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EmersonRose (320 KP) rated The Unity Game in Books
Nov 20, 2019
“The three moons were rising. The grey being lifted itself from the resting platform and rose to standing position. It turned its head to survey the subterranean chamber and ran a check over its physical condition. It had achieved maximum expenditure potential.”
The Unity Game is the second book by author Leonora Meriel. This beautifully written story follows three characters on their own journeys. First is David, a man who puts everything he has into his work at a bank, determined to find financial success. His plans do not go as plans, and he finds himself in deeper trouble than he could have anticipated. The second is a being of energy which has set out on a journey to extend its life. Then there is Alisdair, a barrister who has just died. His journey takes him on understanding the ins and outs of what life after death truly is. The three stories share themes of redemption, hope, the universe, death, and the question: what if the earth you knew was just the beginning?
The Unity game is an incredibly complex and intricate story. The three characters move around each other for a significant portion of the book until their lives finally interact with each other. It takes focus to maintain the different characters, perspectives, struggles, and ideas that each character is facing but the story being told makes that concentration completely worth it. I found myself immediately compelled into this story from the very beginning. It is strange for the structured business life to intrigue you so profoundly but from the very first page you can see that there are things about these characters that you want to understand. The introduction to each character brings you so vividly into their heads and their desires while leaving so much open to learn through the rest of the book.
Meriel has done an excellent job of creating a mix of science fiction and mystery in this book. The imagination to create this story is astounding, the pieces and themes fitting together so well while being so abstract and unique. Meriel has done an exquisite job of forming this book with the perfect amount of character development and intriguing story while giving the reader so many profound questions to ponder as they read. This book is a fantastic read, and I highly recommend it.
The Unity Game is the second book by author Leonora Meriel. This beautifully written story follows three characters on their own journeys. First is David, a man who puts everything he has into his work at a bank, determined to find financial success. His plans do not go as plans, and he finds himself in deeper trouble than he could have anticipated. The second is a being of energy which has set out on a journey to extend its life. Then there is Alisdair, a barrister who has just died. His journey takes him on understanding the ins and outs of what life after death truly is. The three stories share themes of redemption, hope, the universe, death, and the question: what if the earth you knew was just the beginning?
The Unity game is an incredibly complex and intricate story. The three characters move around each other for a significant portion of the book until their lives finally interact with each other. It takes focus to maintain the different characters, perspectives, struggles, and ideas that each character is facing but the story being told makes that concentration completely worth it. I found myself immediately compelled into this story from the very beginning. It is strange for the structured business life to intrigue you so profoundly but from the very first page you can see that there are things about these characters that you want to understand. The introduction to each character brings you so vividly into their heads and their desires while leaving so much open to learn through the rest of the book.
Meriel has done an excellent job of creating a mix of science fiction and mystery in this book. The imagination to create this story is astounding, the pieces and themes fitting together so well while being so abstract and unique. Meriel has done an exquisite job of forming this book with the perfect amount of character development and intriguing story while giving the reader so many profound questions to ponder as they read. This book is a fantastic read, and I highly recommend it.
EmersonRose (320 KP) rated Knight of The Dead II: Cavalry in Books
Nov 20, 2019
Knight of the Dead 2: Cavalry is author Ron Smorynski’s second book in this action-packed, zombie apocalypse book with a medieval twist. In the second book, Ronan and his family have found themselves a place to build up as their fortress and are ready to start bringing others into their midst. But as their little community grows, they find themselves faced with inner conflict as much as dealing with the danger the world has become. This conflict mainly arises from the fact that when it was just his family, Ronan shared the same beliefs as everyone else, they understood each other’s skills, and trusted each other completely, which is not the case with traumatized strangers. The book is a quick and easy read that is full of action-packed zombie fights and chases, interesting ways of surviving in an apocalyptic world, and sweet family moments. I would say that this book is best suited for those that love zombie, apocalypse, and Christian literature.
I really appreciated the small moments throughout the book that hold sweet moments of family. In a dark world, it is nice to see those moments of trying to keep a little innocence alive for young children, sharing love, the comradery of close friends, and the earnest desire to protect one another. What this book, and the series as a whole, are very strong in is the action. This does not just mean the actual fights but the interesting chases, the intense moments of sneaking through the city, searching for materials needed to survive, and trying to save others. I thought that the addition of new characters was great and through their eyes allowed us to learn even more about the central family. Especially when it came to dealing with conflict and trusting those around them. In this book, the family’s connection to God is strengthened and becomes a key aspect of their mental journeys and how they deal with the horror that surrounds them.
Smorynski has done an excellent job of creating an atmosphere in the series that feels possible. For both the physical shape of the world and the mental space of the characters, you can see this being a future for humanity despite the sci-fi premise. I found the book to be a fun read and look forward to reading the next installment in the series.
I really appreciated the small moments throughout the book that hold sweet moments of family. In a dark world, it is nice to see those moments of trying to keep a little innocence alive for young children, sharing love, the comradery of close friends, and the earnest desire to protect one another. What this book, and the series as a whole, are very strong in is the action. This does not just mean the actual fights but the interesting chases, the intense moments of sneaking through the city, searching for materials needed to survive, and trying to save others. I thought that the addition of new characters was great and through their eyes allowed us to learn even more about the central family. Especially when it came to dealing with conflict and trusting those around them. In this book, the family’s connection to God is strengthened and becomes a key aspect of their mental journeys and how they deal with the horror that surrounds them.
Smorynski has done an excellent job of creating an atmosphere in the series that feels possible. For both the physical shape of the world and the mental space of the characters, you can see this being a future for humanity despite the sci-fi premise. I found the book to be a fun read and look forward to reading the next installment in the series.
Gareth von Kallenbach (980 KP) rated A Beautiful Day in the Neighborhood (2019) in Movies
Nov 28, 2019
When I first heard that Tom Hanks was playing Fred Rogers in a biopic, I was all on board. Who wouldn’t be? When I finally saw the film about a year and a half later, it was not the movie I was expecting. In such a fantastically good way.
A Beautiful Day in the Neighborhood tells the story of the real life friendship between Fred Rogers (Tom Hanks) and journalist Lloyd Vogel (Matthew Rhys, character based on real life journalist Tom Junod). Vogel is an investigative reporter for Esquire magazine in the late nineties and he is assigned a “puff” piece. The magazine was doing an issue on heroes, and Vogel was assigned Mr. Rogers, and would be a story unlike any other that he has written. After meeting and talking to Mr. Rogers for the first time, he couldn’t believe that this person was… well, perfect. Let’s be clear, Mr. Rogers is not perfect, but probably as close to perfect as many can imagine. So Vogel did what he does best. He started investigating. And during the course of his discoveries, he started to make discoveries about himself, and the relationships in his life, specifically with that of his father, Jerry Vogel (Chris Cooper).
This movie was so much more than I expected going in. I expected to tear up, I didn’t expect it to hit home the way show used to as I was growing up and watch the show well into my twenties. The cinematography was excellent. Many times it felt like I was watching the show as the movie essentially played out like an episode. The transitions were amazing, and the music was fantastic as well. They didn’t try to do anything artsy or new age with anything. All of the original themes and music was there. It was one of the most nostalgic movie going experiences I have ever had.
This is definitely a great movie to see, but do not mistake it for a children’s film, please. There are some very mature themes, language, and concepts. This is definitely meant to shine some light on the nature of human character versus the lessons taught by the legendary Mr. Rogers. That being said, go see it. It absolutely will not ruin your childhood.
A Beautiful Day in the Neighborhood tells the story of the real life friendship between Fred Rogers (Tom Hanks) and journalist Lloyd Vogel (Matthew Rhys, character based on real life journalist Tom Junod). Vogel is an investigative reporter for Esquire magazine in the late nineties and he is assigned a “puff” piece. The magazine was doing an issue on heroes, and Vogel was assigned Mr. Rogers, and would be a story unlike any other that he has written. After meeting and talking to Mr. Rogers for the first time, he couldn’t believe that this person was… well, perfect. Let’s be clear, Mr. Rogers is not perfect, but probably as close to perfect as many can imagine. So Vogel did what he does best. He started investigating. And during the course of his discoveries, he started to make discoveries about himself, and the relationships in his life, specifically with that of his father, Jerry Vogel (Chris Cooper).
This movie was so much more than I expected going in. I expected to tear up, I didn’t expect it to hit home the way show used to as I was growing up and watch the show well into my twenties. The cinematography was excellent. Many times it felt like I was watching the show as the movie essentially played out like an episode. The transitions were amazing, and the music was fantastic as well. They didn’t try to do anything artsy or new age with anything. All of the original themes and music was there. It was one of the most nostalgic movie going experiences I have ever had.
This is definitely a great movie to see, but do not mistake it for a children’s film, please. There are some very mature themes, language, and concepts. This is definitely meant to shine some light on the nature of human character versus the lessons taught by the legendary Mr. Rogers. That being said, go see it. It absolutely will not ruin your childhood.
Dale Lawson (13 KP) rated The Stranger in TV
Mar 1, 2020 (Updated Mar 1, 2020)
Cliffhanger endings (1 more)
Mysterious plot twists
Shocking acting (2 more)
Incomplete plot
Character motivations
What started as an addictive watch, left me deflated...
This show has recently been released on Netflix and has a lot of buzz surrounding it. I was recommended it by three different people in the space of a few days. Even when I started to watch the series, I was quick to suggest it to friends. However, having finished the series and reflecting on the show, I wondered how I enjoyed it so much. It was full of plot holes, lost character motivations and had a selection of poor actors.
The premise of the show is that a stranger visits Richard Armitage’s character and unveils some unexpected and life changing news. As the series develops various crimes, including murder, end up being committed and they fuel a lot of the ‘twists’ or cliffhangers that end each episode.
These endings are what make the show enjoyable to watch, I think. They keep you wanting more. We watched three episodes in one evening because of the desire to ‘find out more’. Whilst the writers have done an excellent job in this regard and for the sub-plots, the content of each episode is often rushed, to progress the plot or just simply poorly written.
But it is the actors that let this show down the most; regularly, they are even laughable. The cast that play the children are extremely rough around the edges and provide much of the unintended humour. This said, the blame is not solely down to them. Many of the other supporting adult cast come across flat and dry, which is partly down to the poor writing.
Richard Armitage does the best he can with the script he has, yet it was good to see him on screen again after a large hiatus. The two main police officers also provide quality performances, and thankfully are on screen for much of the time to hold this show together. Stephen Rhea’s character is also very likeable for the first half of the story. It’s a shame to see a cast of strong actors struggling to provide quality performances.
With an ending that felt wrong and depressing, to the poorly acted episodes, The Stranger proves to be an addictive watch that leaves you feeling a little underwhelmed and deflated upon its conclusion.
The premise of the show is that a stranger visits Richard Armitage’s character and unveils some unexpected and life changing news. As the series develops various crimes, including murder, end up being committed and they fuel a lot of the ‘twists’ or cliffhangers that end each episode.
These endings are what make the show enjoyable to watch, I think. They keep you wanting more. We watched three episodes in one evening because of the desire to ‘find out more’. Whilst the writers have done an excellent job in this regard and for the sub-plots, the content of each episode is often rushed, to progress the plot or just simply poorly written.
But it is the actors that let this show down the most; regularly, they are even laughable. The cast that play the children are extremely rough around the edges and provide much of the unintended humour. This said, the blame is not solely down to them. Many of the other supporting adult cast come across flat and dry, which is partly down to the poor writing.
Richard Armitage does the best he can with the script he has, yet it was good to see him on screen again after a large hiatus. The two main police officers also provide quality performances, and thankfully are on screen for much of the time to hold this show together. Stephen Rhea’s character is also very likeable for the first half of the story. It’s a shame to see a cast of strong actors struggling to provide quality performances.
With an ending that felt wrong and depressing, to the poorly acted episodes, The Stranger proves to be an addictive watch that leaves you feeling a little underwhelmed and deflated upon its conclusion.
Kirk Bage (1775 KP) rated Black Mirror - Season 5 in TV
Mar 3, 2020 (Updated Mar 3, 2020)
Contains spoilers, click to show
Striking Vipers - 5.5
Perhaps in retrospect, season 5 should have held out for some better scripts. All 3 (and notably there are only 3, because of the effort and time put into the stand alone feature length Bandersnatch) episodes seem a little rushed and weak in terms of depth of idea; replacing it with more gloss and production value. You can see the cash on the screen in this episode about the natural progression of VR becoming all about virtual sex, regardless of your sexuality in the real world (or maybe because of it). There is some irony in considering how Black Mirror began feeling very British and here feels entirely consumed by Netflix and American values. Is that a clever statement in itself? Not sure. Either way, I am not a big fan on this one. I mean, it’s fine, but we have come to expect more.
Smithereens - 6
If there are any clever links to anything else going on here, in what I am now thinking of as the Black Mirror Universe, then I haven’t picked up on it. This one feels quite surface, and just a very sad story about a man in distress that wants technology to answer for its responsibilities. Andrew Scott is ever excellent in the lead – man, he can really act! – but the rest of the cast seem a little lifeless and under-written. Perhaps they were trying for something more sharply focused, but, for me, the moral message of don’t use your phone whilst driving, is a bit weak.
Rachel, Jack and Ashley Too - 6.5
Known as the Miley Cyrus episode, because… she’s in it, and so is an electronic “toy” that replicates her personality for her teen fans. There is some intrigue around the nature of fandom and obsession; also the idea of media manipulation in projecting a saleable image that may be far from “the truth”. There is a lighter tone here, though, which betrays the Black Mirror ethos to some extent. It is an entertaining piece: the CGI on the toy Ashley is great, and there is a lovely twist 3/4 in when the true personality of it comes out to hilarious effect. But, on the whole, another under-written piece that leaves us hanging on the precipice of doubt leading into another season.
Perhaps in retrospect, season 5 should have held out for some better scripts. All 3 (and notably there are only 3, because of the effort and time put into the stand alone feature length Bandersnatch) episodes seem a little rushed and weak in terms of depth of idea; replacing it with more gloss and production value. You can see the cash on the screen in this episode about the natural progression of VR becoming all about virtual sex, regardless of your sexuality in the real world (or maybe because of it). There is some irony in considering how Black Mirror began feeling very British and here feels entirely consumed by Netflix and American values. Is that a clever statement in itself? Not sure. Either way, I am not a big fan on this one. I mean, it’s fine, but we have come to expect more.
Smithereens - 6
If there are any clever links to anything else going on here, in what I am now thinking of as the Black Mirror Universe, then I haven’t picked up on it. This one feels quite surface, and just a very sad story about a man in distress that wants technology to answer for its responsibilities. Andrew Scott is ever excellent in the lead – man, he can really act! – but the rest of the cast seem a little lifeless and under-written. Perhaps they were trying for something more sharply focused, but, for me, the moral message of don’t use your phone whilst driving, is a bit weak.
Rachel, Jack and Ashley Too - 6.5
Known as the Miley Cyrus episode, because… she’s in it, and so is an electronic “toy” that replicates her personality for her teen fans. There is some intrigue around the nature of fandom and obsession; also the idea of media manipulation in projecting a saleable image that may be far from “the truth”. There is a lighter tone here, though, which betrays the Black Mirror ethos to some extent. It is an entertaining piece: the CGI on the toy Ashley is great, and there is a lovely twist 3/4 in when the true personality of it comes out to hilarious effect. But, on the whole, another under-written piece that leaves us hanging on the precipice of doubt leading into another season.
Gareth von Kallenbach (980 KP) rated Olympus Has Fallen (2013) in Movies
Aug 7, 2019
Mike Banning (Butler) is a Secret Service agent in the Presidential detail, and it could be argued a friend to the President; he even lands a punch in an opening boxing practice. All of that changes when, during a horrible automobile accident, the President’s wife is killed. Mike couldn’t save them both, so he chose to save the President. After making “the right call”, as his director (Angela Bassett) tells him; the President just couldn’t stand to be reminded of the failure and moves Mike to the Treasury. Mike wants back into the detail, and he gets his chance when a Korean terrorist infiltrates the White House and all of the fail safes in place to keep an incursion from happening. Banning jumps into action and becomes the only one left/able to save the President and his son.
Admittedly I am a Gerard Butler fan. I see this character as a watered-down, but trying really hard, version of John McLane ala Die Hard. Except the one liners feel forced, not funny, as does the unwarranted use of foul language. A New York cop is one thing for cursing, but it just doesn’t feel right seeing it come out of a Secret Service Agent. Morgan Freeman does an excellent job portraying a man making the tough decisions as Speaker Trumbull (the acting President for much of the movie); he makes mistakes and corrects his actions based on those mistakes. Aaron Eckhart is ok as the President, but doesn’t have the gravity needed to really pull that level of authority off; he is very much an every-man version of the President. His relationship with his son and that of Banning’s and the President’s son is very believable and heartfelt.
While action packed and fast paced; the plot is wholly unbelievable. Maybe I’m just an arrogant American, but I highly doubt the sheer number of protocols that were breached would actually happen. It felt like Eckhart’s character was overriding them through the whole attack sequence. I actually could believe the amount of time it took to respond to the call, but I’ve been to the North Lawn, and could see the snipers from the street and on the surrounding buildings. The White House is just too protected to make an assault like the one depicted.
I enjoyed the movie as long as I didn’t think too much about what was actually happening.
Admittedly I am a Gerard Butler fan. I see this character as a watered-down, but trying really hard, version of John McLane ala Die Hard. Except the one liners feel forced, not funny, as does the unwarranted use of foul language. A New York cop is one thing for cursing, but it just doesn’t feel right seeing it come out of a Secret Service Agent. Morgan Freeman does an excellent job portraying a man making the tough decisions as Speaker Trumbull (the acting President for much of the movie); he makes mistakes and corrects his actions based on those mistakes. Aaron Eckhart is ok as the President, but doesn’t have the gravity needed to really pull that level of authority off; he is very much an every-man version of the President. His relationship with his son and that of Banning’s and the President’s son is very believable and heartfelt.
While action packed and fast paced; the plot is wholly unbelievable. Maybe I’m just an arrogant American, but I highly doubt the sheer number of protocols that were breached would actually happen. It felt like Eckhart’s character was overriding them through the whole attack sequence. I actually could believe the amount of time it took to respond to the call, but I’ve been to the North Lawn, and could see the snipers from the street and on the surrounding buildings. The White House is just too protected to make an assault like the one depicted.
I enjoyed the movie as long as I didn’t think too much about what was actually happening.
156Reviews (7 KP) rated Extra Ordinary (2019) in Movies
May 1, 2020 (Updated May 1, 2020)
Ghosts, hell demons, possessed animals, sex, a car chase, people exploding, ware-wolves (Kind of), Extra Ordinary has it all. Is it some kind of Hollywood blockbuster staring Benedict Cumberbatch? No, it's a small independent Irish comedy staring little known actors, and Will Forte of course.
The film begins by introducing us to Rose Dooley (Maeve Higgins), a very single driving instructor in a small town who has a “Talent”. She can talk to Ghosts. After the death of her father when she was a child, Rose no longer uses these talents though. She spends her days teaching the locals how to drive, and her evenings with no trousers on, eating microwavable meals for one and ignoring messages on her phone from people asking for supernatural help. That is until she gets a call from Martin Martin, who is being haunted by his dead ex-wife, and her journey back to the exorcism business begins.
What this film does best is keep the ordinary and the supernatural events very grounded. Instead of screaming angry spirits howling in the night they see messages like “You must pay ..... The car tax” or “Dog has worms”. The dead don't stick around to terrorise, they are here to make sure we're doing the recycling properly, or donating enough money to charity. Even Christian Winter (Will Forte) the satanist pop-star dubbed “One hit Winter” seems like an every-day man, doing the ironing and making cups of tea between sacrifices and demon summoning.
As the films big-bad, Will Forte does a decent job of keeping the film flowing, even if it is almost identical to his Last man on Earth performance. It's Rose and Martins relationship that really pulls the film forward. After Martins Daughter starts floating in mid-air, he reaches out to Rose for help. Directors Mike Ahern and Enda Loughman succeed in making Rose and Martins journey through the mysterious, humorous yet believable, a will they-won't they without the cheesiness.
Overall this is a very funny, well made film, not afraid to take the time from driving the plot to include some great, if possibly unnecessary scenes, Christian Winter's driving lesson is a particular highlight. Everybody involved has done an excellent job making a great film. It's absurd, it's funny, it's weird, it's well worth a watch.
The film begins by introducing us to Rose Dooley (Maeve Higgins), a very single driving instructor in a small town who has a “Talent”. She can talk to Ghosts. After the death of her father when she was a child, Rose no longer uses these talents though. She spends her days teaching the locals how to drive, and her evenings with no trousers on, eating microwavable meals for one and ignoring messages on her phone from people asking for supernatural help. That is until she gets a call from Martin Martin, who is being haunted by his dead ex-wife, and her journey back to the exorcism business begins.
What this film does best is keep the ordinary and the supernatural events very grounded. Instead of screaming angry spirits howling in the night they see messages like “You must pay ..... The car tax” or “Dog has worms”. The dead don't stick around to terrorise, they are here to make sure we're doing the recycling properly, or donating enough money to charity. Even Christian Winter (Will Forte) the satanist pop-star dubbed “One hit Winter” seems like an every-day man, doing the ironing and making cups of tea between sacrifices and demon summoning.
As the films big-bad, Will Forte does a decent job of keeping the film flowing, even if it is almost identical to his Last man on Earth performance. It's Rose and Martins relationship that really pulls the film forward. After Martins Daughter starts floating in mid-air, he reaches out to Rose for help. Directors Mike Ahern and Enda Loughman succeed in making Rose and Martins journey through the mysterious, humorous yet believable, a will they-won't they without the cheesiness.
Overall this is a very funny, well made film, not afraid to take the time from driving the plot to include some great, if possibly unnecessary scenes, Christian Winter's driving lesson is a particular highlight. Everybody involved has done an excellent job making a great film. It's absurd, it's funny, it's weird, it's well worth a watch.
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