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Rachel King (13 KP) rated Last Sacrifice in Books
Feb 11, 2019
I waited a long time to read this book, but it was still well worth the wait. In typical Rose fashion, she disregards the practical advice of her friends and family to try and help those she cares about most. Embarking on a road trip around the eastern United States, she searches for the clues to the missing Dragomir heir, all the while growing closer to the newly-Moroi Demitri. All the while, Lissa navigates the intricacies of the Royal Court and deals with being thrust into the running for the new Queen.
All the recognizable faces from throughout the series make an appearance in the final book, as any good series finale would do. All but one of the loose ends were resolved decently, such as dealing with the problem of the Dashkov brothers.
The trials that Lissa goes through to be declared a valid candidate for Queen were interesting in that they forced her to rely on only herself and tested her inner strength and resolve. They showed a maturity in her that goes far beyond her young 18 years.
Of course, the biggest anticipation for me was the final outcome of who would end up with Rose - Dimitri or Adrian. While at first I disliked Adrian, he seemed to prove his worthiness to me throughout the series. The road trip, though, forces Dimitri to heal from his memories as Strigoi and face some things about himself. Without giving away Rose's choice, I am happy with it, though I feel sorry for the man that got left behind. The promise of the spin-off series, Bloodlines, centered around the Alchemist Sydney, gives me hope that he will find someone who matches him better than Rose did.
The ending answers my own question of what the title was referring to, though it was a bit predictable. I am thrilled about the outcome of the Queen's replacement, and I really hope that the spin-off series will also show some of the new Queen's life. What was not predictable for me was the revelation of who murdered the previous queen - I made the same assumption early on as most of Rose's allies did, and I was just as surprised as they were over who really did it - and I'm still kind of disappointed, since I liked the character responsible and I feel as betrayed as many of the others did by the news. When the characters can feel that real, I know it's good writing.
All the recognizable faces from throughout the series make an appearance in the final book, as any good series finale would do. All but one of the loose ends were resolved decently, such as dealing with the problem of the Dashkov brothers.
The trials that Lissa goes through to be declared a valid candidate for Queen were interesting in that they forced her to rely on only herself and tested her inner strength and resolve. They showed a maturity in her that goes far beyond her young 18 years.
Of course, the biggest anticipation for me was the final outcome of who would end up with Rose - Dimitri or Adrian. While at first I disliked Adrian, he seemed to prove his worthiness to me throughout the series. The road trip, though, forces Dimitri to heal from his memories as Strigoi and face some things about himself. Without giving away Rose's choice, I am happy with it, though I feel sorry for the man that got left behind. The promise of the spin-off series, Bloodlines, centered around the Alchemist Sydney, gives me hope that he will find someone who matches him better than Rose did.
The ending answers my own question of what the title was referring to, though it was a bit predictable. I am thrilled about the outcome of the Queen's replacement, and I really hope that the spin-off series will also show some of the new Queen's life. What was not predictable for me was the revelation of who murdered the previous queen - I made the same assumption early on as most of Rose's allies did, and I was just as surprised as they were over who really did it - and I'm still kind of disappointed, since I liked the character responsible and I feel as betrayed as many of the others did by the news. When the characters can feel that real, I know it's good writing.
Softer Than You Think
Utterly bonkers attempt at combining an apocalyptic thriller with gritty police procedural; the preposterousness of the plot combined with the fact that it always takes itself Very, Very Seriously results in what's essentially a hilarious unintentional comedy.
So, what's it about? Well, a pair of London coppers (cockney geezer and troubled waif) stumble upon a USB stick containing the government's advance planning for the end of the world, which is due in about five years. Quite what form this planning takes is a little unclear, as it neglects to mention just what form the apocalypse is going to take (which if nothing else allows the show a nice big revelation at the end of the season). Geezer and Waif must try to get the truth out there while fending off government agents who want them dead!
Except, it's not really about that: news of the impending catastrophe, whatever it is, lures various nutters out of the woodwork to start committing grisly murders, and - wouldn't you know it - whenever Geezer and Waif get a spare moment from being hunted by the government, they have to go around catching them By Any Means Necessary! (At one point Geezer contemplates waterboarding an innocent man who's not being cooperative enough.)
Except, it's not just about that, either, for Geezer and Waif have the most implausibly complicated back-stories known to man, involving an extramarital fling, a secure unit, an internal affairs investigation, the murder of Geezer's old partner, a secret deal, and Waif's homicidal grown-up son (who seems to be nearly as old as she is).
All of this stuff bangs together in the most grisly and unlikely fashion, with a general tone of overwrought existential misery (every one of the duo's cases either features a moment where they literally start beating each other up with collapsible truncheons, or one where they sit down together and wail 'What's the point of any of this? We're all going to be dead in five years anyway!').
The sheer ridiculousness of Hard Sun makes it quite watchable in a stick-it-on-in-the-background-while-you're-doing-something else kind of way; every time you find yourself saying 'This can't possibly get any sillier' the show comes right back and proves you wrong. The makers of the show are clearly hoping for a full five year run, counting down to the actual apocalypse itself, although clearly the format is in for a big retool somewhere along the line. Fingers crossed this finds the devoted global audience such a potential cult camp classic deserves.
So, what's it about? Well, a pair of London coppers (cockney geezer and troubled waif) stumble upon a USB stick containing the government's advance planning for the end of the world, which is due in about five years. Quite what form this planning takes is a little unclear, as it neglects to mention just what form the apocalypse is going to take (which if nothing else allows the show a nice big revelation at the end of the season). Geezer and Waif must try to get the truth out there while fending off government agents who want them dead!
Except, it's not really about that: news of the impending catastrophe, whatever it is, lures various nutters out of the woodwork to start committing grisly murders, and - wouldn't you know it - whenever Geezer and Waif get a spare moment from being hunted by the government, they have to go around catching them By Any Means Necessary! (At one point Geezer contemplates waterboarding an innocent man who's not being cooperative enough.)
Except, it's not just about that, either, for Geezer and Waif have the most implausibly complicated back-stories known to man, involving an extramarital fling, a secure unit, an internal affairs investigation, the murder of Geezer's old partner, a secret deal, and Waif's homicidal grown-up son (who seems to be nearly as old as she is).
All of this stuff bangs together in the most grisly and unlikely fashion, with a general tone of overwrought existential misery (every one of the duo's cases either features a moment where they literally start beating each other up with collapsible truncheons, or one where they sit down together and wail 'What's the point of any of this? We're all going to be dead in five years anyway!').
The sheer ridiculousness of Hard Sun makes it quite watchable in a stick-it-on-in-the-background-while-you're-doing-something else kind of way; every time you find yourself saying 'This can't possibly get any sillier' the show comes right back and proves you wrong. The makers of the show are clearly hoping for a full five year run, counting down to the actual apocalypse itself, although clearly the format is in for a big retool somewhere along the line. Fingers crossed this finds the devoted global audience such a potential cult camp classic deserves.
BookwormMama14 (18 KP) rated Newton and Polly: A Novel of Amazing Grace in Books
Jan 2, 2019
Can I give this 10 stars??? Seriously though, probably my favorite book I have read all year. Newton & Polly is such a powerful and beautiful story of love and redemption. Of God's forgiveness and his grace. No matter what we have done, no matter where we go, the decisions we make, God's grace is enough. His love is enough. His forgiveness is enough. All of us are sinners. All of us are in need of God's grace. All of us fall short of perfection. We can not earn his love or forgiveness. He gives it freely. All we have to do is open our heart to it and receive it. We are human though, and we will continue to make mistakes, but it is important that we keep our eyes focused on the Lord, on his goodness and grace.
Newton and Polly's story is one that I was unfamiliar with. I knew John had lived quite the life prior to converting, but I had no idea the impact that Polly had on him. True to Jody's fashion, most of the events in this novel are based on fact. Of course there is a bit of creative liberties, but it is fiction. Overall I feel that she portrayed their story of romance and redemption magnificently. She portrays John's deep adoration and love in a way that is breathtakingly beautiful and precious. Newton's story brings a whole new meaning to the words of his song...He was a wretch...BUT GOD...God's grace led him home.
I was moved to tears multiple times while reading this book, and again while creating the graphics, and again when I watched a video of the song, and again while writing this review. The presence of God is all over this book. I could go on for hours about the incredible story within the covers of this book...But I urge you to read it for yourself. If you can't purchase it, request it from your public library. Borrow it from a friend that owns it...Get this book in your hands! If you only read one book this year...Let it be Newton & Polly. You will not regret it. And I pray that as you read Newton and Polly's story you let God's love surround you and let his grace move through you and cleanse your soul.
I received a free copy of Newton & Polly from Waterbrook & Multnomah Publishing in exchange for my honest review. All opinions expressed are mine alone.
Newton and Polly's story is one that I was unfamiliar with. I knew John had lived quite the life prior to converting, but I had no idea the impact that Polly had on him. True to Jody's fashion, most of the events in this novel are based on fact. Of course there is a bit of creative liberties, but it is fiction. Overall I feel that she portrayed their story of romance and redemption magnificently. She portrays John's deep adoration and love in a way that is breathtakingly beautiful and precious. Newton's story brings a whole new meaning to the words of his song...He was a wretch...BUT GOD...God's grace led him home.
I was moved to tears multiple times while reading this book, and again while creating the graphics, and again when I watched a video of the song, and again while writing this review. The presence of God is all over this book. I could go on for hours about the incredible story within the covers of this book...But I urge you to read it for yourself. If you can't purchase it, request it from your public library. Borrow it from a friend that owns it...Get this book in your hands! If you only read one book this year...Let it be Newton & Polly. You will not regret it. And I pray that as you read Newton and Polly's story you let God's love surround you and let his grace move through you and cleanse your soul.
I received a free copy of Newton & Polly from Waterbrook & Multnomah Publishing in exchange for my honest review. All opinions expressed are mine alone.
LeftSideCut (3778 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies
Jun 21, 2019
Please stop now
Contains spoilers, click to show
Where to begin...
Fallen Kingdom is full to the brim with stupid.
It sort of imitates The Lost World - first half set on an island, second half set within human population - but it just falls on its face, especially in that second half.
We have a typical evil guy, with a ludicrous plan to use dinosaurs in modern war scenarios (again - for some absurd reason), we have a new "crazy" hybrid lab created dinosaur on the rampage (again!), And to top it all off, the writers decided to throw in a side plot about a little girl who actually a clone? What? Why?
There's also a bit with a velociraptor diving through a window, away from an explosion, like a dinosaur John McClane - we are so far away from the first movie now, is there any point in carrying on?
The first half of the film fairs slightly better, (the opening scene is a highlight for me) and the CGI is pretty solid throughout, but as soon as they leave the island, it's nosedives in spectacular fashion.
Bruce Dallas-Howard and Chris Pratt - again, both fine actors, bit here they are just there, not really adding or taking away from the whole experience.
And just like Jurassic World, it's full of silly plot points that I try not to think too hard about, bit in the end can't help myself such as:
Why is Claire not incarcerated for the events of the first film - she's definitely responsible for a lot of civilians being mailed by rampant dinosaurs.
How does the old guy have absolutely no idea that there is a massive lab/dinosaur prison below his house.
How did they get the T-Rex onto the boat into containment in the few minutes between the main characters jumping into the ocean to getting to the boat themselves?
Why does the Indoraptor happily eat everyone in sight, but then sneak up on the little girl... It's a kind of cool shit but still.
When the film reaches it's conclusion with dinosaurs roaming our everyday lives, you realise that most of the trailer is in the last minute of the film, and this was maybe all filler to reach the inevitable sequel, but to be honest, my interest is low at this point.
On a final note, I love Jeff Goldblum but what was the point of his appearance here? He literally says the name of the film out loud, and that's it. Jesus.
Fallen Kingdom is full to the brim with stupid.
It sort of imitates The Lost World - first half set on an island, second half set within human population - but it just falls on its face, especially in that second half.
We have a typical evil guy, with a ludicrous plan to use dinosaurs in modern war scenarios (again - for some absurd reason), we have a new "crazy" hybrid lab created dinosaur on the rampage (again!), And to top it all off, the writers decided to throw in a side plot about a little girl who actually a clone? What? Why?
There's also a bit with a velociraptor diving through a window, away from an explosion, like a dinosaur John McClane - we are so far away from the first movie now, is there any point in carrying on?
The first half of the film fairs slightly better, (the opening scene is a highlight for me) and the CGI is pretty solid throughout, but as soon as they leave the island, it's nosedives in spectacular fashion.
Bruce Dallas-Howard and Chris Pratt - again, both fine actors, bit here they are just there, not really adding or taking away from the whole experience.
And just like Jurassic World, it's full of silly plot points that I try not to think too hard about, bit in the end can't help myself such as:
Why is Claire not incarcerated for the events of the first film - she's definitely responsible for a lot of civilians being mailed by rampant dinosaurs.
How does the old guy have absolutely no idea that there is a massive lab/dinosaur prison below his house.
How did they get the T-Rex onto the boat into containment in the few minutes between the main characters jumping into the ocean to getting to the boat themselves?
Why does the Indoraptor happily eat everyone in sight, but then sneak up on the little girl... It's a kind of cool shit but still.
When the film reaches it's conclusion with dinosaurs roaming our everyday lives, you realise that most of the trailer is in the last minute of the film, and this was maybe all filler to reach the inevitable sequel, but to be honest, my interest is low at this point.
On a final note, I love Jeff Goldblum but what was the point of his appearance here? He literally says the name of the film out loud, and that's it. Jesus.
Phillip McSween (751 KP) rated Europa Europa (1992) in Movies
Nov 5, 2019
A Steady Boil That Produces a Successful Stew
A Jewish boy tries to survive the holocaust by pretending he is a German soldier.
Acting: 10
This movie can’t be found in many places. In fact, I had to watch the full version on Youtube, something I typically hate to do. We can get into supporting art later. The point I’m trying to make is, I didn’t really know many of these actors, but I was captivated by a lot of their performances, especially the main actor Marco Hofschneider playing the role of Solomon the Jewish boy trying to survive. He captures such a wave of emotions, sometimes in the same scene and you can feel him throughout his entire journey. Before the end of it, his character seemingly feels like a friend that you want to reach out to and help. It wasn’t hard to connect with the characters here.
Beginning: 10
We learn early on why Solomon ends up having to become a German. Essentially everything around him is destroyed and we get to see that in the first ten minutes of the movie. There were a couple of hard scenes involving explosions that really leant themselves to the reality of the movie as a whole.
Characters: 10
Cinematography/Visuals: 10
There is a heartbreaking scene towards the beginning of the movie where men are trying to escape the gruesome war by boat. One of the men jumps back into the ocean as he decides it would be better to go back to the fate they were trying to escape. It’s a scene shot so well in such a bleak fashion of hopelessness as you see throughout the movie.
Conflict: 10
Entertainment Value: 10
Keeps you engaged from beginning to end. Just about everything a movie should be. This action-drama war mix definitely does not disappoint.
Memorability: 8
Pace: 8
Just over an hour in, things start to slow down a taste and you feel the conflict starting to fade. Fortunately it doesn’t take too long for the pace to pick right back up. There is a lingering intensity here from the threat of Solomon being uncovered that keeps the movie at a steady boil.
Plot: 10
Resolution: 10
Overall: 96
I honestly had no idea I would like Europa Europa as much as I did, but was pleasantly surprised. It’s not only thought-provoking but it tugs at your heartstrings while giving you a unique look at a dark time. A highly recommended classic.
Acting: 10
This movie can’t be found in many places. In fact, I had to watch the full version on Youtube, something I typically hate to do. We can get into supporting art later. The point I’m trying to make is, I didn’t really know many of these actors, but I was captivated by a lot of their performances, especially the main actor Marco Hofschneider playing the role of Solomon the Jewish boy trying to survive. He captures such a wave of emotions, sometimes in the same scene and you can feel him throughout his entire journey. Before the end of it, his character seemingly feels like a friend that you want to reach out to and help. It wasn’t hard to connect with the characters here.
Beginning: 10
We learn early on why Solomon ends up having to become a German. Essentially everything around him is destroyed and we get to see that in the first ten minutes of the movie. There were a couple of hard scenes involving explosions that really leant themselves to the reality of the movie as a whole.
Characters: 10
Cinematography/Visuals: 10
There is a heartbreaking scene towards the beginning of the movie where men are trying to escape the gruesome war by boat. One of the men jumps back into the ocean as he decides it would be better to go back to the fate they were trying to escape. It’s a scene shot so well in such a bleak fashion of hopelessness as you see throughout the movie.
Conflict: 10
Entertainment Value: 10
Keeps you engaged from beginning to end. Just about everything a movie should be. This action-drama war mix definitely does not disappoint.
Memorability: 8
Pace: 8
Just over an hour in, things start to slow down a taste and you feel the conflict starting to fade. Fortunately it doesn’t take too long for the pace to pick right back up. There is a lingering intensity here from the threat of Solomon being uncovered that keeps the movie at a steady boil.
Plot: 10
Resolution: 10
Overall: 96
I honestly had no idea I would like Europa Europa as much as I did, but was pleasantly surprised. It’s not only thought-provoking but it tugs at your heartstrings while giving you a unique look at a dark time. A highly recommended classic.
Ivana A. | Diary of Difference (1171 KP) rated Eternal Soul in Books
Feb 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/2720127654">Eternal Soul</a> - ★★★
#2 <a href="https://www.goodreads.com/review/show/2720128155">Eternal Love</a> - Not Read Yet
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2019/06/Book-Review-Banner-4.png?ssl=1&w=510"/>;
Eternal Soul by Karimah Colden was a mysterious and adventurous read for me. The author contacted me and the book seemed to have an interesting plot, so I said - yes, I would love to read it.
Reign is a very private person and keeps everything close to her heart. She is a descendant of powerful hoodoo magick and her family has some dark secrets.
One day, her father appears in her life, which happens very rarely. She can feel trouble and danger, and before she knows it, her world is full of magick and discovering herself again. The one thing that she always denied - her powers - will now be something she will have to embrace and live with.
I really liked Reign and how she was portrayed. There was great character development, which was something I really admired. I loved how she slowly was finding herself throughout the book and did what felt was the best decision for her at each time. I am not sure about the romance and the relationships she formed with both men. It all happened too fast, too unrealistic and too predictable. The book also had a lot of repetitiveness as well, especially in the many scenes when it came to fashion choices and Reign was standing in from of her closet. It felt like deja-vu every time I read about it.
<b>But I still enjoyed Eternal Soul a lot.</b>
Despite the deja-vu's, despite the grammar errors. It is a cute short-ish read and I loved finding out what happens next. I also have the second book of the series as well, and will definitely be reading it soon.
If you like something young-adult, with a bit of magic and self-discovery, and something new and different, go for it, and you might be surprised! Definitely worth giving it a chance!
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#1 <a href="https://www.goodreads.com/review/show/2720127654">Eternal Soul</a> - ★★★
#2 <a href="https://www.goodreads.com/review/show/2720128155">Eternal Love</a> - Not Read Yet
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2019/06/Book-Review-Banner-4.png?ssl=1&w=510"/>;
Eternal Soul by Karimah Colden was a mysterious and adventurous read for me. The author contacted me and the book seemed to have an interesting plot, so I said - yes, I would love to read it.
Reign is a very private person and keeps everything close to her heart. She is a descendant of powerful hoodoo magick and her family has some dark secrets.
One day, her father appears in her life, which happens very rarely. She can feel trouble and danger, and before she knows it, her world is full of magick and discovering herself again. The one thing that she always denied - her powers - will now be something she will have to embrace and live with.
I really liked Reign and how she was portrayed. There was great character development, which was something I really admired. I loved how she slowly was finding herself throughout the book and did what felt was the best decision for her at each time. I am not sure about the romance and the relationships she formed with both men. It all happened too fast, too unrealistic and too predictable. The book also had a lot of repetitiveness as well, especially in the many scenes when it came to fashion choices and Reign was standing in from of her closet. It felt like deja-vu every time I read about it.
<b>But I still enjoyed Eternal Soul a lot.</b>
Despite the deja-vu's, despite the grammar errors. It is a cute short-ish read and I loved finding out what happens next. I also have the second book of the series as well, and will definitely be reading it soon.
If you like something young-adult, with a bit of magic and self-discovery, and something new and different, go for it, and you might be surprised! Definitely worth giving it a chance!
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Merissa (11950 KP) rated Virgin Flyer in Books
Mar 2, 2020
Virgin Flyer is a standalone novel by the amazing Lucy Lennox. I found her through her Made Marion series and have never looked back. I love her writing style, the characters, the warmth and depth of the stories... I could go on but I won't. Instead, I will curb my enthusiasm and try to tell you in an orderly fashion just why I enjoyed this book so much.
First things first. Chris is a jerk. He starts off a jerk and *spoiler* he remains one throughout. He has his moments but trust me when I say they are few and far between. Secondly, Teo is sweet! We're talking super-saccharine, jaw-achingly sweet. But the best part is - you love him that way!!! I can't (and don't want to) imagine him any other way. And Jack. Oh, Jack! Now here's someone who could fly me to the moon (if I was the opposite gender, he wasn't with Teo, OH, and if he wasn't also an imaginary character!) The perfect fit for Teo, they just have to see it.
Now - what about the story? It's good. Like, really good. Teo has been pining over Chris for years and just can't see him as the person others see. When Teo eventually decides enough is enough, he puts an ad out there for all to see and is lucky enough to entice Jack. Jack is curious about the ad and, to start with, is more than happy to go along with the requirements. It is months after that they both meet again and then we really fly. There is nothing in this story that is superfluous. Everything moves either the story or the character along and I loved every word of it.
The world-building is certainly clear for all to see, with familial ties playing a big part of the story. The characters behave as you would expect, no 'funny' turns where they act in a way you wouldn't believe. The pacing is smooth and the words themselves will keep you turning the pages without any hesitation.
As an aside, I loved it when Frankfurt and Wiesbaden were mentioned as they are only just down the road from where I live! A one-sit read for me and highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
First things first. Chris is a jerk. He starts off a jerk and *spoiler* he remains one throughout. He has his moments but trust me when I say they are few and far between. Secondly, Teo is sweet! We're talking super-saccharine, jaw-achingly sweet. But the best part is - you love him that way!!! I can't (and don't want to) imagine him any other way. And Jack. Oh, Jack! Now here's someone who could fly me to the moon (if I was the opposite gender, he wasn't with Teo, OH, and if he wasn't also an imaginary character!) The perfect fit for Teo, they just have to see it.
Now - what about the story? It's good. Like, really good. Teo has been pining over Chris for years and just can't see him as the person others see. When Teo eventually decides enough is enough, he puts an ad out there for all to see and is lucky enough to entice Jack. Jack is curious about the ad and, to start with, is more than happy to go along with the requirements. It is months after that they both meet again and then we really fly. There is nothing in this story that is superfluous. Everything moves either the story or the character along and I loved every word of it.
The world-building is certainly clear for all to see, with familial ties playing a big part of the story. The characters behave as you would expect, no 'funny' turns where they act in a way you wouldn't believe. The pacing is smooth and the words themselves will keep you turning the pages without any hesitation.
As an aside, I loved it when Frankfurt and Wiesbaden were mentioned as they are only just down the road from where I live! A one-sit read for me and highly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
JT (287 KP) rated Shame (2012) in Movies
Mar 10, 2020
If you ever wondered what constitutes as a powerful piece of film making then Shame, directed by Steve McQueen, is it. Michael Fassbender plays Brandon a man who has an addiction for sex and all things surrounding it. From porn, webcams, fingering random girls in bars, it’s all covered here in gratuitous fashion that certainly delivers shock value.
When his sister, Sissy (Mulligan) turns up at his apartment unannounced it throws his life into turmoil as she carries with her problems of her own.Brandon’s sexual appetite is a massive part of his life, he doesn’t go in for long term relationships instead finding time to pay for sex and engage in dates and the occasional one night stand.
His hunger drifts into the work place as well, which proves a dangerous playground. As the film grows Brandon begins to realise that his addiction is slowly consuming him, unable to perform sexually in some cases he is gripped by emotional dilemmas while at the same time trying to orchestrate a normal existence.
Fassbender is brilliant, giving by far, one of his best performances. Strange that actors seem to do this in films that generally are not that well known, albeit only around film festivals as opposed to main stream cinema. Brandon is a character that is trying to escape his inner demons, like with any addiction the road to ridding the problem is a long journey.
We see Brandon having a clear out of his apartment, throwing porn mags, DVDs and even his entire laptop, casting it onto the street in bin bags like it was a quick fix solution, which it’s not.
The supporting cast, aside Mulligan, is limited. James Badge Dale as Brandon’s over excited and at times sleazy boss holds his own but it is a relatively small part so he doesn’t have a lot to chew on. Shame is graphic, if you’re the least bit prudish then this film is certainly not going to be for you. Fassbender is a hollow shell, but the emotion beneath him is bubbling and the final act shows Brandon on a night of careless sexual exploitation, which takes him on a painful journey of self loathing.
It’s a film that will be open to much debate, the last scenes will no doubt set tongues wagging. But through all the controversy lies a film that depicts an addiction just like any other, and tries to break through to the underlying causes behind it, as well as the people that it affects.
When his sister, Sissy (Mulligan) turns up at his apartment unannounced it throws his life into turmoil as she carries with her problems of her own.Brandon’s sexual appetite is a massive part of his life, he doesn’t go in for long term relationships instead finding time to pay for sex and engage in dates and the occasional one night stand.
His hunger drifts into the work place as well, which proves a dangerous playground. As the film grows Brandon begins to realise that his addiction is slowly consuming him, unable to perform sexually in some cases he is gripped by emotional dilemmas while at the same time trying to orchestrate a normal existence.
Fassbender is brilliant, giving by far, one of his best performances. Strange that actors seem to do this in films that generally are not that well known, albeit only around film festivals as opposed to main stream cinema. Brandon is a character that is trying to escape his inner demons, like with any addiction the road to ridding the problem is a long journey.
We see Brandon having a clear out of his apartment, throwing porn mags, DVDs and even his entire laptop, casting it onto the street in bin bags like it was a quick fix solution, which it’s not.
The supporting cast, aside Mulligan, is limited. James Badge Dale as Brandon’s over excited and at times sleazy boss holds his own but it is a relatively small part so he doesn’t have a lot to chew on. Shame is graphic, if you’re the least bit prudish then this film is certainly not going to be for you. Fassbender is a hollow shell, but the emotion beneath him is bubbling and the final act shows Brandon on a night of careless sexual exploitation, which takes him on a painful journey of self loathing.
It’s a film that will be open to much debate, the last scenes will no doubt set tongues wagging. But through all the controversy lies a film that depicts an addiction just like any other, and tries to break through to the underlying causes behind it, as well as the people that it affects.
Phillip McSween (751 KP) rated Farming (2018) in Movies
Mar 18, 2020
No Thank You
A young black teenager struggling with his identity joins up with a gang of skinheads. Despite what seems like an intriguing premise, Farming has to be one of the all-time worst movies I’ve ever seen. Since I’m on a streak of reviewing bad movies, might as well keep the train rolling.
Acting: 5
I couldn’t tell up from down, good from bad from these characters and, while that is attributed partly to writing, I think it falls on the poor acting performances as well. With the exception of a couple people here and there, almost everyone dropped the ball in this movie. It was almost as if they were making something they wanted no part of and, as a result, never really gave themselves over to it.
Beginning: 6
The beginning was good enough to get my attention. However, definitely didn’t love it. Like the majority of the movie, it was missing something for me. Little did I know, I was in for even more disappointment…
Characters: 1
Cinematography/Visuals: 0
Conflict: 3
Entertainment Value: 4
After twenty-five minutes of watching, I knew the movie was pretty much headed nowhere. It’s hard to enjoy a movie when you spend the majority of it breaking down and destroying the main character until it’s no longer interesting. It was like watching someone pick at a dead ant. The more I watched, the more I lacked interest.
Memorability: 0
Never have a single solitary desire to see this movie again. The message sucks. The movie sucks. “Forgettable” doesn’t begin to describe it.
Pace: 6
The pace is solid in spots but the story is so painful it negates that things are moving quickly. I wanted this to end so many times and it wouldn’t. It frustrated me to no end.
Plot: 1
An interesting premise spoiled by terrible execution. The movie should have centered on empowerment, yet it lingered too long on the tearing down portion. Eventually that becomes a bane to your audience and hard to stomach.
Resolution: 10
Overall: 36
I did sympathize with the main character’s culture shock in Farming having to go from African culture to British culture. I can imagine it would almost be enough to drive someone crazy and it definitely did a number on him. I would have liked to see his story told in a better fashion with a stronger glimmer of hope. That’s what we watch movies for, right? To hope for something better than the same old mundane shit we deal with on a regular. Farming dropped the ball and I’m damn sad about it.
Acting: 5
I couldn’t tell up from down, good from bad from these characters and, while that is attributed partly to writing, I think it falls on the poor acting performances as well. With the exception of a couple people here and there, almost everyone dropped the ball in this movie. It was almost as if they were making something they wanted no part of and, as a result, never really gave themselves over to it.
Beginning: 6
The beginning was good enough to get my attention. However, definitely didn’t love it. Like the majority of the movie, it was missing something for me. Little did I know, I was in for even more disappointment…
Characters: 1
Cinematography/Visuals: 0
Conflict: 3
Entertainment Value: 4
After twenty-five minutes of watching, I knew the movie was pretty much headed nowhere. It’s hard to enjoy a movie when you spend the majority of it breaking down and destroying the main character until it’s no longer interesting. It was like watching someone pick at a dead ant. The more I watched, the more I lacked interest.
Memorability: 0
Never have a single solitary desire to see this movie again. The message sucks. The movie sucks. “Forgettable” doesn’t begin to describe it.
Pace: 6
The pace is solid in spots but the story is so painful it negates that things are moving quickly. I wanted this to end so many times and it wouldn’t. It frustrated me to no end.
Plot: 1
An interesting premise spoiled by terrible execution. The movie should have centered on empowerment, yet it lingered too long on the tearing down portion. Eventually that becomes a bane to your audience and hard to stomach.
Resolution: 10
Overall: 36
I did sympathize with the main character’s culture shock in Farming having to go from African culture to British culture. I can imagine it would almost be enough to drive someone crazy and it definitely did a number on him. I would have liked to see his story told in a better fashion with a stronger glimmer of hope. That’s what we watch movies for, right? To hope for something better than the same old mundane shit we deal with on a regular. Farming dropped the ball and I’m damn sad about it.
Gareth von Kallenbach (977 KP) rated Taken 3 (2015) in Movies
Aug 6, 2019
Liam Neeson may be an actor, an actor with a “particular set of skills,” some of
which entertain audiences around the world with action packed thrills on the big
screen. Was he able to do it again in his latest film Taken 3?
The film centers around Bryan Mill’s (Neeson) ex wife Lenore (Famke Janssen) and
her relationship problems with Stuart (Dougray Scott). She seeks comfort in Mills
and though he remains in love with Lenore, he would rather she figure things out
in her marriage before anything happens between them. Stuart begins to be
suspicious of the relationship between the two and decides to ask Mills to stay
away from Lenore while they work things out. Mills receives a text the following
day asking him to meet her at his place for a shoulder tho cry on. Unfortunately
upon arriving with breakfast, he discovers her lifeless body in his bed. Before
he had a moment to take everything in, the police barge in and try to arrest him
for the murder. In true Mill’s fashion, he is able to escape though only steps
behind is inspector Dotzler (Forest Whitaker) who is trying to piece together
every clue that seemingly points away from Bryan Mills as the culprit. Let us not
forget about his daughter Kim (Maggie Grace) who was the victim in the first film
and might just be in this film.
My expectations weren’t high for this installment of Taken. Some may agree with me
that as with most films that spawn sequels, the first film is usually the best. As
a huge fan of the first Taken I knew that the third one, just like the second one
would be worth seeing at least once but that would probably it. This film had far
less action than its predecessors which is a little strange if you ask me. Now
don’t get me wrong, Liam Neesen is an amazing actor in this genre however
sometimes that really isn’t enough. An actor can only do so much with what they
are given. In his case it might have been the script. The editing was a bit choppy
and the cinematography a bit sloppy.
In the case of this film, I would’ve expected a little bit more. I think it would
be wise to leave this film as the last and final one. I think that they have
milked this cow dry. As I have stated above, this film is worth seeing at least
once although you may want to leave it up to redbox and skip theatre prices.
which entertain audiences around the world with action packed thrills on the big
screen. Was he able to do it again in his latest film Taken 3?
The film centers around Bryan Mill’s (Neeson) ex wife Lenore (Famke Janssen) and
her relationship problems with Stuart (Dougray Scott). She seeks comfort in Mills
and though he remains in love with Lenore, he would rather she figure things out
in her marriage before anything happens between them. Stuart begins to be
suspicious of the relationship between the two and decides to ask Mills to stay
away from Lenore while they work things out. Mills receives a text the following
day asking him to meet her at his place for a shoulder tho cry on. Unfortunately
upon arriving with breakfast, he discovers her lifeless body in his bed. Before
he had a moment to take everything in, the police barge in and try to arrest him
for the murder. In true Mill’s fashion, he is able to escape though only steps
behind is inspector Dotzler (Forest Whitaker) who is trying to piece together
every clue that seemingly points away from Bryan Mills as the culprit. Let us not
forget about his daughter Kim (Maggie Grace) who was the victim in the first film
and might just be in this film.
My expectations weren’t high for this installment of Taken. Some may agree with me
that as with most films that spawn sequels, the first film is usually the best. As
a huge fan of the first Taken I knew that the third one, just like the second one
would be worth seeing at least once but that would probably it. This film had far
less action than its predecessors which is a little strange if you ask me. Now
don’t get me wrong, Liam Neesen is an amazing actor in this genre however
sometimes that really isn’t enough. An actor can only do so much with what they
are given. In his case it might have been the script. The editing was a bit choppy
and the cinematography a bit sloppy.
In the case of this film, I would’ve expected a little bit more. I think it would
be wise to leave this film as the last and final one. I think that they have
milked this cow dry. As I have stated above, this film is worth seeing at least
once although you may want to leave it up to redbox and skip theatre prices.