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Movie Metropolis (309 KP) rated Halloween II (2009) in Movies
Jun 10, 2019
Michael Myers has returned, again! But this time it’s personal. Halloween II is the brainchild of Rob Zombie who directed the remake of the 1978 John Carpenter original.
However, in this, the first sequel of the rebooted slasher series, Zombie has been able to splash his creative wisdom all over the celluloid with somewhat successful results. Unfortunately, in some parts, the phrase somewhat successful seems even more appropriate.
By now, we all know that having Sheri Moon in a Rob Zombie film is a given, but her role here is perhaps slightly too implausible for even the most hardened fans to appreciate, playing what seems like a schizophrenic Michael’s dead mother. Unfortunately, the idea, whilst being excellent at the pre-production stages of the movie, is badly executed on screen and what we’re left with, is a mess of a storyline that doesn’t ever know which way it is going; supernatural thriller one-minute and slasher flick the next.
Regrettably, Zombie has made some horrific choices concerning Michael’s character. Of course we have to give him credit for taking on a Halloween sequel without any prior experience. The inexperience shows in Michael, who has been turned into a Jason Voorhees rip off; grunting as he kills and not using the typical kitchen knife as the primary weapon. Here, Zombie also decides to remove Michael’s iconic mask, which should in theory become an iconic cinema moment; unfortunately it does not and is forgotten in a mass of blood and gore.
Negativity aside, the story is pretty much the same as last time around, though Zombie has focused in on Laurie Strode (Scout Taylor Compton) and the way her character changes from the events of Halloween night. As with giving the characters a back-story in the 2007 Halloween, this storyline change really does work and gives the film something which isn’t usually necessary for the horror genre; depth.
The acting is surprisingly superb; Compton is much better this time around and really brings a whole new grungy side to her character and most of the other returning characters are given much more room to grown and develop, probably due to the film’s long running time. On the other hand, Malcolm McDowell’s portrayal of the iconic Sam Loomis has been shoddily remastered into a greedy, fame-obsessed man whose objectives are simply to make as much money as possible. This doesn’t suit the role and leaves the usually excellent McDowell wanting.
Overall, Halloween II is a decent stab at recreating the old franchise; Zombie has made it work on so many levels and it certainly moves the game on. Unfortunately, he has tried to pack too many elements into the film and the pay off for that is a messy looking cinema encounter. Enjoyable as a film, yes, but the jury is still out on whether this deserves a spot on the Halloween collector’s shelf.
https://moviemetropolis.net/2010/10/19/halloween-ii-2009/
However, in this, the first sequel of the rebooted slasher series, Zombie has been able to splash his creative wisdom all over the celluloid with somewhat successful results. Unfortunately, in some parts, the phrase somewhat successful seems even more appropriate.
By now, we all know that having Sheri Moon in a Rob Zombie film is a given, but her role here is perhaps slightly too implausible for even the most hardened fans to appreciate, playing what seems like a schizophrenic Michael’s dead mother. Unfortunately, the idea, whilst being excellent at the pre-production stages of the movie, is badly executed on screen and what we’re left with, is a mess of a storyline that doesn’t ever know which way it is going; supernatural thriller one-minute and slasher flick the next.
Regrettably, Zombie has made some horrific choices concerning Michael’s character. Of course we have to give him credit for taking on a Halloween sequel without any prior experience. The inexperience shows in Michael, who has been turned into a Jason Voorhees rip off; grunting as he kills and not using the typical kitchen knife as the primary weapon. Here, Zombie also decides to remove Michael’s iconic mask, which should in theory become an iconic cinema moment; unfortunately it does not and is forgotten in a mass of blood and gore.
Negativity aside, the story is pretty much the same as last time around, though Zombie has focused in on Laurie Strode (Scout Taylor Compton) and the way her character changes from the events of Halloween night. As with giving the characters a back-story in the 2007 Halloween, this storyline change really does work and gives the film something which isn’t usually necessary for the horror genre; depth.
The acting is surprisingly superb; Compton is much better this time around and really brings a whole new grungy side to her character and most of the other returning characters are given much more room to grown and develop, probably due to the film’s long running time. On the other hand, Malcolm McDowell’s portrayal of the iconic Sam Loomis has been shoddily remastered into a greedy, fame-obsessed man whose objectives are simply to make as much money as possible. This doesn’t suit the role and leaves the usually excellent McDowell wanting.
Overall, Halloween II is a decent stab at recreating the old franchise; Zombie has made it work on so many levels and it certainly moves the game on. Unfortunately, he has tried to pack too many elements into the film and the pay off for that is a messy looking cinema encounter. Enjoyable as a film, yes, but the jury is still out on whether this deserves a spot on the Halloween collector’s shelf.
https://moviemetropolis.net/2010/10/19/halloween-ii-2009/
Movie Metropolis (309 KP) rated A Little Chaos (2015) in Movies
Jun 11, 2019
Better suited to T.V.
From the mind of director Alan Rickman, everyone’s favourite Slytherin, A Little Chaos follows the story of a gardener as she tries to prove her worth, creating a fountain at the beautiful Gardens of Versailles. But does this historical drama have any depth?
Kate Winslet takes on the role of Sabine De Barra, a visionary landscape gardener who is tasked with creating the stunning piece of architecture in Versailles for King Louis XIV, portrayed by a typically on-point Rickman.
8379_poster_iphoneThe plot is stretched out into a film that lasts a little over two hours and despite some breath-taking scenery and excellent performances, A Little Chaos couldn’t be further removed from its title – in fact it’s all a little flat and Saturday night TV drama-esque.
A promising supporting cast that includes Stanley Tucci as Louis XIV’s gay brother and Matthias Schoenaerts, a former Cesar award-winner, as the king’s principal gardener, is wasted as the film spends much of its running time trying to tie together numerous loose ends, from a tragedy plot to a new-found romance.
Rickman’s direction is admirable and he certainly knows how to get the best out of his landscapes, but like the many shrubs in A Little Chaos, it all needed pruning back slightly more with at least 20 minutes of exposition being completely unnecessary.
Moreover, for a film that has its secondary focus on horticulture, there is very little in the way of gardening, and I for one was hoping for more beautiful shots of the stunning grounds rather than rain-soaked Winslet and admittedly impressive hair pieces.
Nevertheless, both Winslet and Rickman are superb in their roles and it’s nice to see the latter take on something a little less sinister after his well-received performances in the Harry Potter franchise and of course his brilliant turn in Die Hard.
The former is, alongside Meryl Streep and Julianne Moore, one of the most reliable actresses in cinema. Her performance here is excellent and through her tragic past, we see more to the character of Sabine the further we get into the picture.
It’s just a shame that none of it registers. After a disappointingly slow first half, things only moderately gain pace as the film
reaches its poorly CGI finished conclusion. Winslet’s character is given more depth than she needs and the audience faces the difficult task of dealing with numerous bits of information that don’t really come together.
Overall, Alan Rickman’s latest effort in the director’s chair lacks the magic and sparkle that he brings to his acting and despite mesmerising performances from Kate Winslet and Rickman himself, A Little Chaos is more at home on the small screen, rather than the big.
After all, if an overly camp Stanley Tucci fails to generate interest, there’s something seriously amiss.
https://moviemetropolis.net/2015/04/19/better-suited-to-tv-a-little-chaos-review/
Kate Winslet takes on the role of Sabine De Barra, a visionary landscape gardener who is tasked with creating the stunning piece of architecture in Versailles for King Louis XIV, portrayed by a typically on-point Rickman.
8379_poster_iphoneThe plot is stretched out into a film that lasts a little over two hours and despite some breath-taking scenery and excellent performances, A Little Chaos couldn’t be further removed from its title – in fact it’s all a little flat and Saturday night TV drama-esque.
A promising supporting cast that includes Stanley Tucci as Louis XIV’s gay brother and Matthias Schoenaerts, a former Cesar award-winner, as the king’s principal gardener, is wasted as the film spends much of its running time trying to tie together numerous loose ends, from a tragedy plot to a new-found romance.
Rickman’s direction is admirable and he certainly knows how to get the best out of his landscapes, but like the many shrubs in A Little Chaos, it all needed pruning back slightly more with at least 20 minutes of exposition being completely unnecessary.
Moreover, for a film that has its secondary focus on horticulture, there is very little in the way of gardening, and I for one was hoping for more beautiful shots of the stunning grounds rather than rain-soaked Winslet and admittedly impressive hair pieces.
Nevertheless, both Winslet and Rickman are superb in their roles and it’s nice to see the latter take on something a little less sinister after his well-received performances in the Harry Potter franchise and of course his brilliant turn in Die Hard.
The former is, alongside Meryl Streep and Julianne Moore, one of the most reliable actresses in cinema. Her performance here is excellent and through her tragic past, we see more to the character of Sabine the further we get into the picture.
It’s just a shame that none of it registers. After a disappointingly slow first half, things only moderately gain pace as the film
reaches its poorly CGI finished conclusion. Winslet’s character is given more depth than she needs and the audience faces the difficult task of dealing with numerous bits of information that don’t really come together.
Overall, Alan Rickman’s latest effort in the director’s chair lacks the magic and sparkle that he brings to his acting and despite mesmerising performances from Kate Winslet and Rickman himself, A Little Chaos is more at home on the small screen, rather than the big.
After all, if an overly camp Stanley Tucci fails to generate interest, there’s something seriously amiss.
https://moviemetropolis.net/2015/04/19/better-suited-to-tv-a-little-chaos-review/
Darren (1599 KP) rated Eli (2019) in Movies
Oct 24, 2019
Characters – Eli is the young boy with the auto-immune disease, he does suffer nightmares about what would happen if he was outside, he lives in a bubble, which is his only safety in life. He is going through an experimental procedure which is meant to cure him, only for him to start suffering haunting visions and attacks by ghosts, he must figure out if they are trying to harm him or help him before he reaches the latest procedure. Rose and Paul are the religious parents that have given up nearly everything to make their son’s life better, trying to remain strong for him throughout the events of the film. Dr Isabella Horn is the doctor that is trying to help Eli, only her methods don’t seem to get explained to the family, while they are left to just believe anything she says. Haley is a girl from the neighbourhood that visits Eli, hoping to find friendship, though she does know the fate of most of the people in the house.
Performances – Charlie Shotwell does a wonderful job in the leading role, suffering through medical procedures, hauntings and emotional problems with ease through the film. Kelly Reilly, Max Martini and Lili Taylor are all strong through the film, which we don’t see much away from Charlie from any of them. Sadie Sink is solid without having much to do, other than being a friend to talk too.
Story – The story here follows a young boy with a medical condition who gets taken to an experimental hospital for treatment, when he starts getting visits from ghosts, where he might learn the truth about the hospital. This is a story which does keep you on your toes, you will constantly be thrown through different sub-genres of horror and it is excellent to see how the film can keep you guessing and leave you surprised by the ending, because if anybody saw this coming, they would be a liar. This is a story where not learning too much going in is even better because it does start with what could be a routine horror, but will leave you shocked by the end.
Horror – The horror here does seem to jump through so many sub-genres of horror it is a joy to watch, because the transition is seamless throughout.
Settings – The film keeps most of the film inside the hospital, this is an excellent location for the film to be set, which sees everything unfold down the dark filled hallways.
Special Effects – The effects do come off well too with how everything happens, be it the ghostly figures or the more practical ones too.
Scene of the Movie – The ghosts in the mirror.
That Moment That Annoyed Me – The abusive people at the start of the film.
Final Thoughts – This is a horror that does truly keep you on your toes, it is great to see this too, we will get scares and surprises and you won’t believe how everything unfolds.
Overall: Surprising Throughout.
Performances – Charlie Shotwell does a wonderful job in the leading role, suffering through medical procedures, hauntings and emotional problems with ease through the film. Kelly Reilly, Max Martini and Lili Taylor are all strong through the film, which we don’t see much away from Charlie from any of them. Sadie Sink is solid without having much to do, other than being a friend to talk too.
Story – The story here follows a young boy with a medical condition who gets taken to an experimental hospital for treatment, when he starts getting visits from ghosts, where he might learn the truth about the hospital. This is a story which does keep you on your toes, you will constantly be thrown through different sub-genres of horror and it is excellent to see how the film can keep you guessing and leave you surprised by the ending, because if anybody saw this coming, they would be a liar. This is a story where not learning too much going in is even better because it does start with what could be a routine horror, but will leave you shocked by the end.
Horror – The horror here does seem to jump through so many sub-genres of horror it is a joy to watch, because the transition is seamless throughout.
Settings – The film keeps most of the film inside the hospital, this is an excellent location for the film to be set, which sees everything unfold down the dark filled hallways.
Special Effects – The effects do come off well too with how everything happens, be it the ghostly figures or the more practical ones too.
Scene of the Movie – The ghosts in the mirror.
That Moment That Annoyed Me – The abusive people at the start of the film.
Final Thoughts – This is a horror that does truly keep you on your toes, it is great to see this too, we will get scares and surprises and you won’t believe how everything unfolds.
Overall: Surprising Throughout.
Piper (13 KP) rated Doctor Sleep (2019) in Movies
Nov 27, 2019
Impressive Casting (2 more)
Excellent Ending
Beautifully Shot
Ridiculous Running Time (1 more)
Low On Scares
Doctor Sleep: The Long Haul
Contains spoilers, click to show
Watch enough horror movies, and you develop a certain tolerance: that said, I don't think you'd have to watch many to see this film and still not be scared. There are a couple of grisly moments, and Flanagan does an excellent job of building tension, but I had the feeling coming out of this film that I hadn't just seen a horror film at all. And I think that might have been the point: this was more about the story than the scares.
The story, overall, was well-adapted. About two-thirds of the way in the film really starts to veer off the path the book had laid out, but what it does with that last third is probably the best part of the movie. Spoilers follow: the end of Kubrick's "The Shining" left the Overlook Hotel intact (if a little sad) rather than burning it down as in the novel. Mike Flanagan does two things with this film, both adapting the novel and following on from Kubrick's film, and the Overlook features heavily in this ending and wraps up the Shining story quite nicely. In fact it seems the main purpose of the ending was to do justice to Stephen King's original vision, and in honesty it's a better ending than that of the novel.
Where "The Shining" largely ignored character's motivations and development and treated them essentially as set-pieces, "Doctor Sleep" spends far too long bringing them together. The characters are expertly cast, and Ewan McGregor almost takes a back-seat to let Kyleigh Curran's Abra shine (pun intended). Interactions are played off nicely and there's a self-referential cameo from Flanagan's other King adaptation that doesn't feel too shoe-horned in. The characters that are obviously just there to die die rather obviously, and one in particular serves purely as motivation for another to keep on fightin'. The acting itself excels, with a star turn by Rebecca Ferguson. The issue is that it simply could have been half an hour shorter, with half an hour less build-up. By the end of the movie I was just glad we had finally returned to the Overlook and things were starting to really happen.
The film is shot beautifully, and where scenes or characters from "The Shining" are re-created or referenced it's done with a great amount of care. I might have been the only one that found Rose flying above the clouds a little naff, but I still have to admit it was at least shot nicely. Overall, this was a brilliant film that could just have benefitted from a little trimming down, but Flanagan clearly cared about these characters and wanted us to feel for them and I think he certainly achieved that - and I have to stress again how ridiculously impressed I was with the ending.
The story, overall, was well-adapted. About two-thirds of the way in the film really starts to veer off the path the book had laid out, but what it does with that last third is probably the best part of the movie. Spoilers follow: the end of Kubrick's "The Shining" left the Overlook Hotel intact (if a little sad) rather than burning it down as in the novel. Mike Flanagan does two things with this film, both adapting the novel and following on from Kubrick's film, and the Overlook features heavily in this ending and wraps up the Shining story quite nicely. In fact it seems the main purpose of the ending was to do justice to Stephen King's original vision, and in honesty it's a better ending than that of the novel.
Where "The Shining" largely ignored character's motivations and development and treated them essentially as set-pieces, "Doctor Sleep" spends far too long bringing them together. The characters are expertly cast, and Ewan McGregor almost takes a back-seat to let Kyleigh Curran's Abra shine (pun intended). Interactions are played off nicely and there's a self-referential cameo from Flanagan's other King adaptation that doesn't feel too shoe-horned in. The characters that are obviously just there to die die rather obviously, and one in particular serves purely as motivation for another to keep on fightin'. The acting itself excels, with a star turn by Rebecca Ferguson. The issue is that it simply could have been half an hour shorter, with half an hour less build-up. By the end of the movie I was just glad we had finally returned to the Overlook and things were starting to really happen.
The film is shot beautifully, and where scenes or characters from "The Shining" are re-created or referenced it's done with a great amount of care. I might have been the only one that found Rose flying above the clouds a little naff, but I still have to admit it was at least shot nicely. Overall, this was a brilliant film that could just have benefitted from a little trimming down, but Flanagan clearly cared about these characters and wanted us to feel for them and I think he certainly achieved that - and I have to stress again how ridiculously impressed I was with the ending.
Kristy H (1252 KP) rated The Missing Ones in Books
Mar 19, 2020
Research librarian Hester Thursby returns in THE MISSING ONES, but she's not the same. Shaken by the traumatic series of events that occurred in book one, Hester is anxious and guilty. This affects her parenting of four-year-old, Kate, the daughter of her partner Morgan's sister, Daphne. (Follow that?) Daphne has now been gone for over a year, and Hester and Morgan are still caring for Kate. Meanwhile, on Finisterre Island in Maine, Rory, a local cop, is watching the ferry come in yet again. He's ignoring the whispers and suspicion of others on the island, who believe he is responsible for taking Oliver, a four-year-old who disappeared over the summer--and whom Rory found, safe and sound. Now another child is missing. Soon Hester gets a text--asking her to come to the island. In short order, she'll find a body there, and connect it to the missing children. But Finisterre Island is a small place, and not one to give up its secrets easily.
Reading this novel has definitely secured Edwin Hill and the Hester Thursby series as a go-to author/series combo for me. This was an excellent and compelling read. Hester is a wonderful, complex protagonist, and I hated to see her so fragile and struggling. I love Hill's stable of regular characters--Hester, Morgan, Kate, and their dog, Waffles. Plus, several folks from the last book pop up again, which was fun. Always hovering in the background is the missing Daphne, and Hester's complicated feelings: Daphne is her best friend; Morgan's sister; and Kate's mother. Of course she wants her back in their lives, but by now, she fiercely loves Kate and feels like her mother. It adds a deeper layer to the books and an aspect that I really enjoy. And Kate, while "just" four, is a total trip. I love that kid.
The mystery presented here is wonderfully plotted and complex. Introducing Finisterre Island gives us a whole host of new characters: Rory; Annie, Faith, and young Ethan, who are all squatting in a broken down Victorian on the Island; Lydia, Oliver's mother, who runs the local inn and bakery and her husband Trey, a state cop; and others. With a small island comes intense and tangled relationships, and Hill presents and handles them all deftly. The story kept me guessing and intrigued--fascinated both by the murder and mysteries, as well as Hester's own personal issues. Seeing a vulnerable side to her was difficult due to my adoration for her character, but it was so well-done. And, of course, she's still able to solve crimes, because she's amazing.
Overall, this was an excellent read. I love Hester--and her little created family. Hill is an amazing writer and does a great job at creating a suspenseful world that easily sucks you in. 4.5 stars.
Reading this novel has definitely secured Edwin Hill and the Hester Thursby series as a go-to author/series combo for me. This was an excellent and compelling read. Hester is a wonderful, complex protagonist, and I hated to see her so fragile and struggling. I love Hill's stable of regular characters--Hester, Morgan, Kate, and their dog, Waffles. Plus, several folks from the last book pop up again, which was fun. Always hovering in the background is the missing Daphne, and Hester's complicated feelings: Daphne is her best friend; Morgan's sister; and Kate's mother. Of course she wants her back in their lives, but by now, she fiercely loves Kate and feels like her mother. It adds a deeper layer to the books and an aspect that I really enjoy. And Kate, while "just" four, is a total trip. I love that kid.
The mystery presented here is wonderfully plotted and complex. Introducing Finisterre Island gives us a whole host of new characters: Rory; Annie, Faith, and young Ethan, who are all squatting in a broken down Victorian on the Island; Lydia, Oliver's mother, who runs the local inn and bakery and her husband Trey, a state cop; and others. With a small island comes intense and tangled relationships, and Hill presents and handles them all deftly. The story kept me guessing and intrigued--fascinated both by the murder and mysteries, as well as Hester's own personal issues. Seeing a vulnerable side to her was difficult due to my adoration for her character, but it was so well-done. And, of course, she's still able to solve crimes, because she's amazing.
Overall, this was an excellent read. I love Hester--and her little created family. Hill is an amazing writer and does a great job at creating a suspenseful world that easily sucks you in. 4.5 stars.
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Suswatibasu (1703 KP) rated Mudbound (2017) in Movies
Jan 3, 2018 (Updated Jan 3, 2018)
Remarkable, excellent, harrowing film
Dee Rees has created a historical epic about two Americas - people living side by side but utterly separated by experiences - that resonates in modern times. Set in the rural American South during World War II, Mudbound is an epic story of two families pitted against one another by a ruthless social hierarchy, yet bound together by the shared farmland of the Mississippi Delta.
Following the McAllan family, they are transplanted from the quiet civility of Memphis and seem unprepared for the harsh demands of farming. Meanwhile, Hap and Florence Jackson - sharecroppers who have worked the land for generations - struggle to build a small dream of their own despite the rigidly enforced racial barriers they face. In between, are the sons of both families, fighting together in a war, and returning together as brothers despite being on different ends of the spectrum. But soon after they face the harsh realities of the Jim Crow laws.
Rees' film is a study of historic division, but it has such a poetically tragic sense of the characters and their limitations that it transcends the setting and location. The cast are entirely remarkable, with standout performances from Carey Mulligan, Jason Mitchell, and Rob Morgan. The last few scenes are climactic, and truly horrifying, leaving you reeling at the end. Mudbound has elevated Netflix's theatrical game.
Following the McAllan family, they are transplanted from the quiet civility of Memphis and seem unprepared for the harsh demands of farming. Meanwhile, Hap and Florence Jackson - sharecroppers who have worked the land for generations - struggle to build a small dream of their own despite the rigidly enforced racial barriers they face. In between, are the sons of both families, fighting together in a war, and returning together as brothers despite being on different ends of the spectrum. But soon after they face the harsh realities of the Jim Crow laws.
Rees' film is a study of historic division, but it has such a poetically tragic sense of the characters and their limitations that it transcends the setting and location. The cast are entirely remarkable, with standout performances from Carey Mulligan, Jason Mitchell, and Rob Morgan. The last few scenes are climactic, and truly horrifying, leaving you reeling at the end. Mudbound has elevated Netflix's theatrical game.
Merissa (13919 KP) rated Jupiter's Shadow (Smoky Mountain Wolves #1) in Books
Jun 22, 2017
Jupiter's Shadow (Smoky Mountain Wolves #1) by TL Reeve
Jupiter's Shadow is the first book in the Smoky Mountain Wolves series, and if this one is anything to go by, this series is going to be brilliant!
We start off with Jupiter having her thirty-second birthday. Her dad takes the opportunity to tell his daughter - and the rest of the pack - that Jupiter now has five potential mates to choose from, and a month in which to do it. Although pretty 'miffed' to start with, Jupiter soon realises that they all have bigger problems to deal with.
This is an excellent start to the series, and I look forward to the fleshing out of the world, pack politics, and jobs, that usually follows on. With each book you tend to learn a bit more about the world, which in turn draws you in more as a series progresses. Each of the five men have very distinct personalities, which made it easy to remember which one was which when you were reading.
Very well written, with no editing or grammatical errors that disrupted my reading flow, I thoroughly enjoyed this book and look forward to reading more, both in this series and also by TL Reeve. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
We start off with Jupiter having her thirty-second birthday. Her dad takes the opportunity to tell his daughter - and the rest of the pack - that Jupiter now has five potential mates to choose from, and a month in which to do it. Although pretty 'miffed' to start with, Jupiter soon realises that they all have bigger problems to deal with.
This is an excellent start to the series, and I look forward to the fleshing out of the world, pack politics, and jobs, that usually follows on. With each book you tend to learn a bit more about the world, which in turn draws you in more as a series progresses. Each of the five men have very distinct personalities, which made it easy to remember which one was which when you were reading.
Very well written, with no editing or grammatical errors that disrupted my reading flow, I thoroughly enjoyed this book and look forward to reading more, both in this series and also by TL Reeve. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
LucyB (47 KP) rated The Good People in Books
Jul 23, 2017
An engrossing exploration of rural Ireland and folklore.
The Good People gets off to a gripping start. A man is found dead and his wife (Nora) is left alone, with the burden of caring for her dead daughter's child, who happens to be heavily disabled.
From early on, the clash between ancient superstition and Catholic values is established. Nance, the local healing woman, is called upon for funeral 'keening' and resolving various medical problems. However, the village is divided - and people are starting to turn against her.
Nora hires a girl, Mary, to assist with looking after her grandson, who she can scarcely bear to be around. As time passes, Nora becomes convinced that the child is a 'changeling' and together with Nance, goes to drastic measures to expel the fairy from their lives.
I'd read Burial Rites a while back, so was familiar with Kent's style of writing, which is wonderfully authentic, well-paced and engrossing. However, The Good People felt quite different - almost like a theatrical script, with strong dialogue and excellent characterisation throughout.
It was also ambiguous, and throughout, I felt my sympathies flit from character to character. Although the book concluded with a murder, the nasty deed raised lots of questions - namely who exactly was to blame?
A very enjoyable read (I got through it in about three days, which shows how good it was) - I'd definitely recommend.
From early on, the clash between ancient superstition and Catholic values is established. Nance, the local healing woman, is called upon for funeral 'keening' and resolving various medical problems. However, the village is divided - and people are starting to turn against her.
Nora hires a girl, Mary, to assist with looking after her grandson, who she can scarcely bear to be around. As time passes, Nora becomes convinced that the child is a 'changeling' and together with Nance, goes to drastic measures to expel the fairy from their lives.
I'd read Burial Rites a while back, so was familiar with Kent's style of writing, which is wonderfully authentic, well-paced and engrossing. However, The Good People felt quite different - almost like a theatrical script, with strong dialogue and excellent characterisation throughout.
It was also ambiguous, and throughout, I felt my sympathies flit from character to character. Although the book concluded with a murder, the nasty deed raised lots of questions - namely who exactly was to blame?
A very enjoyable read (I got through it in about three days, which shows how good it was) - I'd definitely recommend.