Gareth von Kallenbach (980 KP) rated Taken 2 (2012) in Movies
Aug 7, 2019
You’d think that after all the bad guys Liam Neeson’s character, former C.I.A. operative Bryan Mills,
killed in the original “TAKEN” there would be none left …. WRONG …. I guess even in action
movies, the bad guys have families, friends, and fellow criminals who would want revenge and despite the fact that they are villains and deserve whatever sort of punishment the protagonist can dish out.
It is a year after the events in “TAKEN” and retired intelligence agent Bryan Mills (Neeson), is trying to
adjust to life as a civilian security expert working in the private sector while dealing with the fact that his daughter is dating and attempting to pass her driver’s test (for the third time). After Maggie’s step-father walks out on Maggie and Lenore, Bryan invites them to spend time with him in Istanbul after completing a job there.
However, before the vacation begins the happy reunion is ruined when Murad Hoxha (Rade Serbedzia)
the father of the main antagonist in “TAKEN”, kidnaps Lenore and attempts to kidnap
Maggie as well in retaliation for the death of his son.
The film does require some at times absurd leaps of faith and knowledge to drive the story but If you are
coming for acting, a complex story, and such, your simply in the wrong place.
If a fresh batch of bad guys just itching to get their collective butts kicked by Neeson is what you want,
then it will deliver. At the end of the screening the crowd at the theater stood up and gave the film a standing ovation while coincidentally the audience screamed ‘AWESOME’!
Gareth von Kallenbach (980 KP) rated Jeff, Who Lives at Home (2012) in Movies
Aug 7, 2019
In “Jeff, Who Lives at Home” both Segel and Helms have taken on roles that are slightly more serious than the comedic standards that these actors are known for. Still the film is not so far removed as to alienate the fans who diligently follow these two actors to the theater time and time again.
The film’s plot is full of unexpected yet mildly realistic twists and turns. There are no big explosions or giant leaps of faith. This serpentine story is much more subtle. Many of the standout moments are realistically bizarre yet prove relevant, sweeping the audience into lives that have hit the final dregs of acceptability.
Visually the film is lack-luster. More than once viewers experience uncomfortable close-up shots of the less than attractively decorated characters. Still the script is well composed and crafted with such care that every word seems to naturally flow from the actors’ mouths. The story delves into so many facets of the human experience, from marriage to the building of a brotherly bond, that the tale itself is engrossing.
The characters are nervous, inexperienced, and closed off but the tale that defines “Jeff, Who Lives at Home” is entirely relatable. The film is not exactly enchanting but it was significantly better than I had originally anticipated.
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