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Zuky the BookBum (15 KP) rated Fractured in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/fractured-by-catherine-mckenzie
AVAILABLE NOW IN THE UK!
<b><i>They say that if a butterfly flaps its wings in the Amazonian rainforest, it can change the weather half a world away. Chaos theory...
All I know is today is that you can think that what you’ve done is only the flap of a butterfly wing, when it’s really a thunderclap.
And both can result in a hurricane.</b></i>
Julie’s life has gotten hard, she’s become a famous author and managed to bag herself a crazed stalker, so she decides to move her family across the country in hope of a new, stalkerless, beginning. And when she meet neighbour John, they hit it off immediately, the future seems brighter. But before long, things start to go wrong again. Who knew moving into a beautiful picturesque new neighbourhood could be so deadly?
I was really worried about reading this because Netgalley classed it as women's fiction and I have serious beef with that genre… but also, I was expecting a suspense thriller, not some family-lovey-dovey bullshit, but after seeing the rave reviews on Goodreads I had a little more hope that this would be bearable for me. And boy was it bearable, more than that in fact, it was exciting and thrilling to read!
As Stephen King says <i><b>“Good books don't give up all their secrets at once.”</i></b> and this book certainly didn’t! I thought it was excellent at keeping you on your toes, feeding you chunks of mystery and suspense a little at a time.
<b>Minor spoilers in this paragraph.</b> I really liked the main characters in this book… separately. Julie was a good mum and loving wife who was dealing with all her issues in a non-annoying way and John was a good dad, and, for the most part, a good husband. But put the two of them together and they got annoying. How could a grown man and woman not realise the friendship they had managed to create out of one conversation the day Julie moved in was inappropriate for so long? Julie especially, as her relationship with Daniel seemed close to perfect! The childishness of their situation had me really irritated and uncomfortable throughout the novel. I never used to have a problem with these kind of relationships in books until me and Matt had been together for a while, not that I <i>ever</i> condoned cheating on a partner before I got into a relationship, just the thought of being cheated on by your other half sets off all kinds of emotions and feelings inside of me that I can’t even begin to describe. <spoiler>So when they kissed each other outside Julie’s house, my stomach dropped, I felt instantly panicky and sick and contemplated putting the novel down as unfinished. I hate, <b>hate</b> reading about affairs.</spoiler>
My favourite character was Daniel though, what a lovely, gentle and understanding man… if not a little naive. Though I didn’t like Hanna, but she had every right to be angry and suspicious with John.
It’s pretty clear from a few chapters in who our criminal is, but McKenzie does well to keep what specifically the “accident” is and who our victim is secret until just the right moment. When we found out what happened and who it happened to I was shocked! It’s been a long time since a book has surprised me in the same way. What a crazy end to this rollercoaster ride of a book!
Overall, this is a fantastic suspense novel, with just the right amount of “women’s fiction” merged with thriller. I seriously recommend this for all thriller/suspense readers out there, I’m sure this won’t disappoint!
<i>(I don’t mean to create any kind of drama with this comment but this whole novel is <i>so American!</i> Wanting to sue someone over small things? Having “block parties” and neighbourhood newsletters and stuff with an immature queen bee in charge of it all? This shit would never go down in the UK.)</i>
I’d like to thank Netgalley and Lake Union Publishing for the opportunity to read this in an exchange for an honest review.
AVAILABLE NOW IN THE UK!
<b><i>They say that if a butterfly flaps its wings in the Amazonian rainforest, it can change the weather half a world away. Chaos theory...
All I know is today is that you can think that what you’ve done is only the flap of a butterfly wing, when it’s really a thunderclap.
And both can result in a hurricane.</b></i>
Julie’s life has gotten hard, she’s become a famous author and managed to bag herself a crazed stalker, so she decides to move her family across the country in hope of a new, stalkerless, beginning. And when she meet neighbour John, they hit it off immediately, the future seems brighter. But before long, things start to go wrong again. Who knew moving into a beautiful picturesque new neighbourhood could be so deadly?
I was really worried about reading this because Netgalley classed it as women's fiction and I have serious beef with that genre… but also, I was expecting a suspense thriller, not some family-lovey-dovey bullshit, but after seeing the rave reviews on Goodreads I had a little more hope that this would be bearable for me. And boy was it bearable, more than that in fact, it was exciting and thrilling to read!
As Stephen King says <i><b>“Good books don't give up all their secrets at once.”</i></b> and this book certainly didn’t! I thought it was excellent at keeping you on your toes, feeding you chunks of mystery and suspense a little at a time.
<b>Minor spoilers in this paragraph.</b> I really liked the main characters in this book… separately. Julie was a good mum and loving wife who was dealing with all her issues in a non-annoying way and John was a good dad, and, for the most part, a good husband. But put the two of them together and they got annoying. How could a grown man and woman not realise the friendship they had managed to create out of one conversation the day Julie moved in was inappropriate for so long? Julie especially, as her relationship with Daniel seemed close to perfect! The childishness of their situation had me really irritated and uncomfortable throughout the novel. I never used to have a problem with these kind of relationships in books until me and Matt had been together for a while, not that I <i>ever</i> condoned cheating on a partner before I got into a relationship, just the thought of being cheated on by your other half sets off all kinds of emotions and feelings inside of me that I can’t even begin to describe. <spoiler>So when they kissed each other outside Julie’s house, my stomach dropped, I felt instantly panicky and sick and contemplated putting the novel down as unfinished. I hate, <b>hate</b> reading about affairs.</spoiler>
My favourite character was Daniel though, what a lovely, gentle and understanding man… if not a little naive. Though I didn’t like Hanna, but she had every right to be angry and suspicious with John.
It’s pretty clear from a few chapters in who our criminal is, but McKenzie does well to keep what specifically the “accident” is and who our victim is secret until just the right moment. When we found out what happened and who it happened to I was shocked! It’s been a long time since a book has surprised me in the same way. What a crazy end to this rollercoaster ride of a book!
Overall, this is a fantastic suspense novel, with just the right amount of “women’s fiction” merged with thriller. I seriously recommend this for all thriller/suspense readers out there, I’m sure this won’t disappoint!
<i>(I don’t mean to create any kind of drama with this comment but this whole novel is <i>so American!</i> Wanting to sue someone over small things? Having “block parties” and neighbourhood newsletters and stuff with an immature queen bee in charge of it all? This shit would never go down in the UK.)</i>
I’d like to thank Netgalley and Lake Union Publishing for the opportunity to read this in an exchange for an honest review.
Lee (2222 KP) rated The Mule (2018) in Movies
Jan 29, 2019 (Updated Jan 29, 2019)
A simple, enjoyable story
It appears there's just no stopping Clint Eastwood. Not only does he star in The Mule, a movie 'inspired by a true story', but he's also on producing and directing duties too. Just when you think you've seen him in his last ever role, he's back, 88 years old and still going strong!
Eastwood is Earl Stone, a highly successful horticulturist and Korean war veteran who we first meet in 2005. He arrives at a horticulture convention where he charms the ladies, engages in friendly competitive banter with other exhibitors and sneers at the guy promoting a new way of ordering flowers over the internet, before going on to win first prize for best bloom. But over the years all of this success has been at the expense of his family and while he's buying everyone in the bar a drink to celebrate his win, his daughter is getting married, wondering where her father is while her mother consoles her. A life on the road devoted to work has lost Earl the most important thing in life.
Shifting forward 12 years to 2017 and Earl has been forced to close up the flower business, blaming the damn internet for it all. He pays off his farm workers as best he can before heading off to his granddaughters house where she is holding a garden party. His presence only causes tension though - his daughter can't bear to be anywhere near him, while his ex wife takes the opportunity to once again give him a piece of her mind, disappointed that despite a lifelong devotion to work, he now can't even afford to help pay for his granddaughters upcoming wedding.
So when an offer comes his way, working as a mule for the cartel in return for good money, Earl accepts. An old man traveling, with no previous speeding tickets, is less likely to be stopped than the traditional Latinos they usually use, and Earl benefits by continuing his love of traveling the country in his trusty old truck. He tries the charming old man routine with the cartel members he comes into contact with on both sides of his deliveries, with varying degrees of success, but in-between he manages to just enjoy life - driving on the open road, singing along to the radio for hours on end. And the money certainly is good - Earl is able to buy a brand new truck, help pay for his granddaughters wedding and even help prevent a bar he's been going to for the last 50 or so years from closing. He gradually becomes more trusted within the cartel, becoming responsible for transporting increasingly larger quantities of drugs and drawing the attention of the more powerful cartel members. Attending big parties at their lavish houses, dancing with bikini clad girls and engaging in threesomes, this ninety something certainly is making the most of his twilight years! As power shifts within the cartel and Earl gets drawn deeper in, he finds himself having to decide between the cartel and his family. A decision with very different but serious consequences depending on which path he chooses.
All the while Earl is having his fun, the net is closing in on him in the form of a couple of DEA agents played by Bradley Cooper and Michael Peña. Under pressure to secure a bust from boss Lawrence Fishburne, they're getting closer and closer to capturing the cartels top mule. All three of these actors are seriously underused though in what are essentially pretty standard cop roles.
The Mule is a fairly simple movie with no big sense of drama, and certainly no Breaking Bad levels of cartel tension. However, I was never bored at any point and just found myself completely engrossed in it all, swept along by the genial nature of Earl and what was an enjoyable, sentimental story.
Eastwood is Earl Stone, a highly successful horticulturist and Korean war veteran who we first meet in 2005. He arrives at a horticulture convention where he charms the ladies, engages in friendly competitive banter with other exhibitors and sneers at the guy promoting a new way of ordering flowers over the internet, before going on to win first prize for best bloom. But over the years all of this success has been at the expense of his family and while he's buying everyone in the bar a drink to celebrate his win, his daughter is getting married, wondering where her father is while her mother consoles her. A life on the road devoted to work has lost Earl the most important thing in life.
Shifting forward 12 years to 2017 and Earl has been forced to close up the flower business, blaming the damn internet for it all. He pays off his farm workers as best he can before heading off to his granddaughters house where she is holding a garden party. His presence only causes tension though - his daughter can't bear to be anywhere near him, while his ex wife takes the opportunity to once again give him a piece of her mind, disappointed that despite a lifelong devotion to work, he now can't even afford to help pay for his granddaughters upcoming wedding.
So when an offer comes his way, working as a mule for the cartel in return for good money, Earl accepts. An old man traveling, with no previous speeding tickets, is less likely to be stopped than the traditional Latinos they usually use, and Earl benefits by continuing his love of traveling the country in his trusty old truck. He tries the charming old man routine with the cartel members he comes into contact with on both sides of his deliveries, with varying degrees of success, but in-between he manages to just enjoy life - driving on the open road, singing along to the radio for hours on end. And the money certainly is good - Earl is able to buy a brand new truck, help pay for his granddaughters wedding and even help prevent a bar he's been going to for the last 50 or so years from closing. He gradually becomes more trusted within the cartel, becoming responsible for transporting increasingly larger quantities of drugs and drawing the attention of the more powerful cartel members. Attending big parties at their lavish houses, dancing with bikini clad girls and engaging in threesomes, this ninety something certainly is making the most of his twilight years! As power shifts within the cartel and Earl gets drawn deeper in, he finds himself having to decide between the cartel and his family. A decision with very different but serious consequences depending on which path he chooses.
All the while Earl is having his fun, the net is closing in on him in the form of a couple of DEA agents played by Bradley Cooper and Michael Peña. Under pressure to secure a bust from boss Lawrence Fishburne, they're getting closer and closer to capturing the cartels top mule. All three of these actors are seriously underused though in what are essentially pretty standard cop roles.
The Mule is a fairly simple movie with no big sense of drama, and certainly no Breaking Bad levels of cartel tension. However, I was never bored at any point and just found myself completely engrossed in it all, swept along by the genial nature of Earl and what was an enjoyable, sentimental story.
Bad writing (1 more)
Mostly romance
Drowning is one of the top fears in the world, and it's also one of the top ways to cover up a murder. In Lie to Me, Ward's fourth YA novel, she uses drowning as the basis of the story. Yet, this book fell very short in the thriller/mystery genre: Ward gives away too many hints at the beginning of the book, that most readers will have the murderer figured out by chapter 7; she also focuses too much on romance, something that should have caused this story to be filed under a different category other than mystery/thriller. But luckily she didn't bring in a wide circle of characters to cause confusion, using only one view point from the main character of Lie to Me: Amelia- - - a teen girl who believes she was pushed down a ravine to be left for dead in the raging water below.
Besides her 'accident,' Amelia leads a normal life with her mother, father and brother, Hunter - - - she also has a small group of friends. After her 'fall,' a body of a teen girl from the same town is found in a nearby river, but the town gossips, and makes it seem that this girl committed suicide, leaving Amelia worried that her family would think the same thing about her. Depression is something that Amelia's family has had to deal with before, but the talk of depression is candid and not very enlightening; her brother, Hunter, who is in therapy for such doesn't even talk about it, instead he's usually seen playing soccer or Fortnite, this seems to be a broad attempt to bring mental health into the story,but without going into that subject, it failed as a story line. Yet, one of the main causes of depression today is social media, which we find Amelia stalking one of her best friends/love interest on- - -if Ward was trying to reach the YA community about depression, she went the wrong way about it.
Another mistake that Ward made was when Amelia receives an anonymous text message from someone telling her to 'Just let it go,Amelia,' this occurs after she has started investigating whether her 'accident' was an accident. Amelia tells us that she is always suspicious of everyone, but when this text message comes around, it's as if she could care less. She even tries to take the anonymous message as advice: " 'Or it's advice.' I feel backed into a corner. It's one thing to believe someone hurt me and another thing to have proof of it. I don't want this to be proof. 'I mean, Sky's always telling me I should let my life get back to normal, and she doesn't even know I'm thinking any of this. Maybe someone else feels that way,too.' " In reality, if you believed that someone attempted to murder you, and suddenly you are receiving a cryptic message about letting it go, wouldn't the logic thing to do is go to the police?? Amelia doesn't!
Ward has written three other YA novels, 'Lie to Me' being her fourth. The writing in this story is bad in some places, for example, a scene with Amelia and her best friend, Sky, meeting up at the 'screen' (technically a giant drive-in movie theater screen); Amelia thinks about how this town is a haven for her, that everyone feels safe, but the very next paragraph, she's stating she doesn't feel safe anymore. This makes sense if you haven't read it, but the way it's written could have been in a much better and concise way. This and most scenes makes the story read like a sloppy diary entry. That, and the killer being predictable so early on in the story made me very disappointed with this book. 'Lie to Me' had great potential from the synopsis, but it lacked story, mystery, suspense and diverse characters.
I can't recommend this book to people who love horror stories, like I do. I think the only ones who would enjoy this story are the die-hard YA fans. It has everything that YA is known for: romance and teen drama, but it's lacking in everything else. Other than that, I don't think I'll read another book by Ward, but as far as Point horror books go, I will still give them a shot.
Besides her 'accident,' Amelia leads a normal life with her mother, father and brother, Hunter - - - she also has a small group of friends. After her 'fall,' a body of a teen girl from the same town is found in a nearby river, but the town gossips, and makes it seem that this girl committed suicide, leaving Amelia worried that her family would think the same thing about her. Depression is something that Amelia's family has had to deal with before, but the talk of depression is candid and not very enlightening; her brother, Hunter, who is in therapy for such doesn't even talk about it, instead he's usually seen playing soccer or Fortnite, this seems to be a broad attempt to bring mental health into the story,but without going into that subject, it failed as a story line. Yet, one of the main causes of depression today is social media, which we find Amelia stalking one of her best friends/love interest on- - -if Ward was trying to reach the YA community about depression, she went the wrong way about it.
Another mistake that Ward made was when Amelia receives an anonymous text message from someone telling her to 'Just let it go,Amelia,' this occurs after she has started investigating whether her 'accident' was an accident. Amelia tells us that she is always suspicious of everyone, but when this text message comes around, it's as if she could care less. She even tries to take the anonymous message as advice: " 'Or it's advice.' I feel backed into a corner. It's one thing to believe someone hurt me and another thing to have proof of it. I don't want this to be proof. 'I mean, Sky's always telling me I should let my life get back to normal, and she doesn't even know I'm thinking any of this. Maybe someone else feels that way,too.' " In reality, if you believed that someone attempted to murder you, and suddenly you are receiving a cryptic message about letting it go, wouldn't the logic thing to do is go to the police?? Amelia doesn't!
Ward has written three other YA novels, 'Lie to Me' being her fourth. The writing in this story is bad in some places, for example, a scene with Amelia and her best friend, Sky, meeting up at the 'screen' (technically a giant drive-in movie theater screen); Amelia thinks about how this town is a haven for her, that everyone feels safe, but the very next paragraph, she's stating she doesn't feel safe anymore. This makes sense if you haven't read it, but the way it's written could have been in a much better and concise way. This and most scenes makes the story read like a sloppy diary entry. That, and the killer being predictable so early on in the story made me very disappointed with this book. 'Lie to Me' had great potential from the synopsis, but it lacked story, mystery, suspense and diverse characters.
I can't recommend this book to people who love horror stories, like I do. I think the only ones who would enjoy this story are the die-hard YA fans. It has everything that YA is known for: romance and teen drama, but it's lacking in everything else. Other than that, I don't think I'll read another book by Ward, but as far as Point horror books go, I will still give them a shot.
Bob Mann (459 KP) rated Frankie (2019) in Movies
May 24, 2021
A film about death that dies on its feet.
In "Frankie", the eponymous French movie star (played by Isabelle Huppert) is dying of cancer and gathers her complex family and friends around her for one last 'family holiday' in the picturesque Portuguese town of Sintra. We follow the events of a single day of the vacation as frictions and back-stories of the players become more evident.
Positives:
- Sintra looks gorgeous: as a regular visitor to Portugal's Silver Coast, it's a place I've not yet visited. The cinematography of the region makes me want to change that.
- There are a couple of decent scenes in the movie: both involving the trustworthy Greg Kinnear: one involving him trying to sell a film idea to Frankie (who knows, but won't tell him, that she won't be around for it); and another with Kinnear and Tomei at their hotel.
Negatives:
- Where do I start.... the film is as dull as dishwater!
-- A criticism I had of the otherwise impressive "Nomadland" was that the story arc of the leading character was shallow and not very compelling. The story arc here is a bloody straight line! Virtually nothing happens in the movie and it goes nowhere. Events occur as isolated snippets in the storyline. For example, the 'loss' of an expensive bracelet is randomly lobbed into the story, but then is never referenced back in any future narrative.
-- When the ending happened (which the illustrious Mrs Movie Man referred to as a "blessing") it was a non-event. The lady behind us in the cinema exclaimed "WHAT????". And I could understand her frustration.
- The direction is distinctly lacking. Aside from the couple of decent scenes (see above), most of the shots feel like first takes, with the actors doing read-throughs of the clunky script to try to work out how to best sell the lines. "OK, time to film it for real now". But director Sachs has already shouted "Cut and Print.... now who's for some more vinos and Pastel de Nata?"! Were they aiming for some sort of naturalistic fumbling of the character's conversations? For that's how it comes across, and it's just awful.
- The script feels like a wasted opportunity. The set-up should have been a good one for an intense drama. And there are flashes (merely flashes) of potential brilliance in there: a formative step-brother/step-sister incident is based around the film "Grease", which is mirrored (either cleverly or purely through coincidence!?) in the beach-side romance of Maya (Sennia Nanua) and Portuguese holiday-maker Pedro (Manuel Sá Nogueira). And does the homosexual Michel (Pascal Greggory) have his sights on Jimmy (Brendan Gleeson)? Or Tiago? Or both? None of these potentially interesting strands ever get tied down.
- Aside from the poor script and the poor direction, some of the acting performances are unconvincing. "The Girl with all the Gifts" was a fabulous film - it made my number 2 slot of 2016! And I called out young Sennia Nanua as "one to watch for the future" as the zombie girl at the heart of the film. Here she was 17 at the time of filming. But I'm afraid I just didn't find her convincing as the moody teen. (By the way, I only single her out, since I was so impressed with her previous performance: with the exception perhaps of Kinnear, Tomei and Carloto Cotta. none of the rest of the cast consistently shine either.)
Summary Thoughts: It's a real shame that my first visit back to the cinema was such a let-down. Ira Sachs is not a director I know, but he comes with a strong reputation (for 2016's "Little Men"). But here he delivers a plain stinker. I'm afraid this movie has a word associated with it, and the word is "Avoid".
(For the full graphical review, please check out "One Mann's Movies" here - https://bob-the-movie-man.com/2021/05/24/frankie-a-film-about-death-that-dies-on-its-feet/. Thanks.)
Positives:
- Sintra looks gorgeous: as a regular visitor to Portugal's Silver Coast, it's a place I've not yet visited. The cinematography of the region makes me want to change that.
- There are a couple of decent scenes in the movie: both involving the trustworthy Greg Kinnear: one involving him trying to sell a film idea to Frankie (who knows, but won't tell him, that she won't be around for it); and another with Kinnear and Tomei at their hotel.
Negatives:
- Where do I start.... the film is as dull as dishwater!
-- A criticism I had of the otherwise impressive "Nomadland" was that the story arc of the leading character was shallow and not very compelling. The story arc here is a bloody straight line! Virtually nothing happens in the movie and it goes nowhere. Events occur as isolated snippets in the storyline. For example, the 'loss' of an expensive bracelet is randomly lobbed into the story, but then is never referenced back in any future narrative.
-- When the ending happened (which the illustrious Mrs Movie Man referred to as a "blessing") it was a non-event. The lady behind us in the cinema exclaimed "WHAT????". And I could understand her frustration.
- The direction is distinctly lacking. Aside from the couple of decent scenes (see above), most of the shots feel like first takes, with the actors doing read-throughs of the clunky script to try to work out how to best sell the lines. "OK, time to film it for real now". But director Sachs has already shouted "Cut and Print.... now who's for some more vinos and Pastel de Nata?"! Were they aiming for some sort of naturalistic fumbling of the character's conversations? For that's how it comes across, and it's just awful.
- The script feels like a wasted opportunity. The set-up should have been a good one for an intense drama. And there are flashes (merely flashes) of potential brilliance in there: a formative step-brother/step-sister incident is based around the film "Grease", which is mirrored (either cleverly or purely through coincidence!?) in the beach-side romance of Maya (Sennia Nanua) and Portuguese holiday-maker Pedro (Manuel Sá Nogueira). And does the homosexual Michel (Pascal Greggory) have his sights on Jimmy (Brendan Gleeson)? Or Tiago? Or both? None of these potentially interesting strands ever get tied down.
- Aside from the poor script and the poor direction, some of the acting performances are unconvincing. "The Girl with all the Gifts" was a fabulous film - it made my number 2 slot of 2016! And I called out young Sennia Nanua as "one to watch for the future" as the zombie girl at the heart of the film. Here she was 17 at the time of filming. But I'm afraid I just didn't find her convincing as the moody teen. (By the way, I only single her out, since I was so impressed with her previous performance: with the exception perhaps of Kinnear, Tomei and Carloto Cotta. none of the rest of the cast consistently shine either.)
Summary Thoughts: It's a real shame that my first visit back to the cinema was such a let-down. Ira Sachs is not a director I know, but he comes with a strong reputation (for 2016's "Little Men"). But here he delivers a plain stinker. I'm afraid this movie has a word associated with it, and the word is "Avoid".
(For the full graphical review, please check out "One Mann's Movies" here - https://bob-the-movie-man.com/2021/05/24/frankie-a-film-about-death-that-dies-on-its-feet/. Thanks.)
Bob Mann (459 KP) rated Sleepless (2017) in Movies
Sep 29, 2021
A potentially good ‘B’ movie undone.
Ecclesiastes 1:9 came up with the oft used quote that “there is nothing new under the sun”. “Sleepless” proves that in spades.
Bent copper drama? Check.
Dodgy casino owner? Check.
Nasty “Black Rain” style hoodlum? Check.
Kidnapped teen (“I WILL find you”)? Check.
Misunderstood family man? Check.
All of these standard tropes are lobbed into the movie blender and pulsed well.
Holding it all together are solid performances from Jamie Foxx (“Django Unchained”) as Vincent Downs, the cop with a dodgy background, and Michelle Monaghan (“Source Code”, “Patriot’s Day”) as the internal affairs cop doggedly on his trail.
In terms of the storyline it’s best to go into the film (as I did) with limited knowledge of the plot (on which more below). As the film opens, and playing out a strong anti-hero role, Downs with his equally dodgy partner are involved in a shootout at a drug deal in the streets of Las Vegas. This allows them to get their hands on a significant quantity of heroine. Naturally they pocket this, but unbeknownst to them the deal was between casino boss Rubino (Dermot Mulrooney, “The Grey”) and the vicious mafia son of the local Novak family, Rob (Scoot McNairy, “Argo”). For Downs the pressure is on when his teenage son Thomas ( Octavius J. Johnson) is kidnapped as a trade for the drugs.
The film delivers some good fight scenes and action, but nothing we haven’t seen before in countless other movies like Bourne. What drags the film down though is the scripting and direction. There are such a range of implausibilities on show here that it makes you wonder why anyone involved in the film didn’t just stop and say “WAIT A MINUTE HERE GUYS” and demand a rewrite.
For example, Foxx suffers a severe knife wound early in the film, but repeatedly bounces from ‘full action hero fighting machine’ mode to ‘staggering and holding his side’ mode without pause. The wound adds nothing but implausibility to the action, so why include it at all??
And a scene in an underground car park involving copious quantities of tear gas brought tears of embarrassment to my eyes: an affliction that didn’t seem to affect any of the protagonists in the film!
This is a great shame, and writer Andrea Berloff (“Straight Outta Compton”) and Swiss-born director Baran bo Odar should have more respect for their audience’s intelligence (that’s the third movie in recent weeks I’ve made that comment on… it must be the time of year!).
It’s also extremely irritating that one of the key twists in the movie (although you may guess it) is so blatantly spoiled: both by an audio line in the trailer (commented on below) and – more appallingly – by one of the two straplines on the posters (I haven’t used that one to head my post). Thankfully I never noticed this before I saw the film.
Fox and Monaghan are too good for the material but have screen chemistry that keeps the film watchable. I also thought Scoot McNairy was great as the cold-eyed crazy hoodlum and it’s also interesting to see Dermot Mulrooney, so memorable as the male lead in 1997’s “My Best Friend’s Wedding”, back in a mainstream role.
By the way, I have no idea why the film is called “Sleepless”, other than it being based on a 2011 French film called “Nuit Blanche” which was perhaps written in a way where it made more sense. Vincent is no Jack Bauer and he gets more than a small opportunity to catnap during the running time!
In summary, the movie is perfectly watchable for its action moments. In fact, as I *think* my wife, who is a great fan of “Die Hard, “Taken”, et al would like it I’ve added a half-Fad to my initial rating. And it’s done with some style such that it has the *potential* to be a good film – – which is frustrating. But in my view it’s not worth the ticket price at the cinema: wait instead for it to arrive on Amazon/Netflix.
The end of the film suggests a set-up for a sequel. I doubt this is a sequel that will ever get made.
Bent copper drama? Check.
Dodgy casino owner? Check.
Nasty “Black Rain” style hoodlum? Check.
Kidnapped teen (“I WILL find you”)? Check.
Misunderstood family man? Check.
All of these standard tropes are lobbed into the movie blender and pulsed well.
Holding it all together are solid performances from Jamie Foxx (“Django Unchained”) as Vincent Downs, the cop with a dodgy background, and Michelle Monaghan (“Source Code”, “Patriot’s Day”) as the internal affairs cop doggedly on his trail.
In terms of the storyline it’s best to go into the film (as I did) with limited knowledge of the plot (on which more below). As the film opens, and playing out a strong anti-hero role, Downs with his equally dodgy partner are involved in a shootout at a drug deal in the streets of Las Vegas. This allows them to get their hands on a significant quantity of heroine. Naturally they pocket this, but unbeknownst to them the deal was between casino boss Rubino (Dermot Mulrooney, “The Grey”) and the vicious mafia son of the local Novak family, Rob (Scoot McNairy, “Argo”). For Downs the pressure is on when his teenage son Thomas ( Octavius J. Johnson) is kidnapped as a trade for the drugs.
The film delivers some good fight scenes and action, but nothing we haven’t seen before in countless other movies like Bourne. What drags the film down though is the scripting and direction. There are such a range of implausibilities on show here that it makes you wonder why anyone involved in the film didn’t just stop and say “WAIT A MINUTE HERE GUYS” and demand a rewrite.
For example, Foxx suffers a severe knife wound early in the film, but repeatedly bounces from ‘full action hero fighting machine’ mode to ‘staggering and holding his side’ mode without pause. The wound adds nothing but implausibility to the action, so why include it at all??
And a scene in an underground car park involving copious quantities of tear gas brought tears of embarrassment to my eyes: an affliction that didn’t seem to affect any of the protagonists in the film!
This is a great shame, and writer Andrea Berloff (“Straight Outta Compton”) and Swiss-born director Baran bo Odar should have more respect for their audience’s intelligence (that’s the third movie in recent weeks I’ve made that comment on… it must be the time of year!).
It’s also extremely irritating that one of the key twists in the movie (although you may guess it) is so blatantly spoiled: both by an audio line in the trailer (commented on below) and – more appallingly – by one of the two straplines on the posters (I haven’t used that one to head my post). Thankfully I never noticed this before I saw the film.
Fox and Monaghan are too good for the material but have screen chemistry that keeps the film watchable. I also thought Scoot McNairy was great as the cold-eyed crazy hoodlum and it’s also interesting to see Dermot Mulrooney, so memorable as the male lead in 1997’s “My Best Friend’s Wedding”, back in a mainstream role.
By the way, I have no idea why the film is called “Sleepless”, other than it being based on a 2011 French film called “Nuit Blanche” which was perhaps written in a way where it made more sense. Vincent is no Jack Bauer and he gets more than a small opportunity to catnap during the running time!
In summary, the movie is perfectly watchable for its action moments. In fact, as I *think* my wife, who is a great fan of “Die Hard, “Taken”, et al would like it I’ve added a half-Fad to my initial rating. And it’s done with some style such that it has the *potential* to be a good film – – which is frustrating. But in my view it’s not worth the ticket price at the cinema: wait instead for it to arrive on Amazon/Netflix.
The end of the film suggests a set-up for a sequel. I doubt this is a sequel that will ever get made.
Kaysee Hood (83 KP) rated Landline in Books
Oct 3, 2017
I will be honest when I say I did not take notes for this book as I did the others. I did not write down thoughts or what was going on or doodle like pictures in my book journal like I have done with the previous books so I could write a review. There is a simple reason for this: I was not dazzled by Landline as I have been with Rowell's other books. This does not mean I did not enjoy it, I was not simply not as captured.
Now, there is a certain charm Georgie McCool has. She is a working woman. She is the bread winner. She knows what she wants. She is funny and clever. Most importantly, she is aware of her flaws and is not put off as someone perfect. She is open about her flaws. She points these out about herself. Those with who she is and what is of her body.
That is not what Landline is about however. Well maybe in a way it is as the whole plot is the focus of her choosing her career over Neil where she works with her best friend, who obviously loves her as much as she is hopelessly in love with her husband. This is a certain strain on their relationship. Not to mention she is selfish and has put a lot of the work on Neil to keep the house in order, make meals, and raise the kids while she lives her dream. What we witness is the final straw breaking when she chooses her career over the family once more during Christmas.
Now I will admit I was not into the story the first fourth of the way. I am not one for drama in the way it has presented itself in these pages. I hate soap operas and love triangles. Romance is wonderful, but there is this line I have where it cannot be chaos or something I could turn a chick flick on to get it out of my system. Though this did take a turn with the phone calls.
I will not spoil the magic factor of this books, but what I can say is Rowell does not have in this book as she did in the others. She is quite there in her writing. It is her words. Her style. There is something missing. I cannot tell you as to what it is, but there is something missing. I would say give Landline a chance if you are a fan or if it sparks some sort of interest for you, but it is not a book I am going to put on my shelf.
Now, there is a certain charm Georgie McCool has. She is a working woman. She is the bread winner. She knows what she wants. She is funny and clever. Most importantly, she is aware of her flaws and is not put off as someone perfect. She is open about her flaws. She points these out about herself. Those with who she is and what is of her body.
That is not what Landline is about however. Well maybe in a way it is as the whole plot is the focus of her choosing her career over Neil where she works with her best friend, who obviously loves her as much as she is hopelessly in love with her husband. This is a certain strain on their relationship. Not to mention she is selfish and has put a lot of the work on Neil to keep the house in order, make meals, and raise the kids while she lives her dream. What we witness is the final straw breaking when she chooses her career over the family once more during Christmas.
Now I will admit I was not into the story the first fourth of the way. I am not one for drama in the way it has presented itself in these pages. I hate soap operas and love triangles. Romance is wonderful, but there is this line I have where it cannot be chaos or something I could turn a chick flick on to get it out of my system. Though this did take a turn with the phone calls.
I will not spoil the magic factor of this books, but what I can say is Rowell does not have in this book as she did in the others. She is quite there in her writing. It is her words. Her style. There is something missing. I cannot tell you as to what it is, but there is something missing. I would say give Landline a chance if you are a fan or if it sparks some sort of interest for you, but it is not a book I am going to put on my shelf.
Becca Major (96 KP) rated Black in TV
May 26, 2018
Premise (3 more)
Story
Mystery
Interesting world-building
THAT TERRIBLE ENDING (1 more)
Manipulative asshat hero
"Black" is just weird, okay?
"Black" is a very weird show because it is a steaming pile of questions. What Black is actually about is a detective who kinda befriends a psychic woman right before getting shot, and the Grim Reaper that possesses his dead body for his own purposes. Oh, and the psychic and the reaper develop feelings for each other, because of course they do.
The Characters
The main female character is Kang Ha-ram, an unfortunate woman who is able to see black smokey clouds on the backs of people who are about to die. Then, if she touches them, she can see exactly how they die. She lives alone, has trouble keeping a job, and has a terrible relationship with her family. Out of all the characters in this show, she is the most relatable. It’s also nice to see a headstrong female character who is also compassionate and damaged.
The main male character, however, is the Grim Reaper. His designated number is 444, but he chooses to call himself Black pretty early on (as an homage to "Meet Joe Black" though I can't say anything about it because I haven't actually seen the movie). He's... interesting. On one hand, I hate him. I hate that he manipulates Ha-ram. I hate that he lies to her about everything, and still has the audacity to jerk her around. I hate that he is prejudiced and egotistical. On the other hand, after he's been on Earth for a little while, he starts to pick up on the nuances of human interaction, so I can't hate him too much.
The Story
The story caught my attention early on. It is first and foremost a mystery and a cold-case mystery at that. Shortly after Black takes over the life of detective Han Mu-gang, he is roped into a case of teenage prostitution, murder, and political cover-ups. It's very good and keeps you guessing. Plus there's the romance between Ha-ram and Black to worry about. Unfortunately, the entire final episode is terrible. It literally feels like they threw darts at a board to figure out how to finish the show.
Final Thoughts
It's a good show that could use a much better finale. It has strong characters and a hella good story. The effects are good, and the acting is great. If you like mysteries or need a change of pace, then give it a shot.
[I wrote a little bit more about this on my personal blog, and I plan to do a few more posts about Black on it. Check it out if you are interested. https://rebecca-major.com/2018/05/24/black-a-spoiler-free-k-drama-review/]
The Characters
The main female character is Kang Ha-ram, an unfortunate woman who is able to see black smokey clouds on the backs of people who are about to die. Then, if she touches them, she can see exactly how they die. She lives alone, has trouble keeping a job, and has a terrible relationship with her family. Out of all the characters in this show, she is the most relatable. It’s also nice to see a headstrong female character who is also compassionate and damaged.
The main male character, however, is the Grim Reaper. His designated number is 444, but he chooses to call himself Black pretty early on (as an homage to "Meet Joe Black" though I can't say anything about it because I haven't actually seen the movie). He's... interesting. On one hand, I hate him. I hate that he manipulates Ha-ram. I hate that he lies to her about everything, and still has the audacity to jerk her around. I hate that he is prejudiced and egotistical. On the other hand, after he's been on Earth for a little while, he starts to pick up on the nuances of human interaction, so I can't hate him too much.
The Story
The story caught my attention early on. It is first and foremost a mystery and a cold-case mystery at that. Shortly after Black takes over the life of detective Han Mu-gang, he is roped into a case of teenage prostitution, murder, and political cover-ups. It's very good and keeps you guessing. Plus there's the romance between Ha-ram and Black to worry about. Unfortunately, the entire final episode is terrible. It literally feels like they threw darts at a board to figure out how to finish the show.
Final Thoughts
It's a good show that could use a much better finale. It has strong characters and a hella good story. The effects are good, and the acting is great. If you like mysteries or need a change of pace, then give it a shot.
[I wrote a little bit more about this on my personal blog, and I plan to do a few more posts about Black on it. Check it out if you are interested. https://rebecca-major.com/2018/05/24/black-a-spoiler-free-k-drama-review/]
BookblogbyCari (345 KP) rated Law of Attraction in Books
Aug 14, 2018
Book Review by Cari Mayhew.
I listened to this as an audiobook, and I feel this added to the feel of the story and improved my experience of the book. The narrator spoke in a stunning female American accent but would change voices for the male dialogue parts.
I was enticed by the book's description – a romantic drama between two high-flying Lawyers. I was expecting witty dialogue and real tension between the characters. This book is part of a two-book series and is intended for readers over the age of eighteen.
The central character is criminal defense lawyer Gabrielle, who has crushed on prosecutor Braden in their altercations in the Courtroom for several months. Braden, however, is quite the cad, and is known not have had any serious relationships in quite some time.
One evening the two of them meet in the local bar and a serious flirting session ensues. Despite how much characters lust after each other, Gabrielle has no intention of becoming a mere one night stand, and a succession of dates are negotiated.
Their first date is one to remember. Soon after they boyfriend-girlfriend are meeting each other’s family. But, there are some odd complications, and all does not run smoothly. Braden has a narcissistic ex-girlfriend Marla, who still can’t accept that they’ve broken up. More intriguingly, an old crush of Gabrielle’s, Cam, who took Gabrielle’s virginity, comes back into her life shadowing her law firm, and it turns out he’s Braden’s cousin, who is also the man that another ex of Braden’s once cheated with. Then Gabrielle receives threatening notes telling her to stay away from Braden.
Gabrielle and her friends start plotting to find out who is leaving the notes. They aim to get handwriting samples from the 3 people they suspect, and by some strange coincidence, all 3 are at the same secret underground fantasy party which gets raided, providing handwriting samples in the form of written statements.
Then the first book in the series comes to an end before the note writer is identified. Rather than it being one of the people Gabrielle suspects, I suspect the author aims to provide surprise by making it someone closer to home.
One saucy scene was on a par with Fifty Shades of Grey, but this book is not going to take off like Fifty Shades of Grey did. There was nothing unusual in these scenes other than perhaps the locations.
Whilst the book never bored me, I just didn’t care enough about the characters or plot to want to read the second book in the series.
For more of my reviews, check out www.bookblogbycari.com
I listened to this as an audiobook, and I feel this added to the feel of the story and improved my experience of the book. The narrator spoke in a stunning female American accent but would change voices for the male dialogue parts.
I was enticed by the book's description – a romantic drama between two high-flying Lawyers. I was expecting witty dialogue and real tension between the characters. This book is part of a two-book series and is intended for readers over the age of eighteen.
The central character is criminal defense lawyer Gabrielle, who has crushed on prosecutor Braden in their altercations in the Courtroom for several months. Braden, however, is quite the cad, and is known not have had any serious relationships in quite some time.
One evening the two of them meet in the local bar and a serious flirting session ensues. Despite how much characters lust after each other, Gabrielle has no intention of becoming a mere one night stand, and a succession of dates are negotiated.
Their first date is one to remember. Soon after they boyfriend-girlfriend are meeting each other’s family. But, there are some odd complications, and all does not run smoothly. Braden has a narcissistic ex-girlfriend Marla, who still can’t accept that they’ve broken up. More intriguingly, an old crush of Gabrielle’s, Cam, who took Gabrielle’s virginity, comes back into her life shadowing her law firm, and it turns out he’s Braden’s cousin, who is also the man that another ex of Braden’s once cheated with. Then Gabrielle receives threatening notes telling her to stay away from Braden.
Gabrielle and her friends start plotting to find out who is leaving the notes. They aim to get handwriting samples from the 3 people they suspect, and by some strange coincidence, all 3 are at the same secret underground fantasy party which gets raided, providing handwriting samples in the form of written statements.
Then the first book in the series comes to an end before the note writer is identified. Rather than it being one of the people Gabrielle suspects, I suspect the author aims to provide surprise by making it someone closer to home.
One saucy scene was on a par with Fifty Shades of Grey, but this book is not going to take off like Fifty Shades of Grey did. There was nothing unusual in these scenes other than perhaps the locations.
Whilst the book never bored me, I just didn’t care enough about the characters or plot to want to read the second book in the series.
For more of my reviews, check out www.bookblogbycari.com
Charlie Cobra Reviews (1840 KP) rated The Umbrella Academy in TV
Jul 5, 2020
A Gamble That Pays Off - 8/10
The Umbrella Academy is a 2019 dark comedy sci-fi/drama superhero tv show developed by Steve Blackman and Jeremy Slater for Netflix. It's an adaptation of the comic book series created by Gerard Way and Gabriel Ba and published by Dark Horse Comics. The series was produced by Borderline Entertainment, Dark Horse Entertainment, and Universal Cable Productions. Starring Ellen Page, Tom Hopper, David Castaneda, and Kate Walsh.
On October 1st, 1989, 43 women around the world give birth although none of them were pregnant that morning. Eccentric billionaire Sir Reginald Hargreeves (Colman Feore) adopts 7 of the children and turns them into a superhero team called, "The Umbrella Academy. The children are given numbers instead of names and even though 6 of them fight crime, 1 of them, Vanya/#7 (Ellen Page) is kept apart for not having any powers. Present day, the estranged siblings reunite when they learn their father has died. At the funeral, #5 (Aidan Gallagher), which has been missing for over a decade, reappears from the future out of a blue portal and reveals to the others, that the world will end in a matter of days.
This show is stellar. It's a ride that you shouldn't miss. It's good to see a comic book series adaptation that is not from Marvel or DC and you can feel that it's a fresh take and different. I think the writers for the show did a good job on making it very three-dimensional. It's rated TV-14 so it's for teenagers and adults but also for comic book fans and sci-fi fans. That being said it does get pretty weird and far out there, so might not be for everybody but it's definitely better than what the critics are saying. Yes it does have some issues; like the dialogue might not be the best, there being some plot holes possibly, and some complaints of other comic book shows or movies having done that before. But it does have plenty of pluses; the soundtrack is phenomenal, the CGI is on par with that of big-budget movies, and the casting is very good. They were able to pull off the whole dysfunctional family vibe very well. I wanted to give it a point higher but I did understand some of the other points that other critics made about it. I give it a 8/10 but I also give it my "Must See" seal of approval. So if you haven't seen it yet what are you waiting for.
On October 1st, 1989, 43 women around the world give birth although none of them were pregnant that morning. Eccentric billionaire Sir Reginald Hargreeves (Colman Feore) adopts 7 of the children and turns them into a superhero team called, "The Umbrella Academy. The children are given numbers instead of names and even though 6 of them fight crime, 1 of them, Vanya/#7 (Ellen Page) is kept apart for not having any powers. Present day, the estranged siblings reunite when they learn their father has died. At the funeral, #5 (Aidan Gallagher), which has been missing for over a decade, reappears from the future out of a blue portal and reveals to the others, that the world will end in a matter of days.
This show is stellar. It's a ride that you shouldn't miss. It's good to see a comic book series adaptation that is not from Marvel or DC and you can feel that it's a fresh take and different. I think the writers for the show did a good job on making it very three-dimensional. It's rated TV-14 so it's for teenagers and adults but also for comic book fans and sci-fi fans. That being said it does get pretty weird and far out there, so might not be for everybody but it's definitely better than what the critics are saying. Yes it does have some issues; like the dialogue might not be the best, there being some plot holes possibly, and some complaints of other comic book shows or movies having done that before. But it does have plenty of pluses; the soundtrack is phenomenal, the CGI is on par with that of big-budget movies, and the casting is very good. They were able to pull off the whole dysfunctional family vibe very well. I wanted to give it a point higher but I did understand some of the other points that other critics made about it. I give it a 8/10 but I also give it my "Must See" seal of approval. So if you haven't seen it yet what are you waiting for.
Leanne Crabtree (480 KP) rated Scorched (Sapphire City, #1) in Books
Jan 6, 2021
I received this ARC via Netgalley in exchange for an honest review.
The cover drew me in. Isn’t it a thing of beauty?
When I requested this I assumed it would be more paranormal than it was. In fact it was more fantasy than anything. People who go around using their powers–known as the Augmented–to stop evil, dressed up in disguise. Superheroes?
I was quickly drawn into the story within the first chapter when we see Verity struggle to remember who she is and that she isn’t a bad person after being tortured by her arch nemesis’ minions in a mental asylum and her escape from there. She runs to a safe house and bumps into her brother who tells her she’s been MIA for nine months.
Can I just stop there for a minute and mention the Fortune siblings’ names? The eldest is Equity, then Adonis, then there is Verity and baby brother Chance. I love their names! If they don’t scream Superhero, I don’t know what does :D
Anyway, back to the story. On Verity’s return to her family, things don’t go smoothly and she realises things don’t add up. Is there a conspiracy in the works?
Throughout the story we see flashbacks of the night that Verity was captured and it is all very intriguing. At just over half way through I had my suspicions of what they would end up showing and I was right in my assumption about what some of it would show. I’m not going into detail as it would totally ruin in for you.
We meet a lot of other Augmented people: Iceclaw, Weasel, Glimmer. Some are good and some not so much. I liked the description of each and how they earned their names. They were thought out and I could picture them easily.
I grew to really like Glimmer, he seemed like a really nice guy. Verity, on the other hand, I couldn’t decide about. She seemed to like pushing people away and was full of self-loathing a lot of the time, unable to justify some of the things she’d done.
To start with I didn’t mind the lack of romance, as I was so caught up in the drama surrounding Verity, but the more I read the book the more I missed it. There was a bit; some kisses exchanged and nice words but nothing like the amount I like to read in books and that’s reflected in my rating.
It was full of action and intrigue. I liked the superhero vs. bad guys aspect. If you like the sound of it, then I’d suggest you go grab a copy.
The cover drew me in. Isn’t it a thing of beauty?
When I requested this I assumed it would be more paranormal than it was. In fact it was more fantasy than anything. People who go around using their powers–known as the Augmented–to stop evil, dressed up in disguise. Superheroes?
I was quickly drawn into the story within the first chapter when we see Verity struggle to remember who she is and that she isn’t a bad person after being tortured by her arch nemesis’ minions in a mental asylum and her escape from there. She runs to a safe house and bumps into her brother who tells her she’s been MIA for nine months.
Can I just stop there for a minute and mention the Fortune siblings’ names? The eldest is Equity, then Adonis, then there is Verity and baby brother Chance. I love their names! If they don’t scream Superhero, I don’t know what does :D
Anyway, back to the story. On Verity’s return to her family, things don’t go smoothly and she realises things don’t add up. Is there a conspiracy in the works?
Throughout the story we see flashbacks of the night that Verity was captured and it is all very intriguing. At just over half way through I had my suspicions of what they would end up showing and I was right in my assumption about what some of it would show. I’m not going into detail as it would totally ruin in for you.
We meet a lot of other Augmented people: Iceclaw, Weasel, Glimmer. Some are good and some not so much. I liked the description of each and how they earned their names. They were thought out and I could picture them easily.
I grew to really like Glimmer, he seemed like a really nice guy. Verity, on the other hand, I couldn’t decide about. She seemed to like pushing people away and was full of self-loathing a lot of the time, unable to justify some of the things she’d done.
To start with I didn’t mind the lack of romance, as I was so caught up in the drama surrounding Verity, but the more I read the book the more I missed it. There was a bit; some kisses exchanged and nice words but nothing like the amount I like to read in books and that’s reflected in my rating.
It was full of action and intrigue. I liked the superhero vs. bad guys aspect. If you like the sound of it, then I’d suggest you go grab a copy.