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Gareth von Kallenbach (980 KP) rated Cinderella (2015) in Movies
Aug 6, 2019
Throw together two beautiful faces from a couple of popular TV shows, award-winning veterans of the big screen, a director who loves to immerse viewers in story in the most spectacular of ways and what do you get? Sweet, magical enchantment.
Cinderella is Disney’s latest live-action translation of a classic animated film and under Kenneth Branagh’s deft direction it is simply wonderful. Retelling a beloved fairytale and making it feel fresh, delightful and satisfying is no small feat but Branagh does it with engaging actors, charming sets, captivating scenery and gorgeous costumes.
Lily James, recently of Downton Abbey, plays the heroine with sweet, innocent strength. Showered with love by her parents, played by Ben Chaplin and Hayley Atwell, Ella knows nothing about discontent or malice. Even after she loses her mother, and even after her father brings home an uncaring stepmother and disdainful stepsisters, Ella remains faithful to her mother’s dying wish for her daughter to “Have courage. Be Kind.”
Everyone knows how Ella became Cinderella and we all know just how badly she’s treated by her stepmother and stepsisters. Cate Blanchett is wickedly magnificent as the stepmother and Sophie McShera and Holliday Grainger bring new meaning to gaudy and garish.
I have to admit I’m a sucker for any fairytale that involves grand, sweeping ballroom scenes like Beauty and the Beast, Enchanted and now Cinderella. Of course, the scene could not have been possible without the help of a Fairy Godmother. Helena Bonham Carter is simply delightful in her role as Cinderella’s Fairy Godmother. The special effects used to give Cinderella a stunning gown as well as a horse-drawn carriage and driver and footmen were flawless
We also know how the story ends, but that didn’t stop the audience from sighing, holding its collective breath, and cheering when the prince, played handsomely by Richard Madden, finds the maiden whose foot fits perfectly in the glass slipper.
Days after our screener, my husband and I were still discussing the movie, that’s how much we enjoyed it. And when you can get your husband to easily agree to watch it again when it’s released, you know it’s a great movie.
Cinderella is Disney’s latest live-action translation of a classic animated film and under Kenneth Branagh’s deft direction it is simply wonderful. Retelling a beloved fairytale and making it feel fresh, delightful and satisfying is no small feat but Branagh does it with engaging actors, charming sets, captivating scenery and gorgeous costumes.
Lily James, recently of Downton Abbey, plays the heroine with sweet, innocent strength. Showered with love by her parents, played by Ben Chaplin and Hayley Atwell, Ella knows nothing about discontent or malice. Even after she loses her mother, and even after her father brings home an uncaring stepmother and disdainful stepsisters, Ella remains faithful to her mother’s dying wish for her daughter to “Have courage. Be Kind.”
Everyone knows how Ella became Cinderella and we all know just how badly she’s treated by her stepmother and stepsisters. Cate Blanchett is wickedly magnificent as the stepmother and Sophie McShera and Holliday Grainger bring new meaning to gaudy and garish.
I have to admit I’m a sucker for any fairytale that involves grand, sweeping ballroom scenes like Beauty and the Beast, Enchanted and now Cinderella. Of course, the scene could not have been possible without the help of a Fairy Godmother. Helena Bonham Carter is simply delightful in her role as Cinderella’s Fairy Godmother. The special effects used to give Cinderella a stunning gown as well as a horse-drawn carriage and driver and footmen were flawless
We also know how the story ends, but that didn’t stop the audience from sighing, holding its collective breath, and cheering when the prince, played handsomely by Richard Madden, finds the maiden whose foot fits perfectly in the glass slipper.
Days after our screener, my husband and I were still discussing the movie, that’s how much we enjoyed it. And when you can get your husband to easily agree to watch it again when it’s released, you know it’s a great movie.
Little Briar Rose
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A stained glass-styled adventure inspired by Sleeping Beauty. «Little Briar Rose is one of the...
Make a Cake - Cooking Games for kids HD
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Once upon a time there was a wicked witch who captured fairies from the land of fairy tales. Only...
Shadow Land - Endless Tap
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One day, the world suddenly lost its colour… All the colour in the world was taken by a monster...
Make a Cake - Cooking Games for kids
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Once upon a time there was a wicked witch who captured fairies from the land of fairy tales. Only...
Lottie disney bookworm (1056 KP) rated Slumber in Books
Sep 9, 2019
Thank you to NetGalley and Becky Bird for providing an e-copy of Slumber in exchange for an honest opinion.
Everyone knows that the market for fairy tale retellings is hot right now and, as such, is becoming saturated. However, Becky Bird comes at the story of Sleeping Beauty from a completely different angle: what if “true love’s kiss” which breaks the spell isn’t that between the Prince and Princess?
Slumber was a slow burner for me personally. Initially I agreed with previous reviews that the novel would be considered middle-grade rather than YA but my opinion did change about half way through the book. In my opinion, this was when the author ‘settled in’ to the novel and truly developed the characters into ones the reader could relate to and find themselves rooting for.
This was also the point where it became clear Becky Bird was challenging a number of stereotypes through her characters: the Cardinal is a man of God but this does not necessarily make him good; Lucy is an orphan but this does not make her weak; Jack is a boy but this does not make him brave and, finally, Thomas is a Prince but this does not make him charming! This humanised the characters for me and I found myself growing to really like them.
There are also a number of tongue-in-cheek references to fairy tales which I really appreciated. Phrases such as “bibbidi-bobbidi-boo” and Jack running for the trees every chance he got added an undercurrent of humour throughout the novel.
Unfortunately, there were moments where I got frustrated by the novel skipping between locations and characters- sometimes mid-event. Separating these by chapters or even page breaks would have made this an easier read. The start of the book especially also seemed to be a tad “over written” with references to a literal river of tears and a croissant described as a “creamy delight”.
Overall Slumber was a quick and easy read with a really great concept and endearing characters. It possibly could have benefitted from some suspense as all the Cardinal’s motives were revealed right at the start of the book but nevertheless it was an enjoyable read.
Everyone knows that the market for fairy tale retellings is hot right now and, as such, is becoming saturated. However, Becky Bird comes at the story of Sleeping Beauty from a completely different angle: what if “true love’s kiss” which breaks the spell isn’t that between the Prince and Princess?
Slumber was a slow burner for me personally. Initially I agreed with previous reviews that the novel would be considered middle-grade rather than YA but my opinion did change about half way through the book. In my opinion, this was when the author ‘settled in’ to the novel and truly developed the characters into ones the reader could relate to and find themselves rooting for.
This was also the point where it became clear Becky Bird was challenging a number of stereotypes through her characters: the Cardinal is a man of God but this does not necessarily make him good; Lucy is an orphan but this does not make her weak; Jack is a boy but this does not make him brave and, finally, Thomas is a Prince but this does not make him charming! This humanised the characters for me and I found myself growing to really like them.
There are also a number of tongue-in-cheek references to fairy tales which I really appreciated. Phrases such as “bibbidi-bobbidi-boo” and Jack running for the trees every chance he got added an undercurrent of humour throughout the novel.
Unfortunately, there were moments where I got frustrated by the novel skipping between locations and characters- sometimes mid-event. Separating these by chapters or even page breaks would have made this an easier read. The start of the book especially also seemed to be a tad “over written” with references to a literal river of tears and a croissant described as a “creamy delight”.
Overall Slumber was a quick and easy read with a really great concept and endearing characters. It possibly could have benefitted from some suspense as all the Cardinal’s motives were revealed right at the start of the book but nevertheless it was an enjoyable read.
Princess Dress-Up
Games and Entertainment
6.0
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--> Hundreds of dress up combinations - clothes, hairstyles, jewelry and much more! --> 4 beautiful...
FilmIntuition (33 KP) rated 806 in Books
May 23, 2018
Reads Like a Pop Song
Fast, funny, and frequently surprising (even in spite of its contrivances), Cynthia Weil's rollicking YA road trip novella 806 centers on a trio of very different high school students who discover that they share the same unknown sperm donor father.
A contemporary teen fairy tale penned in a light, dialogue heavy style with clever hooks and twists to circumvent the narrative's overall predictability, 806 reads like a summer pop-song, which is only fitting considering Weil's background as a Grammy award winning, Oscar nominated songwriter.
Although it relies a little too heavily on cliches – never delving beneath the surface of its relatively one-dimensional characters long enough to give us a greater sense of who they are beyond some Breakfast Club-like introductions – 806 is inventive everywhere else.
Entertaining if ultimately forgettable, Weil's sophomore work is a wildly infectious read you can flip through at mix-tape speed in order to join the band and road trip along.
Note: I rounded up but (if able) would give this one 3.5 stars.
A contemporary teen fairy tale penned in a light, dialogue heavy style with clever hooks and twists to circumvent the narrative's overall predictability, 806 reads like a summer pop-song, which is only fitting considering Weil's background as a Grammy award winning, Oscar nominated songwriter.
Although it relies a little too heavily on cliches – never delving beneath the surface of its relatively one-dimensional characters long enough to give us a greater sense of who they are beyond some Breakfast Club-like introductions – 806 is inventive everywhere else.
Entertaining if ultimately forgettable, Weil's sophomore work is a wildly infectious read you can flip through at mix-tape speed in order to join the band and road trip along.
Note: I rounded up but (if able) would give this one 3.5 stars.
Sassy Brit (97 KP) rated My Very First Story Time: Cinderella in Books
Jun 6, 2019
Cinderella: Fairy Tale with picture glossary and an activity (My Very First Story Time) by Pat-a-Cake, Rachel Elliot, Tim Budgen is a retelling of a much loved story, only with a difference, this has a multicultural slant.
Cinderella, (along with many of the other characters in this book) is portrayed as mixed heritage. She is also more capable of looking after herself, and a much better role model for young girls since this story is less about her being a slave to her ugly sisters and her “woe-is-me” pity-party and more about how she makes things happen for herself as a valued member of her society. Albeit a magical one.
I’d say this is great reading for children three years and up, as this has paper pages and doesn’t seem to be for an early self-reader, despite the title, but you can still read this story out loud to younger children at bedtime.
A charming book, full of diversity, simple rhythmic words and brightly coloured illustrations.
Cinderella, (along with many of the other characters in this book) is portrayed as mixed heritage. She is also more capable of looking after herself, and a much better role model for young girls since this story is less about her being a slave to her ugly sisters and her “woe-is-me” pity-party and more about how she makes things happen for herself as a valued member of her society. Albeit a magical one.
I’d say this is great reading for children three years and up, as this has paper pages and doesn’t seem to be for an early self-reader, despite the title, but you can still read this story out loud to younger children at bedtime.
A charming book, full of diversity, simple rhythmic words and brightly coloured illustrations.
Awix (3310 KP) rated Godzilla Vs Mothra (1992) in Movies
Mar 1, 2018 (Updated Mar 1, 2018)
Barnstorming monster movie delivers everything you want from this kind of film, as well as reintroducing Mothra for a new generation. Meteorite manages to stir up Godzilla, Battra, and Mothra simultaneously (crikey, that's unlucky); explorer Takuya must help the benevolent Mothra and its fairy spokespersons protect humanity (while also sorting out his family problems: it's that kind of a movie).
Essentially a remake of both Mothra (1961) and Mothra Vs Godzilla (1964); as such Godzilla doesn't turn up properly until quite near the end. The storyline with Mothra and Battra is still very engaging, though, and the various call-backs to the 60s movies are fun. Excellent special effects, banging soundtrack, and the tone is pitch-perfect for this kind of film - dramatic without being absurdly serious. You could possibly argue that Battra is a fairly dull monster and superfluous to proceedings; apart from that, in every area that matters this is as good a Godzilla (or Mothra) movie as you can find. A highlight of the franchise.
Essentially a remake of both Mothra (1961) and Mothra Vs Godzilla (1964); as such Godzilla doesn't turn up properly until quite near the end. The storyline with Mothra and Battra is still very engaging, though, and the various call-backs to the 60s movies are fun. Excellent special effects, banging soundtrack, and the tone is pitch-perfect for this kind of film - dramatic without being absurdly serious. You could possibly argue that Battra is a fairly dull monster and superfluous to proceedings; apart from that, in every area that matters this is as good a Godzilla (or Mothra) movie as you can find. A highlight of the franchise.