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Just Mercy (2019)
Just Mercy (2019)
2019 | Drama
Superb legal drama
A very topical film at the moment, telling the true story of a man ending up on death row after a dubious murder trial with negligible evidence weighed up against copious amounts of evidence of his innocence. As usual, it is the story of the police and DA being under pressure to convict someone of the crime and finding an easy target.
Jordan plays young lawyer Bryan Stevenson who moves to Alabama to fight for justice for death row convicts. Among many cases he meets Jonny D (Foxx), who initially refuses to fight any more despite the paper-thin conviction he received. Persuaded, the pair start their fight against the system, met time and time again with prejudice, injustice and an unfair system that is unwilling to review past cases.
The irony of this unfolding in the town that is so proud to have been where Harper Lee wrote To Kill a Mockingbird, the story of a black man facing an unfair trial accused of crime against a young white female, was not lost on me. This wasn't made much of in the film, I would guess out of respect for the family of the actual murder victim here, and not wanting to suggest a parallel with the false crime in the book.
The film does well to portray the racial injustice, unbalanced legal system and prejudice experienced by the authorities and smalltown America, but not overdo it. This leaves the viewer to mull it on their own, which is especially important to do in the current climate.
An excellent film that gets the balance right between story, faithfulness to the facts and sewing thoughts and parallels with modern day life.
  
S is for Silence (Kinsey Millhone, #19)
S is for Silence (Kinsey Millhone, #19)
Sue Grafton | 2006 | Mystery
8
8.0 (4 Ratings)
Book Rating
Kinsey Tries to Solve a Very Cold Case
On July 4, 1953, Victoria Sullivan vanished without a trace and was never heard from again. Her abusive husband lived under the shadow of suspicion, and her then seven-year-old daughter, Daisy, has lived with the questions about what happened to her mother and why. And so, thirty-four years later, she hires PI Kinsey Millhone to try to finally solve this mystery. Kinsey is reluctant to take on the case. After all this time, what can she find? Yet, as she begins to poke around, she suspects that the people she is talking to know more than they’ve ever told the police or are telling her. Can she figure out what happened?

Cold cases can make excellent novels, and this is a perfect example. It is obvious early on that Kinsey is gaining new information, but how that is going to play out keeps us guessing until the end. I was certain I knew who it was, but I was wrong. Still, the ending did make sense to me. The characters are strong as always. Kinsey spends much of the book out of town, so we don’t see much of the regulars, which was disappointing, but a minor issue. While all the “modern” 1987 scenes are narrated from Kinsey’s first-person point of view, there are sections from other character’s point of view back in 1953. As good as some of those scenes are, sadly, there are some very graphic scenes in them. We could have easily done without them and it wouldn’t have impacted the story at all. I’m taking a star off for that. If you are a fan, be prepared to skim those scenes and you’ll still enjoy the book overall.