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Phil Leader (619 KP) rated On the Steel Breeze in Books
Nov 21, 2019
On The Steel Breeze is the second in Reynold's Poseidon's Children trilogy and deals with the relationship between humans and artificial intelligence.
Taking up the story several years after Blue Remembered Earth the main (human) protagonist is Chiku Akinya, daughter of Sunday Akinya from the first book. She has cloned herself and the three Chikus pursue different fates but their stories inevitably interact with each other.even across light years of space.
One is lost in space, presumed dead. Another is on a colony ship heading to a planet that images have shown has a clearly alien structure on the surface. The third remains on Earth, presumably in safety.
As the colony ships near the destination planet they are riven by internal strife and politics just as Chiku finds that things are not as they seem. There are secrets both within the colony ship and with the planet itself, secrets that are bound to cause conflict when they are brought to light. On earth it is clear that some important information has been hidden and Chiku must risk her safe existence to uncover the truth, but at a high cost.
The book starts slowly, maybe a little too keen to establish who Chiku is and reinforce how the world she inhabits is different from ours. However once the story moves to the colony ships it moves along at a good pace with enough twists and surprises to keep the reader's interest. There is plenty of intrigue and it really is hard to tell where the story is going next.
We have the usual 'hard physics' at work as should be expected in a Reynolds book. Except for the hand wavium 'Chibesa physics' that powers the ships, the laws of physics are rigidly adhered to. Again we see how a battle across millions of miles of space could be achieved.
I found the ending to be satisfying (I have read reviews criticising it). It ties up the story of the earth based Chiku. The story for the colonists is clearly only beginning and the third book in the series is set up neatly in the epilogue, while at the same time providing closure on the fate of the colonists.
My only real criticism of the book (and it in no way detracted from it) was the cloning-and-memory-merging gimmick used for the Chiku clones. Although this neatly allowed the story to move between the colony ships and the solar system, I felt that this had been explored better (and with more justification) in Reynold's novel House Of Suns. Here it just seems to be a 'sci-fieqsue' way of allowing the main protagonists to communicate and empathise across the vast tracts of space and otherwise seemed superfluous given the complex set up.
Overall another excellent book from Reynolds, definitely up there with the best 'space opera' novels. I am looking forward to the third book immensely.
Taking up the story several years after Blue Remembered Earth the main (human) protagonist is Chiku Akinya, daughter of Sunday Akinya from the first book. She has cloned herself and the three Chikus pursue different fates but their stories inevitably interact with each other.even across light years of space.
One is lost in space, presumed dead. Another is on a colony ship heading to a planet that images have shown has a clearly alien structure on the surface. The third remains on Earth, presumably in safety.
As the colony ships near the destination planet they are riven by internal strife and politics just as Chiku finds that things are not as they seem. There are secrets both within the colony ship and with the planet itself, secrets that are bound to cause conflict when they are brought to light. On earth it is clear that some important information has been hidden and Chiku must risk her safe existence to uncover the truth, but at a high cost.
The book starts slowly, maybe a little too keen to establish who Chiku is and reinforce how the world she inhabits is different from ours. However once the story moves to the colony ships it moves along at a good pace with enough twists and surprises to keep the reader's interest. There is plenty of intrigue and it really is hard to tell where the story is going next.
We have the usual 'hard physics' at work as should be expected in a Reynolds book. Except for the hand wavium 'Chibesa physics' that powers the ships, the laws of physics are rigidly adhered to. Again we see how a battle across millions of miles of space could be achieved.
I found the ending to be satisfying (I have read reviews criticising it). It ties up the story of the earth based Chiku. The story for the colonists is clearly only beginning and the third book in the series is set up neatly in the epilogue, while at the same time providing closure on the fate of the colonists.
My only real criticism of the book (and it in no way detracted from it) was the cloning-and-memory-merging gimmick used for the Chiku clones. Although this neatly allowed the story to move between the colony ships and the solar system, I felt that this had been explored better (and with more justification) in Reynold's novel House Of Suns. Here it just seems to be a 'sci-fieqsue' way of allowing the main protagonists to communicate and empathise across the vast tracts of space and otherwise seemed superfluous given the complex set up.
Overall another excellent book from Reynolds, definitely up there with the best 'space opera' novels. I am looking forward to the third book immensely.
Phil Leader (619 KP) rated Prince of Fools in Books
Nov 25, 2019
Mark Lawrence's previous Broken Empire trilogy was a terrific read, starring as it did an almost perfect anti-hero in shape of Jorg Ancrath, a character who in any other books would have been the major villain.
It was hard to see where Lawrence could go from there. The answer is 'up'. Set in the same world as Broken Empire the events in Prince of Fools take place at roughly the same time as those of Prince of Thorns but following someone who is manipulated by a different set of players than Jorg.
Prince Jalan is the grandson of the Red Queen. He is too far from the throne to have to think seriously about ruling but close enough that he can rely on his rank to provide him a life of luxury - and to get him out of trouble if needs be. He is indolent, self-centered and vain and spends his time either drinking, gambling or trying to bed various women. He describes himself at the start of the book as 'A liar, a cheat and a coward' and he certainly always tries to take the easy path through anything and avoid any actual work or responsibilities.
But things are about to change. He ends up being forced to leave the comforts of court and city life and travel with a companion he doesn't care for on a quest he has no interest in. But he follows along, complaining all the way and plotting on ways to return to the life of leisure and pleasure that he craves.
Whereas Jorg's general reaction to someone in his way is to kill them, Jalan will wheedle, plead or just plain bribe them to get what he wants and on the rare occasions he has to wield a sword he is so shockingly incompetent he is actually dangerous.
The story is excellent; there is a definite impetus and personal reason for the quest and a final showdown in which a terrible truth is revealed. More of the fate of the Broken Empire is revealed as Jalan and his companion travel across it, as well as more of the geography. Jalan's dislike for travel is clear and the descriptions are coloured by his perceptions - it's always too wet or too cold or too flat or too mountainous.
There are some terrific scenes with Lawrence's black humour very much to the fore as in the previous books. There are meetings with characters from the previous trilogy that are like meeting old friends (and yes Jorg and Jalan do cross storylines at a crucial point for both of them).
I would absolutely recommend this book to anyone looking for a great story with absorbing characters, laugh out loud humour and great battle scenes. If you liked Jorg read this book. If you like zombies read this book. If you like vikings read this book. Actually, just read the book. You won't regret it.
It was hard to see where Lawrence could go from there. The answer is 'up'. Set in the same world as Broken Empire the events in Prince of Fools take place at roughly the same time as those of Prince of Thorns but following someone who is manipulated by a different set of players than Jorg.
Prince Jalan is the grandson of the Red Queen. He is too far from the throne to have to think seriously about ruling but close enough that he can rely on his rank to provide him a life of luxury - and to get him out of trouble if needs be. He is indolent, self-centered and vain and spends his time either drinking, gambling or trying to bed various women. He describes himself at the start of the book as 'A liar, a cheat and a coward' and he certainly always tries to take the easy path through anything and avoid any actual work or responsibilities.
But things are about to change. He ends up being forced to leave the comforts of court and city life and travel with a companion he doesn't care for on a quest he has no interest in. But he follows along, complaining all the way and plotting on ways to return to the life of leisure and pleasure that he craves.
Whereas Jorg's general reaction to someone in his way is to kill them, Jalan will wheedle, plead or just plain bribe them to get what he wants and on the rare occasions he has to wield a sword he is so shockingly incompetent he is actually dangerous.
The story is excellent; there is a definite impetus and personal reason for the quest and a final showdown in which a terrible truth is revealed. More of the fate of the Broken Empire is revealed as Jalan and his companion travel across it, as well as more of the geography. Jalan's dislike for travel is clear and the descriptions are coloured by his perceptions - it's always too wet or too cold or too flat or too mountainous.
There are some terrific scenes with Lawrence's black humour very much to the fore as in the previous books. There are meetings with characters from the previous trilogy that are like meeting old friends (and yes Jorg and Jalan do cross storylines at a crucial point for both of them).
I would absolutely recommend this book to anyone looking for a great story with absorbing characters, laugh out loud humour and great battle scenes. If you liked Jorg read this book. If you like zombies read this book. If you like vikings read this book. Actually, just read the book. You won't regret it.
Ivana A. | Diary of Difference (1171 KP) rated Queen of Air and Darkness: The Dark Artifices in Books
Feb 3, 2020
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<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2019/06/Lady-Midnight.jpg?resize=1024%2C683&ssl=1"/>;
I was lucky enough to be approached by LoveReading to review and join the blog tour for The Dark Artifices series by Cassandra Clare. Starting today, and posting every Wednesday, you will get to see what I thought about this series.
<b><i>Series: The Dark Artifices</i></b>
#1 <a href="https://www.goodreads.com/review/show/2843390110">Lady Midnight</a> - ★★★★
#2 <a href="https://www.goodreads.com/review/show/2865130437">Lord of Shadows</a> - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/2865131320">Queen of Air and Darkness</a> - ★★★★★
<img src="https://i2.wp.com/diaryofdifference.com/wp-content/uploads/2019/07/Book-Review-Banner-6.png?ssl=1&w=510"/>;
We made it to the finish line. After three weeks of me into the shadowhunter world, I am now back in reality, wishing I could never leave from that amazing world. Queen of Air and Darkness was the lovely desert after such a tasty appetiser and main course. A perfect way to leave a restaurant.
The finale of The Dark Artifices was everything I was hoping for. Full of adventure, emotions and wisdom from a lot of characters. Development like I have never seen before... I found myself attached to so many characters, genuinely feeling for them and being with them in all their adventures.
Don't get me wrong, I do get attached to characters quite easily, but it's usually two at best in one book. This book had me loving so many characters in different ways, with different strengths and such strong emotion.
Queen of Air and Darkness finishes off where it starts, and without spoilers it's quite hard to say what goes on in this book. A forbidden love, unexplainable sadness and the best romance I have read in quite some time. Danger and faerie battles all over again. Love and betrayal, love and loyalty...
During the first couple pages, I was a complete wreck. I cried so hard and felt so sad. And after that, I had my favourites in this book and they didn't disappoint. I loved every moment of this book and I can't recommend this series enough.
Read this series, get into the world of power, magic, angels, beauty and danger. Get into a world of adventure, love, betrayal and excellent character development. The series was so satisfying, even though the ending didn't seem like a proper ending and I am sure there are many new books coming.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2019/06/Lady-Midnight.jpg?resize=1024%2C683&ssl=1"/>;
I was lucky enough to be approached by LoveReading to review and join the blog tour for The Dark Artifices series by Cassandra Clare. Starting today, and posting every Wednesday, you will get to see what I thought about this series.
<b><i>Series: The Dark Artifices</i></b>
#1 <a href="https://www.goodreads.com/review/show/2843390110">Lady Midnight</a> - ★★★★
#2 <a href="https://www.goodreads.com/review/show/2865130437">Lord of Shadows</a> - ★★★★★
#3 <a href="https://www.goodreads.com/review/show/2865131320">Queen of Air and Darkness</a> - ★★★★★
<img src="https://i2.wp.com/diaryofdifference.com/wp-content/uploads/2019/07/Book-Review-Banner-6.png?ssl=1&w=510"/>;
We made it to the finish line. After three weeks of me into the shadowhunter world, I am now back in reality, wishing I could never leave from that amazing world. Queen of Air and Darkness was the lovely desert after such a tasty appetiser and main course. A perfect way to leave a restaurant.
The finale of The Dark Artifices was everything I was hoping for. Full of adventure, emotions and wisdom from a lot of characters. Development like I have never seen before... I found myself attached to so many characters, genuinely feeling for them and being with them in all their adventures.
Don't get me wrong, I do get attached to characters quite easily, but it's usually two at best in one book. This book had me loving so many characters in different ways, with different strengths and such strong emotion.
Queen of Air and Darkness finishes off where it starts, and without spoilers it's quite hard to say what goes on in this book. A forbidden love, unexplainable sadness and the best romance I have read in quite some time. Danger and faerie battles all over again. Love and betrayal, love and loyalty...
During the first couple pages, I was a complete wreck. I cried so hard and felt so sad. And after that, I had my favourites in this book and they didn't disappoint. I loved every moment of this book and I can't recommend this series enough.
Read this series, get into the world of power, magic, angels, beauty and danger. Get into a world of adventure, love, betrayal and excellent character development. The series was so satisfying, even though the ending didn't seem like a proper ending and I am sure there are many new books coming.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Night Reader Reviews (683 KP) rated A Warrior's Blush in Books
Jan 9, 2020
A Warriors Blush by Shannon Whittall is an action-adventure fantasy story with just a hit of romance. This book could z easily be the beginning of a very interesting series if the author wanted to go that route with it. The ending is also surprising, but I do not encourage any readers to skip ahead in the book to see what I mean.
Lenora Belavier has been held prisoner and was used as a slave in the female prison, Golnar. It is here in Golnar that Lenora makes two names for herself. The first is Iron-Will for the excellent blades she forges. The second is Golnars Ghost, for protecting her fellow prisoners from the guards without them finding out who the ghost is. One day after much planning Lenora escapes from Golnar and brings an eleven-year-old prisoner, Mear, with her. Elijah finds Lenora (who has now adopted a new name) and Mear injured in the desert and takes them to Drodals Keep for healing.
In Drodal Lenora endures training for a magical ability that she does not believe she possesses, by a temperamental Elijah. Mear, on the other hand, seems to be enjoying her freedom and wonders off for some unknown reason. Lenora and Elijah slowly form an unlikely friendship as they start looking into the appearance of Bolgran, the evil monsters controlled by Myrna. Myrna, the evil Queen who Lenora was fighting against when she was arrested has learned of Lenora surviving Golnar and seeking refuge at Drodal. In an attempt to destroy her enemy Myrna floods Drodal with Bolgren and it doesn't look good for the small keep.
What I liked best about this book was that it was not predictable nor was it confusing. The twists in the story were extremely enjoyable and even surprised me. I am purposely leaving these twists out of the review as to not ruin them for the interested reader. What I did not like was how some of the characters and creatures were named similar to each other. The biggest of these issues was Bolgran, a terrible monster, and Brogan, a blacksmith. This did cause a bit of confusion because one is obviously evil and the other is not.
This book is age-appropriate for readers who are at least in high school. Younger readers would enjoy most of the story but would have to be mature. The rape and abuse of female prisoners is a big driving factor for Lenora and readers must be able to handle that. Overall I rate this book 3 out of 4. While it was a good book the name issue felt a little sloppy and lost it some points with me. I would still recommend this book to people who like fantasy but they would have to pay close attention to the names.
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https://www.austinmacauley.com/book/warriors-blush
Lenora Belavier has been held prisoner and was used as a slave in the female prison, Golnar. It is here in Golnar that Lenora makes two names for herself. The first is Iron-Will for the excellent blades she forges. The second is Golnars Ghost, for protecting her fellow prisoners from the guards without them finding out who the ghost is. One day after much planning Lenora escapes from Golnar and brings an eleven-year-old prisoner, Mear, with her. Elijah finds Lenora (who has now adopted a new name) and Mear injured in the desert and takes them to Drodals Keep for healing.
In Drodal Lenora endures training for a magical ability that she does not believe she possesses, by a temperamental Elijah. Mear, on the other hand, seems to be enjoying her freedom and wonders off for some unknown reason. Lenora and Elijah slowly form an unlikely friendship as they start looking into the appearance of Bolgran, the evil monsters controlled by Myrna. Myrna, the evil Queen who Lenora was fighting against when she was arrested has learned of Lenora surviving Golnar and seeking refuge at Drodal. In an attempt to destroy her enemy Myrna floods Drodal with Bolgren and it doesn't look good for the small keep.
What I liked best about this book was that it was not predictable nor was it confusing. The twists in the story were extremely enjoyable and even surprised me. I am purposely leaving these twists out of the review as to not ruin them for the interested reader. What I did not like was how some of the characters and creatures were named similar to each other. The biggest of these issues was Bolgran, a terrible monster, and Brogan, a blacksmith. This did cause a bit of confusion because one is obviously evil and the other is not.
This book is age-appropriate for readers who are at least in high school. Younger readers would enjoy most of the story but would have to be mature. The rape and abuse of female prisoners is a big driving factor for Lenora and readers must be able to handle that. Overall I rate this book 3 out of 4. While it was a good book the name issue felt a little sloppy and lost it some points with me. I would still recommend this book to people who like fantasy but they would have to pay close attention to the names.
https://nightreaderreviews.blogspot.cpm
https://www.facebook.com/nightreadersreviews
https://www.austinmacauley.com/book/warriors-blush
Gareth von Kallenbach (980 KP) rated The Nice Guys (2016) in Movies
Aug 6, 2019
This is how it’s supposed to be done. Though it’s not the most original flick to grace the silver screen, Shane Black’s follow-up to his instant cult classic Kiss Kiss Bang Bang has everything you could want in an action/comedy romp. A solid dynamic between its two charming yet flawed leads, a strong plot that has enough twists and turns to keep you thrilled but not lost, and plenty of quotably razor-sharp dialogue. Imagine the Lethal Weapon type meets a less obtuse Inherent Vice. Besides the return of Jason Bourne in July, it will undoubtedly be the most entertaining thing you’ll see in another summer season of mediocrity. Is anybody really that interested in a ninth X-Men film?
Russell Crowe is the muscle-for-hire opposite Ryan Gosling as the P.I. referred to by his daughter as “the worst detective in the world”. They are thrust together by circumstance and, after a couple of amusing altercations, come to find out they are both involved in a larger case of conspiracy and cover-up as they race to find the girl at the center of it all. Crowe and Gosling make a winning team with chemistry in spades and, though the dialogue they’re given may not feel as fresh as what Val Kilmer and Robert Downey Jr. had to work with in Kiss Kiss Bang Bang; they still pull it off marvelously. Between Gosling’s unfortunate directorial debut, Lost River, and Crowe’s string of misfires since 2010’s Robin Hood, these were the type of roles their fading stars were in dire need of and they both certainly look at home in a 70’s-era Hollywood detective story. For Gosling especially, this is probably the most likable he’s ever been. Well done also to the casting department for finding Angourie Rice. As Gosling’s daughter, she’s does an admirably fine job of playing a girl who can stand up to an incredibly hostile world and give some back. Here’s hoping she’s got a decent agent that will keep her in rich, multi-dimensional characters.
Shane Black, already having proved that he knows his way around a screenplay or two, is firmly coming into his own as a director (though the Christmas thing has got to stop), and I’ll be eagerly anticipating his next foray behind the camera. It’s also another excellent job from Warner’s marketing team, with a trailer that gave just enough of the one-liners and snippets of action without spoiling too many of the fun and twisty plot points. The action beats and moments of violence themselves, due to a tightly-structured script, feel earned and well-placed. Not once did I get that overwhelming feeling of action fatigue I’ve been experiencing so much in film lately (I’m looking at you, Marvel). The Nice Guys is all-around great filmmaking and one I can’t wait to revisit. I wouldn’t doubt it’ll be a day-one buy for me when it hits the home video market.
Russell Crowe is the muscle-for-hire opposite Ryan Gosling as the P.I. referred to by his daughter as “the worst detective in the world”. They are thrust together by circumstance and, after a couple of amusing altercations, come to find out they are both involved in a larger case of conspiracy and cover-up as they race to find the girl at the center of it all. Crowe and Gosling make a winning team with chemistry in spades and, though the dialogue they’re given may not feel as fresh as what Val Kilmer and Robert Downey Jr. had to work with in Kiss Kiss Bang Bang; they still pull it off marvelously. Between Gosling’s unfortunate directorial debut, Lost River, and Crowe’s string of misfires since 2010’s Robin Hood, these were the type of roles their fading stars were in dire need of and they both certainly look at home in a 70’s-era Hollywood detective story. For Gosling especially, this is probably the most likable he’s ever been. Well done also to the casting department for finding Angourie Rice. As Gosling’s daughter, she’s does an admirably fine job of playing a girl who can stand up to an incredibly hostile world and give some back. Here’s hoping she’s got a decent agent that will keep her in rich, multi-dimensional characters.
Shane Black, already having proved that he knows his way around a screenplay or two, is firmly coming into his own as a director (though the Christmas thing has got to stop), and I’ll be eagerly anticipating his next foray behind the camera. It’s also another excellent job from Warner’s marketing team, with a trailer that gave just enough of the one-liners and snippets of action without spoiling too many of the fun and twisty plot points. The action beats and moments of violence themselves, due to a tightly-structured script, feel earned and well-placed. Not once did I get that overwhelming feeling of action fatigue I’ve been experiencing so much in film lately (I’m looking at you, Marvel). The Nice Guys is all-around great filmmaking and one I can’t wait to revisit. I wouldn’t doubt it’ll be a day-one buy for me when it hits the home video market.
Gareth von Kallenbach (980 KP) rated X-Men: Apocalypse (2016) in Movies
Aug 6, 2019
Full disclosure, I grew up a huge X-Men fan. As a kid it was one of the few comics that I would try read as often as I could. I would borrow my friends books, convince my mom to buy me an issue every chance I got and like so many growing up in the early 90s, never miss a Saturday morning episode of the fantastic X-Men cartoon.
As such, I have been waiting for the films to capture the X-Men team dynamic while creating interesting fleshed out characters for the mass audiences to appreciate. I felt the franchise was headed in that direction with the last two films, X-Men: First class and X-Men: Days of Futures Past. Unfortunately, X-Men: Apocalypse takes a bit of a stumble in this department when it tries to introduce several fan favorite characters to this X-Men Universe. However it sacrifices solid character development in order to introduce them all in this one story. That’s not to say that this decision makes a bad film, it’s just that the characters are somewhat hollow and we never really connect with any of them. Not even the older characters who we already know. In the 2016 landscape of superhero/comic movies, when you have too many hollow characters the film often feels like we are just going through the motions of fan service, rather than telling a good story though film. This shallow character development makes me wish that instead of making more X-Men movies, Fox would team up with Netflix and produce an episodic series that can really dig down into the story of these characters and the missions they go on to help all of humanity…sigh…one can hope.
As for the rest of this film, it is safe to say that it is a fun popcorn adventure just in time for the summer blockbuster season. The first act suffers from a bit of pacing issues, but once the film starts to pick up steam, it becomes a full action packed adventure filled with all the mutant powers you would expect from an X-Men film. We receive excellent performances we have come to expect from James McAvoy, Michael Fassbender, Jennifer Lawrence and the rest of the standard cast. As far as the new characters added to this film, Sophie Turner (Game of Thrones) is the stand out as Jean Gery. She delivers one of the few nuanced performances of the whole film and I look forward to her continuing to build on the roll in future X-Men films.
X-Men: Apocalypse is more of what you would expect from the X-Men series. Not terrible but not all that great either. Fans will be exited and enjoy this entry to the series while casual viewers will enjoy the blockbuster elements.
As such, I have been waiting for the films to capture the X-Men team dynamic while creating interesting fleshed out characters for the mass audiences to appreciate. I felt the franchise was headed in that direction with the last two films, X-Men: First class and X-Men: Days of Futures Past. Unfortunately, X-Men: Apocalypse takes a bit of a stumble in this department when it tries to introduce several fan favorite characters to this X-Men Universe. However it sacrifices solid character development in order to introduce them all in this one story. That’s not to say that this decision makes a bad film, it’s just that the characters are somewhat hollow and we never really connect with any of them. Not even the older characters who we already know. In the 2016 landscape of superhero/comic movies, when you have too many hollow characters the film often feels like we are just going through the motions of fan service, rather than telling a good story though film. This shallow character development makes me wish that instead of making more X-Men movies, Fox would team up with Netflix and produce an episodic series that can really dig down into the story of these characters and the missions they go on to help all of humanity…sigh…one can hope.
As for the rest of this film, it is safe to say that it is a fun popcorn adventure just in time for the summer blockbuster season. The first act suffers from a bit of pacing issues, but once the film starts to pick up steam, it becomes a full action packed adventure filled with all the mutant powers you would expect from an X-Men film. We receive excellent performances we have come to expect from James McAvoy, Michael Fassbender, Jennifer Lawrence and the rest of the standard cast. As far as the new characters added to this film, Sophie Turner (Game of Thrones) is the stand out as Jean Gery. She delivers one of the few nuanced performances of the whole film and I look forward to her continuing to build on the roll in future X-Men films.
X-Men: Apocalypse is more of what you would expect from the X-Men series. Not terrible but not all that great either. Fans will be exited and enjoy this entry to the series while casual viewers will enjoy the blockbuster elements.
Gareth von Kallenbach (980 KP) rated The Conjuring (2013) in Movies
Aug 6, 2019
It’s quite easy to think you have a ghost haunting your home. The creeks and cracks of settling foundation, leaky pipes, drafty windows or appliances can sound aerie. Why is it that our imaginations jump to that conclusion and not simply the truth. In some cases this causes people to essentially “cry wolf”, making it hard for us to believe in the true hauntings that have plagued families for generations. The Perron family was one of the many that had been terrorized by a malevolent spirit in their recently purchased farmhouse.
The story follows Ed and Lorraine Warren who’s lives have spent dealing with hundreds of cases of hauntings all around the US. From small hauntings to haunted items and more importantly exorcisms. The film begins with one of their possession cases that involves two young woman who were under the impression that they were being haunted by a little girl who took a likening to their Annabelle doll. They invited the girl to live inside of the doll not knowing that the entity was a daemon. (I do want to interject that the real Annabelle doll was a raggedy Anne doll but for the films sake they made the doll look like it was related to Chucky).
Annabelle is just an introduction to the audience of what Ed and Lorraine Warren do. One of their bigger cases is that of the Perron family. Roger (Ron Livingston), his wife Carolyn (Lili Taylor) and their five daughters move to an old farmhouse in a remote area not knowing the past of the land or the home itself. Ed and Lorraine agree to help the family exorcise their home, not realizing that the case was more dangerous than they had originally thought.
This film is by far the best true ghost story film that I have seen to date. Granted it has somewhat of a slow beginning, once the scares start happening it gets better and better. The acting was not the best nor the dialogue, however if you pay close attention to the story, those weaknesses of the film are easily forgotten. It is extremely refreshing to not see any CGI in a film like this and knowing that it can be as equally scary if not more with simple camera angles and excellent concepts. I also like the absence of blood and gore that has seen to be quite overdone with most horror films lately. The way that practical makeup was used to create such scary characters is only a small part of how much thought was put into this.
This film is scary and when I say that I really mean it. When I screened this, I was sitting in the middle of two big burley men who also jumped at every surprise. If you have been waiting for a film to scare you, this my friends will do it. It is definitely not for the faint of heart.
The story follows Ed and Lorraine Warren who’s lives have spent dealing with hundreds of cases of hauntings all around the US. From small hauntings to haunted items and more importantly exorcisms. The film begins with one of their possession cases that involves two young woman who were under the impression that they were being haunted by a little girl who took a likening to their Annabelle doll. They invited the girl to live inside of the doll not knowing that the entity was a daemon. (I do want to interject that the real Annabelle doll was a raggedy Anne doll but for the films sake they made the doll look like it was related to Chucky).
Annabelle is just an introduction to the audience of what Ed and Lorraine Warren do. One of their bigger cases is that of the Perron family. Roger (Ron Livingston), his wife Carolyn (Lili Taylor) and their five daughters move to an old farmhouse in a remote area not knowing the past of the land or the home itself. Ed and Lorraine agree to help the family exorcise their home, not realizing that the case was more dangerous than they had originally thought.
This film is by far the best true ghost story film that I have seen to date. Granted it has somewhat of a slow beginning, once the scares start happening it gets better and better. The acting was not the best nor the dialogue, however if you pay close attention to the story, those weaknesses of the film are easily forgotten. It is extremely refreshing to not see any CGI in a film like this and knowing that it can be as equally scary if not more with simple camera angles and excellent concepts. I also like the absence of blood and gore that has seen to be quite overdone with most horror films lately. The way that practical makeup was used to create such scary characters is only a small part of how much thought was put into this.
This film is scary and when I say that I really mean it. When I screened this, I was sitting in the middle of two big burley men who also jumped at every surprise. If you have been waiting for a film to scare you, this my friends will do it. It is definitely not for the faint of heart.
Gareth von Kallenbach (980 KP) rated The Internship (2013) in Movies
Aug 7, 2019
In The Internship, Vince Vaughn and Owen Wilson play Billy and Nick, two men in a profession that is sorely outdated. They are watch salesmen in a world where more people use their cell phones as time pieces than hunks of metal/plastic on their wrists. When their company shuts down because of this, Billy and Nick suddenly realize they don’t have any real skills, other than being excellent salesmen. Nick accepts a job working for his sister’s tatted-up boyfriend in a mattress store, while Billy is recovering from being unceremoniously dumped by his girlfriend after their house goes into foreclosure. So in a desperate bid to find jobs online, Billy stumbles across an unlikely possibility for the two of them: an internship at Google.
The movie plays out the way any other buddy comedy might. They somehow land the gig, fight adversity, teach a few life lessons along the way, and have the tough defining moments for each character. However, despite this formulaic plot, the movie was very funny and entertaining. From the smarmy British intern who spends the movie antagonizing the 40-something duo, to the two’s intern team, there is a great deal of comedy in the movie.
Vaughn and Wilson should be the most entertaining and funny in the movie, but you have to give credit to these two veterans. They really did allow their supporting cast to shine. Josh Brener, Dylan O’Brien, Tobit Raphael and Tiya Sircar all have hilarious laugh-out-loud scenes as Billy and Nick’s intern team. Josh Gad and Aasif Mandvi also steal the scenes they are in during the course of the movie.
Throw in legitimate tech jargon, real world technology, and the fact that this was actually filmed on location at the Google campus, and you have a pretty great movie. The only issue I had with the film was they did not play too much into the intern team’s story too much. For example, there was a nice wrap up for Sircar’s character that didn’t make sense. They talked about her issue some in the movie, but the resolution for her character was just never built up to, it kind of just happened and seemed out of place. But, this could be because I am a guy and don’t pick up on some of those things. My friend that saw the movie with me said I was crazy.
Overall, this movie exceeded my expectations. I came into expecting Fox to be grabbing at the success of Wedding Crashers. But in reality, this movie does well in standing on its. Coming in at one hour fifty-nine minutes, it is a bit long compared to today’s comedy standards, but you will never notice it. I know it kept our theater laughing the whole time. Definitely worth the watch. On my “would I buy it” scale (which has three levels No, DVD and Blu Ray), it is definitely worth the Blu Ray.
The movie plays out the way any other buddy comedy might. They somehow land the gig, fight adversity, teach a few life lessons along the way, and have the tough defining moments for each character. However, despite this formulaic plot, the movie was very funny and entertaining. From the smarmy British intern who spends the movie antagonizing the 40-something duo, to the two’s intern team, there is a great deal of comedy in the movie.
Vaughn and Wilson should be the most entertaining and funny in the movie, but you have to give credit to these two veterans. They really did allow their supporting cast to shine. Josh Brener, Dylan O’Brien, Tobit Raphael and Tiya Sircar all have hilarious laugh-out-loud scenes as Billy and Nick’s intern team. Josh Gad and Aasif Mandvi also steal the scenes they are in during the course of the movie.
Throw in legitimate tech jargon, real world technology, and the fact that this was actually filmed on location at the Google campus, and you have a pretty great movie. The only issue I had with the film was they did not play too much into the intern team’s story too much. For example, there was a nice wrap up for Sircar’s character that didn’t make sense. They talked about her issue some in the movie, but the resolution for her character was just never built up to, it kind of just happened and seemed out of place. But, this could be because I am a guy and don’t pick up on some of those things. My friend that saw the movie with me said I was crazy.
Overall, this movie exceeded my expectations. I came into expecting Fox to be grabbing at the success of Wedding Crashers. But in reality, this movie does well in standing on its. Coming in at one hour fifty-nine minutes, it is a bit long compared to today’s comedy standards, but you will never notice it. I know it kept our theater laughing the whole time. Definitely worth the watch. On my “would I buy it” scale (which has three levels No, DVD and Blu Ray), it is definitely worth the Blu Ray.
Gareth von Kallenbach (980 KP) rated Now You See Me (2013) in Movies
Aug 7, 2019
When you were little and you saw your very first magic show, you were probably amazed just by the simple action of a magician waving his magic wand and pulling a rabbit out of his hat. The only explanation you needed was that it was magic.
Not knowing that “the closer you look, the less you see as you become older you become less and less convinced that magic exists.
From French director Louis Leterrier who has brought us films like “The Transporter” and ” Unleashed” comes an “Ocean’s Eleven” style film about four magicians who pull off one of the biggest heists the world has ever seen by using magic.
Calling themselves The Four Horseman, four magicians with very different abilities come together as one to pull off something no other magician has ever attempted.
The leader of the pack is J. Daniel Atlas (Jesse Eisenberg), who is a master at sleight-of-hand and blatant arrogance. A mentalist who specializes in hypnosis and is no stranger to being devious himself is Merritt McKinney (Woody Harrelson). The very talented pickpocket Jack Wilder (Dave Franco) not only steals the audience’s hearts but also can pick a lock blindfolded if he had to.
Last but by no means least is Henley Reeves (Isla Fisher), the sexy escape artist who can even escape a tank full of piranhas without a scratch.
The story follows The Four Horseman embarking on a journey of teleporting and robbing a Parisian bank and reining it over the cheering Las Vegas audience at their first venue.
They don’t stop there. There show takes them from Vegas to the renewed city of New Orleans and then to New York where the grand finally takes place whilst spreading the wealth of their heists to the deserving audience members in grand Robin Hood fashion.
This film is excellent! It doesn’t leave you hanging and answers all your questions. The elaborate tricks performed proved to be very entertaining and exciting!
A neat touch was adding a woman to the mix as you don’t really see any women magicians out there other than the assistants who get sawed in half.
The cast was great and had great chemistry however I would have liked to see a bit more of character backstory. Morgan Freeman, Michael Caine and Mark Ruffalo are also a part of the seemingly big cast. The special effects were not only entertaining but extremely appealing to the eye.
Though the storyline is a little scatterbrained it is anything but a bore and leaves you wanting to experience more. After seeing the film, I had an overwhelming need to watch other magician movies like “The Great Houdini”, “The Prestige”, and “The Illusionist”. It also brought back those same feelings I had as a child experiencing the magic and mystery a true magician can provide. This film left me wanting to see it for a second time.
Not knowing that “the closer you look, the less you see as you become older you become less and less convinced that magic exists.
From French director Louis Leterrier who has brought us films like “The Transporter” and ” Unleashed” comes an “Ocean’s Eleven” style film about four magicians who pull off one of the biggest heists the world has ever seen by using magic.
Calling themselves The Four Horseman, four magicians with very different abilities come together as one to pull off something no other magician has ever attempted.
The leader of the pack is J. Daniel Atlas (Jesse Eisenberg), who is a master at sleight-of-hand and blatant arrogance. A mentalist who specializes in hypnosis and is no stranger to being devious himself is Merritt McKinney (Woody Harrelson). The very talented pickpocket Jack Wilder (Dave Franco) not only steals the audience’s hearts but also can pick a lock blindfolded if he had to.
Last but by no means least is Henley Reeves (Isla Fisher), the sexy escape artist who can even escape a tank full of piranhas without a scratch.
The story follows The Four Horseman embarking on a journey of teleporting and robbing a Parisian bank and reining it over the cheering Las Vegas audience at their first venue.
They don’t stop there. There show takes them from Vegas to the renewed city of New Orleans and then to New York where the grand finally takes place whilst spreading the wealth of their heists to the deserving audience members in grand Robin Hood fashion.
This film is excellent! It doesn’t leave you hanging and answers all your questions. The elaborate tricks performed proved to be very entertaining and exciting!
A neat touch was adding a woman to the mix as you don’t really see any women magicians out there other than the assistants who get sawed in half.
The cast was great and had great chemistry however I would have liked to see a bit more of character backstory. Morgan Freeman, Michael Caine and Mark Ruffalo are also a part of the seemingly big cast. The special effects were not only entertaining but extremely appealing to the eye.
Though the storyline is a little scatterbrained it is anything but a bore and leaves you wanting to experience more. After seeing the film, I had an overwhelming need to watch other magician movies like “The Great Houdini”, “The Prestige”, and “The Illusionist”. It also brought back those same feelings I had as a child experiencing the magic and mystery a true magician can provide. This film left me wanting to see it for a second time.
Gareth von Kallenbach (980 KP) rated Sinister (2012) in Movies
Aug 7, 2019
Sinister is a movie that surprised me. I love scary movies, but most of the time it is the pure humor that I find in what people think is scary these days that makes me love them. I figured I would walk into this movie and leave in the same mood I always do. Laughing about how many people jumped in the theater because of what happened on screen. But, this time, I was one of those people. For the first time in over a decade I found a scary movie that downright creeped me out and made me jump. Not just once, more several times.
Sinister opens with old super-8 footage of a family of four being hung from a tree in a rather unique way. The movie is set in a small town in Pennsylvania where Ellison Oswalt (Ethan Hawke; Training Day, Daybreakers) and his family (wife, daughter and son) are moving into a new house. Ellison is a true-crime writer, who hasn’t had a best-selling book in 10 years. His work in the true-crime field did not garner him any favor with the local law enforcement, and the Sheriff in particular would rather see him leave. Shortly, we realize that the house the Oswalt family has moved into the same house that the family in the opening scene lived in, this family is the basis for the book he is writing, and the house is also where they were murdered. This is unbeknownst to the family, except for Ellison himself.
Ellison finds a box in the addicts that is labeled home movies, and it contains several reels of super-8 footage. This footage helps him realize how and why the family from the opening scene were murdered, and their murders spanning from the late 60s to present day. Even more daunting, his discoveries as he moves forward in his investigation place his entire family in the path of a supernatural entity.
I am a firm believer that a film’s score can make or break a movie, despite how good the story is. Sinister did not fail in this department. With haunting melodies littered throughout the movie, and excellent timing by all punctuations, this film will definitely have you tense at exactly the right moments. The one bad thing I can say about this movie, and it was really more of a distraction than a bad thing, was Ethan Hawke’s voice. His voice seemed unnaturally deep compared to my experience with him in his previous roles, a thought which was echoed by many of my fellow critics in the theater. Overall, though, the movie was fantastic. With two interesting cameos in the movie, and a great little role for James Ransone (Inside Man, The Next Three Days), a relative known, and stellar acting from Ethan Hawke, this is a definite must see. Especially for date night, if you’re significant other is into scary movies that is.
Sinister opens with old super-8 footage of a family of four being hung from a tree in a rather unique way. The movie is set in a small town in Pennsylvania where Ellison Oswalt (Ethan Hawke; Training Day, Daybreakers) and his family (wife, daughter and son) are moving into a new house. Ellison is a true-crime writer, who hasn’t had a best-selling book in 10 years. His work in the true-crime field did not garner him any favor with the local law enforcement, and the Sheriff in particular would rather see him leave. Shortly, we realize that the house the Oswalt family has moved into the same house that the family in the opening scene lived in, this family is the basis for the book he is writing, and the house is also where they were murdered. This is unbeknownst to the family, except for Ellison himself.
Ellison finds a box in the addicts that is labeled home movies, and it contains several reels of super-8 footage. This footage helps him realize how and why the family from the opening scene were murdered, and their murders spanning from the late 60s to present day. Even more daunting, his discoveries as he moves forward in his investigation place his entire family in the path of a supernatural entity.
I am a firm believer that a film’s score can make or break a movie, despite how good the story is. Sinister did not fail in this department. With haunting melodies littered throughout the movie, and excellent timing by all punctuations, this film will definitely have you tense at exactly the right moments. The one bad thing I can say about this movie, and it was really more of a distraction than a bad thing, was Ethan Hawke’s voice. His voice seemed unnaturally deep compared to my experience with him in his previous roles, a thought which was echoed by many of my fellow critics in the theater. Overall, though, the movie was fantastic. With two interesting cameos in the movie, and a great little role for James Ransone (Inside Man, The Next Three Days), a relative known, and stellar acting from Ethan Hawke, this is a definite must see. Especially for date night, if you’re significant other is into scary movies that is.