"Pasteur Lappé is a guy from Cameroon who was making music in the late ’70s, and “Sanaga Calypso” was on this collection of experimental African funk music. The first time I heard this song, it reminded me so much of the Clash’s Sandinista! The Clash were obviously influenced by dub and reggae, and they paid homage to those styles very openly and respectfully, but to hear something that reminded me of a song like “Charlie Don’t Surf”—dancey, soulful, very beautiful, and kind of elegiac—it just made me smile. I literally said, “Joe Strummer for sure heard this song!” I like building a small lineage between my own listening experience and the listening experience of somebody I’ve been inspired by, and that’s what this song does for me. It puts me back in the sphere of influence. And it’s catchy."

"This would battle Sufjan Stevens for my favourite album. Lau broke onto the folk scene around the same time as us, and we always felt a kinship because we were also trying to push the boundaries of what we were doing. Where do we fit into folk? I don't know. It's funny you saying you think of us as really established, but we've only won two Radio 2 Folk Awards out of 13 nominations in all those years, and one of those was an audience vote. Good old audiences!
 I've known Aidan since his teens, and he's a really interesting, experimental fiddler. Kris has a great voice, and like me, grew up with his family loving folk. Becky's worked with Martin too, who's great. Live, they're always on fire, often quite anarchic, so exciting, and so full of energy."

"Previously known as the 21st Birthday Album, this is a gorgeous and goofy compilation of 45 fun and experimental electronic tone poems made for radio and TV from 1958 to 1979, some from the days when the music department only allowed the Workshop to exist by pretending electronic music wasn't music (just as Forbidden Planet was scored with "electronic tonalities"). So since no one was being taken seriously, the composers could even be women, of whom Delia Derbyshire has recently gained acclaim (in electronic-music geek circles; if you're not in one, it's not too late to join!). The longest track, 'A Whisper from Space', is 2:11; so if something doesn't grab you, wait a minute. If only all records could be this varied and entertaining. Derbyshire's immortal Dr. Who theme isn't even necessarily the best track. "

"First up, Touki Bouki. It’s such a raw experimental work. I love its visual honesty and color palette. It also speaks to such an interesting experience within the diaspora – the idea of feeling sort of alienated by your own home. By Djibril Diop Mambéty, it speaks on a ton of things: cultural domination, neocolonialism, how you can feel alienated from your own culture. A visceral and brutal film made in the ’70s in Senegal. It starts with this beautiful wide static shot. We [the audience] are on sticks looking out as this herd starts to approach, and the color palette is insane. Like I said, it was made in the early ’70s, and they don’t shy away from showing anything. I don’t want to go too deep into what they don’t shy away from, because it’s a lot."