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Gareth von Kallenbach (980 KP) rated The Road (2009) in Movies
Aug 8, 2019
“The Road” takes us on the post-apocalyptic story of the man, played by Viggo Morganson and the boy (Kodi Smit-McPhee), a father and son doing their best to get along in a world which is no longer suitable for humanity. Constantly teaching his son survival skills and doing his best not to focus on his lost love the man attempts to explain the essence of humanity to his boy who has never known a better world. Add in the ever-present threat of cannibals and you have the film adaptation of this best selling book.
The echoed use of color takes the viewer directly into the unnamed devastation that riddles the world of our two heroes. Moreover, the small sounds from the creeks of not quite abandoned buildings to the harrowing screams of cannibal victims make the world of “the Road” wholly engrossing. Maybe that is the problem.
Riddled with themes of devastation, survival, faith, and family, “The Road” is a piece of cinema significantly different from anything else. With all that said I am not sure this was a horrific and arduous journey one needs to go through.
After I first saw it I didn’t like “The Road”, and I couldn’t figure out who would want to watch this film. Too mature for many audiences and appearing to lack the complication to appeal to intellectual film crowd, it took a few days for me to develop the merit of the film. Now, I can’t stop thinking about the string of moments presented as powerful small scenes that compose “The Road” even though I wish I could.
If you have read the book, then “The Road” delivers a vivid understanding of the story, but before paying to see the film I ask you, is that a story you really want to experience on screen?
The echoed use of color takes the viewer directly into the unnamed devastation that riddles the world of our two heroes. Moreover, the small sounds from the creeks of not quite abandoned buildings to the harrowing screams of cannibal victims make the world of “the Road” wholly engrossing. Maybe that is the problem.
Riddled with themes of devastation, survival, faith, and family, “The Road” is a piece of cinema significantly different from anything else. With all that said I am not sure this was a horrific and arduous journey one needs to go through.
After I first saw it I didn’t like “The Road”, and I couldn’t figure out who would want to watch this film. Too mature for many audiences and appearing to lack the complication to appeal to intellectual film crowd, it took a few days for me to develop the merit of the film. Now, I can’t stop thinking about the string of moments presented as powerful small scenes that compose “The Road” even though I wish I could.
If you have read the book, then “The Road” delivers a vivid understanding of the story, but before paying to see the film I ask you, is that a story you really want to experience on screen?
Phil Leader (619 KP) rated The Children of Hurin in Books
Nov 11, 2019
One of the key things that makes The Lord of the Rings so enduring is that it sits on thousands of years of history and stories all plotted in detail by Tolkien before he even conceived of his epic trilogy. This is one of those stories, an outline of which appears in the Silmarillion, and familiarity with that book is advised before reading this one.
Set in Beleriand at a time when Morgoth ruled over the land from his fortress of Angband, this is a tragedy on the scale of Hamlet. Principally telling the tale of Túrun son of Húrin it follows his life as he becomes the leader of an outlaw band leading the fight back against Morgoth, the elves and dwarves having essentially retreated to their core lands and given up. His actions motivate the races into action and give hope that Morgoth can be defeated.
But this comes at a cost. Túrin is cursed and doomed to ultimate failure. The last third of the book is pretty grim as everything he has worked for and everything he holds dear is destroyed by his own actions, taken in good faith at the time. There can be no happy ending.
The tone, therefore, is a shade darker than the darkest passages of The Lord of the Rings. Tolkien's deep knowledge of his invented folklore is still to the fore and it is good to see how the world of elves looked in its prime rather than the faded and jaded view we get in the tales of the War of the Ring. It is not an easy read by any means, but it is a worthwhile one for anyone who wants to know more about the tales of Beleriand.
Set in Beleriand at a time when Morgoth ruled over the land from his fortress of Angband, this is a tragedy on the scale of Hamlet. Principally telling the tale of Túrun son of Húrin it follows his life as he becomes the leader of an outlaw band leading the fight back against Morgoth, the elves and dwarves having essentially retreated to their core lands and given up. His actions motivate the races into action and give hope that Morgoth can be defeated.
But this comes at a cost. Túrin is cursed and doomed to ultimate failure. The last third of the book is pretty grim as everything he has worked for and everything he holds dear is destroyed by his own actions, taken in good faith at the time. There can be no happy ending.
The tone, therefore, is a shade darker than the darkest passages of The Lord of the Rings. Tolkien's deep knowledge of his invented folklore is still to the fore and it is good to see how the world of elves looked in its prime rather than the faded and jaded view we get in the tales of the War of the Ring. It is not an easy read by any means, but it is a worthwhile one for anyone who wants to know more about the tales of Beleriand.
Phil Leader (619 KP) rated The Long Cosmos in Books
Nov 20, 2019
The Long Earth saga - and Terry Pratchett's prolific output - come to an end with this fifth volume of the series.
From the intelligent beginning I found the series to gradually slip downhill to the extent that The Long Utopia garnered a mere two star review from me. So it was with mixed feelings that I started to read this. However this was very much a suitable and capable ending of the series, providing some answers but allowing enough freedom at the end for the characters to keep living on in the mind of the reader.
It is not perfect; I found the start rather drawn out with some of the characters showing up seemingly just to provide a valedictory cameo. Some of the writing joining the plot sections together - obviously done by Baxter following Pratchett's death - feels quite forced as well, but really under the circumstances this is to be expected. This must have been such a hard book for Baxter to complete on his own.
However it gets far more right; we get some good new ideas in the Long Earth (the big trees, for example, providing a desperate chase while also being fun and also a neat extension of biological evolution) and even The Next have something to do that justifies their rather 'stuck-on' plot strand that previously wasn't going anywhere.
Great characters abound as well; Joshua is front and centre as would be expected but the supporting cast works well. The adventure through the Long Cosmos is humbling and awe-inspiring, although I could have done without the 'search for grandson' excuse for doing it - surely Joshua and Lobsang would have done this anyway simply because it is there?
Overall a good ending to the series and even if you lost faith with the series as it went on, I would definitely give it a go.
From the intelligent beginning I found the series to gradually slip downhill to the extent that The Long Utopia garnered a mere two star review from me. So it was with mixed feelings that I started to read this. However this was very much a suitable and capable ending of the series, providing some answers but allowing enough freedom at the end for the characters to keep living on in the mind of the reader.
It is not perfect; I found the start rather drawn out with some of the characters showing up seemingly just to provide a valedictory cameo. Some of the writing joining the plot sections together - obviously done by Baxter following Pratchett's death - feels quite forced as well, but really under the circumstances this is to be expected. This must have been such a hard book for Baxter to complete on his own.
However it gets far more right; we get some good new ideas in the Long Earth (the big trees, for example, providing a desperate chase while also being fun and also a neat extension of biological evolution) and even The Next have something to do that justifies their rather 'stuck-on' plot strand that previously wasn't going anywhere.
Great characters abound as well; Joshua is front and centre as would be expected but the supporting cast works well. The adventure through the Long Cosmos is humbling and awe-inspiring, although I could have done without the 'search for grandson' excuse for doing it - surely Joshua and Lobsang would have done this anyway simply because it is there?
Overall a good ending to the series and even if you lost faith with the series as it went on, I would definitely give it a go.
Tim McGuire (301 KP) rated A Serious Man (2009) in Movies
Jan 21, 2020
Old Movie Revisited: A Serious Man. A friend just asked me what I was watching, I said A Serious Man, a Coen Brothers movie. The reply, I hate them... I freaking love them. Who else can tell the tale of a man and his life totally unraveling and still be able to laugh at it, like the Coen Bros. Oh well... The movie tells the tale of Larry Gopnik, and like I said, his life is falling apart. It all starts one day as he's sitting in his office, a college psychics teacher, and a student tries to bribe him for a passing grade, goes home, his neighbor is going over property lines with a lawnmower and making things look shitty, his brother is living with them because someone has a gambling problem, his daughter is stealing money from his wallet to save up for a nose job, and his son owes 20 bucks to the fat drug dealer up the street. And of course right before dinner, his wife lets him know she wants a quickie divorce so she can be with a another man, a good friend of the family. And thats the first 20 minutes. For the rest of the flick, it seems Larry just wants to make everyone happy tho his own life is going insanely out of control, all while staying within the confines of his religion. And thanks to the Coen brothers the Jewish faith looks totally insane (Being fair, all religion to me is insane) It really was an awesome movie, pulls you in with a great story and great acting, Michael Stuhlbarg, not exactly a household name, was excellent as Larry!! And right before the credits roll. It kicks you in the balls one last time, its great!
Gareth von Kallenbach (980 KP) rated Taken 2 (2012) in Movies
Aug 7, 2019
Today, we’ve got a review of “TAKEN 2” … YES …. believe it or not, they made a sequal to “TAKEN”.
You’d think that after all the bad guys Liam Neeson’s character, former C.I.A. operative Bryan Mills,
killed in the original “TAKEN” there would be none left …. WRONG …. I guess even in action
movies, the bad guys have families, friends, and fellow criminals who would want revenge and despite the fact that they are villains and deserve whatever sort of punishment the protagonist can dish out.
It is a year after the events in “TAKEN” and retired intelligence agent Bryan Mills (Neeson), is trying to
adjust to life as a civilian security expert working in the private sector while dealing with the fact that his daughter is dating and attempting to pass her driver’s test (for the third time). After Maggie’s step-father walks out on Maggie and Lenore, Bryan invites them to spend time with him in Istanbul after completing a job there.
However, before the vacation begins the happy reunion is ruined when Murad Hoxha (Rade Serbedzia)
the father of the main antagonist in “TAKEN”, kidnaps Lenore and attempts to kidnap
Maggie as well in retaliation for the death of his son.
The film does require some at times absurd leaps of faith and knowledge to drive the story but If you are
coming for acting, a complex story, and such, your simply in the wrong place.
If a fresh batch of bad guys just itching to get their collective butts kicked by Neeson is what you want,
then it will deliver. At the end of the screening the crowd at the theater stood up and gave the film a standing ovation while coincidentally the audience screamed ‘AWESOME’!
You’d think that after all the bad guys Liam Neeson’s character, former C.I.A. operative Bryan Mills,
killed in the original “TAKEN” there would be none left …. WRONG …. I guess even in action
movies, the bad guys have families, friends, and fellow criminals who would want revenge and despite the fact that they are villains and deserve whatever sort of punishment the protagonist can dish out.
It is a year after the events in “TAKEN” and retired intelligence agent Bryan Mills (Neeson), is trying to
adjust to life as a civilian security expert working in the private sector while dealing with the fact that his daughter is dating and attempting to pass her driver’s test (for the third time). After Maggie’s step-father walks out on Maggie and Lenore, Bryan invites them to spend time with him in Istanbul after completing a job there.
However, before the vacation begins the happy reunion is ruined when Murad Hoxha (Rade Serbedzia)
the father of the main antagonist in “TAKEN”, kidnaps Lenore and attempts to kidnap
Maggie as well in retaliation for the death of his son.
The film does require some at times absurd leaps of faith and knowledge to drive the story but If you are
coming for acting, a complex story, and such, your simply in the wrong place.
If a fresh batch of bad guys just itching to get their collective butts kicked by Neeson is what you want,
then it will deliver. At the end of the screening the crowd at the theater stood up and gave the film a standing ovation while coincidentally the audience screamed ‘AWESOME’!
Gareth von Kallenbach (980 KP) rated Jeff, Who Lives at Home (2012) in Movies
Aug 7, 2019
Everyone knows a guy like Jeff (Jason Segel). Someone who never really left home, opting instead to sit around waiting for a sign. Jeff’s family is not much better. His daft, unaware brother, Pat (Ed Helms), has his life centered on a marriage that is devoid of connection or even much conversation. Jeff’s mother, Sharon (Susan Sarandon), spends her days de-stressing by staring at a waterfall picture in a drab office environment. But today a change is going to come in a big way to the people in Jeff’s life.
In “Jeff, Who Lives at Home” both Segel and Helms have taken on roles that are slightly more serious than the comedic standards that these actors are known for. Still the film is not so far removed as to alienate the fans who diligently follow these two actors to the theater time and time again.
The film’s plot is full of unexpected yet mildly realistic twists and turns. There are no big explosions or giant leaps of faith. This serpentine story is much more subtle. Many of the standout moments are realistically bizarre yet prove relevant, sweeping the audience into lives that have hit the final dregs of acceptability.
Visually the film is lack-luster. More than once viewers experience uncomfortable close-up shots of the less than attractively decorated characters. Still the script is well composed and crafted with such care that every word seems to naturally flow from the actors’ mouths. The story delves into so many facets of the human experience, from marriage to the building of a brotherly bond, that the tale itself is engrossing.
The characters are nervous, inexperienced, and closed off but the tale that defines “Jeff, Who Lives at Home” is entirely relatable. The film is not exactly enchanting but it was significantly better than I had originally anticipated.
In “Jeff, Who Lives at Home” both Segel and Helms have taken on roles that are slightly more serious than the comedic standards that these actors are known for. Still the film is not so far removed as to alienate the fans who diligently follow these two actors to the theater time and time again.
The film’s plot is full of unexpected yet mildly realistic twists and turns. There are no big explosions or giant leaps of faith. This serpentine story is much more subtle. Many of the standout moments are realistically bizarre yet prove relevant, sweeping the audience into lives that have hit the final dregs of acceptability.
Visually the film is lack-luster. More than once viewers experience uncomfortable close-up shots of the less than attractively decorated characters. Still the script is well composed and crafted with such care that every word seems to naturally flow from the actors’ mouths. The story delves into so many facets of the human experience, from marriage to the building of a brotherly bond, that the tale itself is engrossing.
The characters are nervous, inexperienced, and closed off but the tale that defines “Jeff, Who Lives at Home” is entirely relatable. The film is not exactly enchanting but it was significantly better than I had originally anticipated.
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