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Kristy H (1252 KP) rated The Night Hawk in Books
Jul 15, 2021
Captivating and atmospheric mystery featuring archaeologist Ruth Galloway
In the 13th entry in the Ruth Galloway series, we find Ruth and her daughter Kate back in Norfolk. Ruth is now head of the department at the university, dealing with the perils of being in charge. This includes handling David Brown, her replacement as lecturer, who always seems to be in Ruth's business. As for Nelson, his boss Jo wants him to retire--something Nelson is firmly against. Instead, Nelson and team find a body washed up on shore, as well as a skeleton that Ruth believes may date to the Bronze Age. Thrown together again, Nelson and Ruth find themselves investigating a series of murders--all of which relate to a group of local metal detectorists, who keep finding the bodies, and the myth of the Black Shuck, a black dog who forewarns of death.
I love all of the Ruth books, but oh, this one was a particular favorite. It's creepy with the references to the Black Shuck filling you with an ominous sort of fear. There's the usual atmospheric feeling from a Ruth book, especially with Ruth returning to her beloved Norfolk--with the marshes, the sea, and the tides playing their own role in the story.
Griffiths writes with her typical charm and wit where you feel like you know Ruth, Nelson, and the whole gang. Clough shows up and Cathbad, our lovable druid and partner to Judy, Nelson's faithful DI, has a strong role. Everyone seems like an old friend at this point. The book is filled with Nelson and Ruth banter and plenty of tension between the two; it was excellent!
The mystery in this one is superb, as the bodies pile up and Nelson tries to figure out how the Night Hawks relate to his case, and why David Brown seems to follow Ruth everywhere. It kept me guessing, which is something I always appreciate! The Black Shuck myth adds a creepy element on top as well.
Overall, this is a lovely book with an captivating mystery and wonderful characters who are beloved. I'll be so sad when this series ends, but I'm loving it right now. This book will stand alone, but you'll fully appreciate the Ruth and Nelson nuances/dynamic if you read them all. 4.5 stars.
I love all of the Ruth books, but oh, this one was a particular favorite. It's creepy with the references to the Black Shuck filling you with an ominous sort of fear. There's the usual atmospheric feeling from a Ruth book, especially with Ruth returning to her beloved Norfolk--with the marshes, the sea, and the tides playing their own role in the story.
Griffiths writes with her typical charm and wit where you feel like you know Ruth, Nelson, and the whole gang. Clough shows up and Cathbad, our lovable druid and partner to Judy, Nelson's faithful DI, has a strong role. Everyone seems like an old friend at this point. The book is filled with Nelson and Ruth banter and plenty of tension between the two; it was excellent!
The mystery in this one is superb, as the bodies pile up and Nelson tries to figure out how the Night Hawks relate to his case, and why David Brown seems to follow Ruth everywhere. It kept me guessing, which is something I always appreciate! The Black Shuck myth adds a creepy element on top as well.
Overall, this is a lovely book with an captivating mystery and wonderful characters who are beloved. I'll be so sad when this series ends, but I'm loving it right now. This book will stand alone, but you'll fully appreciate the Ruth and Nelson nuances/dynamic if you read them all. 4.5 stars.
Kristy H (1252 KP) rated The Stranger Behind You in Books
Jul 15, 2021
An atmospheric and twisty thriller
Reporter Joan Lurie becomes famous when her story in Manhatta exposes Globe owner Caspar Osgood as a sexual harasser. But as she returns home the night of the publication, she's attacked in her apartment. Terrified and feeling ill from a severe blow to the head, she moves to a super secure building in Manhattan, called the Refuge, to write a book that further details what she's discovered about Casper. At the Refuge, she meets her elderly neighbor, Lillian, who has lived there since it was the Magdalen Laundry and Refuge for Fallen Women in the 1940s. She becomes sucked into Lillian's stories, which often remind Joan of her own life. Meanwhile, Caspar's wife Melissa must deal with the aftermath of learning her husband is sexual predator. Soon, these women's lives will intertwine: in potentially dangerous ways.
"I'm here because four weeks ago someone tried to kill me."
This was an often confusing but incredibly intriguing book that combines the #MeToo movement with a story about wayward girls. You're never quite sure what's going on, as Joan can be an unreliable narrator (head injury + fear, anyone?), leaving one feeling very off balance for the entire book. There's a story within a story here, as Joan goes after Caspar and his transgressions, combined with Lillian's story and her past.
"What kind of person is more concerned about their hard drive than their body?"
I loved the 1940s piece, learning about Lily, the Magdalen laundry, and the Refuge when it was a home for girls. It's fascinating even while being quite sad. Joan could be a very frustrating character (just go to the doctor for your head injury and stop drinking already), but you cannot fault her reporting skills. Caspar's wife Melissa adds a certain depth to the tale, as she wrestles with what her husband has done. Telling the story from Joan and Melissa's point of view really expands what we learn. This is also an atmospheric read, with the Refuge becoming its own character, especially as we learn about its history from the 1940s on. Goodman is always excellent at setting the scene.
While I sometimes found this book frustrating, it was also a page-turner, with compelling characters and an interesting story with some great twists. 4 stars.
"I'm here because four weeks ago someone tried to kill me."
This was an often confusing but incredibly intriguing book that combines the #MeToo movement with a story about wayward girls. You're never quite sure what's going on, as Joan can be an unreliable narrator (head injury + fear, anyone?), leaving one feeling very off balance for the entire book. There's a story within a story here, as Joan goes after Caspar and his transgressions, combined with Lillian's story and her past.
"What kind of person is more concerned about their hard drive than their body?"
I loved the 1940s piece, learning about Lily, the Magdalen laundry, and the Refuge when it was a home for girls. It's fascinating even while being quite sad. Joan could be a very frustrating character (just go to the doctor for your head injury and stop drinking already), but you cannot fault her reporting skills. Caspar's wife Melissa adds a certain depth to the tale, as she wrestles with what her husband has done. Telling the story from Joan and Melissa's point of view really expands what we learn. This is also an atmospheric read, with the Refuge becoming its own character, especially as we learn about its history from the 1940s on. Goodman is always excellent at setting the scene.
While I sometimes found this book frustrating, it was also a page-turner, with compelling characters and an interesting story with some great twists. 4 stars.
Laetitia Sadier recommended Rosy Maze by Marker Stalling in Music (curated)
Matthew Krueger (10051 KP) rated The Body Snatcher (1945) in Movies
Oct 17, 2020
Boris Karloff (1 more)
Bela Lugosi
Invasion
The Body Snatcher- is not related to "The Body Snatchers". Yes it is confused. Cause i thought this was the oringal version of "Invasion of the Body Snatchers", just called "The Body Snatcher". Nope it turns out its two different things. Both based off of books. This film is based off of "The Body Snatcher" by Robert Louis Stevenson. While "Invasion of the Body Snatchers" is based off of Jack Finney's 1954 science fiction novel "The Body Snatchers". So yea not confusing at all.
The plot: Dr. Toddy MacFarlane (Henry Daniell) needs cadavers for his medical experiments, ultimately intended to treat a young disabled girl. However, they are not easy to come by, so he enlists the help of taxi driver John Gray (Boris Karloff) and his assistant, Joseph (Bela Lugosi), to unearth bodies from the cemetery. When Donald (Russell Wade), Dr. MacFarlane's assistant, recognizes one of the corpses Gray delivers, the true source of the bodies is called into question.
It is based on the short story "The Body Snatcher" by Robert Louis Stevenson. The film's producer Val Lewton helped adapt the story for the screen, writing under the pen name of "Carlos Keith". The film was marketed with the tagline "The screen's last word in shock sensation!" The frequent mentions of Burke, Hare, and Dr. Knox, all refer to the West Port murders in 1828.
The Body Snatcher was one of three films that Boris Karloff did with RKO Radio Pictures from 1945 to 1946, which were produced by Val Lewton. The other two films were Isle of the Dead (1945) and Bedlam (1946).
Bela Lugosi, who became famous with another Universal classic, Dracula (1931), also signed a deal with RKO. Lewton and MacDonald eventually wrote a small role for him; it became the last film Lugosi and Karloff made together.
Robert Wise – later best-known for his work in The Day the Earth Stood Still (1951), West Side Story (1961), The Sound of Music (1965), and The Sand Pebbles (1966) – was assigned to direct the film. Longtime film editor at RKO, he had replaced the original director on The Curse of the Cat People (1944) when it fell behind schedule and Lewton, who produced it, decided to promote him to his superiors.
Its a excellent film.
The plot: Dr. Toddy MacFarlane (Henry Daniell) needs cadavers for his medical experiments, ultimately intended to treat a young disabled girl. However, they are not easy to come by, so he enlists the help of taxi driver John Gray (Boris Karloff) and his assistant, Joseph (Bela Lugosi), to unearth bodies from the cemetery. When Donald (Russell Wade), Dr. MacFarlane's assistant, recognizes one of the corpses Gray delivers, the true source of the bodies is called into question.
It is based on the short story "The Body Snatcher" by Robert Louis Stevenson. The film's producer Val Lewton helped adapt the story for the screen, writing under the pen name of "Carlos Keith". The film was marketed with the tagline "The screen's last word in shock sensation!" The frequent mentions of Burke, Hare, and Dr. Knox, all refer to the West Port murders in 1828.
The Body Snatcher was one of three films that Boris Karloff did with RKO Radio Pictures from 1945 to 1946, which were produced by Val Lewton. The other two films were Isle of the Dead (1945) and Bedlam (1946).
Bela Lugosi, who became famous with another Universal classic, Dracula (1931), also signed a deal with RKO. Lewton and MacDonald eventually wrote a small role for him; it became the last film Lugosi and Karloff made together.
Robert Wise – later best-known for his work in The Day the Earth Stood Still (1951), West Side Story (1961), The Sound of Music (1965), and The Sand Pebbles (1966) – was assigned to direct the film. Longtime film editor at RKO, he had replaced the original director on The Curse of the Cat People (1944) when it fell behind schedule and Lewton, who produced it, decided to promote him to his superiors.
Its a excellent film.
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