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Kristy H (1252 KP) rated Enola Holmes and the Black Barouche in Books
Sep 2, 2021
I am excited to present my first guest review, from my wonderful wife, Kate! Thanks, babe, for your review of this book, the seventh in Nancy Springer's Enola Holmes' series.
When I heard there was going to be another book in the Enola Holmes series, I jumped at the chance and promised my book-loving wife that I would write a guest review. So, here it is! Please accept my apologies ahead of time for the fact that I cannot (and would never dare try to) match the quality and skill that my wife demonstrates in her own book reviews.
Enola Holmes and the Black Barouche, by Nancy Springer, is another book in the growing series following Ms. Enola Holmes, the 15 year old sister of the famous Sherlock Holmes. This book is being released over 10 years after the last published novel, which came out in 2010. The earlier six novels covered the ongoing story of Enola’s (often contentious) relationship with her brothers (Sherlock and Mycroft), as well as brought the reader resolution about Enola’s missing/runaway mother. This new story starts with a Prologue written by none other than Sherlock himself, who provides a summary of these tales, and tells of his earlier encounters with Enola. His introduction even suggests his level of respect for her has improved dramatically. The new story finds the young detective (or Scientific Perditorian, as she has dubbed herself) seeking the whereabouts of Miss Leticia Glover’s twin sister, Flossie. Glover has been told that her sister has died, but the circumstances surrounding Flossie’s death are mysteriously vague. Initially, Glover seeks the assistance of Mr. Sherlock Holmes, but she ends up with the masterful pair of Enola and Sherlock, who are finally working together on a case. The two detectives set out, albeit in opposite directions, to ascertain the fate of the missing twin.
I think the allure of these books for me is the underlying message that Enola is as good as, if not better (or at least cleverer) than her notorious older brother. In the previous stories I enjoyed her ability to reach conclusions before him, even if she was getting there with only a slight edge. This particular story seamlessly continues the message that Enola’s keen mind works in ways that Sherlock’s doesn’t.
I thoroughly enjoyed this seventh book in the Enola Holmes series and hope that the author continues with her story. And, while I do enjoy that Enola and Sherlock have mended their relationship and are able to work together, I hope Enola can still find time to shine on her own. This particular book began with a Prologue from Sherlock, and ended with an Epilogue also penned from his perspective. As these stories are supposed to be Enola’s, it felt wrong for the final word to be coming from someone else. Beyond that, this was an excellent mystery and fun, quick read.
When I heard there was going to be another book in the Enola Holmes series, I jumped at the chance and promised my book-loving wife that I would write a guest review. So, here it is! Please accept my apologies ahead of time for the fact that I cannot (and would never dare try to) match the quality and skill that my wife demonstrates in her own book reviews.
Enola Holmes and the Black Barouche, by Nancy Springer, is another book in the growing series following Ms. Enola Holmes, the 15 year old sister of the famous Sherlock Holmes. This book is being released over 10 years after the last published novel, which came out in 2010. The earlier six novels covered the ongoing story of Enola’s (often contentious) relationship with her brothers (Sherlock and Mycroft), as well as brought the reader resolution about Enola’s missing/runaway mother. This new story starts with a Prologue written by none other than Sherlock himself, who provides a summary of these tales, and tells of his earlier encounters with Enola. His introduction even suggests his level of respect for her has improved dramatically. The new story finds the young detective (or Scientific Perditorian, as she has dubbed herself) seeking the whereabouts of Miss Leticia Glover’s twin sister, Flossie. Glover has been told that her sister has died, but the circumstances surrounding Flossie’s death are mysteriously vague. Initially, Glover seeks the assistance of Mr. Sherlock Holmes, but she ends up with the masterful pair of Enola and Sherlock, who are finally working together on a case. The two detectives set out, albeit in opposite directions, to ascertain the fate of the missing twin.
I think the allure of these books for me is the underlying message that Enola is as good as, if not better (or at least cleverer) than her notorious older brother. In the previous stories I enjoyed her ability to reach conclusions before him, even if she was getting there with only a slight edge. This particular story seamlessly continues the message that Enola’s keen mind works in ways that Sherlock’s doesn’t.
I thoroughly enjoyed this seventh book in the Enola Holmes series and hope that the author continues with her story. And, while I do enjoy that Enola and Sherlock have mended their relationship and are able to work together, I hope Enola can still find time to shine on her own. This particular book began with a Prologue from Sherlock, and ended with an Epilogue also penned from his perspective. As these stories are supposed to be Enola’s, it felt wrong for the final word to be coming from someone else. Beyond that, this was an excellent mystery and fun, quick read.
A film with dodgy voices.
Catching up here with a review of a film I saw a couple of weeks ago.
What a great film “Get Out” was. Jordan Peele’s classic which unpeeled (sic) race relations in a wholly novel and horrifying way. Yes, the story was a bit ‘out there’ and unbelievable, but he pulled it off with great chutzpah.
With his follow-up film – “Us”…. sorry but, for me, it just didn’t work.
From great beginnings
It all starts so promisingly. Young Adelaide Wilson (a fine debut performance by Madison Curry) is on a seaside holiday with her mother and careless father when she wanders onto the deserted Santa Cruz beach at night. There sits, like some gothic horror ghost train, the Hall of Mirrors. “Find Yourself” it taunts. She makes the mistake of entering and changes her life forever.
Spin forwards 30 years and Adelaide, now a married mother of two, is back in Santa Cruz with a terrifying feeling that things are about to go pear-shaped. And of course they do!
Why oh why oh why those voices?
This film had me gripped until a particular point. Having people stand still and silent at the end of your drive is an incredibly spooky thing to show. But then, for me, the wheels came off big time. The “reveal” of who these people were I could take. But the manner of their behaviour and – particularly – how they talked was horrifying; and not in a good way. When “Red” started speaking I couldn’t believe my ears: Joe Pasquale after swallowing Donald Duck.
From there, the film became farcical for me, descending in progressive stages to a tunnel-based apocalypse: a plot element that was just so paper thin it bore no scrutiny at all.
This was, no doubt, an attempt at a satirical dig at the class structure of America (“We are Americans” adding a double meaning to the name of the film). If it had been played as a deliberate comedy farce it might have worked. But otherwise no.
Flashes of Peele brilliance
This is not to say that there are not positives in the film. The excellent Lupita Nyong’o gives the whacky material her all, and the other adult female lead – Elisabeth Moss (from TV’s “The Handmaid’s Tale”) – is good value as Kitty Tyler: a diabolical incarnation in either form!
Peele also delivers flashes of directorial brilliance. The “hands across America”, disappearing into the sea, is a sight that stays with you. I also liked the twist at the end, although in retrospect it’s difficult to relate it to the rest of the story and strikes of desperation in the storytelling.
Overall, a big disappointment
I know there are some who really like this movie. Each to their own, but I was not one of them. After “Get Out” I was hoping for something much better. I hope that was just Jordan Peele’s “difficult second album”.
What a great film “Get Out” was. Jordan Peele’s classic which unpeeled (sic) race relations in a wholly novel and horrifying way. Yes, the story was a bit ‘out there’ and unbelievable, but he pulled it off with great chutzpah.
With his follow-up film – “Us”…. sorry but, for me, it just didn’t work.
From great beginnings
It all starts so promisingly. Young Adelaide Wilson (a fine debut performance by Madison Curry) is on a seaside holiday with her mother and careless father when she wanders onto the deserted Santa Cruz beach at night. There sits, like some gothic horror ghost train, the Hall of Mirrors. “Find Yourself” it taunts. She makes the mistake of entering and changes her life forever.
Spin forwards 30 years and Adelaide, now a married mother of two, is back in Santa Cruz with a terrifying feeling that things are about to go pear-shaped. And of course they do!
Why oh why oh why those voices?
This film had me gripped until a particular point. Having people stand still and silent at the end of your drive is an incredibly spooky thing to show. But then, for me, the wheels came off big time. The “reveal” of who these people were I could take. But the manner of their behaviour and – particularly – how they talked was horrifying; and not in a good way. When “Red” started speaking I couldn’t believe my ears: Joe Pasquale after swallowing Donald Duck.
From there, the film became farcical for me, descending in progressive stages to a tunnel-based apocalypse: a plot element that was just so paper thin it bore no scrutiny at all.
This was, no doubt, an attempt at a satirical dig at the class structure of America (“We are Americans” adding a double meaning to the name of the film). If it had been played as a deliberate comedy farce it might have worked. But otherwise no.
Flashes of Peele brilliance
This is not to say that there are not positives in the film. The excellent Lupita Nyong’o gives the whacky material her all, and the other adult female lead – Elisabeth Moss (from TV’s “The Handmaid’s Tale”) – is good value as Kitty Tyler: a diabolical incarnation in either form!
Peele also delivers flashes of directorial brilliance. The “hands across America”, disappearing into the sea, is a sight that stays with you. I also liked the twist at the end, although in retrospect it’s difficult to relate it to the rest of the story and strikes of desperation in the storytelling.
Overall, a big disappointment
I know there are some who really like this movie. Each to their own, but I was not one of them. After “Get Out” I was hoping for something much better. I hope that was just Jordan Peele’s “difficult second album”.
Purple Phoenix Games (2266 KP) rated Kingdomino: Age of Giants in Tabletop Games
Sep 7, 2021 (Updated Sep 29, 2021)
In the expansion review series, we take a look at a game expansion to discuss whether it is a necessary purchase/addition to one’s collection.
This breakdown is for the super popular tile-laying game Kingdomino and its Age of Giants expansion.
Included in this strangely-dimensioned-box-when-compared-with-its-base-game is a plethora of components. Most notably are components to include a fifth player (brown this time) and a very large domino dispenser. Also included are six gianteeples, 17 Challenge Tiles, and a scorepad.
The giants can be found in the art on certain dominoes and their footprints are found on other dominoes. When drawing and adding a tile featuring a giant to your kingdom you must also place a gianteeple upon the domino. This giant is attracted to crowns, so it will cover up (and thus nullify for scoring) one of the crown icons in your kingdom. Dominoes with giant footprints will award the player with the ability to reassign a gianteeple from the placer’s kingdom to an opponent’s kingdom, covering a crown in the process.
The 17 Challenge Tiles that are included in this expansion help players to hone in on a certain strategy when placing terrain dominoes. At setup two of the 17 tiles are revealed and will dictate extra bonus points at game end for all players who satisfy their iconography. Some will award bonus points for having certain terrain types in the kingdom, while others will award points having no crown icons on any dominoes at all! There are several types of Challenge Tiles to explore each game.
Age of Giants is an excellent expansion that includes a lot of thoughtful components and rules. I especially enjoy the domino dispenser and I always like being able to add more players to my games. So for those points alone I would add this expansion. However, the Challenge Tiles are very interesting, especially for players who suffer from not having specific goals to attain whilst playing. Similarly, the addition of the giants and their footprint dominoes are a nice touch, but secondary to me, oddly.
Does this mean I recommend everyone to go out and purchase this expansion post-haste?
Official recommendation: No, this is not a must-buy at all. Everything included within this expansion is great, and adds something to the original Kingdomino, but unless you are needing components for a fifth player, or really enjoy the idea of the Challenge Tile, the rest is really fluff to help pimp out your game. Yes, the domino dispenser is awesome and handy, but not necessary. Yes, it’s cool to be able to send giants to neighboring kingdoms to mess with your opponents, but I don’t think Kingdomino needed that. So, I am torn with this recommendation, but I am thankful I have it in my collection for my first few points.
This breakdown is for the super popular tile-laying game Kingdomino and its Age of Giants expansion.
Included in this strangely-dimensioned-box-when-compared-with-its-base-game is a plethora of components. Most notably are components to include a fifth player (brown this time) and a very large domino dispenser. Also included are six gianteeples, 17 Challenge Tiles, and a scorepad.
The giants can be found in the art on certain dominoes and their footprints are found on other dominoes. When drawing and adding a tile featuring a giant to your kingdom you must also place a gianteeple upon the domino. This giant is attracted to crowns, so it will cover up (and thus nullify for scoring) one of the crown icons in your kingdom. Dominoes with giant footprints will award the player with the ability to reassign a gianteeple from the placer’s kingdom to an opponent’s kingdom, covering a crown in the process.
The 17 Challenge Tiles that are included in this expansion help players to hone in on a certain strategy when placing terrain dominoes. At setup two of the 17 tiles are revealed and will dictate extra bonus points at game end for all players who satisfy their iconography. Some will award bonus points for having certain terrain types in the kingdom, while others will award points having no crown icons on any dominoes at all! There are several types of Challenge Tiles to explore each game.
Age of Giants is an excellent expansion that includes a lot of thoughtful components and rules. I especially enjoy the domino dispenser and I always like being able to add more players to my games. So for those points alone I would add this expansion. However, the Challenge Tiles are very interesting, especially for players who suffer from not having specific goals to attain whilst playing. Similarly, the addition of the giants and their footprint dominoes are a nice touch, but secondary to me, oddly.
Does this mean I recommend everyone to go out and purchase this expansion post-haste?
Official recommendation: No, this is not a must-buy at all. Everything included within this expansion is great, and adds something to the original Kingdomino, but unless you are needing components for a fifth player, or really enjoy the idea of the Challenge Tile, the rest is really fluff to help pimp out your game. Yes, the domino dispenser is awesome and handy, but not necessary. Yes, it’s cool to be able to send giants to neighboring kingdoms to mess with your opponents, but I don’t think Kingdomino needed that. So, I am torn with this recommendation, but I am thankful I have it in my collection for my first few points.
