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Bob Mann (459 KP) rated Bombshell (2019) in Movies
Jan 26, 2020
Power-house female lead roles, times 3. (1 more)
John Lithgow (who should have got a supporting actor nom)
Sleazy old Fox.
This is a curious one. I wonder whether the audience reaction to this one will polarize along gender lines as it did for my wife and I? For I thought this one was "good, but nothing special"... but the illustrious Mrs Movie Man thought it was excellent and would be "memorable".
The movie is based on the true story of the first "Me Too" case against a prominent man in power. Before Harvey Weinstein (allegedly!) there was Roger Ailes (John Lithgow), CEO of the Fox Network. Under the shadowy gaze of the Murdoch brothers (Ben Lawson and Josh Lawson), Ailes rules Fox with a rod of iron. Unfortunately, it's Ailes' - ahem - 'rod of iron' that is part of the problem.
Three women are at the centre of the drama. Megyn Kelly (Charlize Theron) is a leading anchorwoman, fighting her own battles in a man's world. She is currently in trouble with 50% of the US population for taking a firm stand on-screen against Trump's treatment of women; Gretchen Carlson (Nicole Kidman) is a broadcaster approaching her 50's and being shunted progressively towards the door, via afternoon shows, in favour of 'younger models'; Kayla Pospisil (Margot Robbie) is a keen new-starter, ambitious and keen as mustard to impress her bosses, including Ailes.
The three women seldom interact (a scene in a lift is a study in awkwardness) but are all on different stages of the same journey.
I clearly saw a review which referenced the movie as being "Adam McKay-like" since I went in assuming that McKay ("Vice", "The Big Short") was the director of this one. For that reason, I was puzzled. Yes, there were occasions where the actors broke the 4th wall; and there were little visual tricks (a burned in Fox logo for example) that entertained. But it wasn't the close-to-the-edge roller-coaster of innovation that I have come to expect from a McKay film.
When the titles rolled, it was an "Aha" moment! Actually, the director is the Austin Powers director Jay Roach. Not that he hasn't done drama as well: he did the Bryan Cranston vehicle "Trumbo" a few years back. And another MacKay link is the writer: the screenplay is by Charles Randolph, the writer of "The Big Short".
The leading ladies in this really are leading, with Charlize Theron picking up a well-deserved Best Actress Oscar nomination and Margot Robbie getting the Best Supporting nom. Theron is brilliant in everything she does, and here she is chameleon-like in disappearing into her character. I wasn't as sure about Robbie early in the film, but an excruciating "twirl" for Ailes is brilliantly done and an emotional scene during a date is Oscar-reel worthy.
Great supporting turns come from "The West Wing's" Allison Janney and from Kate McKinnon. McKinnon was the most annoying thing in "Yesterday", as the brash US agent, but here she is effective as the lesbian friend of Kayla.
Holding up the male end (as it were) is a fantastic performance from John Lithgow (surprisingly overlooked during the awards season) and Malcolm McDowell delivering an uncanny Rupert Murdoch.
Overall, the "Me Too" movement has created an earthquake in popular culture. Many more movies featuring strong female leads have appeared in the last few years, and that's great. This is a reminder of the time before that, when men openly used their power to force unwanted sex on employees. And its horrifying and disconcerting to watch.
And it was a good movie. But it just wasn't a "wow" movie for me. A female audience will by definition have more experience of this than a male one. Perhaps there is a sense of 'collective guilt' that we blokes need to work through. And perhaps that's a subconscious reason why I didn't 100% engage with the film. (Though I'd like to make it perfectly clear that I don't have any skeletons in that particular closet!)
(For the graphical review, please check out the review on One Mann's Movies here - https://bob-the-movie-man.com/2020/01/24/one-manns-movies-film-review-bombshell-2020/).
The movie is based on the true story of the first "Me Too" case against a prominent man in power. Before Harvey Weinstein (allegedly!) there was Roger Ailes (John Lithgow), CEO of the Fox Network. Under the shadowy gaze of the Murdoch brothers (Ben Lawson and Josh Lawson), Ailes rules Fox with a rod of iron. Unfortunately, it's Ailes' - ahem - 'rod of iron' that is part of the problem.
Three women are at the centre of the drama. Megyn Kelly (Charlize Theron) is a leading anchorwoman, fighting her own battles in a man's world. She is currently in trouble with 50% of the US population for taking a firm stand on-screen against Trump's treatment of women; Gretchen Carlson (Nicole Kidman) is a broadcaster approaching her 50's and being shunted progressively towards the door, via afternoon shows, in favour of 'younger models'; Kayla Pospisil (Margot Robbie) is a keen new-starter, ambitious and keen as mustard to impress her bosses, including Ailes.
The three women seldom interact (a scene in a lift is a study in awkwardness) but are all on different stages of the same journey.
I clearly saw a review which referenced the movie as being "Adam McKay-like" since I went in assuming that McKay ("Vice", "The Big Short") was the director of this one. For that reason, I was puzzled. Yes, there were occasions where the actors broke the 4th wall; and there were little visual tricks (a burned in Fox logo for example) that entertained. But it wasn't the close-to-the-edge roller-coaster of innovation that I have come to expect from a McKay film.
When the titles rolled, it was an "Aha" moment! Actually, the director is the Austin Powers director Jay Roach. Not that he hasn't done drama as well: he did the Bryan Cranston vehicle "Trumbo" a few years back. And another MacKay link is the writer: the screenplay is by Charles Randolph, the writer of "The Big Short".
The leading ladies in this really are leading, with Charlize Theron picking up a well-deserved Best Actress Oscar nomination and Margot Robbie getting the Best Supporting nom. Theron is brilliant in everything she does, and here she is chameleon-like in disappearing into her character. I wasn't as sure about Robbie early in the film, but an excruciating "twirl" for Ailes is brilliantly done and an emotional scene during a date is Oscar-reel worthy.
Great supporting turns come from "The West Wing's" Allison Janney and from Kate McKinnon. McKinnon was the most annoying thing in "Yesterday", as the brash US agent, but here she is effective as the lesbian friend of Kayla.
Holding up the male end (as it were) is a fantastic performance from John Lithgow (surprisingly overlooked during the awards season) and Malcolm McDowell delivering an uncanny Rupert Murdoch.
Overall, the "Me Too" movement has created an earthquake in popular culture. Many more movies featuring strong female leads have appeared in the last few years, and that's great. This is a reminder of the time before that, when men openly used their power to force unwanted sex on employees. And its horrifying and disconcerting to watch.
And it was a good movie. But it just wasn't a "wow" movie for me. A female audience will by definition have more experience of this than a male one. Perhaps there is a sense of 'collective guilt' that we blokes need to work through. And perhaps that's a subconscious reason why I didn't 100% engage with the film. (Though I'd like to make it perfectly clear that I don't have any skeletons in that particular closet!)
(For the graphical review, please check out the review on One Mann's Movies here - https://bob-the-movie-man.com/2020/01/24/one-manns-movies-film-review-bombshell-2020/).
Gareth von Kallenbach (980 KP) rated Muppets Most Wanted (2014) in Movies
Aug 6, 2019
It was nostalgia and curiousity that made the Muppets successful return to the big screen in 2011 such a hit. Parents wanted to introduce their kids to the dysfunctional entertainers of their childhood, and the adults who grew up on the Muppets wanted to see if the crazy bunch could still make them laugh. With the help of celebrity cameos and catchy parodies of popular songs, I remember thoroughly enjoying the Muppets’ comeback.
Three years in real time means just a few seconds in Muppet-land. Muppets Most Wanted begins where the last movie ended. Riding high on their successful return to stage, the Muppets are approached by a promoter named Dominic Badguy. played by Ricky Gervais, who convinces the Muppets to take their show on a worldwide tour. Despite his misgivings, Kermit agrees and soon the gang is traveling across the Atlantic.
Of course, no surprise Badguy has ulterior motives, which involve switching Kermit with an imprisoned doppelganger named Constantine, the word’s most dangerous frog. He and Kermit are identical, except for a mole Constantine must hide to trick Kermit’s friends into believing he’s Kermit, because his awkward American accent isn’t a dead giveaway at all. With awful accents themselves, Ty Burrell and Tina Fey play a French detective and a Russian prison warden who provide some of the human comic relief.
Riddled with funny moments and entertaining musical numbers, this sequel meets the expectations of most sequels. Even the Muppets know sequels are rarely as good as the original – they even sing about it. The movie has the silly capers and signature acts the Muppets know how to deliver, which will keep the kids entertained. The curiousity factor may not motivate, and nostalgic feelings may have waned a bit, but like its predecessor, the revolving door of celebrity cameos is what will keep the adults interested.
3 out of 5
Review by Barnetty Kushner
Muppets Most Wanted is the eighth big screen Muppets adventure, which carries the warmth and charm that we come to find with the Jim Henson created lovable characters. What sets this film apart from the 2011 reboot “Muppet Movie,” is that the characters are the forefront of the entire story and their human counterparts serve as secondary.
This time they are no longer worried about reuniting or trying to reintroduce themselves, the Muppets are on a world tour with their new Tour Manager, Dominic Badguy (Ricky Gervais). Dominic arranges a European tour for the Muppets with the ulterior motive of trying to replace Kermit with a look-a-like frog named Constantine, a wanted criminal who escapes prison and uses the Muppet tour as a cover to stage a multi-national heist ultimately ending with stealing the crown jewels. While Constantine attempts to play the role of ‘head muppet ‘, poor Kermit gets whisked away to the gulag, a maximum security prison located in Siberia, Russia where he has to contend with the warden, Nadya (Tina Fey). Due to Kermit’s good hearted nature and excellent stage show management skills, the prisoners and Nadya quickly realize that Kermit is not Constantine and forces him to direct the prison’s annual “Gulag Review.”
Even though the storyline is a bit drab, the production numbers are epic-from the “everybody knows a sequel is never quite as good” opener, the Miss Piggy/Celion Dion duet number, to the Siberian prisoners 1980’s Chorus Line show stopping dance sequence. In true Muppets tradition, this movie is peppered with dozens of amusing celebrity cameos along with a spirited stew of wordplay, slapstick comedic jokes. You can’t help but feel a sense of nostalgia back the days from your childhood of waking up Saturday mornings and watching “The Muppet Show.” Kids will enjoy the movie, adults will laugh out loud at all the bad puns, and hopefully in the end they will have succeeded in connecting the new generation to the charm of the Muppets, in a world more that is more familiar with CGI and 3-D animation.
Three years in real time means just a few seconds in Muppet-land. Muppets Most Wanted begins where the last movie ended. Riding high on their successful return to stage, the Muppets are approached by a promoter named Dominic Badguy. played by Ricky Gervais, who convinces the Muppets to take their show on a worldwide tour. Despite his misgivings, Kermit agrees and soon the gang is traveling across the Atlantic.
Of course, no surprise Badguy has ulterior motives, which involve switching Kermit with an imprisoned doppelganger named Constantine, the word’s most dangerous frog. He and Kermit are identical, except for a mole Constantine must hide to trick Kermit’s friends into believing he’s Kermit, because his awkward American accent isn’t a dead giveaway at all. With awful accents themselves, Ty Burrell and Tina Fey play a French detective and a Russian prison warden who provide some of the human comic relief.
Riddled with funny moments and entertaining musical numbers, this sequel meets the expectations of most sequels. Even the Muppets know sequels are rarely as good as the original – they even sing about it. The movie has the silly capers and signature acts the Muppets know how to deliver, which will keep the kids entertained. The curiousity factor may not motivate, and nostalgic feelings may have waned a bit, but like its predecessor, the revolving door of celebrity cameos is what will keep the adults interested.
3 out of 5
Review by Barnetty Kushner
Muppets Most Wanted is the eighth big screen Muppets adventure, which carries the warmth and charm that we come to find with the Jim Henson created lovable characters. What sets this film apart from the 2011 reboot “Muppet Movie,” is that the characters are the forefront of the entire story and their human counterparts serve as secondary.
This time they are no longer worried about reuniting or trying to reintroduce themselves, the Muppets are on a world tour with their new Tour Manager, Dominic Badguy (Ricky Gervais). Dominic arranges a European tour for the Muppets with the ulterior motive of trying to replace Kermit with a look-a-like frog named Constantine, a wanted criminal who escapes prison and uses the Muppet tour as a cover to stage a multi-national heist ultimately ending with stealing the crown jewels. While Constantine attempts to play the role of ‘head muppet ‘, poor Kermit gets whisked away to the gulag, a maximum security prison located in Siberia, Russia where he has to contend with the warden, Nadya (Tina Fey). Due to Kermit’s good hearted nature and excellent stage show management skills, the prisoners and Nadya quickly realize that Kermit is not Constantine and forces him to direct the prison’s annual “Gulag Review.”
Even though the storyline is a bit drab, the production numbers are epic-from the “everybody knows a sequel is never quite as good” opener, the Miss Piggy/Celion Dion duet number, to the Siberian prisoners 1980’s Chorus Line show stopping dance sequence. In true Muppets tradition, this movie is peppered with dozens of amusing celebrity cameos along with a spirited stew of wordplay, slapstick comedic jokes. You can’t help but feel a sense of nostalgia back the days from your childhood of waking up Saturday mornings and watching “The Muppet Show.” Kids will enjoy the movie, adults will laugh out loud at all the bad puns, and hopefully in the end they will have succeeded in connecting the new generation to the charm of the Muppets, in a world more that is more familiar with CGI and 3-D animation.
Gareth von Kallenbach (980 KP) rated Veronica Mars (2014) in Movies
Aug 6, 2019
The incomparable Rob Thomas has delivered a masterpiece of dramatic film that all Veronica Mars fans will thoroughly enjoy.
(Note: I am a rabid fan of the Veronica Mars TV series. Much of the review will be clearly colored by this.)
10 years after the debut of an exceptional TV show, and eight years after it was unceremoniously pulled from the airwaves, Rob Thomas put up a Kickstarter campaign to fund a movie. It had a goal of $2 million, which would get the movie made — but it wouldn’t get us much.
As it turned out, 91,585 people liked his plan to create a film that would wrap up storylines from the series. They liked it enough that rather than pledging just $2 million, the backers generated over $5.7 million.
In the process of doing so, they achieved a number of amazing Kickstarter awards:
Fastest project to reach $1 million.
Fastest project to reach $2 million.
All-time highest-funded project in the FILM category.
Third-highest-funded project in Kickstarter history.
Most project backers of any project in Kickstarter history.
On to the movie itself.
The movies share its title with the TV show: Veronica Mars. It opens with a quick recap of the show’s two-season run before launching forward to a time 10 years after the series ended (intelligently appropriate, Rob).
Veronica (Kristen Bell) is primed to take the bar exam and become a lawyer. For a reason I can’t explain, she is interviewing with a very prestigious law firm in New York City. It’s a firm which, I have to imagine, doesn’t hire people fresh out of school, especially those who haven’t even passed the bar yet.
In the midst of her interviews, she gets a call from an old high school love interest, Logan Echolls (Jason Dohring). He has been accused of murder (again).
Naturally, Veronica decides to pack up, say goodbye to her boyfriend, Stosh “piz” Piznarski (Chris Lowell), and head back to her sunny home town of Neptune, California.
Logan, an Air Force pilot, is relieved to see his friend. He starts bringing her up to speed, and shortly thereafter, the rest of the familiar faces join in: Gia Goodman (Krysten Ritter), Mac (Cindy Majorino), Dick Casablancas (Ryan Hansen), Weevil (Francis Copa), Keith Mars (Enrico Colantoni), Wallace Fennel (Percy Daggs III), and many more that will delight returning viewers.
As you might imagine, a complex series of issues comes to light, creating a symphony of drama, and, in typical Rob-Thomas fashion, some true laugh-out-loud moments.
While this is a great standalone film, it is peppered with many humorous references and nods to the movie’s predecessor. If you are a fan of the series, you won’t be disappointed. There are many giggle-worthy moments: from the guy on the street singing, “we used to be friends,” to Dax Shepard’s appearance, to the mention of Veronica supposedly going to work for the FBI (referring to a potential third season).
My only real note of contention is, admittedly, somewhat petty. Kristen Bell was just recovering from having her child with husband Dax Shepard. The unfortunate (and expected) weight gain from that wonderful life event left her looking very unlike the character we all fell in love with, and distracted from the film. I’m curious to know why they couldn’t have waited a few more months to start filming, to allow Bell to get back into shape for the movie.
Aside from that one tiny note, the film was fantastic. The script was masterfully written, the acting superb, the humor gut-heaving, and the drama well done.
Cinematography for the film was indistinguishable from other high-quality films, and it’s easy to see that a lot of time, effort, and care went into it. Its creators ensured that the $5.7 million of pledges went into a work of art that does not disappoint.
As one of the 91,000+ backers, I am proud to be a part of this community effort. As a huge fan of Thomas, the series, and the mythos, I am ecstatic to report that this is an excellent film.
(Note: I am a rabid fan of the Veronica Mars TV series. Much of the review will be clearly colored by this.)
10 years after the debut of an exceptional TV show, and eight years after it was unceremoniously pulled from the airwaves, Rob Thomas put up a Kickstarter campaign to fund a movie. It had a goal of $2 million, which would get the movie made — but it wouldn’t get us much.
As it turned out, 91,585 people liked his plan to create a film that would wrap up storylines from the series. They liked it enough that rather than pledging just $2 million, the backers generated over $5.7 million.
In the process of doing so, they achieved a number of amazing Kickstarter awards:
Fastest project to reach $1 million.
Fastest project to reach $2 million.
All-time highest-funded project in the FILM category.
Third-highest-funded project in Kickstarter history.
Most project backers of any project in Kickstarter history.
On to the movie itself.
The movies share its title with the TV show: Veronica Mars. It opens with a quick recap of the show’s two-season run before launching forward to a time 10 years after the series ended (intelligently appropriate, Rob).
Veronica (Kristen Bell) is primed to take the bar exam and become a lawyer. For a reason I can’t explain, she is interviewing with a very prestigious law firm in New York City. It’s a firm which, I have to imagine, doesn’t hire people fresh out of school, especially those who haven’t even passed the bar yet.
In the midst of her interviews, she gets a call from an old high school love interest, Logan Echolls (Jason Dohring). He has been accused of murder (again).
Naturally, Veronica decides to pack up, say goodbye to her boyfriend, Stosh “piz” Piznarski (Chris Lowell), and head back to her sunny home town of Neptune, California.
Logan, an Air Force pilot, is relieved to see his friend. He starts bringing her up to speed, and shortly thereafter, the rest of the familiar faces join in: Gia Goodman (Krysten Ritter), Mac (Cindy Majorino), Dick Casablancas (Ryan Hansen), Weevil (Francis Copa), Keith Mars (Enrico Colantoni), Wallace Fennel (Percy Daggs III), and many more that will delight returning viewers.
As you might imagine, a complex series of issues comes to light, creating a symphony of drama, and, in typical Rob-Thomas fashion, some true laugh-out-loud moments.
While this is a great standalone film, it is peppered with many humorous references and nods to the movie’s predecessor. If you are a fan of the series, you won’t be disappointed. There are many giggle-worthy moments: from the guy on the street singing, “we used to be friends,” to Dax Shepard’s appearance, to the mention of Veronica supposedly going to work for the FBI (referring to a potential third season).
My only real note of contention is, admittedly, somewhat petty. Kristen Bell was just recovering from having her child with husband Dax Shepard. The unfortunate (and expected) weight gain from that wonderful life event left her looking very unlike the character we all fell in love with, and distracted from the film. I’m curious to know why they couldn’t have waited a few more months to start filming, to allow Bell to get back into shape for the movie.
Aside from that one tiny note, the film was fantastic. The script was masterfully written, the acting superb, the humor gut-heaving, and the drama well done.
Cinematography for the film was indistinguishable from other high-quality films, and it’s easy to see that a lot of time, effort, and care went into it. Its creators ensured that the $5.7 million of pledges went into a work of art that does not disappoint.
As one of the 91,000+ backers, I am proud to be a part of this community effort. As a huge fan of Thomas, the series, and the mythos, I am ecstatic to report that this is an excellent film.
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Heather Cranmer (2721 KP) rated These Nameless Things in Books
Jul 2, 2020
When I read the synopsis for These Nameless Things by Shawn Smucker, I knew it was a book I had to read. It ticked all the right boxes for me. Luckily, this book did not disappoint!
The plot was very interesting. Dan lives in an idyllic small village. Everyone is happy and friendly until a beautiful woman arrives at Dan's door on the verge of death. Dan doesn't tell anyone about her as he nurses her back to health. However, strange things start happening. The crops don't grow right, and people are regaining painful memories they had long forgotten. When the mysterious woman convinces Dan to go back through the mountain, a place he had been tormented at and had escaped, to fetch his brother who is stuck there, Dan is torn. He misses his brother like crazy. All the while Dan is left wondering who this strange woman is who has a strong pull over him, and why does she want him to go back to the horrible place he came from to save his brother so badly.
How amazing does that plot sound!?! The plot for These Nameless Things was solid, and it helps very much that Shawn Smucker is a very talented writer. Smucker has a way with words. The way he wrote and described everything really helped make it easy to envision everything that was unfolding second by second. He was able to put so much description into everything, but Smucker doesn't overdo it to the point where it becomes boring to read. He creates a very nice balance. I will say that the first third of the book is fairly slow pacing, but I kept reading because I did want to know more about Dan's brother and how the mysterious woman was connected to everything. For my perseverance, I was richly rewarded. The last two thirds of the book really took off! I found myself hooked on every single word, hungry for as much as I could get. I did not want to put this book down at all. I had to know what was going to happen to everyone. Yes, some of it was predictable, but it was a fantastic read nonetheless. While I would have liked to read some sort of epilogue or had more knowledge in what happened to everyone some time later, I think These Nameless Things ends well enough, and everything is explained leading up to the ending.
I felt that every character in These Nameless Things was fleshed out very well. By the middle of the book (perhaps even sooner than that), I felt like I had become friends with everyone mentioned in the book. It was easy to picture each and every character as a real life person (mostly thanks to Shawn Smucker's excellent writing again). I did feel that although the character of Dan was written superbly, he came across as a bit selfish for the most part. I felt like he put people in so much danger by keeping secrets. I did love Miho and Lucia very much. Miho seemed to be the biggest voice of reason throughout the book. I just loved Lucia because she made me feel hopeful and happy. Abe was my favorite character though. I loved how optimistic he could become and how much he cared for everyone. He was the leader of the village, and I admired how seriously he took this title. It was obvious how much love he had for all of his village. I would love an Abe in my life. He had such a soothing presence.
Trigger warnings for These Nameless Things include minor violence, death, a mention of rape, and alcoholism.
Overall, These Nameless Things is a highly interesting read that makes you reflect on your own feelings and how you react to them. With Shawn Smucker's fantastic prose, this book makes it easy to get hooked. I would definitely recommend These Nameless Things by Shawn Smucker to those aged 17+ who are after well written novels with a touch of philosophy.
--
(A special thank you to the publisher for sending me a paperback of These Nameless Things by Shawn Smucker in exchange for an honest and unbiased review.)
The plot was very interesting. Dan lives in an idyllic small village. Everyone is happy and friendly until a beautiful woman arrives at Dan's door on the verge of death. Dan doesn't tell anyone about her as he nurses her back to health. However, strange things start happening. The crops don't grow right, and people are regaining painful memories they had long forgotten. When the mysterious woman convinces Dan to go back through the mountain, a place he had been tormented at and had escaped, to fetch his brother who is stuck there, Dan is torn. He misses his brother like crazy. All the while Dan is left wondering who this strange woman is who has a strong pull over him, and why does she want him to go back to the horrible place he came from to save his brother so badly.
How amazing does that plot sound!?! The plot for These Nameless Things was solid, and it helps very much that Shawn Smucker is a very talented writer. Smucker has a way with words. The way he wrote and described everything really helped make it easy to envision everything that was unfolding second by second. He was able to put so much description into everything, but Smucker doesn't overdo it to the point where it becomes boring to read. He creates a very nice balance. I will say that the first third of the book is fairly slow pacing, but I kept reading because I did want to know more about Dan's brother and how the mysterious woman was connected to everything. For my perseverance, I was richly rewarded. The last two thirds of the book really took off! I found myself hooked on every single word, hungry for as much as I could get. I did not want to put this book down at all. I had to know what was going to happen to everyone. Yes, some of it was predictable, but it was a fantastic read nonetheless. While I would have liked to read some sort of epilogue or had more knowledge in what happened to everyone some time later, I think These Nameless Things ends well enough, and everything is explained leading up to the ending.
I felt that every character in These Nameless Things was fleshed out very well. By the middle of the book (perhaps even sooner than that), I felt like I had become friends with everyone mentioned in the book. It was easy to picture each and every character as a real life person (mostly thanks to Shawn Smucker's excellent writing again). I did feel that although the character of Dan was written superbly, he came across as a bit selfish for the most part. I felt like he put people in so much danger by keeping secrets. I did love Miho and Lucia very much. Miho seemed to be the biggest voice of reason throughout the book. I just loved Lucia because she made me feel hopeful and happy. Abe was my favorite character though. I loved how optimistic he could become and how much he cared for everyone. He was the leader of the village, and I admired how seriously he took this title. It was obvious how much love he had for all of his village. I would love an Abe in my life. He had such a soothing presence.
Trigger warnings for These Nameless Things include minor violence, death, a mention of rape, and alcoholism.
Overall, These Nameless Things is a highly interesting read that makes you reflect on your own feelings and how you react to them. With Shawn Smucker's fantastic prose, this book makes it easy to get hooked. I would definitely recommend These Nameless Things by Shawn Smucker to those aged 17+ who are after well written novels with a touch of philosophy.
--
(A special thank you to the publisher for sending me a paperback of These Nameless Things by Shawn Smucker in exchange for an honest and unbiased review.)