Search
Search results
The Wisdom of Wine
Book
Simon Drew would like to be considered a very wise man. His evidence is that wise men drink wine and...
A Dictionary of World History
Book
This wide-ranging dictionary contains a wealth of information on all aspects of history, from...
Boatbuilding: Cold-Moulded and Strip-Planked Wood
Book
Cold-moulded wood boatbuilding predates fibreglass and has been used successfully for sailing...
Heyday: The 1850s and the Dawn of the Global Age
Book
'Excellent ...This is narrative history of the highest quality' Andrew Lycett, Sunday Telegraph...
Historical Dictionary of the U.S. Supreme Court
Artemus Ward, Christopher Brough and Robert Arnold
Book
The US Supreme Court is an institution that operates almost totally behind closed doors. This book...
LeftSideCut (3776 KP) rated Suspiria (1977) in Movies
Dec 29, 2020
Dario Argento's body of work throughout the 70s and 80s is pretty damn solid, and Suspiria is arguably his strongest entry. It's a damn masterpiece.
The lighting, colours, and camerawork are all phenomenal. Throw them together, and you get one of the most visually striking horrors ever made.
It has excellent pacing - the opening ten minutes are incredibly intense, and culminate in a truly iconic horror cinema kill. The vast majority of what follows is a slower build up of plot, but in true Giallo fashion, keeps a sturdy mystery going for the whole time. The climax of the film ramps everything up again, as things take a supernatural turn, providing the audience with a solid reveal, disturbing imagery, and a decent helping of blood, all the while being backed by an absurd soundtrack courtesy of Italian prog band Goblin. The music goes from being enchanting, to downright jarring at the click of a finger, and just adds to Suspria's otherworldliness in spades.
Some memorable performances from the likes of Jessica Harper, Stefania Casini, Alida Valli and Joan Bennett also help in elevating this movie to horror greatness.
Suspiria is one of those films that you must see before you die. Horror at its weird, sense-assaulting best!
The lighting, colours, and camerawork are all phenomenal. Throw them together, and you get one of the most visually striking horrors ever made.
It has excellent pacing - the opening ten minutes are incredibly intense, and culminate in a truly iconic horror cinema kill. The vast majority of what follows is a slower build up of plot, but in true Giallo fashion, keeps a sturdy mystery going for the whole time. The climax of the film ramps everything up again, as things take a supernatural turn, providing the audience with a solid reveal, disturbing imagery, and a decent helping of blood, all the while being backed by an absurd soundtrack courtesy of Italian prog band Goblin. The music goes from being enchanting, to downright jarring at the click of a finger, and just adds to Suspria's otherworldliness in spades.
Some memorable performances from the likes of Jessica Harper, Stefania Casini, Alida Valli and Joan Bennett also help in elevating this movie to horror greatness.
Suspiria is one of those films that you must see before you die. Horror at its weird, sense-assaulting best!
Matthew Krueger (10051 KP) rated Dracula (1958) in Movies
Nov 5, 2020 (Updated Nov 5, 2020)
The Vampire Rises Once More
Dracula- is a great movie. Hammer films is a excellent studio, cause their brought back the universal monsters and put their own spin on it. And with Dracula their put their own spin on Dracula. And did it work, yes.
First Christopher Lee played as the creature in The Curse of Frankenstien, now he plays as Dracula. When you think of Dracula you think of Bela Lugosi and Christopher Lee. Christopher Lee played Dracula more times then Bela Lugosi. But both actors are iconic, legends and icons.
The plot: On a search for his missing friend Jonathan Harker (John Van Eyssen), vampire hunter Dr. Van Helsing (Peter Cushing) is led to Count Dracula's (Christopher Lee) castle. Upon arriving, Van Helsing finds an undead Harker in Dracula's crypt and discovers that the count's next target is Harker's ailing fiancΓ©e, Lucy Holmwood (Carol Marsh). With the help of her brother, Arthur (Michael Gough), Van Helsing struggles to protect Lucy and put an end to Count Dracula's parasitic reign of terror.
In the United States, the film was retitled Horror of Dracula to avoid confusion with the U.S. original by Universal Pictures, 1931's Dracula.
Its a excllent film.
First Christopher Lee played as the creature in The Curse of Frankenstien, now he plays as Dracula. When you think of Dracula you think of Bela Lugosi and Christopher Lee. Christopher Lee played Dracula more times then Bela Lugosi. But both actors are iconic, legends and icons.
The plot: On a search for his missing friend Jonathan Harker (John Van Eyssen), vampire hunter Dr. Van Helsing (Peter Cushing) is led to Count Dracula's (Christopher Lee) castle. Upon arriving, Van Helsing finds an undead Harker in Dracula's crypt and discovers that the count's next target is Harker's ailing fiancΓ©e, Lucy Holmwood (Carol Marsh). With the help of her brother, Arthur (Michael Gough), Van Helsing struggles to protect Lucy and put an end to Count Dracula's parasitic reign of terror.
In the United States, the film was retitled Horror of Dracula to avoid confusion with the U.S. original by Universal Pictures, 1931's Dracula.
Its a excllent film.
Kristy H (1252 KP) rated Every Waking Hour in Books
Apr 22, 2021
Another thrilling entry in the Ellery & Reed series
Ellery Hathaway is trying to have a normal life. She's attempting to become a police detective in Boston. She's even trying to have a relationship with Reed Markham. But then Chloe Lockhart, a twelve-year-old girl, goes missing, and the case threatens everything Ellery has tried to build. Ellery has many scars--physical and emotional--from her own kidnapping. Is sending a former kidnapped child out to find another the right thing to do? Every moment that Chloe is missing reminds Ellery of her past--and how much she wants, needs, to find Chloe.
I just love the Ellery and Reed series so very much. Book number four is yet another excellent entry. There are two parallel case running, and both keep your attention. I love the tension between Reed and Ellery and how well so many present-day cases can tie back to Ellery's past. She's damaged, yes, but so strong. This is a compelling read, with plenty of twists and turns to keep you reading. And, the epilogue, oh my gosh! What a cliffhanger!
I cannot recommend this entire series enough! 4 stars, and I cannot wait for book #5.
I just love the Ellery and Reed series so very much. Book number four is yet another excellent entry. There are two parallel case running, and both keep your attention. I love the tension between Reed and Ellery and how well so many present-day cases can tie back to Ellery's past. She's damaged, yes, but so strong. This is a compelling read, with plenty of twists and turns to keep you reading. And, the epilogue, oh my gosh! What a cliffhanger!
I cannot recommend this entire series enough! 4 stars, and I cannot wait for book #5.
Matthew Krueger (10051 KP) rated Tales From the Crypt (1972) in Movies
Sep 11, 2020
In The Vault of Horror!
Tales From The Crypt- is anethor excellent film by Amicus Productions.
The Plot: In the film, five strangers (Joan Collins, Ian Hendry, Robin Phillips, Richard Greene and Nigel Patrick) in a crypt encounter the mysterious Crypt Keeper (Ralph Richardson), who makes each person in turn relive the manner of their death.
Milton Subotsky of Amicus Productions had long been a fan of EC Comics' Tales from the Crypt and eventually persuaded his partner Max Rosenberg to buy the rights. The copyright owner, William Gaines, insisted on script approval. The budget of Β£170,000 was higher than usual for an Amicus production, and was partly funded by American International Pictures. Peter Cushing was originally offered the part played by Richard Greene, but wanted to try something different and played the elderly Grimsdyke instead.
And All Through the House, Blind Alleys and Wish You Were Here were all somewhat remade into episodes for the Tales From the Crypt television show. Blind Alleys and Wish You Were Here were both changed.
I love the fourth wall breaking in this film and The House That Dripped Blood. Talking to you the viewer.
Its a great film, but a better tv series.
The Plot: In the film, five strangers (Joan Collins, Ian Hendry, Robin Phillips, Richard Greene and Nigel Patrick) in a crypt encounter the mysterious Crypt Keeper (Ralph Richardson), who makes each person in turn relive the manner of their death.
Milton Subotsky of Amicus Productions had long been a fan of EC Comics' Tales from the Crypt and eventually persuaded his partner Max Rosenberg to buy the rights. The copyright owner, William Gaines, insisted on script approval. The budget of Β£170,000 was higher than usual for an Amicus production, and was partly funded by American International Pictures. Peter Cushing was originally offered the part played by Richard Greene, but wanted to try something different and played the elderly Grimsdyke instead.
And All Through the House, Blind Alleys and Wish You Were Here were all somewhat remade into episodes for the Tales From the Crypt television show. Blind Alleys and Wish You Were Here were both changed.
I love the fourth wall breaking in this film and The House That Dripped Blood. Talking to you the viewer.
Its a great film, but a better tv series.
LoganCrews (2861 KP) rated Dead Man (1995) in Movies
Sep 20, 2020
On the one hand you have this audacious, visionary, deeply memorable film experience unlike any other that - in some ways - does earn its masterpiece distinction. But on the other, you have a movie where every scene ranges from about 10 seconds too long to 3+ minutes too long. I completely understand the need for much of this lingering, uncomfortable dread caused by the silence and negative space here - and a lot of the time it really does work. But injecting that same trick into *every* single scene sort of subtracts its original potency. I still cop to loving Jarmusch's sardonic delirium even with this, but in my opinion he achieved more success with his leaner nihilism like ππ³π°π¬π¦π― πππ°πΈπ¦π³π΄ and (shitty ending aside) ππ©π¦ ππ¦π’π₯ ππ°π―'π΅ ππͺπ¦. But in its own right this is still an excellent western with some of the most evocative music ever made for the genre courtesy of that righteous Neil Young score. The imagery, too, is just about to die for - the huge, unsafe rustic machinery of the opening factory and increasingly ubiquitous scenes of nature from then on are expressive, convincing, *and* gorgeous. Those final moments are unforgettably haunting. Plus it's still got that trademark Jim rousing dry humor aplenty. The "New World" is a lie.