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Kristy H (1252 KP) rated Genuine Fraud in Books
Jan 23, 2018
Predictable (1 more)
Fizzles out at the end
Had high hopes but this one didn't deliver
Imogen is a wealthy, spoiled heiress escaping life on Martha's Vineyard. Jule is a scrappy individual looking out for only herself. When their paths intersect on the Vineyard, they form an interesting sort of friendship. Jule admires Imogen's wealth and inscrutability. Imogen takes Jule under her wing, lending her clothes and giving her a place to stay. Jule quickly finds herself caught up in Imogen's life, meeting her friends and boyfriend. But is anything as it seems?
This is one of those where I don't want to say too much as to ruin the plot, although honestly, you'll figure out the entire thing within the first few chapters, so I wouldn't be doing you much of a disservice. I had high hopes for this one, having read some great reviews, but this novel wasn't for me. The shtick here is that the story unfurls backward, with the chapters counting down, but there's no great twist or surprise, and I was left completely disappointed, as things just... fizzle out at the end. There's supposedly a little surprise at the end, but it can't save this predictable novel.
For me, this was violent and full of inevitable plot points that you'll see coming from a mile away. Neither Jule nor Imogen are sympathetic in any way--I couldn't find any reason to root for or engage with them in any fashion. The backward chapters didn't add any real excitement to the tale, at all. I read this one at the same time as my wife--she was listening to the audiobook version--and we were both waiting for some exciting twist or turn--but it never came. I had high hopes, but alas, GENUINE FRAUD didn't deliver on them.
More at http://justacatandabookatherside.blogspot.com/.
This is one of those where I don't want to say too much as to ruin the plot, although honestly, you'll figure out the entire thing within the first few chapters, so I wouldn't be doing you much of a disservice. I had high hopes for this one, having read some great reviews, but this novel wasn't for me. The shtick here is that the story unfurls backward, with the chapters counting down, but there's no great twist or surprise, and I was left completely disappointed, as things just... fizzle out at the end. There's supposedly a little surprise at the end, but it can't save this predictable novel.
For me, this was violent and full of inevitable plot points that you'll see coming from a mile away. Neither Jule nor Imogen are sympathetic in any way--I couldn't find any reason to root for or engage with them in any fashion. The backward chapters didn't add any real excitement to the tale, at all. I read this one at the same time as my wife--she was listening to the audiobook version--and we were both waiting for some exciting twist or turn--but it never came. I had high hopes, but alas, GENUINE FRAUD didn't deliver on them.
More at http://justacatandabookatherside.blogspot.com/.
Kyera (8 KP) rated The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3) in Books
Feb 1, 2018
Magnus Chase: Ship of the Dead is the final book in the series that blends Norse mythology with the modern world. Rick Riordan writes in his typical humourous fashion and makes learning fun (even if its not always entirely accurate.) As this is the third and final book in the series, there isnt too much to say that wouldnt spoil the first two books if you have not read them so I would recommend doing so before reading this review. You can also read my review of the first book as it is spoiler-free.
Our heroes continue their journey to postpone Ragnarok and defeat Loki. Magnus is joined by Samirah the Valkyrie, Hearthstone the Elf, Blitzen the Dwarf and his fellow Einherjar Alex, Mallory, TJ and Halfborn. They must battle giants, outwit guardians, and save the world from utter destruction. Just your average Tuesday.
I really enjoyed how diversity was represented in this series as we have main characters with different sexualities or orientations, religions, ethnicities, and disabilities. Since I am not most of the ones that were represented in the book, I can't speak to how accurate the portrayal was but I am glad that they were included. As a casual reader, the representation felt informative and not condescending or demeaning.
Rick continues his world building by sending our heroes off on adventures in the nine realms while simultaneously teaching us a bit about Norse mythology. His books are a very approachable way to tackle the topic and perhaps foster a sense of curiosity that will lead readers to want to discover more. There isn't much else to say without spoilers, so I would recommend this series to middle grade, young adult or teen readers who enjoy fantasy. It is a fun, easy read that I hope you won't regret picking up.
Our heroes continue their journey to postpone Ragnarok and defeat Loki. Magnus is joined by Samirah the Valkyrie, Hearthstone the Elf, Blitzen the Dwarf and his fellow Einherjar Alex, Mallory, TJ and Halfborn. They must battle giants, outwit guardians, and save the world from utter destruction. Just your average Tuesday.
I really enjoyed how diversity was represented in this series as we have main characters with different sexualities or orientations, religions, ethnicities, and disabilities. Since I am not most of the ones that were represented in the book, I can't speak to how accurate the portrayal was but I am glad that they were included. As a casual reader, the representation felt informative and not condescending or demeaning.
Rick continues his world building by sending our heroes off on adventures in the nine realms while simultaneously teaching us a bit about Norse mythology. His books are a very approachable way to tackle the topic and perhaps foster a sense of curiosity that will lead readers to want to discover more. There isn't much else to say without spoilers, so I would recommend this series to middle grade, young adult or teen readers who enjoy fantasy. It is a fun, easy read that I hope you won't regret picking up.
KatieLouCreate (162 KP) rated Who Moved My Cheese in Books
Mar 5, 2018
Bad message (2 more)
childish
partonising
Pretentious
Well. Even just thinking about this book again riles me up. I don’t even know why I bought the book. The premise sounded interesting, I guess, and it was cheap. The book only took me around two hours to read so at least I didn’t invest a lot of time and energy into reading it.
On the one hand, I can kind of see what the book is trying to accomplish. It is a message of encouragement and productivity in life. Instead of waiting around for something and complaining about changed circumstance, we should move on and look for something better.
On the other hand, it does it in a terrible way. It feels like an adult message told in a children’s story book fashion. It feels patronising. We have a group of adults talking about how they dislike their life. One of the adults tells the story of the two mice, humans, and block of cheese, and at the end the adults realise, in an expositional way, how the story relates to their lives and how they should change it. It is oversimplified and cringy. If only it was that easy to move on if say you’ve just got fired or accused of something you didn’t do. Life, unfortunately, it not that easy. I don’t know what the author was thinking. (More over, I don’t agree with the message Johnson is giving. To me, it feels like Johnson is explaining why laborers and lower class individuals should just accept and adapt to the whims of capitalism and upper class authorities instead of fighting for what is right. But hey ho.)
On the one hand, I can kind of see what the book is trying to accomplish. It is a message of encouragement and productivity in life. Instead of waiting around for something and complaining about changed circumstance, we should move on and look for something better.
On the other hand, it does it in a terrible way. It feels like an adult message told in a children’s story book fashion. It feels patronising. We have a group of adults talking about how they dislike their life. One of the adults tells the story of the two mice, humans, and block of cheese, and at the end the adults realise, in an expositional way, how the story relates to their lives and how they should change it. It is oversimplified and cringy. If only it was that easy to move on if say you’ve just got fired or accused of something you didn’t do. Life, unfortunately, it not that easy. I don’t know what the author was thinking. (More over, I don’t agree with the message Johnson is giving. To me, it feels like Johnson is explaining why laborers and lower class individuals should just accept and adapt to the whims of capitalism and upper class authorities instead of fighting for what is right. But hey ho.)
Kristy H (1252 KP) rated The Hopefuls in Books
Feb 13, 2018
Beth is less than thrilled when her husband, Matt, announces they are moving to Washington, DC. Beth loves New York City and all that comes with it, and DC is an intense culture shock. Matt is involved with President Obama's campaign and the couple's life revolves completely around politics. Beth, a writer, tires easily of the endless business talk and her husband's obsession with politics and the DC scene. Soon Matt and Beth meet Jimmy and Ashleigh. Jimmy works at the White House as well. The couples become fast friends, sharing meals, parties, and vacations. But as Jimmy raises in the ranks in politics, the friendship becomes quickly threatened by jealousy.
I was intrigued by the premise of this book--a relationship set to the backdrop of the Obama campaign and administration. Living close to the DC area, I can say that Close's description of many DC citizens is spot on: the Blackberrys, the obsession with security clearance and work standing, the fashion. She's excellent at weaving a story in the details.
The problem, however, is that Beth--the novel's narrator--is just so dull. She's beyond passive, willing to watch life unravel as she watches. It doesn't seem as if Beth is interested in anything, beyond whining. After a while, I just became so frustrated with her, I wanted to scream. It doesn't help that her husband, Matt, is similarly self-absorbed, and Jimmy and Ashleigh aren't any more likable. The book sort of bumps along, with no real movement to swing it along, or a character with any redeeming quality of any sort (good or bad). Even the DC details can't save this often frustrating novel from its own irksome and passive characters. 2.5 stars.
I was intrigued by the premise of this book--a relationship set to the backdrop of the Obama campaign and administration. Living close to the DC area, I can say that Close's description of many DC citizens is spot on: the Blackberrys, the obsession with security clearance and work standing, the fashion. She's excellent at weaving a story in the details.
The problem, however, is that Beth--the novel's narrator--is just so dull. She's beyond passive, willing to watch life unravel as she watches. It doesn't seem as if Beth is interested in anything, beyond whining. After a while, I just became so frustrated with her, I wanted to scream. It doesn't help that her husband, Matt, is similarly self-absorbed, and Jimmy and Ashleigh aren't any more likable. The book sort of bumps along, with no real movement to swing it along, or a character with any redeeming quality of any sort (good or bad). Even the DC details can't save this often frustrating novel from its own irksome and passive characters. 2.5 stars.
Lilyn G - Sci-Fi & Scary (91 KP) rated Jurassic Florida in Books
Jun 20, 2018
Chomp'n'stomp!
Did you know you needed to read about man-eating gigantic iguanas? I have to admit, I hadn’t really thought of them when I thought of creature features. However, when a fellow reviewer turned me on to Jurassic, Florida, and I saw the cover, I knew I had to read it. The fact that it was just under 125 pages? Pure bonus.
As I’ve come to expect, Hunter Shea delivers the chomp’n’stomp in epic fashion. Almost all of the residents of this tiny little town are going to die. You know that just from the cover. The only question is are they going to die via chomp…or stomp? Or people being idiots. Because people being idiots always kills a few people in these types of books and movies. This is a book to read only if you want to turn your brain off and indulge in ridiculousness. A low-budget creature feature on silent, as it were.
Now, there was some stuff that seemed to be added in here either for convenience or to up the silliness factor. I’m really not sure which one. Primarily the 18 year old mayor. That one was a bit of a head-scratcher.
My biggest gripe (only real one) about Jurassic, Florida is the ending. The ending felt rushed and anti-climactic. I kind of wonder if he was just tired of writing it and decided to end it as quickly as possible.
Overall, while it isn’t my favorite Hunter Shea book, I think Jurassic, Florida is just the type of silly read we all need to indulge in on occasion.
Disclaimer: I received a copy of this book from the publisher for review consideration.
As I’ve come to expect, Hunter Shea delivers the chomp’n’stomp in epic fashion. Almost all of the residents of this tiny little town are going to die. You know that just from the cover. The only question is are they going to die via chomp…or stomp? Or people being idiots. Because people being idiots always kills a few people in these types of books and movies. This is a book to read only if you want to turn your brain off and indulge in ridiculousness. A low-budget creature feature on silent, as it were.
Now, there was some stuff that seemed to be added in here either for convenience or to up the silliness factor. I’m really not sure which one. Primarily the 18 year old mayor. That one was a bit of a head-scratcher.
My biggest gripe (only real one) about Jurassic, Florida is the ending. The ending felt rushed and anti-climactic. I kind of wonder if he was just tired of writing it and decided to end it as quickly as possible.
Overall, while it isn’t my favorite Hunter Shea book, I think Jurassic, Florida is just the type of silly read we all need to indulge in on occasion.
Disclaimer: I received a copy of this book from the publisher for review consideration.
Acanthea Grimscythe (300 KP) rated Siphon in Books
Jan 31, 2019
A. A. Medina’s Siphon is not for the feint of heart. With gruesome and stomach curdling descriptions, Medina’s prose gives a new spin on an ancient creature–at least, that’s how I interpret it. In this short novella, prepare to be disgusted.
Siphon is fairly short, coming in at only 112 pages. Often, a novella can be hit or miss and that’s because for some writers, pacing can be an issue. We see this in books where the first eighty percent drags on, only for the last twenty to fly by at breakneck speed. Medina doesn’t have this problem. Each scene takes just enough time to get the necessary point across–whether it be as simple as advancing Dr. Phillips’s affliction or as complex as establishing the depths of his madness.
Normally I want to connect with the characters in a story in some form or fashion. This allows me to become more emotionally involved than I might otherwise. However, in Siphon the perspective is third-person limited and Medina remains extremely faithful to this. We never know what other characters are thinking, nor do we get a taste for what they feel besides the physical descriptions of fear, as Dr. Phillips sees it.
Overall, I thoroughly enjoyed reading this story. I received an arc of Siphon courtesy Hindered Souls Press, but in the move to a new Kindle, I lost it. That said, I obtained the copy I am reviewing through Kindle Unlimited. Because of this, I ended up with a final edit. In it, I noticed several errors which prevent me from giving this novella a perfect score. Nonetheless, if you enjoy grisly reads, I highly recommend it.
Siphon is fairly short, coming in at only 112 pages. Often, a novella can be hit or miss and that’s because for some writers, pacing can be an issue. We see this in books where the first eighty percent drags on, only for the last twenty to fly by at breakneck speed. Medina doesn’t have this problem. Each scene takes just enough time to get the necessary point across–whether it be as simple as advancing Dr. Phillips’s affliction or as complex as establishing the depths of his madness.
Normally I want to connect with the characters in a story in some form or fashion. This allows me to become more emotionally involved than I might otherwise. However, in Siphon the perspective is third-person limited and Medina remains extremely faithful to this. We never know what other characters are thinking, nor do we get a taste for what they feel besides the physical descriptions of fear, as Dr. Phillips sees it.
Overall, I thoroughly enjoyed reading this story. I received an arc of Siphon courtesy Hindered Souls Press, but in the move to a new Kindle, I lost it. That said, I obtained the copy I am reviewing through Kindle Unlimited. Because of this, I ended up with a final edit. In it, I noticed several errors which prevent me from giving this novella a perfect score. Nonetheless, if you enjoy grisly reads, I highly recommend it.
Kristy H (1252 KP) rated Life and Other Inconveniences in Books
Oct 24, 2019
Emma London is kicked out her home as pregnant teen. It particularly stings, because when Emma's mom died when she was a kid, her dad dropped her on his own mom's doorstop and never looked back. Genevieve, Emma's wealthy grandmother, took her in and raised her, but she never had much love for Emma. Perhaps because Genevieve was already dealing with her own tragedies: the disappearance of her young son, followed by the early death of her husband. Still, she had time to build a fashion empire--and neglect her other son (Emma's father). Emma hasn't let any of her family baggage stop her. She's built a good life for herself and her teenage daughter, Riley. But now she has a surprise call from Genevieve, asking her for help. Emma isn't sure she can go home again, but what if it's what's best for Riley? And maybe even for her?
What a wonderful read! This was a great book to consume poolside this summer.
I love Kristan Higgins' books and this one was no exception. Don’t go in expecting a light and fluffy romance, though. Sure, there are some romantic elements here and plenty of Higgins’ trademark wit and humor, but this is also a serious read that deals with momentous life events and tragedies. It’s sad, poignant, touching, and real. Because Higgins’ characters are so true to life, and because she immerses you so fully in their world, it’s easy to both laugh and cry while reading. It’s a character-driven read, and I was quickly drawn to Emma, Riley, and several others.
I definitely recommend this one, and if you haven’t picked up any of Higgins’ work, now is the time to start! 4.5 stars.
What a wonderful read! This was a great book to consume poolside this summer.
I love Kristan Higgins' books and this one was no exception. Don’t go in expecting a light and fluffy romance, though. Sure, there are some romantic elements here and plenty of Higgins’ trademark wit and humor, but this is also a serious read that deals with momentous life events and tragedies. It’s sad, poignant, touching, and real. Because Higgins’ characters are so true to life, and because she immerses you so fully in their world, it’s easy to both laugh and cry while reading. It’s a character-driven read, and I was quickly drawn to Emma, Riley, and several others.
I definitely recommend this one, and if you haven’t picked up any of Higgins’ work, now is the time to start! 4.5 stars.
Enjoyable thriller
This is a page turner of a thriller. It takes a little to get to grips with the time jumping but it helps that it uses rewind, pause and fast forward as chapters to give you some baring and once you get it it’s fine and kinda fun in a novel way. This book lends itself to being a great easy read with enough going on to keep you engaged but without being too taxing on the old noggin - perfect for holiday reading.
Natalie is a social media influencer and I did find the beginning of the book was throwing a bit too much jargon about this area at us; along with describing click bait journalist Audery’s world it felt like a real push to be “with it”. It is however a great area to explore as opening yourself up to the world like that gives a whole huge potential for weirdo exposure. When Natalie visits the remote Irish village of Shanamore she gets to meet even more odd characters in the form of holiday cottage manager Andrew with a real Norman Bates feel to him and other locals. There is definitely an air of creepy, in a skin crawling fashion, about them.
I didn’t find there to be much mystery in this book with it all being too evident who was responsible as soon as they began to appear. The multitude of POVs and the moving around in time did hamper any real development of feeling invested in the characters. All in all an enjoyable quick thriller read without too much thought required.
My thanks to the author, publisher Atlantic Books and NetGalley for the ARC of this book in exchange for an honest review.
Natalie is a social media influencer and I did find the beginning of the book was throwing a bit too much jargon about this area at us; along with describing click bait journalist Audery’s world it felt like a real push to be “with it”. It is however a great area to explore as opening yourself up to the world like that gives a whole huge potential for weirdo exposure. When Natalie visits the remote Irish village of Shanamore she gets to meet even more odd characters in the form of holiday cottage manager Andrew with a real Norman Bates feel to him and other locals. There is definitely an air of creepy, in a skin crawling fashion, about them.
I didn’t find there to be much mystery in this book with it all being too evident who was responsible as soon as they began to appear. The multitude of POVs and the moving around in time did hamper any real development of feeling invested in the characters. All in all an enjoyable quick thriller read without too much thought required.
My thanks to the author, publisher Atlantic Books and NetGalley for the ARC of this book in exchange for an honest review.
Gareth von Kallenbach (980 KP) rated 500 Days of Summer (2009) in Movies
Aug 9, 2019
The ever-quirky Zooey Deschanel stars alongside Joseph Gordon-Levitt reemerging from “10 Things I Hate About You” in the odd tale “(500) Days of Summer”.
This is the story of Tom an unhappy greeting card writer (Joseph Gordon-Levitt) who falls for his boss’s personal assistant, Summer (Zooey Deschanel). As the two become friends Summer reveals to the infatuated Tom that she does not believe in love. Dispute her disbelief the two begin spending time together and eventually friendship blossoms into an intimate relationship. This must be love, right?
Summer and Tom begin an on again off again romance, that centers around Tom’s constant optimism that she is indeed the one for him. But Summer’s inconsistent reactions and lack of desire for commitment leave the audience wondering how the scenario is going to work out.
The film uses a five hundred day counter to expose the story in a non-linear fashion, which would have been interesting if it had anything to do with the plot. There was no mystery unearthed or even character traits exposed through the wacky timeline, it simply kept viewers constantly aware of Tom’s unfortunate situation.
Among the film’s highlights are a choreographed dance sequence, interesting split screen photography, and sensational employment of color. Additionally simple yet strong costume choices, artistic use of architecture, fun music and witty interpersonal banter carry this otherwise depressing film.
Creating an overall disenchantment with relationships and a seething dislike for Summer make this film is far from jovial, but it does offer a darker perspective into the realistic nature of relationships.
Both leads deliver strong performances but the film was unexpectedly melancholy. “(500) Days of Summer” is simply trying too hard and making viewers feel bad in the process.
This is the story of Tom an unhappy greeting card writer (Joseph Gordon-Levitt) who falls for his boss’s personal assistant, Summer (Zooey Deschanel). As the two become friends Summer reveals to the infatuated Tom that she does not believe in love. Dispute her disbelief the two begin spending time together and eventually friendship blossoms into an intimate relationship. This must be love, right?
Summer and Tom begin an on again off again romance, that centers around Tom’s constant optimism that she is indeed the one for him. But Summer’s inconsistent reactions and lack of desire for commitment leave the audience wondering how the scenario is going to work out.
The film uses a five hundred day counter to expose the story in a non-linear fashion, which would have been interesting if it had anything to do with the plot. There was no mystery unearthed or even character traits exposed through the wacky timeline, it simply kept viewers constantly aware of Tom’s unfortunate situation.
Among the film’s highlights are a choreographed dance sequence, interesting split screen photography, and sensational employment of color. Additionally simple yet strong costume choices, artistic use of architecture, fun music and witty interpersonal banter carry this otherwise depressing film.
Creating an overall disenchantment with relationships and a seething dislike for Summer make this film is far from jovial, but it does offer a darker perspective into the realistic nature of relationships.
Both leads deliver strong performances but the film was unexpectedly melancholy. “(500) Days of Summer” is simply trying too hard and making viewers feel bad in the process.
LeftSideCut (3776 KP) rated Midsommar (2019) in Movies
Dec 16, 2019 (Updated Mar 31, 2020)
Beautiful, disturbing, utterly bizarre
Whether you like Midsommar or not, you have to admit, it's quite a trip.
It's so far removed from conventional horror, it's hard to pin to a genre.
It's every bit of a break up drama as a horror, and even quite amusing in places, but one things for sure, there nothing quite like it.
Midsommar starts in bleak fashion, grounded in concrete realism, as Dani (played by a fantastic Florence Pugh) deals with the sudden deaths of her parents and sister. Affected by this understandable trauma, she joins her boyfriend Christian (Jack Reynor) and his friends as they head to Sweden to attend a rural 9-day festival.
As soon as the story shifts to the Swedish setting, the tone changes from bleak and grey, to vibrant and colourful. The rest of the film is set in broad daylight, and it carries an extremely unsettling undertone, and as the characters dabble in drugs, a sense of reality quickly becomes disorientating for both them and us as an audience.
As the narrative draws on, director Ari Aster serves up plot hints and hidden messages in almost every frame. The violence is seldom, but when it happens it's visceral and shocking. All of this combined makes for an almost dream like experience, as we watch the two leads toxic relationship collide with the unnervingly joyful people of Hårga.
Ari Aster uses jarring and emotionally charged sound cues to stir up tension (the last few minutes!) and these are complimented by the beautiful score by The Haxan Cloak.
Aster also spoils us with continuously striking shots, providing a really unique approach to horror.
Midsommar is not for everyone, but as far as I'm concerned, it's disturbing, heart breaking, and absolutely captivating - the whole package.
Definitely one of the best films this year.
It's so far removed from conventional horror, it's hard to pin to a genre.
It's every bit of a break up drama as a horror, and even quite amusing in places, but one things for sure, there nothing quite like it.
Midsommar starts in bleak fashion, grounded in concrete realism, as Dani (played by a fantastic Florence Pugh) deals with the sudden deaths of her parents and sister. Affected by this understandable trauma, she joins her boyfriend Christian (Jack Reynor) and his friends as they head to Sweden to attend a rural 9-day festival.
As soon as the story shifts to the Swedish setting, the tone changes from bleak and grey, to vibrant and colourful. The rest of the film is set in broad daylight, and it carries an extremely unsettling undertone, and as the characters dabble in drugs, a sense of reality quickly becomes disorientating for both them and us as an audience.
As the narrative draws on, director Ari Aster serves up plot hints and hidden messages in almost every frame. The violence is seldom, but when it happens it's visceral and shocking. All of this combined makes for an almost dream like experience, as we watch the two leads toxic relationship collide with the unnervingly joyful people of Hårga.
Ari Aster uses jarring and emotionally charged sound cues to stir up tension (the last few minutes!) and these are complimented by the beautiful score by The Haxan Cloak.
Aster also spoils us with continuously striking shots, providing a really unique approach to horror.
Midsommar is not for everyone, but as far as I'm concerned, it's disturbing, heart breaking, and absolutely captivating - the whole package.
Definitely one of the best films this year.
