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Spike Milligan: Man of Letters
8.5
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Spike Milligan's letters contain some of the best material he ever wrote ...Collected here for the...
Cheats and Deceits: How Animals and Plants Exploit and Mislead
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In nature, trickery and deception are widespread. Animals and plants mimic other objects or species...
Lenard (726 KP) rated Late Night (2019) in Movies
Aug 26, 2019
Late Night is a well-written comedy about a non-white female hired to add diversity to the writing staff of a late night talk show. Katherine Newbury (Emma Thompson showing the comic skills developed during her university days as Hugh Laurie's girlfriend) is a older sophisticated woman who hosts a show whose audience is dying off, literally in some cases and figuratively. If things do not improve, she will no longer be host of her eponymous talk show. So, in an unexpected but obvious hiring decision, Molly Patel is hired to join the writing staff. At first, seen as an interloper with little comedy or writing experience, Molly uses her Mindy Kaling charm to win over her co-workers and her boss. As Katherine starts to see a way to take advantage of her uniqueness and the youth of Molly, she challenges the status quo of late night.
The movie is charming. The characters are developed and not cardboard cutouts of caricatures thanks to the writing, Max Casella, Reid Scott, Denis O'Hare, Hugh Dancy, Amy Ryan, and John Lithgow have backstories and motivations. However, the movie never really goes after the boys' club landscape that late night television inhabits nor does it go after the concept of diversity hires. It simply turns Molly into some sprite who sprinkles enthusiasm into the mundane lives of the people she encounters. Late Night also begins the campaign for John Lithgow as this year's Best Supporting Actor, Not for this role as the mentor for Molly's transformation to strong woman and devoted husband of Katherine who learns the meaning of karma, but for his role later this year as Roger Ailes.
The movie is charming. The characters are developed and not cardboard cutouts of caricatures thanks to the writing, Max Casella, Reid Scott, Denis O'Hare, Hugh Dancy, Amy Ryan, and John Lithgow have backstories and motivations. However, the movie never really goes after the boys' club landscape that late night television inhabits nor does it go after the concept of diversity hires. It simply turns Molly into some sprite who sprinkles enthusiasm into the mundane lives of the people she encounters. Late Night also begins the campaign for John Lithgow as this year's Best Supporting Actor, Not for this role as the mentor for Molly's transformation to strong woman and devoted husband of Katherine who learns the meaning of karma, but for his role later this year as Roger Ailes.
Debbiereadsbook (1202 KP) rated Interludes Box Set in Books
Aug 14, 2019
I LOVED THESE!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this box set of three books.
Because I read these books back to back, as a set, I’m writing one review for the whole bundle, rather than three separate reviews.
And let me tell ya, I loved these books!
Well, I LOVED books one and three, two didn’t quite hit that spot, but still!
These books landed right in my queue when I needed them the most. I read a lot, A LOT, a lot and a huge chunk of those books are male/male romance of some description or other. Now, I’m not picky, I like to think I’m an equal opportunities reader, I will read most pairings so long as the blurb grabs. But it’s been a while since I had such great male/female pairings that were so bloody sexy!
There is instant and powerful attraction between Roxi and Sam in book one. Tuck and Ariel pussy foot around each other for the better part of two years before they act on their feelings in book two. Maya and Brent, in book three, had a one night stand some time (but I was never really clear on how long ago that was!) in Hawaii and when Brent finds himself face to face with Maya again, he wants to pick up where they left off.
Each book is well written, with both male and female lead having a say. All the characters have very different voices, and tell their stories in the third person. Each book has a Marine or two as the lead, and there are a whole host of other Marines that pop up in each book.
There is a huge supporting cast, spread over the three books, with some very interesting people who I want to have a story of their own. Some massive hints? Clues? Teasers, I think is probably the best word, to their stories and I need to know will there be more in this series??
I read tow of these books in one day, and had I not had to up at stoopid o’clock the next morning, I would probably have read all three! First I’ve read of this author, and now I want to read more. Her back list is massive though, and it may take some time to choose!
Like I said, book two did not quite hit *that* spot, but I’m still giving the whole set. . .
5 full stars
**same worded review will appear elsewhere**
Because I read these books back to back, as a set, I’m writing one review for the whole bundle, rather than three separate reviews.
And let me tell ya, I loved these books!
Well, I LOVED books one and three, two didn’t quite hit that spot, but still!
These books landed right in my queue when I needed them the most. I read a lot, A LOT, a lot and a huge chunk of those books are male/male romance of some description or other. Now, I’m not picky, I like to think I’m an equal opportunities reader, I will read most pairings so long as the blurb grabs. But it’s been a while since I had such great male/female pairings that were so bloody sexy!
There is instant and powerful attraction between Roxi and Sam in book one. Tuck and Ariel pussy foot around each other for the better part of two years before they act on their feelings in book two. Maya and Brent, in book three, had a one night stand some time (but I was never really clear on how long ago that was!) in Hawaii and when Brent finds himself face to face with Maya again, he wants to pick up where they left off.
Each book is well written, with both male and female lead having a say. All the characters have very different voices, and tell their stories in the third person. Each book has a Marine or two as the lead, and there are a whole host of other Marines that pop up in each book.
There is a huge supporting cast, spread over the three books, with some very interesting people who I want to have a story of their own. Some massive hints? Clues? Teasers, I think is probably the best word, to their stories and I need to know will there be more in this series??
I read tow of these books in one day, and had I not had to up at stoopid o’clock the next morning, I would probably have read all three! First I’ve read of this author, and now I want to read more. Her back list is massive though, and it may take some time to choose!
Like I said, book two did not quite hit *that* spot, but I’m still giving the whole set. . .
5 full stars
**same worded review will appear elsewhere**
Kristy H (1252 KP) rated Gray Mountain in Books
Feb 13, 2018
It's a little unfair to John Grisham, but I probably would have rated this book 4 stars if he didn't write it. It was a pretty good book, but I kept waiting for the typical Grisham-flair to pop up - a huge courtroom battle, an epic good versus evil duel, etc.
Instead, the battle and storyline I would have really wanted to read about goes on in the background as a secondary storyline. The main plot follows Samantha Kofer, a young law associate at a powerful firm in New York City. However, when the recession hits in '08, Samantha finds herself furloughed and in order to keep her health insurance, and to potentially get her old job back, must intern at a rural legal aid clinic in Brady, Virginia.
There Samantha meets a cast of characters, including Mattie, who runs the clinic; her nephew, Donovan, also a lawyer; Donovan's shady brother, Jeff; and a host of other rural townsfolk. She also gets her first taste of real law. We, the reader, learn about the atrocities of Big Coal and strip mining, including Black Lung Disease, which the book goes into in great detail (and which personally, makes me want to become a lawyer or social worker, as it's all awful).
It's interesting to have Grisham write in the voice of a young female. It takes me back to Darby Shaw (of "The Pelican Brief" - one of my all-time favorite Grisham novels), though Samantha is *no* Darby Shaw, by any stretch of the imagination. She's a bit spineless, though, really, she's not given much story to work with. The first 3/4 of the book I mostly enjoyed and then the last 1/4 just sort of tapers off. It almost seems as if a sequel is in order, but who knows.
Again, I think I might have liked Samantha and her story a bit more if it wasn't Grisham, as I might have expected a bit less. It's a good read, but leaves you wanting more.
Instead, the battle and storyline I would have really wanted to read about goes on in the background as a secondary storyline. The main plot follows Samantha Kofer, a young law associate at a powerful firm in New York City. However, when the recession hits in '08, Samantha finds herself furloughed and in order to keep her health insurance, and to potentially get her old job back, must intern at a rural legal aid clinic in Brady, Virginia.
There Samantha meets a cast of characters, including Mattie, who runs the clinic; her nephew, Donovan, also a lawyer; Donovan's shady brother, Jeff; and a host of other rural townsfolk. She also gets her first taste of real law. We, the reader, learn about the atrocities of Big Coal and strip mining, including Black Lung Disease, which the book goes into in great detail (and which personally, makes me want to become a lawyer or social worker, as it's all awful).
It's interesting to have Grisham write in the voice of a young female. It takes me back to Darby Shaw (of "The Pelican Brief" - one of my all-time favorite Grisham novels), though Samantha is *no* Darby Shaw, by any stretch of the imagination. She's a bit spineless, though, really, she's not given much story to work with. The first 3/4 of the book I mostly enjoyed and then the last 1/4 just sort of tapers off. It almost seems as if a sequel is in order, but who knows.
Again, I think I might have liked Samantha and her story a bit more if it wasn't Grisham, as I might have expected a bit less. It's a good read, but leaves you wanting more.
Phil Leader (619 KP) rated Guns of the Dawn in Books
Nov 14, 2019
A couple of years a go I was involved in a Twitter conversation about strong female characters in fantasy. The conclusion what that they were there but not very common. This book addresses this by adding another in the shape of Emily Marshwic.
Born into a priviliged family, she is nothing but practical, sparring with the local governor whom she blames for the suicide of her father. Then war breaks out with a neighbouring country and as the fighting drags on, taking the men of the Marshwic household, Emily ends up joining the army to do her bit. The war is brutal and through her experiences Emily finds out unexpected things about not only herself but those around her.
This story is entirely driven by character, not only of Emily but of all of those she meets and this is where Tchaikovsky shines, conjuring up a host of main and supporting cast, all of whom are three dimensional and painted in shades of light and shadow, even those whose lives are destined to be cut short. Emily herself is the central pillar of the book and is more than capable of that task.
The descriptions of the war - both of the frantic, muddled fighting and the times in between - is spot on, showing the futility of it all but also why the sides feel they must fight on. The plot is far from predictable and takes sudden turns onto new territory just as the reader becomes comfortable with the current situation.
The world is well drawn. This is definitely fantasy in style and there are magic users in the shape of the flame wielding Warlocks, but the main fighting is with muskets and flintlock pistols and it is clear that the war is driving technology on.
The only problem with this book? It is stand alone. I would definitely read more stories about Emily and will now be searching out Tchaikovsky's epic Shadows of the Apt series for future reading.
Advisory: Voilent scenes of battle and some sexual violence and references
Born into a priviliged family, she is nothing but practical, sparring with the local governor whom she blames for the suicide of her father. Then war breaks out with a neighbouring country and as the fighting drags on, taking the men of the Marshwic household, Emily ends up joining the army to do her bit. The war is brutal and through her experiences Emily finds out unexpected things about not only herself but those around her.
This story is entirely driven by character, not only of Emily but of all of those she meets and this is where Tchaikovsky shines, conjuring up a host of main and supporting cast, all of whom are three dimensional and painted in shades of light and shadow, even those whose lives are destined to be cut short. Emily herself is the central pillar of the book and is more than capable of that task.
The descriptions of the war - both of the frantic, muddled fighting and the times in between - is spot on, showing the futility of it all but also why the sides feel they must fight on. The plot is far from predictable and takes sudden turns onto new territory just as the reader becomes comfortable with the current situation.
The world is well drawn. This is definitely fantasy in style and there are magic users in the shape of the flame wielding Warlocks, but the main fighting is with muskets and flintlock pistols and it is clear that the war is driving technology on.
The only problem with this book? It is stand alone. I would definitely read more stories about Emily and will now be searching out Tchaikovsky's epic Shadows of the Apt series for future reading.
Advisory: Voilent scenes of battle and some sexual violence and references
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