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6
6.0 (1 Ratings)
Book Rating
<i>The Queen's Choice</i> may not be my favorite faery book (it's far from being my favorite, but I didn't actually hate it), but it's definitely about time someone wrote about fairies in an entirely different way other than the usual summer and winter fairies.

Kluver has all the good things to write a fantastic book – the world building is interesting, the characters are complex (for the most part), and her writing style is interesting enough that it somehow managed to keep my attention with the whopping 500 pages it has (for the most part).

On the fabulous elaborations of "for the most part," Anya and her companion (Shea, for the most part) probably spent approximately 300+ pages walking, getting attacked, and avoiding the Constabularies of the Warckum Territory. Then the cycle pretty much repeats itself – no particular pattern. Anya spent approximately 100+ pages being healed before all of that walking, attacking, and avoiding began – perhaps I'll even call it WAA for the fun of it all – does it sound appealing? Probably not.

But somehow, in some way, Kluver managed to keep my attention, despite the fact I don't really "connect" to her writing. Maybe it's the writing style (eh... not really), or perhaps the complexity of her minor characters (Illumina and Shea are certainly complex enough that they're not entirely predictable). Maybe it's just the entire idea behind the book in the first place, though that part is most likely not true.

And then there's Anya. Anya the main character, Anya the Royal Faery of Chrior, and maybe Anya the Hopeless. Anya seems a little stereotypical – or perhaps, more accurately, Anya simply makes quite a few assumptions sometimes that may be hilarious to a little human like me. Certainly not as hilarious as <i>Of Mice and Men</i>, to which I make fun of the book the entire time I'm reading it just so I'm not bored. It's no wonder why I'm called the sarcastic one among my circle of friends.
<blockquote>"Now, how do I get on this thing?" she asked, taking the reins to her mount from me.
"You don't know?"
"Nope. Not the slightest idea."
"I thought all humans knew how to ride horses."</blockquote>
You know, for a nonhuman who seems to visit the human world as often as possible, you would sort of expect them to not assume all humans can ride horses. Really, I'm not terribly sure how one can be born with a talent like riding horses. Though, oddly enough, that's probably possible. The person would then have to nurture it. But really, humans are not centaurs. For one to be a centaur, we're missing a horse's ass. Pardon my language (and the grotesque image coming soon), but no horse – and certainly no human – would appreciate being cut in half and glued together to become a centaur.

Grotesque image and crude comments aside, Kluver puts us at a sort of a cliffhanger with something Anya discovers about Illumina in the last couple pages in the book. Much as I'm interested in the sequel, I'm not terribly sure I want to continue reading about Anya walking and traveling constantly (and avoiding and being attacked).

<a href="https://bookwyrmingthoughts.com/review-the-queens-choice-by-cayla-kluver/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
  
Mistress of All Evil: A Tale of the Dark Fairy (Villains #4)
Mistress of All Evil: A Tale of the Dark Fairy (Villains #4)
Serena Valentino | 2017 | Young Adult (YA)
9
8.4 (7 Ratings)
Book Rating
YES SERENA!

Mistress of Evil is precisely the book I wanted from the villain’s tales series: it had everything – an intriguing backstory; familiar characters as well as new ones who were pivotal to the plot; and of course, magic.
I couldn’t put this book down and I am so relieved that I can finally be super positive for the first time since Fairest of All.

Mistress of Evil takes place immediately after Poor Unfortunate Soul (these books have an order for a reason people!) and, with the odd sisters temporarily out of action, we learn that Maleficent must appeal to Circe and Nanny for assistance with a spell. However, it is soon revealed that Nanny, Maleficent and the odd sisters share a history.

What I loved most about this book is that Valentino spends a lot of time in Maleficent’s backstory, and it was evident that she took a lot of pride in the younger fairy she created. Maleficent is not 100% bad. Don’t get me wrong, she isn’t 100% good either, but the reader witnesses the circumstances that have made her this way. We observe abandonment, bullying and rejection but overall we witness prejudice against someone who is different and I feel it is this that really humanises Maleficent.

Familiar characters are also introduced; namely Flora, Fauna and Merryweather. Now, Merryweather has always been my favourite of the three fairies: something about her sarcastic and feisty personality calls to me. However, young Merryweather is a bit of a cow and, although I didn’t want to, I loved this twist. As usual, Valentino’s world is not black and white: if the good fairies had always been good, events may have turned out very differently.

Snow and her mother also play a role in the progression of the underlying story throughout all these tales: the one of the odd sisters. It wasn’t a complete surprise that Valentino brings one of her previous characters into the story, after all each tale has led into the next. However, it was really interesting to meet Queen Snow and glimpse at her life since we left her in Fairest of All. Also, a book from the odd sisters that possibly binds all our heroes and villains together is pure genius- particularly for someone who was obsessed with Once Upon a Time.


The level of detail in Valentino’s writing is superb. You can really picture the village in which Maleficent was raised- an experience that I haven’t felt in the previous tales. She also doesn’t neglect Aurora just because she is asleep but creates a dream world of mirrors that for some reason conjured images of Labyrinth for me. I also appreciated that, although snippets of the original story are included, they are just snippets- not a retelling.

I think it’s pretty clear that I loved this book. It wasn’t perfect (I still just don’t “get” Tulip and Popinjay and the timing at the start of the book was confusing) but it was pretty close! A prequel to Sleeping Beauty, complete with a fairy school, tree lords, dream worlds and fallouts that would make Jeremy Kyle wince? What more could you want?

A MASSIVE twist? You got it! I always knew no-one would be that angry over not being invited to a christening….
  
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Awix (3310 KP) rated Mothra (1961) in Movies

Feb 11, 2018 (Updated Feb 11, 2018)  
Mothra (1961)
Mothra (1961)
1961 | Adventure, Fantasy
You're going to need some bigger mothballs
The film that sets the standard for rampaging-giant-mystic-butterfly pictures is one of the best Toho monster movies, clearly owing a debt to King Kong but adding a lovely veneer of charming Japanese weirdness to the recipe. Evil Rosilicans (i.e., Americans) gatecrash a Japanese expedition to a mysterious island and end up kidnapping the twin fairies in charge of the place and forcing them to appear in a stage musical (this film has some banging tunes, by the way). Disgruntled natives wake up Mothra, butterfly-god protector of the island, who promptly heads for Japan to express displeasure as only a 180 metre long larva can.

Much more of a fantasy movie than the rest of the Godzilla series (with which it is in continuity; Mothra and Godzilla have been fighting together and against each other for over fifty years), and also with an unambiguously sympathetic monster, this is probably a more technically adept and simply enjoyable film than any of its immediate predecessors from Toho. The story is vaultingly peculiar in some ways, but at least it has originality on its side. The attempt to disguise where Rosilica is really supposed to be falls flat as soon as we learn one of its major cities is called New Kirk, but you can't fault one of these movies for being just a little bit odd. Perhaps the lack of another monster for Mothra to fight at the end is a weakness in the story, but if so it is less obvious than is usually the case in this sort of film. An endearing and engaging piece of entertainment.
  
    My Little Talking Princess

    My Little Talking Princess

    Lifestyle and Entertainment

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    App

    Talk to the beautiful princess and fairy. She answers with her charming voice and reacts to what you...

    Eriantys

    Eriantys

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    Tabletop Game

    Hidden by the soft cloudy whiteness is a world where floating islands are home to great schools for...

Evil Thing: A Villains Novel (Villains #7)
Evil Thing: A Villains Novel (Villains #7)
Serena Valentino | 2020 | Science Fiction/Fantasy, Young Adult (YA)
8
7.0 (2 Ratings)
Book Rating
I absolutely adore the Villains series. They are such good, quick reads and give an insight into how circumstances in someone’s life can make them into a villain. Evil Thing is no different.
Evil Thing is Cruella De Vil’s story, but not the story that we all think we know. It is styled as a memoir starting with Cruella’s childhood, or the childhood she remembers with rose tinted glasses from the age of eleven onwards. We see how she knew Anita Darling (before she married Roger) and how they were childhood friends who even went to finishing school together for a while. We see how Anita came to have Perdita. And we see exactly how Cruella ended up descending into madness in Hell Hall.
I was a little disappointed that we didn’t have anymore of the Odd Sisters story in this book, but I suppose it was left on a little bit of a cliffhanger, so I can only hope that Serena Valentino will revisit them in the future. But I also realise that it wouldn’t make sense to have them in this book, with Cruella’s life being in London and not in the realm of fairies and witches. It is however referenced as Cruella and Anita’s favourite fairytale book, where they follow Circe and Princess Tulip, which did make me smile.
While this isn’t my favourite of the Villains series (Mistress of All Evil takes that title!) I do like how it is just that little bit different from the others. I wonder if Cold Hearted will be written in the same style or another different style? It will be interesting to find out.