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Hazel (1853 KP) rated Lies We Tell Ourselves in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>Lies We Tell Ourselves</i> by Robin Talley is a realistic tale about the beginning of the integration of coloured people into white schools in late 1950s America. In Virginia it is 1959 and ten Negros are beginning their first day at Jefferson Highschool. The experience is narrated from one of the ten, Sarah’s, perspective. In other parts of the novel the voice changes to that of Linda, a particularly nasty white girl, who is one of countless students opposed to integration.
Although many young people will have been taught about the black civil right movement it is still shocking to read about the horrible things they had to endure. By writing in the first person, Talley encourages the reader to try to understand how they would feel in a similar situation. Sarah and her friends instantly become the victims of verbal and physical abuse that members of authority turn a blind eye to.
To Sarah, Linda is a nasty spoilt bully who, although does not join in with the taunting and abuse, is as bad as the rest of them. Through reading Linda’s account it becomes clear that her behaviour has a lot to do with her home life, in particularly with her father’s attitude towards her. After being forced to partner Sarah for a French project Linda begins to question why there is so much emphasis on skin colour, however not wanting to be shunned by her own friends she keeps these thoughts to herself.
Sarah is also struggling to come to terms with her sexual preference for girls. It has been drilled into her that these thoughts are a sin. She hides her true feelings from everyone and constantly berates herself mentally for being “unnatural”. But it turns out she may not be the only one with these thoughts.
The lies referred to in the title are not the blatant or harmful lies but rather the lies the characters believe or even want to believe. Each chapter begins with a lie that reflects what is occurring in the novel at that time; for example “There’s no need to be afraid” and “I don’t care what they think of me.” This is an interesting way of telling the story as it emphasizes Sarah’s determination to keep going despite what she is subjected to. It also reveals the mental struggles she faces. On the other hand the lies disclose Linda’s conflicting feelings towards the South’s current situation and segregation laws.
Although not a religious novel, each part begins with the title of a Christian hymn. It was the norm for everyone to go to church and, despite the separate churches, was something black and white people did. Sarah and Linda have faith in God yet they both use the bible’s teachings for opposing arguments. The religious aspect also highlights Sarah’s self-hatred and belief that she has fallen into sin.
Unfortunately in today’s world there are still issues with racism and homophobia however after reading <i>Lies We Tell Ourselves</i> it is evident that these situations have vastly improved, at least in the Western world, since the 1950s. Without children such as Sarah going through these horrible experiences nothing would have changed. There would still be separate schools, slavery and inaccurate opinions about race inequality. America has a lot to thank these brave students who were the first to create mixed race schools.
Overall this is a brilliant book. Well written and realistic, it really draws the reader in to the characters’ stories. Although <i>Lies We Tell Ourselves</i> is a work of fiction, it is historically accurate and can teach a lot about America’s history to young adults today.
<i>Lies We Tell Ourselves</i> by Robin Talley is a realistic tale about the beginning of the integration of coloured people into white schools in late 1950s America. In Virginia it is 1959 and ten Negros are beginning their first day at Jefferson Highschool. The experience is narrated from one of the ten, Sarah’s, perspective. In other parts of the novel the voice changes to that of Linda, a particularly nasty white girl, who is one of countless students opposed to integration.
Although many young people will have been taught about the black civil right movement it is still shocking to read about the horrible things they had to endure. By writing in the first person, Talley encourages the reader to try to understand how they would feel in a similar situation. Sarah and her friends instantly become the victims of verbal and physical abuse that members of authority turn a blind eye to.
To Sarah, Linda is a nasty spoilt bully who, although does not join in with the taunting and abuse, is as bad as the rest of them. Through reading Linda’s account it becomes clear that her behaviour has a lot to do with her home life, in particularly with her father’s attitude towards her. After being forced to partner Sarah for a French project Linda begins to question why there is so much emphasis on skin colour, however not wanting to be shunned by her own friends she keeps these thoughts to herself.
Sarah is also struggling to come to terms with her sexual preference for girls. It has been drilled into her that these thoughts are a sin. She hides her true feelings from everyone and constantly berates herself mentally for being “unnatural”. But it turns out she may not be the only one with these thoughts.
The lies referred to in the title are not the blatant or harmful lies but rather the lies the characters believe or even want to believe. Each chapter begins with a lie that reflects what is occurring in the novel at that time; for example “There’s no need to be afraid” and “I don’t care what they think of me.” This is an interesting way of telling the story as it emphasizes Sarah’s determination to keep going despite what she is subjected to. It also reveals the mental struggles she faces. On the other hand the lies disclose Linda’s conflicting feelings towards the South’s current situation and segregation laws.
Although not a religious novel, each part begins with the title of a Christian hymn. It was the norm for everyone to go to church and, despite the separate churches, was something black and white people did. Sarah and Linda have faith in God yet they both use the bible’s teachings for opposing arguments. The religious aspect also highlights Sarah’s self-hatred and belief that she has fallen into sin.
Unfortunately in today’s world there are still issues with racism and homophobia however after reading <i>Lies We Tell Ourselves</i> it is evident that these situations have vastly improved, at least in the Western world, since the 1950s. Without children such as Sarah going through these horrible experiences nothing would have changed. There would still be separate schools, slavery and inaccurate opinions about race inequality. America has a lot to thank these brave students who were the first to create mixed race schools.
Overall this is a brilliant book. Well written and realistic, it really draws the reader in to the characters’ stories. Although <i>Lies We Tell Ourselves</i> is a work of fiction, it is historically accurate and can teach a lot about America’s history to young adults today.
Gareth von Kallenbach (980 KP) rated Lady in the Water (2006) in Movies
Aug 14, 2019
M. Night Shyamalan has crafted a true modern day Fairy Tale with his surprisingly delightful film Lady in the Water.
The film stars Paul Giamatti as Cleveland Heep, a property manager at a Philadelphia apartment complex known as “The Cove”. Cleveland spends his days maintaining the complex as well as interacting with the guests who reside there.
Cleveland is a very unassuming man who has a stutter that often causes him embarrassment when he is trying to hold a conversation. Life is busy but not very social for Cleveland who spends the majority of his free time in his apartment alone, and seems to have no social connections beyond his tenants.
All this changes when he discovers a young woman swimming in the pool after hours Cleveland is concerned what the tenants might think, but takes the young lady into his apartment as he suspects that she may be in trouble.
The lady is names Story (Bryce Dallas Howard), and she seems to possess an almost innocent naivety about her that belies her gentle nature. When Cleveland attempts to take the sleeping Story outside to rest on a lawn chair, he is confronted by a creature whose very nature exudes menace and danger which forces the duo to make a hasty retreat into his apartment.
Cleveland learns in time, that Story is a being from a fable that is here to contact an important figure in order to inspire them. Such inspiration is said to be a catalyst for events that will improve the future for mankind.
Naturally there are evil forces that wish to stop her from doing this and will take any opportunity they can to harm the frail Story and keep her from completing her task and returning home. This is a shock to Story, who thought she has completed her mission, and as such, under rules established by her people and the evil powers, is exempt from attacks and allowed to return home once a task has been completed. When this is not the case, and story is attacked as she prepares for her magical return, Cleveland draws upon the compassion of fellow tenants to protect Story.
Cleveland learns from a Korean tenant and her daughter about a legend that seems to underscore Story and her mission, and becomes eager to know more about the legend all the while keeping Story a secret as well as out of harms way.
In time it is learned what her true mission is and that a series of people are required in order to fully protect Story from the evil and allow her to accomplish what she is there to do, which in turn allows Story to connect with them and help many of them address the fears and concerns that they have thus inspiring and healing them with her magical abilities.
With a deadline rapidly approaching, Cleveland and the tenants must band together in order to help story complete her mission, and to determine which role each of them is supposed to play in order to keep her from harm and return her to her people.
While the film does have some scary moments, it is at its very core a fantasy film. The performances of Howard and Giamatti are strong and underscore that both are talents on the rise with bright futures ahead of them.
Shyamalan keeps the film moving at a nice pace that results in a tight film that does not drag on unnecessarily. Shyamalan is also plays a key part in the film and does solid work in front of the camera as well as behind it.
While the film may have a few plot holes and at times requires leaps of faith from the audience, it is a very warm film that blends humor and drama to create a very effective and enjoyable film.
The film stars Paul Giamatti as Cleveland Heep, a property manager at a Philadelphia apartment complex known as “The Cove”. Cleveland spends his days maintaining the complex as well as interacting with the guests who reside there.
Cleveland is a very unassuming man who has a stutter that often causes him embarrassment when he is trying to hold a conversation. Life is busy but not very social for Cleveland who spends the majority of his free time in his apartment alone, and seems to have no social connections beyond his tenants.
All this changes when he discovers a young woman swimming in the pool after hours Cleveland is concerned what the tenants might think, but takes the young lady into his apartment as he suspects that she may be in trouble.
The lady is names Story (Bryce Dallas Howard), and she seems to possess an almost innocent naivety about her that belies her gentle nature. When Cleveland attempts to take the sleeping Story outside to rest on a lawn chair, he is confronted by a creature whose very nature exudes menace and danger which forces the duo to make a hasty retreat into his apartment.
Cleveland learns in time, that Story is a being from a fable that is here to contact an important figure in order to inspire them. Such inspiration is said to be a catalyst for events that will improve the future for mankind.
Naturally there are evil forces that wish to stop her from doing this and will take any opportunity they can to harm the frail Story and keep her from completing her task and returning home. This is a shock to Story, who thought she has completed her mission, and as such, under rules established by her people and the evil powers, is exempt from attacks and allowed to return home once a task has been completed. When this is not the case, and story is attacked as she prepares for her magical return, Cleveland draws upon the compassion of fellow tenants to protect Story.
Cleveland learns from a Korean tenant and her daughter about a legend that seems to underscore Story and her mission, and becomes eager to know more about the legend all the while keeping Story a secret as well as out of harms way.
In time it is learned what her true mission is and that a series of people are required in order to fully protect Story from the evil and allow her to accomplish what she is there to do, which in turn allows Story to connect with them and help many of them address the fears and concerns that they have thus inspiring and healing them with her magical abilities.
With a deadline rapidly approaching, Cleveland and the tenants must band together in order to help story complete her mission, and to determine which role each of them is supposed to play in order to keep her from harm and return her to her people.
While the film does have some scary moments, it is at its very core a fantasy film. The performances of Howard and Giamatti are strong and underscore that both are talents on the rise with bright futures ahead of them.
Shyamalan keeps the film moving at a nice pace that results in a tight film that does not drag on unnecessarily. Shyamalan is also plays a key part in the film and does solid work in front of the camera as well as behind it.
While the film may have a few plot holes and at times requires leaps of faith from the audience, it is a very warm film that blends humor and drama to create a very effective and enjoyable film.
Josh Burns (166 KP) rated Spartacus: A Game of Blood and Treachery in Tabletop Games
Jun 20, 2019
Easy to learn but a ton of fun (1 more)
Great strategy and combat
I had my eye on this game for a while before finally pulling the trigger and ordering it a few years ago. I had little faith in a game based on a tv show, but I love gladiator games and there aren't many to choose from.
The base game is 3-4 players, there are expansions that increase that, but I'm sticking with the base game for this review. Each player controls a different House, which have their own stats, abilities, and alternate objectives, with the main objective being to reach 10 influence.
The game plays basically as follows:
Upkeep phase: collect money, try to heal wounded gladiators, and reactivate slaves that were used.
Market: A number of cards are drawn and placed face down, then one card is flipped. It could be a gladiator, a slave (can earn you money and may have abilities that are useful outside the arena) or gear for your gladiators. All players choose how many coins to bid and keep them in a closed fist until everyone is ready, then everyone reveals their bid. Whoever was highest wins. You then repeat till each card is flipped. You can also put your own cards up for auction or offer trades.
the arena: after this, 2 players chosen by another player have to either fight each other, pitting a slave or gladiator against the oppents, or forfeit at the cost of Influence. Players may place bets on who will win and if the loser will be killed, or badly injured.
The game is basically 2 games in 1: outside the arena and in it.
Outside: It is primarily about making deals, lying, setting each other up, making temporary allies and backstabbing. Literally the only rule in the actual rulebook about how to go about this is: "Don't be a dick. " It actually says that, and says they mean keep it fun, don't actually try to be a spiteful douche. There is nothing directing you when to lie or be honest, if you have to keep promises, etc.
In the arena: Combat is fun and simple. Not all fighters are equal but I have seen weak ones overcome the odds. If you're a fan of the show you will recognize many names. As a quick sidenote, an expansion can turn these fights from 1 vs 1 to 2 vs 2. I've won hard fought games, and I've lost on purpose to win a bet or fulfill a deal. Your fighter may or may not die or be injured. The player who chose the participants also decides the fate of the losing fighter (if they didn't die fighting) with a thumbs up or down. The player with the losing fighter can plead for the fighters survival or bribe, or maybe the player chosing wants the losing player to owe them a favor. There is never a clear cut choice.
In conclusion: This is a favorite of mine. It is unbelievably fun making deals (whether you keep them or not) bribing, setting players against each other etc. The combat is fun and easy to learn and the other players are typically screaming at whoever they want to win if they aren't doing well (in good fun, not actual anger). I can't think of anything to not like about it. If you like the show you'll love references such as the "Jupiter's Cock" card and seeing all the characters (slaves, gladiators, and dominas). If you don't like the show, it's still a hell of a game and you don't need to watch the show to know what's going on.
The base game is 3-4 players, there are expansions that increase that, but I'm sticking with the base game for this review. Each player controls a different House, which have their own stats, abilities, and alternate objectives, with the main objective being to reach 10 influence.
The game plays basically as follows:
Upkeep phase: collect money, try to heal wounded gladiators, and reactivate slaves that were used.
Market: A number of cards are drawn and placed face down, then one card is flipped. It could be a gladiator, a slave (can earn you money and may have abilities that are useful outside the arena) or gear for your gladiators. All players choose how many coins to bid and keep them in a closed fist until everyone is ready, then everyone reveals their bid. Whoever was highest wins. You then repeat till each card is flipped. You can also put your own cards up for auction or offer trades.
the arena: after this, 2 players chosen by another player have to either fight each other, pitting a slave or gladiator against the oppents, or forfeit at the cost of Influence. Players may place bets on who will win and if the loser will be killed, or badly injured.
The game is basically 2 games in 1: outside the arena and in it.
Outside: It is primarily about making deals, lying, setting each other up, making temporary allies and backstabbing. Literally the only rule in the actual rulebook about how to go about this is: "Don't be a dick. " It actually says that, and says they mean keep it fun, don't actually try to be a spiteful douche. There is nothing directing you when to lie or be honest, if you have to keep promises, etc.
In the arena: Combat is fun and simple. Not all fighters are equal but I have seen weak ones overcome the odds. If you're a fan of the show you will recognize many names. As a quick sidenote, an expansion can turn these fights from 1 vs 1 to 2 vs 2. I've won hard fought games, and I've lost on purpose to win a bet or fulfill a deal. Your fighter may or may not die or be injured. The player who chose the participants also decides the fate of the losing fighter (if they didn't die fighting) with a thumbs up or down. The player with the losing fighter can plead for the fighters survival or bribe, or maybe the player chosing wants the losing player to owe them a favor. There is never a clear cut choice.
In conclusion: This is a favorite of mine. It is unbelievably fun making deals (whether you keep them or not) bribing, setting players against each other etc. The combat is fun and easy to learn and the other players are typically screaming at whoever they want to win if they aren't doing well (in good fun, not actual anger). I can't think of anything to not like about it. If you like the show you'll love references such as the "Jupiter's Cock" card and seeing all the characters (slaves, gladiators, and dominas). If you don't like the show, it's still a hell of a game and you don't need to watch the show to know what's going on.
Gareth von Kallenbach (980 KP) rated Hacksaw Ridge (2016) in Movies
Jul 15, 2019
World War II was an event that changed America’s standing globally and ensured the end of Hitler’s tyranny over Europe. It witnessed an isolated nation enter the war after being attacked by the Japanese at Pearl Harbor. The war forced men from all walks of life to step up in defense of their nation and for the freedom of those abroad. Desmond Dawes was one of these men, however, he sought to serve a different function in war. Instead of taking lives, he wanted to save them.
Hacksaw Ridge brings viewers a different perspective of war and the soldiers that were fighting it. Unlike previous films, this one discusses and displays the contributions made by a pacifist, a contentious objector, something that we look at as an anomaly and counter to the personalities and individuals that we are accustomed to seeing in a warfighting capacity. We don’t typically think about those who would resist fighting, other than those who dodged the draft or sought deferments. This film allows for a glimpse into how one man’s principles and faith allow him to resist actively fighting in order to serve as a combat medic in order for his fellow soldiers to return home. The story is harrowing and audiences will find themselves rooting for Private Dawes while questioning how his principles could remain so strong despite all of the obstacles that are put in his way. He wants to serve his country in the war, but does not want to kill in service to it. He is constantly referred to and treated as a coward for his stance. Despite this, he proves himself of heroism that cannot be measured.
The film is beautiful in displaying the various complexities in warfare and individual soldiers’ experiences. We get to see how Dawes is shaped into having the beliefs that guide him in his quest to become a soldier. We see the relationships that he develops in his hometown, his family, and the conflict that erupts between him and other members of his unit. We see that war is more complex than men fighting and killing. There is depth. There is character. These men are not simply numbers on a board or text. There is something about each one of them that played into the success of taking Okinawa as part of the Pacific campaign.
Hacksaw Ridge is not simply a film about one man’s journey to serve his principles and God while struggling against various agents seeking to break his spirit and demean who he is. The battle scenes and brutality rival that of Saving Private Ryan. Audiences seeking to see a traditional “rah rah” war film are going to be surprised with the way that this film will, hopefully, make them think more deeply about the calamity and horror of war. It will hopefully have them think about how far we have come as a people. More importantly, it will make us think differently about the men who served and helped to ensure democracy globally.
The film, overall, is strong with its presentation of information, action, sequences and storytelling. It may surpass previous WWII films with respect to significance and allowing itself to serve as a historical lens to the past. Audiences will be satisfied, shocked, and a bit disgusted with what is on display whether it is how war is conducted or in how we treat others with different beliefs or stances. Hacksaw Ridge may be an instant classic in not only its approach to the Pacific Theater, but in how we look at the soldiers and their contributions to this period.
Hacksaw Ridge brings viewers a different perspective of war and the soldiers that were fighting it. Unlike previous films, this one discusses and displays the contributions made by a pacifist, a contentious objector, something that we look at as an anomaly and counter to the personalities and individuals that we are accustomed to seeing in a warfighting capacity. We don’t typically think about those who would resist fighting, other than those who dodged the draft or sought deferments. This film allows for a glimpse into how one man’s principles and faith allow him to resist actively fighting in order to serve as a combat medic in order for his fellow soldiers to return home. The story is harrowing and audiences will find themselves rooting for Private Dawes while questioning how his principles could remain so strong despite all of the obstacles that are put in his way. He wants to serve his country in the war, but does not want to kill in service to it. He is constantly referred to and treated as a coward for his stance. Despite this, he proves himself of heroism that cannot be measured.
The film is beautiful in displaying the various complexities in warfare and individual soldiers’ experiences. We get to see how Dawes is shaped into having the beliefs that guide him in his quest to become a soldier. We see the relationships that he develops in his hometown, his family, and the conflict that erupts between him and other members of his unit. We see that war is more complex than men fighting and killing. There is depth. There is character. These men are not simply numbers on a board or text. There is something about each one of them that played into the success of taking Okinawa as part of the Pacific campaign.
Hacksaw Ridge is not simply a film about one man’s journey to serve his principles and God while struggling against various agents seeking to break his spirit and demean who he is. The battle scenes and brutality rival that of Saving Private Ryan. Audiences seeking to see a traditional “rah rah” war film are going to be surprised with the way that this film will, hopefully, make them think more deeply about the calamity and horror of war. It will hopefully have them think about how far we have come as a people. More importantly, it will make us think differently about the men who served and helped to ensure democracy globally.
The film, overall, is strong with its presentation of information, action, sequences and storytelling. It may surpass previous WWII films with respect to significance and allowing itself to serve as a historical lens to the past. Audiences will be satisfied, shocked, and a bit disgusted with what is on display whether it is how war is conducted or in how we treat others with different beliefs or stances. Hacksaw Ridge may be an instant classic in not only its approach to the Pacific Theater, but in how we look at the soldiers and their contributions to this period.
Jordan Binkerd (567 KP) rated Star Wars, Vol. 1: Skywalker Strikes in Books
Jul 21, 2019
A stellar start
Note: this review is transposted from my personal review blog, and so was originally written several years ago. I figured if I reposted it here, someone might actually read it….
Okay, cards on the table: I loved the Dark Horse Star Wars comics. Almost all of them, especially anything featuring the team-up of Ostrander and Duursema. So I was very much saddened to see that company lose the Star Wars license. Not surprised, following the purchase by Disney, as that mega-company also owns Marvel. I figured it was only a matter of time, and that turned out to be the case. So I was saddened, just as I was saddened by the relegation of a bunch of my favorite stories to the status of Legends. But the one thing I never expected was that Marvel would drop the ball. I mean, it’s bleedin’ Marvel! If there’s anything they understand, it’s comic books. Now, having read the first arc of their eponymous Star Wars series, I can confidently state that my faith was well-founded.
We join our cadre of heroes as they attempt a daring assault on the Empire’s largest weapons factory, the entire planet of Cymoon I. Posing as a trade delegation from Jabba the Hutt arriving to negotiate renewed supply lines in the wake of the destruction of the Death Star, our heroes slip through security and set about rigging the automated factory’s reactor to blow sky-high. Everything is going to plan, until Darth Vader shows up to negotiate for the Empire….
I mentioned that this was amazing, right? The writing and art sync perfectly to sell you on the fact that you’re watching the continuing adventures of Luke, Leia, and Han. Luke is still a brash hotshot, still feeling his way with regards to the Force, and can be kind of whiny when he’s confronted with just how far he has to go. Han is just as sardonic and impulsive as ever, though the backstory they’re teasing for him may help ground him a bit. We’ll see how that one turns out. Leia is clearly in charge, driven to achieve justice for Alderaan and her family, and even Chewbacca knows to follow her orders. It’ll be interesting to see where they take her character in future arcs.
One potential point of annoyance for some readers is going to be how closely this series and the Star Wars: Darth Vader series that runs concurrently are tied. Events from one series are offhandedly referenced in the other with no explanation, and have major repercussions at times. For example, Vader fails to apprehend our Rebel heroes in this book, is chastised by the Emperor and hires Boba Fett in the Darth Vader book, and then Fett shows up in this book to try and capture Luke. Complicating matters further is the fact that there’s a particular order you need to read these in to get the whole story, and even then you’ll get ahead of yourself unless you stop in the middle of an issue at times. I wasn’t that annoyed by it, but I’d checked out the timeline first and knew what I was doing. (In case you were wondering, the proper order is Star Wars #1-3, Darth Vader #1, Star Wars #4, Darth Vader #2-4, and then #5-6 of both series happen simultaneously, both culminating in the same scene from slightly different perspectives.) This is set in the first year following the destruction of the Death Star, maybe a couple months at most.
CONTENT: Some violence. Minor profanity. Mild flirtation, and a few scantily-clad females in Jabba’s Palace.
Original post: https://jordanbinkerd.wordpress.com/2015/08/25/review-star-wars-skywalker-strikes-by-jason-aaron-john-cassaday/
Okay, cards on the table: I loved the Dark Horse Star Wars comics. Almost all of them, especially anything featuring the team-up of Ostrander and Duursema. So I was very much saddened to see that company lose the Star Wars license. Not surprised, following the purchase by Disney, as that mega-company also owns Marvel. I figured it was only a matter of time, and that turned out to be the case. So I was saddened, just as I was saddened by the relegation of a bunch of my favorite stories to the status of Legends. But the one thing I never expected was that Marvel would drop the ball. I mean, it’s bleedin’ Marvel! If there’s anything they understand, it’s comic books. Now, having read the first arc of their eponymous Star Wars series, I can confidently state that my faith was well-founded.
We join our cadre of heroes as they attempt a daring assault on the Empire’s largest weapons factory, the entire planet of Cymoon I. Posing as a trade delegation from Jabba the Hutt arriving to negotiate renewed supply lines in the wake of the destruction of the Death Star, our heroes slip through security and set about rigging the automated factory’s reactor to blow sky-high. Everything is going to plan, until Darth Vader shows up to negotiate for the Empire….
I mentioned that this was amazing, right? The writing and art sync perfectly to sell you on the fact that you’re watching the continuing adventures of Luke, Leia, and Han. Luke is still a brash hotshot, still feeling his way with regards to the Force, and can be kind of whiny when he’s confronted with just how far he has to go. Han is just as sardonic and impulsive as ever, though the backstory they’re teasing for him may help ground him a bit. We’ll see how that one turns out. Leia is clearly in charge, driven to achieve justice for Alderaan and her family, and even Chewbacca knows to follow her orders. It’ll be interesting to see where they take her character in future arcs.
One potential point of annoyance for some readers is going to be how closely this series and the Star Wars: Darth Vader series that runs concurrently are tied. Events from one series are offhandedly referenced in the other with no explanation, and have major repercussions at times. For example, Vader fails to apprehend our Rebel heroes in this book, is chastised by the Emperor and hires Boba Fett in the Darth Vader book, and then Fett shows up in this book to try and capture Luke. Complicating matters further is the fact that there’s a particular order you need to read these in to get the whole story, and even then you’ll get ahead of yourself unless you stop in the middle of an issue at times. I wasn’t that annoyed by it, but I’d checked out the timeline first and knew what I was doing. (In case you were wondering, the proper order is Star Wars #1-3, Darth Vader #1, Star Wars #4, Darth Vader #2-4, and then #5-6 of both series happen simultaneously, both culminating in the same scene from slightly different perspectives.) This is set in the first year following the destruction of the Death Star, maybe a couple months at most.
CONTENT: Some violence. Minor profanity. Mild flirtation, and a few scantily-clad females in Jabba’s Palace.
Original post: https://jordanbinkerd.wordpress.com/2015/08/25/review-star-wars-skywalker-strikes-by-jason-aaron-john-cassaday/
Darren (1599 KP) rated Thor: The Dark World (2013) in Movies
Jul 25, 2019
Story: Thor: The Dark World starts as Thor (Hemsworth) must restore the power in Asgard after Loki’s (Hiddleston) actions, this has made him in the position he should be, waiting to take over his father Odin’s (Hopkins) role. Meanwhile on Earth Jane (Portman) is trying to move with her life, but in London she discovers an unusual series of events which ends up taking her to Elf world.
When Jane becomes cursed, Thor takes her to Asgard to find a cure, which gives Malekith (Eccleston) a chance to lead his army back into combat so he can return the universe back to darkness. Thor must turn to Loki t help him defeat Malekith and save the universe.
Thoughts on Thor: The Dark World
Characters – Thor is once again preparing to take his throne in Asgard, he has restored faith in the nine realms, but he still misses Jane. When she becomes cursed, he returns to Earth to save her, which only brings back an ancient enemy to the Asgardians in the Dark Elves, he must disobey his father once again to end the threat and save the woman he loves. Jane is trying to get on with her life now, her research has taken her to London where she is trying to get over Thor, her investigation sees her cursed and taken to Asgard to learn about Thor’s home world. Loki is locked up for his actions, after his mother is murdered, Thor turns to him for help to get vengeance. Malekith is the leader of the Dark Elves, he has waited for his chance to bring the universe into darkness once again, killing Frigga the mother of Thor.
Performances – Chris Hemsworth continues to make Thor one of the most entertaining character in the universe. Natalie Portman was known to not be interested in being in the film, it does show in her performance which does disappoint. Tom Hiddleston brings another dimension to his character here which is only going to make him a more loved character. Christopher Eccleston does give us a basic villain, one that is only after power and is mostly under make up, making his performance harder to judge.
Story – The story here follows Thor on his latest adventure, one where he must face an ancient enemy who wants to put the universe into darkness, while finally returning to Jane who has become cursed by the Dark Elves magic. This is another sequel that does address the previous films in the franchise by showing the hints the Thor and Loki could still rebuild their bond even after what Loki has done, we address forbidden relationships between Thor and Jane, have a villain that is obsessed with power, though isn’t the most three-dimensional and see Thor needing to learn more about his responsibilities as a potential king. This is everything you would expect a sequel to be in this universe.
Action/Fantasy – The action involved in this film is mostly big CGI chases sequences between spacecrafts, we do get Thor doing the hammer routine which works well enough for the film. the fantasy side of the film continues to build on the idea that the worlds above have been fighting longer than people could imagine with fresh enemies waiting in the shadows.
Settings – The film uses Asgard, the home world of the Dark Elves and London as the main settings, each has its own action sequences which also shows what Thor is fighting for.
Special Effects – The effects are not as strong as previous films, but we do get some very impressive scenes none the less, the certain moments of weakness do hold the marks up though,
Scene of the Movie – London battle.
That Moment That Annoyed Me – The villain isn’t as interesting as previous ones.
Final Thoughts – This is still an entertaining sequel, it might not be as strong as some of the previous films, but it entertains throughout.
Overall: Fantasy Filled Sequel.
When Jane becomes cursed, Thor takes her to Asgard to find a cure, which gives Malekith (Eccleston) a chance to lead his army back into combat so he can return the universe back to darkness. Thor must turn to Loki t help him defeat Malekith and save the universe.
Thoughts on Thor: The Dark World
Characters – Thor is once again preparing to take his throne in Asgard, he has restored faith in the nine realms, but he still misses Jane. When she becomes cursed, he returns to Earth to save her, which only brings back an ancient enemy to the Asgardians in the Dark Elves, he must disobey his father once again to end the threat and save the woman he loves. Jane is trying to get on with her life now, her research has taken her to London where she is trying to get over Thor, her investigation sees her cursed and taken to Asgard to learn about Thor’s home world. Loki is locked up for his actions, after his mother is murdered, Thor turns to him for help to get vengeance. Malekith is the leader of the Dark Elves, he has waited for his chance to bring the universe into darkness once again, killing Frigga the mother of Thor.
Performances – Chris Hemsworth continues to make Thor one of the most entertaining character in the universe. Natalie Portman was known to not be interested in being in the film, it does show in her performance which does disappoint. Tom Hiddleston brings another dimension to his character here which is only going to make him a more loved character. Christopher Eccleston does give us a basic villain, one that is only after power and is mostly under make up, making his performance harder to judge.
Story – The story here follows Thor on his latest adventure, one where he must face an ancient enemy who wants to put the universe into darkness, while finally returning to Jane who has become cursed by the Dark Elves magic. This is another sequel that does address the previous films in the franchise by showing the hints the Thor and Loki could still rebuild their bond even after what Loki has done, we address forbidden relationships between Thor and Jane, have a villain that is obsessed with power, though isn’t the most three-dimensional and see Thor needing to learn more about his responsibilities as a potential king. This is everything you would expect a sequel to be in this universe.
Action/Fantasy – The action involved in this film is mostly big CGI chases sequences between spacecrafts, we do get Thor doing the hammer routine which works well enough for the film. the fantasy side of the film continues to build on the idea that the worlds above have been fighting longer than people could imagine with fresh enemies waiting in the shadows.
Settings – The film uses Asgard, the home world of the Dark Elves and London as the main settings, each has its own action sequences which also shows what Thor is fighting for.
Special Effects – The effects are not as strong as previous films, but we do get some very impressive scenes none the less, the certain moments of weakness do hold the marks up though,
Scene of the Movie – London battle.
That Moment That Annoyed Me – The villain isn’t as interesting as previous ones.
Final Thoughts – This is still an entertaining sequel, it might not be as strong as some of the previous films, but it entertains throughout.
Overall: Fantasy Filled Sequel.
Darren (1599 KP) rated Ford v Ferrari (aka Le Mans '66) (2019) in Movies
Nov 7, 2019
Characters – Ken Miles was the greatest racer of the era, the problem with him was always his attitude, never wanting to follow rules almost blacklisting him from most teams around the world, his wife wants him to race, his son looks up to him and Carroll knows he is the best man for the job, he help design the car with Carroll and his team and must prove himself on the track to get the drive at Le Mans. Carroll Shelby won Le Mans, retired from the racing side of the sport to start designing the cars, he is considered the best in America and is pick by Ford to design their race car, he will challenge the order of things because he knows he can achieve this, if he is given the chance to select who he wants in the car. Mollie is the ever-supportive wife of Ken, she wants him to drive knowing he will get bored if he doesn’t, she only asks that he is honest with her, she odes also get a great driving scene. we do get to meet plenty of executives from Ford, who each have their own agenda with Leo Beebe being made out to be the villain of the team, while Henry Ford II is made out to be strict, but will accept honesty.
Performances – Christian Bale and Matt Damon are both fantastic proving to everyone why they are considered two of the best in the business today, they have great individual moments as well as banter between them. Outside of the two big names, nobody does get to reach their level and everybody is a joy to watch in their roles.
Story – The story here follows Henry Ford II desire to beat Enzo Ferrari in the Le Mans 24-hour race, we see him hire a former winner turned designer to build his car, as the two sides do battle to get Ken Miles behind the wheel, in an attempt to make history. This does show how an American decided he would rather push the limits of his bank than improve the product he was making as we see how Ford changed the racing world that Ferrari had been dominating for decades and how faith in a driver is often more important that having the fastest car. The story is told over a couple of years, we get to see the important turns in the battle between Carroll and Ford’s executives to get the best driver behind the wheel, before letting us just sit back and enjoy the races. It could have had a little bit of the story chopped down to save some time though.
Action/Biopic/Sport – The action mixes with the sport wonderfully to give us edge of the seat race moments that will be the highlight of the film, while the biopic side of the film seems to focus more on the car side of things only, while Ken does have a family, we really don’t learn anything else about Carroll outside of his work.
Settings – The film recreates the iconic race track perfectly and shows us how the time relevant cars were used in nearly every scene of the film, on and off the track.
Scene of the Movie – Le Mans Race.
That Moment That Annoyed Me – Give us subtitles for the Ferrari scenes.
Final Thoughts – This is a high speed biopic that doesn’t let you breath through most of the action involved, it has brilliant performances from the whole cast and is a must watch for any motor sports fans.
Overall: Motor Sports Fans Must Watch.
Performances – Christian Bale and Matt Damon are both fantastic proving to everyone why they are considered two of the best in the business today, they have great individual moments as well as banter between them. Outside of the two big names, nobody does get to reach their level and everybody is a joy to watch in their roles.
Story – The story here follows Henry Ford II desire to beat Enzo Ferrari in the Le Mans 24-hour race, we see him hire a former winner turned designer to build his car, as the two sides do battle to get Ken Miles behind the wheel, in an attempt to make history. This does show how an American decided he would rather push the limits of his bank than improve the product he was making as we see how Ford changed the racing world that Ferrari had been dominating for decades and how faith in a driver is often more important that having the fastest car. The story is told over a couple of years, we get to see the important turns in the battle between Carroll and Ford’s executives to get the best driver behind the wheel, before letting us just sit back and enjoy the races. It could have had a little bit of the story chopped down to save some time though.
Action/Biopic/Sport – The action mixes with the sport wonderfully to give us edge of the seat race moments that will be the highlight of the film, while the biopic side of the film seems to focus more on the car side of things only, while Ken does have a family, we really don’t learn anything else about Carroll outside of his work.
Settings – The film recreates the iconic race track perfectly and shows us how the time relevant cars were used in nearly every scene of the film, on and off the track.
Scene of the Movie – Le Mans Race.
That Moment That Annoyed Me – Give us subtitles for the Ferrari scenes.
Final Thoughts – This is a high speed biopic that doesn’t let you breath through most of the action involved, it has brilliant performances from the whole cast and is a must watch for any motor sports fans.
Overall: Motor Sports Fans Must Watch.
Bob Mann (459 KP) rated The Two Popes (2019) in Movies
Jan 26, 2020 (Updated Jan 26, 2020)
Fantastic performances from two old acting pros.
Being inaugurated as a new pope in the last century must have been a source of enormous pride. But there must also have been a nagging thought... at some point you are going to be paraded, stiff as a board, around your work courtyard before being taken back inside to your place of work and buried there!
All that changed in 2013 when Pope Benedict XVI resigned, the first pope to voluntarily do so since Pope Celestine V in 1294. (Pope Gregory XII also resigned in 1415, but he was effectively forced to).
This movie tells the story of that curious situation, when Cardinal Jorge Bergoglio (played by Jonathan Pryce) ended up as Pope Francis while Benedict (Anthony Hopkins) was still alive. The official reason for the pope's resignation appears to have been his advanced age. But the film paints a rather different picture.
The movie starts back in 2005 as we enter the papal conclave. Benedict (Cardinal Ratzinger, as was) is the highly-political German cardinal who desperately wants the papacy; Bergoglio is the highly respected Argentinian cardinal who doesn't seek the office but might have it thrust upon him. (Clearly, when the white smoke clears, history has dictated the outcome).
But flash forward to 2013 and Bergoglio will get another bite of the cherry. Is he worthy of the role? Through flashbacks we return to Perón's unsettling rule over Argentina and the events that made the man.
The two stars are simply outstanding together, and it's no surprise at all that both have been nominated in the Oscar acting categories. They are almost joint leads. But - perhaps to give the film its best awards-season shot - Pryce is down for Best Actor and Hopkins is down for Best Supporting Actor.
Anthony Hopkins in particular for me shone with the brilliant quietness and subtle facial movements that are the mark of a truly confident actor. Less is more.
I was enjoying this movie enormously up until we flashed back to the Argentinian sub-plot. Set in the time of Perón's "Dirty War" when a huge number of people - estimates range from 9,000 to 30,000 - simply went "missing". There's nothing wrong with this sequence of the film. For example, a reunion of Bergoglio with a persecuted priest, Father Jalics (Lisandro Fiks) - is brilliantly and movingly done. It's just that for me it seemed so disjointed. It was jarring to switch from this Evita-era drama to the gentle drama of the papal plot.
If the movie had been 30 minutes shorter and focused on the mental struggles of Benedict I would have preferred it. Curiously - we don't really get to fully understand his divergence from the faith. Bergoglio gets no end of back-story. But Ratzinger's is probably just as interesting, but not explored.
This is still a really fine movie and will appeal to older folks who like a story rich with character acting and not heavy on the action or special effects. The director is Fernando Meirelles (who interestingly directed the Rio Olympics opening ceremony!) and it's written by Anthony McCarten, the man behind the screenplays for "The Theory of Everything", "Darkest Hour" and "Bohemian Rhapsody".
You may still be able to find this in selected cinemas (e.g. Curzon) but it is also streaming on Netflix, which is where I had to watch it.
(For the full graphical review, please check out One Mann's Movies at https://bob-the-movie-man.com/2020/01/26/one-manns-movies-film-review-the-two-popes-2019/ ).
All that changed in 2013 when Pope Benedict XVI resigned, the first pope to voluntarily do so since Pope Celestine V in 1294. (Pope Gregory XII also resigned in 1415, but he was effectively forced to).
This movie tells the story of that curious situation, when Cardinal Jorge Bergoglio (played by Jonathan Pryce) ended up as Pope Francis while Benedict (Anthony Hopkins) was still alive. The official reason for the pope's resignation appears to have been his advanced age. But the film paints a rather different picture.
The movie starts back in 2005 as we enter the papal conclave. Benedict (Cardinal Ratzinger, as was) is the highly-political German cardinal who desperately wants the papacy; Bergoglio is the highly respected Argentinian cardinal who doesn't seek the office but might have it thrust upon him. (Clearly, when the white smoke clears, history has dictated the outcome).
But flash forward to 2013 and Bergoglio will get another bite of the cherry. Is he worthy of the role? Through flashbacks we return to Perón's unsettling rule over Argentina and the events that made the man.
The two stars are simply outstanding together, and it's no surprise at all that both have been nominated in the Oscar acting categories. They are almost joint leads. But - perhaps to give the film its best awards-season shot - Pryce is down for Best Actor and Hopkins is down for Best Supporting Actor.
Anthony Hopkins in particular for me shone with the brilliant quietness and subtle facial movements that are the mark of a truly confident actor. Less is more.
I was enjoying this movie enormously up until we flashed back to the Argentinian sub-plot. Set in the time of Perón's "Dirty War" when a huge number of people - estimates range from 9,000 to 30,000 - simply went "missing". There's nothing wrong with this sequence of the film. For example, a reunion of Bergoglio with a persecuted priest, Father Jalics (Lisandro Fiks) - is brilliantly and movingly done. It's just that for me it seemed so disjointed. It was jarring to switch from this Evita-era drama to the gentle drama of the papal plot.
If the movie had been 30 minutes shorter and focused on the mental struggles of Benedict I would have preferred it. Curiously - we don't really get to fully understand his divergence from the faith. Bergoglio gets no end of back-story. But Ratzinger's is probably just as interesting, but not explored.
This is still a really fine movie and will appeal to older folks who like a story rich with character acting and not heavy on the action or special effects. The director is Fernando Meirelles (who interestingly directed the Rio Olympics opening ceremony!) and it's written by Anthony McCarten, the man behind the screenplays for "The Theory of Everything", "Darkest Hour" and "Bohemian Rhapsody".
You may still be able to find this in selected cinemas (e.g. Curzon) but it is also streaming on Netflix, which is where I had to watch it.
(For the full graphical review, please check out One Mann's Movies at https://bob-the-movie-man.com/2020/01/26/one-manns-movies-film-review-the-two-popes-2019/ ).
Ivana A. | Diary of Difference (1171 KP) rated The Swords of Silence in Books
Feb 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/2886479579">The Swords of Silence</a> - ★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/09/Book-Review-Banner-20.png"/>;
I was born and raised in a country where religion is sacred. I was surrounded with Christianity all my life. However, while I have learned lessons of love, respect and hope, I am not a believer. I do believe that we need to be kind to each other, respect each other and hope for a better tomorrow, but I don't believe there is a God out there who decides our faith. My review is based on how I felt while reading and I believe everyone is entitled to their own opinion and should be respected for that.
The Swords of Silence features father Joaquim, who moves to Japan in the 1620's, to share the religion of Christ. However, the brutal regime in Japan forbids any other religion than Buddhism. The Shogun is determined there is no more Christianity in his country. Throughout the book, we follow Joaquim's journey, where he manages to get captured and escapes several times, with the help of God.
<b><i>This book perfectly captures the regime in Japan during this time.</i></b>
The true terror and the brutal punishments if you ever dare make a mistake. The world of no mercy. But this book is also a product of divine inspiration and has great elements some of us consider fantasy.
<b>Many of the scenes in The Swords of Silence that featured escaping were unrealistic and resembled the Bible stories.</b> We had walking on water, moving of mountains and a big storm in the sea that only affects the enemy ship, even though they are only metres away from father Joaquim's ship.
There is one scene though, that I was absolutely in awe with, and that was the scene with the duels. As a person who trained karate all my life and is very familiar with the rules of a duel, honour, respect and combat in martial arts - this scene was perfectly set and accurate. It brought all the emotions and it was brutally realistic. And it is because of this scene that I will give this book three stars.
The Swords of Silence is a great book, and I love the fact that the author captured moments in history that were true and brutal, and not many people in the world know about. A story that will make people aware of what was happening in the past. Even though I am not a believer in God, I stand by that people shouldn't be mistreated, bullied, or in this case - brutally murdered for what they believe in. Everyone has the right to believe in anything they believe in.
If this book was more realistic with the events and scenes, I would have given it five stars for the message it shares with the world.
<b><i>True fact: Around 1% of the population in Japan claims Christian belief or affiliation. Most large Christian denominations are repressed in Japan today.</i></b>
Thank you to LoveReading UK, the publisher Harper Collins UK and the author, Shaun Curry, for sending me a copy of this book in exchange for an honest review.
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#1 <a href="https://www.goodreads.com/review/show/2886479579">The Swords of Silence</a> - ★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/09/Book-Review-Banner-20.png"/>;
I was born and raised in a country where religion is sacred. I was surrounded with Christianity all my life. However, while I have learned lessons of love, respect and hope, I am not a believer. I do believe that we need to be kind to each other, respect each other and hope for a better tomorrow, but I don't believe there is a God out there who decides our faith. My review is based on how I felt while reading and I believe everyone is entitled to their own opinion and should be respected for that.
The Swords of Silence features father Joaquim, who moves to Japan in the 1620's, to share the religion of Christ. However, the brutal regime in Japan forbids any other religion than Buddhism. The Shogun is determined there is no more Christianity in his country. Throughout the book, we follow Joaquim's journey, where he manages to get captured and escapes several times, with the help of God.
<b><i>This book perfectly captures the regime in Japan during this time.</i></b>
The true terror and the brutal punishments if you ever dare make a mistake. The world of no mercy. But this book is also a product of divine inspiration and has great elements some of us consider fantasy.
<b>Many of the scenes in The Swords of Silence that featured escaping were unrealistic and resembled the Bible stories.</b> We had walking on water, moving of mountains and a big storm in the sea that only affects the enemy ship, even though they are only metres away from father Joaquim's ship.
There is one scene though, that I was absolutely in awe with, and that was the scene with the duels. As a person who trained karate all my life and is very familiar with the rules of a duel, honour, respect and combat in martial arts - this scene was perfectly set and accurate. It brought all the emotions and it was brutally realistic. And it is because of this scene that I will give this book three stars.
The Swords of Silence is a great book, and I love the fact that the author captured moments in history that were true and brutal, and not many people in the world know about. A story that will make people aware of what was happening in the past. Even though I am not a believer in God, I stand by that people shouldn't be mistreated, bullied, or in this case - brutally murdered for what they believe in. Everyone has the right to believe in anything they believe in.
If this book was more realistic with the events and scenes, I would have given it five stars for the message it shares with the world.
<b><i>True fact: Around 1% of the population in Japan claims Christian belief or affiliation. Most large Christian denominations are repressed in Japan today.</i></b>
Thank you to LoveReading UK, the publisher Harper Collins UK and the author, Shaun Curry, for sending me a copy of this book in exchange for an honest review.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Gareth von Kallenbach (980 KP) rated Safe House (2012) in Movies
Aug 7, 2019
In a complicated deadly game of international espionage things are rarely what they appear to be. Take the case of Matt Weston (Ryan Reynolds), a young man who, for all intents and purposes, appears to divide his time between his adoring French girlfriend (Nora Arnezeder) and a South African hospital. But if one were to pull back the curtain they would learn that Matt is actually a CIA agent who spends his time watching over a safe house, an assignment of painfully tedious monotony.
In the new action thriller “Safe House”, Reynolds eschews his typical charming, cocky, wisecracking on-screen personas to portray Matt as a mature young man with ambitions both inside and outside of his job. Matt longs to be assigned to a more glamorous position and is hopeful that when his 12 month tour in South Africa is up, a more exciting post awaits him in Paris. It doesn’t hurt that a Paris post will also allow him to be closer to his girlfriend when she returns to Europe in the near future. But his boss David Barlow (Brendan Gleason) isn’t as optimistic.
As his frustrations at the lack of mobility grows, Matt soon finds his quiet world torn asunder by the arrival of Tobin Frost (Denzel Washington). Frost is a former agent who went rogue and is considered an extremely dangerous and high-profile target. Having eluded the CIA for years, he only draws even more suspicion when he surrenders himself to a US consulate in South Africa. The CIA knows they have to act fast to determine what Frost knows, and quickly whisk him away to a safe house for intense interrogation. But the CIA aren’t the only ones who want to know Tobin’s secrets.
Although Matt is highly trained for his job running the safe house, he is very green when it comes to the reality of having to defend his domain against a surprise attack which leaves Tobin and Matt as the only survivors. Forced to flee and with nowhere to turn, Frost tries to convince Matt that they have been set up because someone in the agency does not want Frost to talk. At first skeptical, Matt is forced to step outside of his comfort zones and confront a deadly array of assassins as well as the threat posed by Frost himself and the unseen elements working against them. In a frantic race, Matt must keep Frost and himself alive as they attempt to reach safety and get to the truth behind the deadly game in which they’ve been cast.
Washington and Reynolds worked very well together and had a very natural, unforced chemistry. It was very nice to see Reynolds take on a grittier and more intense role than we have seen from him previously. Washington is a true artist at playing taciturn and wiley, and no one else can portray the pain and shock of being shot as subtly or as convincingly as Washington with just a simple change of expression.
That being said, the film had a number of issues. First and foremost, plot holes that you could drive a truck through and gaps in logic that really require the audience to take some serious leaps of faith. While there was some intense action, it was difficult to appreciate when it looked like the camera was being kicked around the floor during fight scenes, giving the film a very jerky quality. The film also suffered from some pacing issues with parts of the movie dragging as it worked toward an extremely predictable conclusion, one that I figured out very early into the film. There is some fine supporting work in the movie, particularly that of Gleeson and Arnezeder, as well as Ruben Blades as an old cohort of Frost’s, but it is not enough to help the film live up to its intriguing premise.
In the new action thriller “Safe House”, Reynolds eschews his typical charming, cocky, wisecracking on-screen personas to portray Matt as a mature young man with ambitions both inside and outside of his job. Matt longs to be assigned to a more glamorous position and is hopeful that when his 12 month tour in South Africa is up, a more exciting post awaits him in Paris. It doesn’t hurt that a Paris post will also allow him to be closer to his girlfriend when she returns to Europe in the near future. But his boss David Barlow (Brendan Gleason) isn’t as optimistic.
As his frustrations at the lack of mobility grows, Matt soon finds his quiet world torn asunder by the arrival of Tobin Frost (Denzel Washington). Frost is a former agent who went rogue and is considered an extremely dangerous and high-profile target. Having eluded the CIA for years, he only draws even more suspicion when he surrenders himself to a US consulate in South Africa. The CIA knows they have to act fast to determine what Frost knows, and quickly whisk him away to a safe house for intense interrogation. But the CIA aren’t the only ones who want to know Tobin’s secrets.
Although Matt is highly trained for his job running the safe house, he is very green when it comes to the reality of having to defend his domain against a surprise attack which leaves Tobin and Matt as the only survivors. Forced to flee and with nowhere to turn, Frost tries to convince Matt that they have been set up because someone in the agency does not want Frost to talk. At first skeptical, Matt is forced to step outside of his comfort zones and confront a deadly array of assassins as well as the threat posed by Frost himself and the unseen elements working against them. In a frantic race, Matt must keep Frost and himself alive as they attempt to reach safety and get to the truth behind the deadly game in which they’ve been cast.
Washington and Reynolds worked very well together and had a very natural, unforced chemistry. It was very nice to see Reynolds take on a grittier and more intense role than we have seen from him previously. Washington is a true artist at playing taciturn and wiley, and no one else can portray the pain and shock of being shot as subtly or as convincingly as Washington with just a simple change of expression.
That being said, the film had a number of issues. First and foremost, plot holes that you could drive a truck through and gaps in logic that really require the audience to take some serious leaps of faith. While there was some intense action, it was difficult to appreciate when it looked like the camera was being kicked around the floor during fight scenes, giving the film a very jerky quality. The film also suffered from some pacing issues with parts of the movie dragging as it worked toward an extremely predictable conclusion, one that I figured out very early into the film. There is some fine supporting work in the movie, particularly that of Gleeson and Arnezeder, as well as Ruben Blades as an old cohort of Frost’s, but it is not enough to help the film live up to its intriguing premise.