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Richard Hell recommended Kiss Me Deadly (2008) in Movies (curated)

 
Kiss Me Deadly (2008)
Kiss Me Deadly (2008)
2008 | Action, Drama, Mystery
(0 Ratings)
Movie Favorite

"Noir, of course, typically displays shadows, rain, urban darkness, blunt seediness, and the realization that since not just at the end but at the center of things are death and other hopeless mysteries, human striving is meaningless. There’s something soothing about realizing that all is futile. It’s liberating. Kiss Me Deadly might be the most cynical and fatalistic noir of them all. It happens to take place in sunny LA, but it’s certainly got the seediness too, including fantastic location shooting in long-gone slums. It’s one of those flicks that’s too good to be true. You’re stopped alone at a motel somewhere in the desert late at night, dead tired, but you can’t sleep, so you switch on the TV . . . and there’s a near-teenage Cloris Leachman running towards you, moaning and sobbing in the darkness, too blonde and naked to believe. But there she is. What a world. Ralph Meeker speeds up in a Jaguar! Nat King Cole warbles on the radio. Cloris is named after Christina Rossetti! It’s 1955. She’s a bitter feminist escapee from a mental asylum. And it just gets better, all the way till after the last second. Along with the action, corruption, sadism, and sex (when the blonde in her car, who happens to be behind Mike Hammer when he parks in a driveway, is immediately compelled to press herself against him and kiss him, framed with bulging taillights protruding from the fin of the forward auto, somehow it's sexier than the porniest pornography), the photography/mise-en-scène would make this movie immortal alone. It’s the kind of movie that makes me laugh at the notion of “art” photography. A few thousand frames from this one film would make a better life’s work in photography than any artist has yet created. Cindy Sherman has a right to a living like everyone else, but, Jesus . . . Nicholas Raymondo (“Very Smart. Very Bright. Very Sad.”) was “sad . . . for the way the world is,” but as Christina tells us: if you should forget me for a while And afterwards remember, do not grieve: For if the darkness and corruption leave A vestige of the thoughts that once I had, Better by far you should forget and smile It’s actually misquoted in the movie, but it’s still probably the nicest thing that’s happened to Christina Rossetti in a hundred years . . ."

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How to Be Famous
How to Be Famous
8
8.0 (1 Ratings)
Book Rating
I’ve been ‘aware’ of Caitlin Moran’s work for a number of years. I think she first came to my attention in 2011. I worked in a bookshop and Morans book ‘How to be a Woman’ was in the charts. The cover art just seemed to exude a quirky confidence and it went straight into my ‘theoretical’ TBR pile.

As you can imagine, a booksellers TBR pile is a challenging Behemoth, so when ‘Raised by Wolves’ (a sitcom written by Caitlin Moran and her sister Caroline) came on the telly in 2013 I still hadn’t read ‘How to be a Woman’.

Happily, ‘Raised by Wolves’ was hilarious, putting Caitlin Moran well and truly on my radar as someone who had a lot of interesting and humorous opinions that I would really need to read about some day.
(On a little side note Alexa davies who plays Aretha in this is hilarious and worth keeping an eye on.)

Cut to 2019 Caitlin Moran has released 4 more books and I haven’t read a single one of them! So when NETgalley offered me a copy of ‘How to be famous’ in exchange for an honest review I had to say yes, as despite the fact that I actually own a copy of ‘How to be a girl’ I still haven’t read it, so I figured, if I have a deadline for a review that is going to spur me on to actually read this one!
It worked, I read it, and it was everything I thought it would be.
It had some definite laugh out loud moments, Morans humorous writing style comes through triumphantly.

So, the blurb . . .

“Johanna Morrigan (AKA Dolly Wilde) has it all: at eighteen, she lives in her own flat in London and writes for the coolest music magazine in Britain. But Johanna is miserable. Her best friend and man of her dreams John Kite has just made it big in 1994’s hot new BritPop scene. Suddenly John exists on another plane of reality: that of the Famouses.

Never one to sit on the sidelines, Johanna hatches a plan: she will Saint Paul his Corinthians, she will Jimmy his Pinocchio—she will write a monthly column, by way of a manual to the famous, analyzing fame, its power, its dangers, and its amusing aspects. In stories, girls never win the girl—they are won. Well, Johanna will re-write the stories, and win John, through her writing.

But as Johanna’s own star rises, an unpleasant one-night stand she had with a stand-up comedian, Jerry Sharp, comes back to haunt in her in a series of unfortunate consequences. How can a girl deal with public sexual shaming? Especially when her new friend, the up-and-coming feminist rock icon Suzanne Banks, is Jimmy Cricketing her?”

First off, despite the fact that this is the second book in a series, you don’t lose anything of the story by not having read the first one. If anything it makes you want to read the first one even more, as you want to know how Dolly got to where she is and the adventures she’s had on the way.
Secondly, the characters were just brilliant not a two-dimensional one among them, the dialogue just flows beautifully, and you’ll end the book wishing you were friends with them.
Thirdly, in my inexpert opinion its really well written, the story flows effortlessly and you are just grabbed by the collar and dragged along on this adventure.

I quite literally cannot find the words to say how much I admire Morans writing style, as I said before, this is so well written and the characters are so relatable. It’s full of many laugh out loud moments and some very frank and hilarious conversations about sex, and amongst the humour are actually some quite serious issues, like the clear displays of the inequality of women within the music industry (even though this was set in the 90s, I’m sure much of it is still true today)

And coming from somebody who never seems to get symbolism or messages from books, I took away a LOT from this one

One of my favourite moments was a letter that Dolly writes to her musician friend (Johnny) who is troubled by accusations of ‘selling out’
It basically addresses the scorn heaped on bands, with a predominantly teenage female following, by ‘Elitist’ fans and the music industry. She asks Johnny to appreciate his ‘screaming’ girls fans, as just because they’re louder, more emotional, younger, and haven’t been part of the fanbase since day one, doesn’t mean they don’t appreciate the music any less or feel any less. Yes, they are the ones putting money in your bank account, putting you in the charts, but just because they are part of the mass market doesn’t make their feelings any less valid.

Seeing as I’ve been both a ‘screaming girl fan’ and an ‘Elitist Fan’ I understand and appreciate what’s being said here.

There is so much to love bout this book, the strong female characters, the humour, the feminist message, and underneath it all a good old fashioned love story
  
QC
Quarry's Climax (Quarry #14)
8
8.0 (1 Ratings)
Book Rating
My full review can be found on this link as well: https://www.diaryofdifference.com/2018/05/15/quarrys-climax-max-allan-collins-book-review/

Quarry’s Climax is the 14th book of the Quarry series, and even though I only had the chance to read this one, the rest of the books are certainly something that I have put on my TBR list!
 
<img src="https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1498930963i/34014841._UY630_SR1200,630_.jpg"/>;

The plot is simple – until, of course, it gets complicated:
Quarry is a Hitman – he kills people for pleasure, I mean, money! He works for this guy ‘’the Broker’’ and his new mission is to protect a chairman of an underrated Porn magazine and strip club – The Climax. When this task might seem easy, suddenly everyone hides something and everyone has secrets. And then our man Quarry – who usually goes on the spot and just kills whoever he needs to, now has to play the role of a detective, find out what the hell is going on in this rat hole, and eliminate any danger.
 
Now - first things first - I am not usually a person that reads these types of books - Pulp fiction, hardboiled fiction, entangled harsh noir stories, but this book pleasantly surprised me with its light reading experience and admirable description of the characters.
 
Quarry – now that’s one interesting character! Quarry is what happens when you mix a Cowboy personality, with a bit of witty humour, no respect for ladies and egotistical appearance. I happened to actually kind of like this guy!
 
Though the part I didn’t like it how he treats women and talks about them as they are a piece of meat with no brain whatsoever. I am not a feminist, but I mean – you couldn’t have tried harder, I guess. He would just go to a scene, let us know how irrelevant and thick this lady is, he would sleep with her, never call her again, and then continue with his life as nothing happened. Wonderful, isn’t it?
 
This is one of a kind book for me, and even though I wouldn’t put it on my favourites pile, it has a special place in my heart. I greatly enjoyed it, and it made me smirk at times. I will definitely explore this genre in the future, and I am sure that Quarry’s Climax was a great beginning for me on that.
 
I received this book by winning a Goodreads Giveaway from Max Allan Collins and Hard Case Crime.

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BookInspector (124 KP) rated Madam in Books

Jul 1, 2021  
Madam
Madam
Phoebe Wynne | 2021 | Gender Studies, LGBTQ+
6
6.0 (3 Ratings)
Book Rating
I like gloomy boarding schools (0 more)
expected more (0 more)
The protagonist in this novel is Rose, and this story is told from her perspective. Rose is a very well educated Latin teacher that comes to a new, well-known school, but being a child of a very active feminist, stuck in a school that has very old and very strange traditions drives her “crazy”. I could not connect to Rose, I respected her thoughts, but she had no idea what she got herself into, and that made her look stupid. I missed student’s perspectives in this book. I think a student protagonist would have made this book way more interesting and absorbing, they definitely have a lot to tell.

I found the narrative of this book mysterious and very enjoyable. Rose is trying to find out more about the events happening in this school, but everything is so secretive, she gets only bits of information. I am not surprised she feels so frustrated. All of that creates a perfect mystery and suspense because I was so keen to find out, what was actually happening there. This book has plenty of issues to be discussed. It portrays only Rose’s perspective, she is from a lower class and has no idea how rich and influential people operate. So what seems outrageous to her, might seem very normal to rich people. I really enjoyed the ancient mythology that was in this novel, I loved the stories of powerful women from the past. The topics discussed in this book are arranged marriages, suicide, mental health issues, ignorance, friendships, homosexuality, teenage manipulations, lack of feminism, various secrets, and many, many more. This novel really highlights a very wide variety of topics.

The whole story is set in 1993, so it does show the struggles people had during those days, especially when it comes to technologies and communication. I enjoyed the writing style of this book, it was very atmospheric and dark. I really can see this novel as a film, it would be brilliant! The chapters of this book have medium length and it had me very engrossed in this story. I don’t really know what I think of the ending, it rounds up the story nicely, but for some reason, it didn’t really leave me satisfied.

So, to conclude, it is a very gloomy and dark novel, filled with unique characters and a plot filled with secrets and mystery. This book is perfect for discussions, it has a very wide variety of topics. I think it would be great for reading groups or readalongs. I would recommend it to anyone who enjoys gothic novels, or books set in strange boarding schools.
  
The Heir (The Selection, #4)
The Heir (The Selection, #4)
Kiera Cass | 2015 | Dystopia, Fiction & Poetry, Romance, Young Adult (YA)
8
8.4 (7 Ratings)
Book Rating
This is the fourth novel in The Selection series by Kiera Cass. Twenty years after the Selection which led to the marriage of America and Prince Maxon, this book follows their eldest daughter, Eadlyn. As the older twin, she is destined to inherit the throne instead of her brother. She's been preparing herself for the role since birth, and had every intention of doing so alone. But when the removal of the caste system fails to satisfy the public, it's clear that a distraction is required. Reluctantly, Eadlyn agrees to take part in a Selection herself - but she's certain she will not end up with a husband.

Much like her mother, Eadlyn's attempt to avoid affection towards the candidates is futile; she actually finds herself feeling friendship (or more) to several of the boys she meets. Still, she tries to remain distant - romance was always her brother Ahren's thing.

The twins are as close as is possible, but Eadlyn finds herself fearing the loss of him. He's been deeply in love with the French heir for a while, and Eadlyn's attempt to separate them backfires drastically. And then, on top of everything, their mother falls ill suddenly. Finally, Eadlyn begins to realise the importance of this Selection.

The reluctance to actually engage in the Selection was very similar to America in the first book. Too similar, maybe. And the change of heart followed the same pattern, too. But maybe it won't end in love this time. (I'll have to read the next book and find out!)

Eadlyn's quite a "typical" feminist sort of figure - believing she will be the best Queen without any husband around. But Ahren makes a fantastic point, saying she's able to fall in love and have a beautiful wedding and love fashion and flowers while still being the strong, brave Queen she is inside. To me, that's what feminism is truly about. It was nice to see this view - from a boy, nonetheless - challenging the original view of Eadlyn.

Also, Eadlyn is a very strong, blunt girl most of the time - her way of being strong is, often, being rather rude. And eventually, she actually sees that in herself and realises that maybe she doesn't have to be that way to be powerful and successful. Her admiration (and jealousy) of Ahren's girlfriend also confirms this; she's a petite, gentle girl, but is taken seriously by everyone around her. She is not harsh like Eadlyn, yet she is not taken for granted by anyone. A girl can be beautiful and feminine, yet still be a powerful authoritative figure.

Although it was pretty similar to the first book, I still did enjoy it. And Eadlyn's attraction to so many suitors means that this could go any way, so I do look forward to finding out who she will end up with - if anyone. This series has always been really enjoyable and easy to read. 4 stars for The Heir.
  
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Jamie (131 KP) rated The Edible Woman in Books

May 24, 2017  
The Edible Woman
The Edible Woman
Margaret Atwood | 1969 | Fiction & Poetry
9
7.0 (3 Ratings)
Book Rating
Strong commentary about the roles of women as they enter adulthood (0 more)
Starting to show it’s age with outdated social norms (0 more)
An honest exploration of the roles of women, marriage, and entering adulthood
Marian is an average college-educated woman who lives with a roommate in a decent apartment, works for a survey company, is moderately good looking, and has a handsome fiancé who is on his way to being a big shot lawyer. It sounds like life altogether is going pretty well for Marian. Yet for some reason she feels empty, why?

The Edible Woman explores the themes of losing a sense of self with maturity. At work she is pushed around, her roommate Ainsley is inconsiderate, the landlady is judgmental, and her boyfriend Peter is self centered and makes snide comments at Marian’s expense, acting like he can barely tolerate her. With each encounter Marian puts aside her pride for the sake of avoiding conflict. Marian expresses her problems through eating, or the lack thereof, hinting at a potential eating disorder. Just as she feels inhibited in life, she suddenly feels inhibited with the kinds of food that she can eat.

As the story continues she begins to dread marriage and question the direction her life is going—becoming just as listless as her friend and former classmate Clara, who after marriage and three pregnancies just seems beaten down. Marian’s fiancé Peter is the stereotypical perfect bachelor: a man’s man that looks down on women and views marriage as a ball and chain. Peter pushes Marian around in order to mold her into a subservient woman. There is no longer any room for her thoughts, her feelings, or her desires from under his shadow.

But what about work? What are women’s roles in society and the work force? Throughout the story there are several women including Marian with college educations, yet none of them really have a stable career. Women are expected to be wives and mothers, there’s simply no time for an education or a job. In this case, their educations are ultimately viewed as their downfall due to the crushing reality of how little opportunity they would have. This was the very sad truth at the time the book was written and thankfully is not exactly the case now in most parts of the world.

Atwood tackles a large number of social issues throughout the book that I think would be important for any young woman. Adulthood, relationships, marriage, the choice between work and education versus starting a family, and lastly feminism—both good and bad. (Hint: Ainsely is a perfect example of a bad feminist.)

There are certain elements of the book that are becoming quite dated. Namely the typewriters, the social expectation that all women can be are housewives, and the limited ways that women can dress; These things might make it difficult for young women to look past and relate to the main character. Despite this the book is still incredibly relevant in the message that it brings about maintaining one’s individuality. I absolutely love this book and found a lot of my former self in it’s pages.