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Bob Mann (459 KP) rated Avengers: Infinity War (2018) in Movies
Sep 29, 2021
14,000,605:1 …. or perhaps 50:50!
So, it’s been a week of full-on work and family commitments…. which means it’s also been a week of ducking and dodging of film reviews in case of spoilers! (Actually, all my favourite bloggers have been pretty good!). This review will also be spoiler free,but there is just SO MUCH that can be discussed there will be a Spoiley McSpoiler section after the trailer video.
Upfront I have to admit that I’m not the world’s greatest MCU fan, but even I felt a twinge of anticipation on going into this 19th instalment: a film that has had fan-boys frothing at the loins for years. And the film doesn’t disappoint, drawing together most (but not all) threads of the disparate MCU universe into a sprawling epic adventure.
Thanos (which inappropriately always seems to autocorrect to “Thanks”!) is played by a CGI’d Josh Brolin, first glimpsed as a “monkey” after the original “Avengers” movie where his quest for the “infinity stones” was first mooted. This particular McGuffin has been revealed in parts throughout the series, with others being surreptitiously slipped into this instalment. With all six stones, Thanos will be able to fully exercise his God fixation over the Universe. Will the Avengers and their new Guardian friends (“Who the hell are you guys?” LOL) be able to stop him?
There are shocks and surprises aplenty. Most of these come courtesy of Thanos who, although like all megalomaniac Bond villains is as mad as a box of frogs, has a backstory and a depth of character that is several cuts above most movie villains.
All of the cast seem to have great fun bouncing off each other. The only performance I found out of kilter was Mark Ruffalo as Bruce Banner who (to me) seemed to be really off his game and false, at least for the early scenes in the movie.
The special effects are – naturally – top-notch and are clever in trying to smooth the joins between the ‘traditional’ view of the Avengers world and the garish world of the Guardians of the Galaxy crew.
Cinema staff must hate a Marvel movie as they have to wait til the very end of the credits before they can move in to clean! And there is a “monkey” (and a good one) at the very end of the credits here, but the credits are very, very long!
So, in summary, it’s complete nonsense as normal, but it’s high-class nonsense, well-written, suitably humorous and provides excellent popcorn entertainment. Directors Anthony and Joe Russo are to be congratulated in pulling off what could have been a disaster. Recommended.
Upfront I have to admit that I’m not the world’s greatest MCU fan, but even I felt a twinge of anticipation on going into this 19th instalment: a film that has had fan-boys frothing at the loins for years. And the film doesn’t disappoint, drawing together most (but not all) threads of the disparate MCU universe into a sprawling epic adventure.
Thanos (which inappropriately always seems to autocorrect to “Thanks”!) is played by a CGI’d Josh Brolin, first glimpsed as a “monkey” after the original “Avengers” movie where his quest for the “infinity stones” was first mooted. This particular McGuffin has been revealed in parts throughout the series, with others being surreptitiously slipped into this instalment. With all six stones, Thanos will be able to fully exercise his God fixation over the Universe. Will the Avengers and their new Guardian friends (“Who the hell are you guys?” LOL) be able to stop him?
There are shocks and surprises aplenty. Most of these come courtesy of Thanos who, although like all megalomaniac Bond villains is as mad as a box of frogs, has a backstory and a depth of character that is several cuts above most movie villains.
All of the cast seem to have great fun bouncing off each other. The only performance I found out of kilter was Mark Ruffalo as Bruce Banner who (to me) seemed to be really off his game and false, at least for the early scenes in the movie.
The special effects are – naturally – top-notch and are clever in trying to smooth the joins between the ‘traditional’ view of the Avengers world and the garish world of the Guardians of the Galaxy crew.
Cinema staff must hate a Marvel movie as they have to wait til the very end of the credits before they can move in to clean! And there is a “monkey” (and a good one) at the very end of the credits here, but the credits are very, very long!
So, in summary, it’s complete nonsense as normal, but it’s high-class nonsense, well-written, suitably humorous and provides excellent popcorn entertainment. Directors Anthony and Joe Russo are to be congratulated in pulling off what could have been a disaster. Recommended.
Darren Fisher (2465 KP) rated 13 Dolls In Darkness (2017) in Movies
Jul 24, 2022
I have been an obsessive fan of horror films since I was a kid in the 70's. Brought up on Hammer and Universal monster films it wasn't long before I delved into pre-cert exploitation films and that is where my preference has been ever since.
Over the last 20 years I have felt that the horror genre hasn't really offered it's fans anything new (bar a few exceptions). Having been left despondent, disappointed and bored senseless by the over-saturation of remakes, reboots and just plain dull horror fare, it comes with great surprise that a black and white silent film from Australia would be the breath of fresh air that the horror genre desperately needs.
The plot of 13 Dolls is pretty straightforward. Marjorie receives a letter from her ailing mother to return home after a 13 year absence. On her return home Marjorie realises that things are not what they seem...
Written and directed by the talented Zeda Müller, this is a film that demands your attention from the start. With its eerie score and moody camerawork it sets a very atmospheric and claustrophobic feel to proceedings. It's a great take on the 'old dark house' horrors of a bygone era, Robert Wiene and Tod Brownings early work springs to mind... yet draws on influences from the likes of Dario Argento, Mario Bava's gothic horrors, giallo and slasher films (there are some nicely placed references for the sharp-eyed viewer). The fact that this is a silent film (I'll get to the score in a bit) actually works in its favour. Gone are the usual mundane dialogue pieces that fill out most horror films these days and the viewer is reintroduced to dialogue cards when required to move the story along. This also means that the actors are given room to act through expression and emotion and they all do a sterling job.
The masterstroke of 13 Dolls though is the excellent use of camerawork and soundtrack. The soundtrack is interspliced with sound effects (church bells, howling wind, dripping taps etc) and moody piano/tension building synths, all used to full sensory effect. The footage and score intertwine brilliantly together and I found some scenes genuinely eerie and creepy (a rare feeling for me whilst watching a new film these days).
Overall 13 Dolls is a mesmerising experience, interspersed with some cleverly executed gore scenes, and at a scant 75 minutes long, it motors along at a cracking pace.
So, you have probably guessed that I liked this film a lot. I highly recommend checking it out, especially if you are looking for something different. It's a great film and I for one am looking forward to Zeda Müller & Co's next venture...!
Over the last 20 years I have felt that the horror genre hasn't really offered it's fans anything new (bar a few exceptions). Having been left despondent, disappointed and bored senseless by the over-saturation of remakes, reboots and just plain dull horror fare, it comes with great surprise that a black and white silent film from Australia would be the breath of fresh air that the horror genre desperately needs.
The plot of 13 Dolls is pretty straightforward. Marjorie receives a letter from her ailing mother to return home after a 13 year absence. On her return home Marjorie realises that things are not what they seem...
Written and directed by the talented Zeda Müller, this is a film that demands your attention from the start. With its eerie score and moody camerawork it sets a very atmospheric and claustrophobic feel to proceedings. It's a great take on the 'old dark house' horrors of a bygone era, Robert Wiene and Tod Brownings early work springs to mind... yet draws on influences from the likes of Dario Argento, Mario Bava's gothic horrors, giallo and slasher films (there are some nicely placed references for the sharp-eyed viewer). The fact that this is a silent film (I'll get to the score in a bit) actually works in its favour. Gone are the usual mundane dialogue pieces that fill out most horror films these days and the viewer is reintroduced to dialogue cards when required to move the story along. This also means that the actors are given room to act through expression and emotion and they all do a sterling job.
The masterstroke of 13 Dolls though is the excellent use of camerawork and soundtrack. The soundtrack is interspliced with sound effects (church bells, howling wind, dripping taps etc) and moody piano/tension building synths, all used to full sensory effect. The footage and score intertwine brilliantly together and I found some scenes genuinely eerie and creepy (a rare feeling for me whilst watching a new film these days).
Overall 13 Dolls is a mesmerising experience, interspersed with some cleverly executed gore scenes, and at a scant 75 minutes long, it motors along at a cracking pace.
So, you have probably guessed that I liked this film a lot. I highly recommend checking it out, especially if you are looking for something different. It's a great film and I for one am looking forward to Zeda Müller & Co's next venture...!
BankofMarquis (1832 KP) rated Parallel Mothers (2021) in Movies
Mar 21, 2022
Cruz is terrific, the "B" plot is better
I have stated before that I find that Penelope Cruz is a very good (not great) actress when working in English. But…she has been a revelation to me as a GREAT Actress when I catch her work in her native language, Spanish, and she is especially good when she is working in a piece by the man that calls her his “muse”, Writer/Director Pedro Almodovar.
Such is the case with their latest collaboration - PARALLEL MOTHERS - an interesting and engaging film with a quality performance at the center of it by Cruz, a performance that has her, rightfully, nominated for the 4th time for an Oscar (she won in 2008 for her Supporting Role in VICKY CHRISTINA BARCELONA).
In this film, Cruz stars as one of 2 “parallel mothers”, who’s character, Janis, goes into labor at the same time as Milena Smit’s character, Ana. What happens to these two is that their lives will be intertwined in such a way that these “parallel mothers” will have a connection for the rest of their lives.
But, this is just the “A” story of this film and (as has been his custom), Almodovar gives us a “B” story that focuses on Spain’s attempt to continue to heal from the Spanish Civil War - and it is this part of the film that is the part that has lingered with me.
Cruz, of course, is a beautiful, wonderful choice as Janis. She holds the screen in every scene she is in (and that is almost every one) and her and Almodovar know what kind of movie they are making and head strongly in that direction. The surprise for me was Milena Smit’s performance as Ana as she holds her own in her scenes with Cruz.
The “A” story of this film is good (but not great) and it does fall, a bit, into “Soap Opera” territory, but Almodovar, Cruz et al know how to elevate it above that with realistic dialogue and emotions that grounds this portion of the film. It is the “B” plot that Almodovar seems to be more interested in and this, in turn, makes that part of the story the more interesting one. To be fair to Cruz, it does involve her character as well, but her relationship with Ana is put in the background, thus negating that relationship to the importance of the story.
The “B” plot was better and I almost wish that this was the main part of the story, it might have made it an overall better - maybe even excellent - film, but, instead, PARALLEL MOTHERS falls to “just” VERY GOOD.
Letter Grade: A- (for Cruz’ and Smit’s performances and the “B” plot)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with their latest collaboration - PARALLEL MOTHERS - an interesting and engaging film with a quality performance at the center of it by Cruz, a performance that has her, rightfully, nominated for the 4th time for an Oscar (she won in 2008 for her Supporting Role in VICKY CHRISTINA BARCELONA).
In this film, Cruz stars as one of 2 “parallel mothers”, who’s character, Janis, goes into labor at the same time as Milena Smit’s character, Ana. What happens to these two is that their lives will be intertwined in such a way that these “parallel mothers” will have a connection for the rest of their lives.
But, this is just the “A” story of this film and (as has been his custom), Almodovar gives us a “B” story that focuses on Spain’s attempt to continue to heal from the Spanish Civil War - and it is this part of the film that is the part that has lingered with me.
Cruz, of course, is a beautiful, wonderful choice as Janis. She holds the screen in every scene she is in (and that is almost every one) and her and Almodovar know what kind of movie they are making and head strongly in that direction. The surprise for me was Milena Smit’s performance as Ana as she holds her own in her scenes with Cruz.
The “A” story of this film is good (but not great) and it does fall, a bit, into “Soap Opera” territory, but Almodovar, Cruz et al know how to elevate it above that with realistic dialogue and emotions that grounds this portion of the film. It is the “B” plot that Almodovar seems to be more interested in and this, in turn, makes that part of the story the more interesting one. To be fair to Cruz, it does involve her character as well, but her relationship with Ana is put in the background, thus negating that relationship to the importance of the story.
The “B” plot was better and I almost wish that this was the main part of the story, it might have made it an overall better - maybe even excellent - film, but, instead, PARALLEL MOTHERS falls to “just” VERY GOOD.
Letter Grade: A- (for Cruz’ and Smit’s performances and the “B” plot)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Merissa (13176 KP) rated Relentless (Relentless, #1) in Books
Jun 8, 2023
Have you ever picked up a book and thought that you knew exactly where it was heading before you even started it? Well, that's what I thought about this book. I thought it would be a light, easy read where the story follows the 'set' pattern and it would while away a couple of hours. Boy, was I wrong!!!
This story is simply fantastic. It is fresh and incredibly well-written. There aren't many books out there that can blend fantasy with paranormal but Karen Lynch can and does with aplomb. The synopsis states that vampires are involved so fair enough but I certainly wasn't expecting trolls, imps, sylphs, undines and demons - to name but a few! There are enough characters in here so that everyone can have their favourite although I suspect I'm in the majority for thinking that Nikolas is just "Oh Yeah!". The relationships between Sara and her two best friends, Roland and Peter, are not only believable but also in the minority in books. Yes, people, you can be friends with a guy without any benefits apart from a solid friendship. It was so nice to read this part even with the explanation given by Aine as to the why.
Sara has special gifts, some of which can be explained by Nikolas and some that remain a mystery. Sara states that she is not a warrior. Warriors come in different shapes and sizes but Sara definitely is. She has much to learn and I'm really hoping that Nikolas will be there to help her.
Relentless is full of secrets which I loved reading about, it is also full of humour. Sara is a strong female lead and she is not afraid of speaking her mind, especially to Nikolas. One of my favourite parts is when she speaks to Nikolas on the phone and calls Chris "Dimples". It may not be funny here but read the story and you'll see what I mean.
This is book 1 of a trilogy with book 2 (hopefully) due out late this year. I am now stalking, I mean, following 😉 Karen Lynch on Facebook and GoodReads so that I can see it as soon as it's available. Good things come to those that wait and if this book is any indication, book 2 is going to be even better. So many things that I want to see happen. Definitely recommended for anyone who likes YA, Fantasy or Paranormal. Excellent!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 9, 2014
This story is simply fantastic. It is fresh and incredibly well-written. There aren't many books out there that can blend fantasy with paranormal but Karen Lynch can and does with aplomb. The synopsis states that vampires are involved so fair enough but I certainly wasn't expecting trolls, imps, sylphs, undines and demons - to name but a few! There are enough characters in here so that everyone can have their favourite although I suspect I'm in the majority for thinking that Nikolas is just "Oh Yeah!". The relationships between Sara and her two best friends, Roland and Peter, are not only believable but also in the minority in books. Yes, people, you can be friends with a guy without any benefits apart from a solid friendship. It was so nice to read this part even with the explanation given by Aine as to the why.
Sara has special gifts, some of which can be explained by Nikolas and some that remain a mystery. Sara states that she is not a warrior. Warriors come in different shapes and sizes but Sara definitely is. She has much to learn and I'm really hoping that Nikolas will be there to help her.
Relentless is full of secrets which I loved reading about, it is also full of humour. Sara is a strong female lead and she is not afraid of speaking her mind, especially to Nikolas. One of my favourite parts is when she speaks to Nikolas on the phone and calls Chris "Dimples". It may not be funny here but read the story and you'll see what I mean.
This is book 1 of a trilogy with book 2 (hopefully) due out late this year. I am now stalking, I mean, following 😉 Karen Lynch on Facebook and GoodReads so that I can see it as soon as it's available. Good things come to those that wait and if this book is any indication, book 2 is going to be even better. So many things that I want to see happen. Definitely recommended for anyone who likes YA, Fantasy or Paranormal. Excellent!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 9, 2014