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Kristy H (1252 KP) rated Life and Other Inconveniences in Books
Oct 24, 2019
Emma London is kicked out her home as pregnant teen. It particularly stings, because when Emma's mom died when she was a kid, her dad dropped her on his own mom's doorstop and never looked back. Genevieve, Emma's wealthy grandmother, took her in and raised her, but she never had much love for Emma. Perhaps because Genevieve was already dealing with her own tragedies: the disappearance of her young son, followed by the early death of her husband. Still, she had time to build a fashion empire--and neglect her other son (Emma's father). Emma hasn't let any of her family baggage stop her. She's built a good life for herself and her teenage daughter, Riley. But now she has a surprise call from Genevieve, asking her for help. Emma isn't sure she can go home again, but what if it's what's best for Riley? And maybe even for her?
What a wonderful read! This was a great book to consume poolside this summer.
I love Kristan Higgins' books and this one was no exception. Don’t go in expecting a light and fluffy romance, though. Sure, there are some romantic elements here and plenty of Higgins’ trademark wit and humor, but this is also a serious read that deals with momentous life events and tragedies. It’s sad, poignant, touching, and real. Because Higgins’ characters are so true to life, and because she immerses you so fully in their world, it’s easy to both laugh and cry while reading. It’s a character-driven read, and I was quickly drawn to Emma, Riley, and several others.
I definitely recommend this one, and if you haven’t picked up any of Higgins’ work, now is the time to start! 4.5 stars.
What a wonderful read! This was a great book to consume poolside this summer.
I love Kristan Higgins' books and this one was no exception. Don’t go in expecting a light and fluffy romance, though. Sure, there are some romantic elements here and plenty of Higgins’ trademark wit and humor, but this is also a serious read that deals with momentous life events and tragedies. It’s sad, poignant, touching, and real. Because Higgins’ characters are so true to life, and because she immerses you so fully in their world, it’s easy to both laugh and cry while reading. It’s a character-driven read, and I was quickly drawn to Emma, Riley, and several others.
I definitely recommend this one, and if you haven’t picked up any of Higgins’ work, now is the time to start! 4.5 stars.
Enjoyable thriller
This is a page turner of a thriller. It takes a little to get to grips with the time jumping but it helps that it uses rewind, pause and fast forward as chapters to give you some baring and once you get it it’s fine and kinda fun in a novel way. This book lends itself to being a great easy read with enough going on to keep you engaged but without being too taxing on the old noggin - perfect for holiday reading.
Natalie is a social media influencer and I did find the beginning of the book was throwing a bit too much jargon about this area at us; along with describing click bait journalist Audery’s world it felt like a real push to be “with it”. It is however a great area to explore as opening yourself up to the world like that gives a whole huge potential for weirdo exposure. When Natalie visits the remote Irish village of Shanamore she gets to meet even more odd characters in the form of holiday cottage manager Andrew with a real Norman Bates feel to him and other locals. There is definitely an air of creepy, in a skin crawling fashion, about them.
I didn’t find there to be much mystery in this book with it all being too evident who was responsible as soon as they began to appear. The multitude of POVs and the moving around in time did hamper any real development of feeling invested in the characters. All in all an enjoyable quick thriller read without too much thought required.
My thanks to the author, publisher Atlantic Books and NetGalley for the ARC of this book in exchange for an honest review.
Natalie is a social media influencer and I did find the beginning of the book was throwing a bit too much jargon about this area at us; along with describing click bait journalist Audery’s world it felt like a real push to be “with it”. It is however a great area to explore as opening yourself up to the world like that gives a whole huge potential for weirdo exposure. When Natalie visits the remote Irish village of Shanamore she gets to meet even more odd characters in the form of holiday cottage manager Andrew with a real Norman Bates feel to him and other locals. There is definitely an air of creepy, in a skin crawling fashion, about them.
I didn’t find there to be much mystery in this book with it all being too evident who was responsible as soon as they began to appear. The multitude of POVs and the moving around in time did hamper any real development of feeling invested in the characters. All in all an enjoyable quick thriller read without too much thought required.
My thanks to the author, publisher Atlantic Books and NetGalley for the ARC of this book in exchange for an honest review.
Gareth von Kallenbach (977 KP) rated 500 Days of Summer (2009) in Movies
Aug 9, 2019
The ever-quirky Zooey Deschanel stars alongside Joseph Gordon-Levitt reemerging from “10 Things I Hate About You” in the odd tale “(500) Days of Summer”.
This is the story of Tom an unhappy greeting card writer (Joseph Gordon-Levitt) who falls for his boss’s personal assistant, Summer (Zooey Deschanel). As the two become friends Summer reveals to the infatuated Tom that she does not believe in love. Dispute her disbelief the two begin spending time together and eventually friendship blossoms into an intimate relationship. This must be love, right?
Summer and Tom begin an on again off again romance, that centers around Tom’s constant optimism that she is indeed the one for him. But Summer’s inconsistent reactions and lack of desire for commitment leave the audience wondering how the scenario is going to work out.
The film uses a five hundred day counter to expose the story in a non-linear fashion, which would have been interesting if it had anything to do with the plot. There was no mystery unearthed or even character traits exposed through the wacky timeline, it simply kept viewers constantly aware of Tom’s unfortunate situation.
Among the film’s highlights are a choreographed dance sequence, interesting split screen photography, and sensational employment of color. Additionally simple yet strong costume choices, artistic use of architecture, fun music and witty interpersonal banter carry this otherwise depressing film.
Creating an overall disenchantment with relationships and a seething dislike for Summer make this film is far from jovial, but it does offer a darker perspective into the realistic nature of relationships.
Both leads deliver strong performances but the film was unexpectedly melancholy. “(500) Days of Summer” is simply trying too hard and making viewers feel bad in the process.
This is the story of Tom an unhappy greeting card writer (Joseph Gordon-Levitt) who falls for his boss’s personal assistant, Summer (Zooey Deschanel). As the two become friends Summer reveals to the infatuated Tom that she does not believe in love. Dispute her disbelief the two begin spending time together and eventually friendship blossoms into an intimate relationship. This must be love, right?
Summer and Tom begin an on again off again romance, that centers around Tom’s constant optimism that she is indeed the one for him. But Summer’s inconsistent reactions and lack of desire for commitment leave the audience wondering how the scenario is going to work out.
The film uses a five hundred day counter to expose the story in a non-linear fashion, which would have been interesting if it had anything to do with the plot. There was no mystery unearthed or even character traits exposed through the wacky timeline, it simply kept viewers constantly aware of Tom’s unfortunate situation.
Among the film’s highlights are a choreographed dance sequence, interesting split screen photography, and sensational employment of color. Additionally simple yet strong costume choices, artistic use of architecture, fun music and witty interpersonal banter carry this otherwise depressing film.
Creating an overall disenchantment with relationships and a seething dislike for Summer make this film is far from jovial, but it does offer a darker perspective into the realistic nature of relationships.
Both leads deliver strong performances but the film was unexpectedly melancholy. “(500) Days of Summer” is simply trying too hard and making viewers feel bad in the process.
LeftSideCut (3778 KP) rated Midsommar (2019) in Movies
Dec 16, 2019 (Updated Mar 31, 2020)
Beautiful, disturbing, utterly bizarre
Whether you like Midsommar or not, you have to admit, it's quite a trip.
It's so far removed from conventional horror, it's hard to pin to a genre.
It's every bit of a break up drama as a horror, and even quite amusing in places, but one things for sure, there nothing quite like it.
Midsommar starts in bleak fashion, grounded in concrete realism, as Dani (played by a fantastic Florence Pugh) deals with the sudden deaths of her parents and sister. Affected by this understandable trauma, she joins her boyfriend Christian (Jack Reynor) and his friends as they head to Sweden to attend a rural 9-day festival.
As soon as the story shifts to the Swedish setting, the tone changes from bleak and grey, to vibrant and colourful. The rest of the film is set in broad daylight, and it carries an extremely unsettling undertone, and as the characters dabble in drugs, a sense of reality quickly becomes disorientating for both them and us as an audience.
As the narrative draws on, director Ari Aster serves up plot hints and hidden messages in almost every frame. The violence is seldom, but when it happens it's visceral and shocking. All of this combined makes for an almost dream like experience, as we watch the two leads toxic relationship collide with the unnervingly joyful people of Hårga.
Ari Aster uses jarring and emotionally charged sound cues to stir up tension (the last few minutes!) and these are complimented by the beautiful score by The Haxan Cloak.
Aster also spoils us with continuously striking shots, providing a really unique approach to horror.
Midsommar is not for everyone, but as far as I'm concerned, it's disturbing, heart breaking, and absolutely captivating - the whole package.
Definitely one of the best films this year.
It's so far removed from conventional horror, it's hard to pin to a genre.
It's every bit of a break up drama as a horror, and even quite amusing in places, but one things for sure, there nothing quite like it.
Midsommar starts in bleak fashion, grounded in concrete realism, as Dani (played by a fantastic Florence Pugh) deals with the sudden deaths of her parents and sister. Affected by this understandable trauma, she joins her boyfriend Christian (Jack Reynor) and his friends as they head to Sweden to attend a rural 9-day festival.
As soon as the story shifts to the Swedish setting, the tone changes from bleak and grey, to vibrant and colourful. The rest of the film is set in broad daylight, and it carries an extremely unsettling undertone, and as the characters dabble in drugs, a sense of reality quickly becomes disorientating for both them and us as an audience.
As the narrative draws on, director Ari Aster serves up plot hints and hidden messages in almost every frame. The violence is seldom, but when it happens it's visceral and shocking. All of this combined makes for an almost dream like experience, as we watch the two leads toxic relationship collide with the unnervingly joyful people of Hårga.
Ari Aster uses jarring and emotionally charged sound cues to stir up tension (the last few minutes!) and these are complimented by the beautiful score by The Haxan Cloak.
Aster also spoils us with continuously striking shots, providing a really unique approach to horror.
Midsommar is not for everyone, but as far as I'm concerned, it's disturbing, heart breaking, and absolutely captivating - the whole package.
Definitely one of the best films this year.
Kristy H (1252 KP) rated Meg and Jo in Books
Mar 19, 2020
A modern retelling of Little Women, MEG AND JO looks at the four March sisters in present day. We have Meg, a mom of twins, married to a man who works at a car dealership. Jo, an aspiring writer, who works in New York City at a restaurant and writes a food blog. Their sisters, Beth and Amy, flit in the background--Beth is pursuing her musical dreams and Amy is chasing fashion in Paris. But when the girls' stalwart mom gets sick, they must come home for the holidays to help at the family farm. There they will learn lessons about family, sisterhood, and following their dreams.
This one grew on me. It's not as jarring as I expected to see the girls in real time--I actually enjoyed that aspect. What's odd is that while the modern setting exists, there are a lot of outdated gender norms. Meg has to be the perfect mom who refuses help from everyone; the girls' father is basically worthless, etc. It's hard to overcome at first.
But I eventually took to Meg and Jo. I liked Jo's feisty nature, even if some of the problem/distance with her chef/boyfriend seemed a bit contrived. And I could identify with Meg, who felt like the weight of the world was on her shoulders (twin moms unite).
Overall, this is a sweet and funny story. It's silly at times, but also heartwarming. I enjoyed seeing where Kantra tweaked the plot (there's a piece with the March patriarch that I particularly enjoyed). It's no Eligible--perhaps my favorite modern retelling of all--but it's a fun read. I've heard there may be a second book featuring Beth and Amy, and I would certainly read it. 3.5 stars.
This one grew on me. It's not as jarring as I expected to see the girls in real time--I actually enjoyed that aspect. What's odd is that while the modern setting exists, there are a lot of outdated gender norms. Meg has to be the perfect mom who refuses help from everyone; the girls' father is basically worthless, etc. It's hard to overcome at first.
But I eventually took to Meg and Jo. I liked Jo's feisty nature, even if some of the problem/distance with her chef/boyfriend seemed a bit contrived. And I could identify with Meg, who felt like the weight of the world was on her shoulders (twin moms unite).
Overall, this is a sweet and funny story. It's silly at times, but also heartwarming. I enjoyed seeing where Kantra tweaked the plot (there's a piece with the March patriarch that I particularly enjoyed). It's no Eligible--perhaps my favorite modern retelling of all--but it's a fun read. I've heard there may be a second book featuring Beth and Amy, and I would certainly read it. 3.5 stars.
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