise is not going down without a fight.
Flashbacks between young and old work very well and connect the timeline and narrative with seamless precision. It is fantastically well cast with both young and old actors delivering excellent performances. Rarely does it ever feel disjointed? Skarsgård clearly has fun and his terror is matched by the inclusion of several other monsters, equally as terrifying as the white-faced clown.
The ending might not be everyone’s cup of tea, but die-hard fans of the book should lavish praise on Muschietti’s interpretation. The furious pace at which it is delivered will be more than enough to keep viewers strapped to their seats.
Bill Skarsgård‘s demented shape-shifting entity is a performance for the horror ages, as he yet again terrifies the Losers Club. Now all grown up but still suffering from their traumatic problems and insecurities, the group must reunite once again to honour a promise they made to each other all those years ago.
Stephen King’s mammoth book would always be a hard piece of work to adapt, but director Andy Muschietti has more to play with this time around – and he doesn’t hold back. Kicking off proceedings with a rather nasty homophobic attack, Muschietti sets out his stall for what is a nerve-shredding 160 minutes.
Fast forward 27-years and the Losers Club appear to be living successful lives, having left the town of Derry and their pasts behind. However, it is all about to catch up them when Mike (Isaiah Mustafa), the only one not to leave, calls each one, in turn, to reveal that ‘It‘ has returned.
It is fantastically well cast with both young and old actors delivering excellent performances.
In shock and not willing to continue the fight, the group are brought back together by their close-knit bond for each other and the willingness to end the horror that has plagued them for almost three decades – however, Pennywise is not going down without a fight.
Flashbacks between young and old work very well and connect the timeline and narrative with seamless precision. It is fantastically well cast with both young and old actors delivering excellent performances. Rarely does it ever feel disjointed? Skarsgård clearly has fun and his terror is matched by the inclusion of several other monsters, equally as terrifying as the white-faced clown.
The ending might not be everyone’s cup of tea, but die-hard fans of the book should lavish praise on Muschietti’s interpretation. The furious pace at which it is delivered will be more than enough to keep viewers strapped to their seats.
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