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Gareth von Kallenbach (980 KP) rated Live By Night (2017) in Movies

Jul 12, 2019

I’m a sucker for a Prohibition-set yarn. It’s a fascinating period in history and typically yields excellent filmmaking with gritty, no-nonsense performances, gorgeous production design and hard-boiled action. It was De Palma’s The Untouchables that hooked me. Some would call it a guilty pleasure; and sure, Morricone’s score is a little over-the-top, De Niro is more caricature than character actor as Al Capone and I’m not going to argue that Connery’s Oscar was a “sympathy vote”, but it’s got everything I mentioned above in spades and for me it’ll always be the high benchmark of the Prohibition era gangster epic. Ben Affleck’s fourth turn as director has done nothing to change my position on that.

Live by Night is an uninspired mess, from voice-over laden start to disastrously predictable end, bringing nothing new or exciting to the table. Beat for beat, its weak script moves from one sigh-inducing cliché to another, reaching clumsily for moments of high emotion that ring hollow and false. If anyone needs any further proof that Matt Damon did all the heavy lifting on the script for Good Will Hunting, they need look no further. It feels wrong to come down so hard on Affleck after his back-to-back successes as a director, but this is more akin to the first work of a blundering novice, and also certainly not what we’ve come to expect of a Dennis Lehane adaptation (see Mystic River, Shutter Island and Affleck’s own incredible directorial debut, Gone Baby Gone). His decision to wear so many hats on this project, producing, directing, sole screenwriter and lead actor, has to be the reason for this stumble. The script desperately needed another set of eyes and the part of Joe Coughlin was clearly written for someone younger and more capable of performing with the subtlety needed to play someone who has to traverse the number of moral dilemmas he’s faced with. Hopefully, this inevitable failure will be what convinces Affleck that his place should be behind the camera directing other people’s scripts and guiding other people’s performances.

Speaking of the performances, there is a massive curve in this collection of acting that swings wildly from the cartoonish to the nuanced. To start with, we have Matthew Maher as a KKK member out for his cut and Robert Glenister as an Irish mob boss, both of whom are supposed to be playing dangerous and threatening but can’t do any better than laughable and two-dimensional. Then there’s Chris Messina and Affleck himself as the hoods on the rise, their chemistry is ill-advised at best as they both seem to think they’re in a buddy comedy as opposed to a serious piece of gangster melodrama A favorite of mine, Brendan Gleeson, sadly leaves the screen within the first twenty minutes and that left me with only the inimitable Chris Cooper to look forward to. The subplot involving him and Elle Fanning, as his born-again daughter speaking out against Coughlin’s sinful ways is not without problems of its own, but at least they sell it. That should be no surprise on Cooper’s part, but now between this and The Neon Demon last summer; Fanning is firmly on my radar as one to watch. My hope was that we were going to get some tremendous battle of wills between her and Affleck’s character akin to Paul Dano and Daniel Day-Lewis’ conflict in There Will Be Blood, but that was definitely asking too much. Fanning’s role, like Gleeson’s, is unfortunately cut short just as it gets good.

I guess The Untouchables is starting to sound less like a guilty pleasure and more like a masterpiece when compared to this regrettable misfire.

Kudos

Gareth von Kallenbach (980 KP) rated Bleed For This (2016) in Movies

Jul 12, 2019

Bleed For This (2016)

2016 | Drama, Sport

7.1

(9 Ratings)

Movie Rating

Bleed for This is the true story of boxer Vinny Pazienza (Miles Teller). Vinny is the type of person that in and out of the ring goes all out to the point he can go no further. This mindset puts him on the verge of being out of boxing after losing three straight fights, which he drastically cuts weight to fight. As he searches for one last chance, he is paired with a new trainer, Kevin Rooney (Aaron Eckhart), who is also seemingly given his last chance to revive his career. Rooney sets out to change the way Vinny trains and convinces him that fighting at a heavier weight will help his body, he previously was taking drastic measures to cut weight for fights. The pair are committed to success even with Vinny’s head strong father’s (Angelo Pazienza played by Ciarán Hinds) disapproving of the change, his mother (Louise Pazienza played by Katey Sagal) not wanting Vinny to get hurt, and his own Manager (Lou Duva played by Ted Levine) saying he should quit boxing all together. After some convincing and a lot of hard work Vinny gets his chance at one last fight. But he is moving up two weight classes and is put into a title fight against a seasoned opponent. Vinny shocks seemingly everyone by overcoming these obstacles and knocking out his favored opponent to become a World Champion.

After the biggest win of his career when everything appears to be going Vinny, his families and Rooney’s way, there is a terrible car accident and Vinny suffers a broken neck. The doctor tells him that he may never walk again, let alone box. With everyone telling him that his boxing career is over, Vinny is single-mindedly determined to do everything he can to get back into the ring. He opts to not have surgery in hopes that his neck can heal on its own and he can return to champion ship form. He has to convince Rooney to train him, find someone willing to fight him, and has to overcome his once over bearing father being unwilling be in his corner for the first time in his life. Even with a mountain of obstacles in his way, he begins his quest to get back into the ring and show everyone that he can do the impossible and regain his past form.

Writer and Director Ben Younger (Prime and Boiler Room) does an excellent job with this inspirational true story. The supporting cast provide solid performances, especial Eckhart and Hinds, but Miles Teller’s performance is what really makes this a fun film to watch. He really seemed to fit into this role really well. His performance was both compelling and fun. There were several times that the film showed actual old footage and footage just made to look old and you really couldn’t tell if it was Teller or the real Vinny Pazienza on the screen. I liked how the boxing sequences were not over dramatized, no mouth pieces flying across the ring, it looked like there was an effort to just keep them as true to the actual fights as possible. I also enjoyed the moments of comedy. For a story full of drama there was a good amount of well-timed comedy, mostly provided by Teller. Visually they did a good job of making the film feel like you were in late 80s and early 90s. There were a couple of slow scenes but overall the film flowed really well.

Overall this was a well done boxing genre movie. Good story, great acting performances and solid directing.