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Mark @ Carstairs Considers (2346 KP) rated Death in the Stacks in Books
Sep 17, 2020 (Updated Sep 17, 2020)
Cameos and Murder
It’s time for the annual Dinner in the Stacks fundraiser at the Briar Creek Public Library, but this year, Lindsey Norris is facing an extra challenge in putting it on. Olive Boyle has just become president of the library’s board, and she is determined to make trouble, even threatening Lindsey’s job. Despite all of this, the fundraiser goes well, until Olive’s body is found in the fiction section just after the event ends. Even though Lindsey swore she’d stop investigating murders, she still finds herself drawn into this case. Olive made enemies everywhere she went. With so many suspects, can Lindsey figure out what happened?
While the mystery has some good twists in it, I did feel the pacing was off overall. Instead, the character’s antics take over at times. As a fan of the series, I can’t complain too much about that, especially since I was laughing at those scenes. Plus, we got some character development that fans of the series will love. Fans of Jenn’s other two mystery series will have fun with the cameos those characters make in this book, although you won’t miss much of you aren’t up to date on those series. The usual assortment of extras at the end will give you something to enjoy after you’ve turned the last page. While the plot pacing does bother me, I was smiling so much while I was reading, it is hard to complain. Other fans of the series will love every page as well.
While the mystery has some good twists in it, I did feel the pacing was off overall. Instead, the character’s antics take over at times. As a fan of the series, I can’t complain too much about that, especially since I was laughing at those scenes. Plus, we got some character development that fans of the series will love. Fans of Jenn’s other two mystery series will have fun with the cameos those characters make in this book, although you won’t miss much of you aren’t up to date on those series. The usual assortment of extras at the end will give you something to enjoy after you’ve turned the last page. While the plot pacing does bother me, I was smiling so much while I was reading, it is hard to complain. Other fans of the series will love every page as well.
Buzz Aldrin recommended 2001: A Space Odyssey (1968) in Movies (curated)
Eleanor Luhar (47 KP) rated Your Daily Brain: 24 Hours in the Life of Your Brain in Books
Jun 24, 2019
View the original review on my blog: https://bookmarkedreading.wordpress.com/2015/09/29/book-review-your-daily-brain-24-hours-in-the-life-of-your-brain/
I dont usually read non-fiction books, but Im a science geek at heart and couldnt resist requesting a copy of this in return for my honest review.
It was definitely an interesting read. I loved the humour within the writing, and the combination of complicated scientific terms along with more simplified ones. It was easy to understand for the most part, and I hope I can truthfully say that Ive learned something over the past two days from reading this.
Due to my habit of reading books at the speed of light, I dont think the information in this book has sunk in as much as it could have. I personally found it a little hard to follow sometimes, though it was definitely better than skimming a textbook.
This is aimed at an older audience in my opinion, but I was still fascinated by what I read. A lot of it was information that Id never even considered learning. The effect having a child has on a mans brain? I can honestly say that it has never crossed my mind.
I did enjoy this book, even though I sped through it and am probably a little too young to fully appreciate some of the references. Id say Your Daily Brain deserves a strong 3.5 stars, maybe edging up near 4.
I dont usually read non-fiction books, but Im a science geek at heart and couldnt resist requesting a copy of this in return for my honest review.
It was definitely an interesting read. I loved the humour within the writing, and the combination of complicated scientific terms along with more simplified ones. It was easy to understand for the most part, and I hope I can truthfully say that Ive learned something over the past two days from reading this.
Due to my habit of reading books at the speed of light, I dont think the information in this book has sunk in as much as it could have. I personally found it a little hard to follow sometimes, though it was definitely better than skimming a textbook.
This is aimed at an older audience in my opinion, but I was still fascinated by what I read. A lot of it was information that Id never even considered learning. The effect having a child has on a mans brain? I can honestly say that it has never crossed my mind.
I did enjoy this book, even though I sped through it and am probably a little too young to fully appreciate some of the references. Id say Your Daily Brain deserves a strong 3.5 stars, maybe edging up near 4.
Sarah (7800 KP) rated You Will Be Safe Here in Books
Jul 10, 2019
Moving and thought provoking
I can’t lie, history isn’t a strong subject of mine so I knew very little about the South African concentration camps and these New Dawn Type camps when i first started this book. So for me, the events detailed and unfolding in this book are a disturbing revelation. It might be fiction, but it’s based on historical true events so I know it’s not far from the truth. It’s shocking and immensely moving, reading about the plight of a number of characters from 1901 to the present date. At first I didn’t understand why this started off in 1901 and worked it’s way through different characters to the almost present day, but it all makes sense and intertwines in a way as the book goes on and it’s a great way to tell a story. This is wonderfully written, bringing out a number of reactions and the emotions in the reader as it goes on and I felt a mixture of sheer anger and frustration and sadness reading this. The characters are all well developed, with their own flaws and traits that make them both intriguing and sometimes frustrating (but in a good way) to read. My only criticism would be that the ending seemed a little rushed in comparison to the rest of the book, and I wouldn’t have minded a slightly longer book at the benefit of a less rushed ending.
This isn’t a book I would have ordinarily thought of reading, but I’m glad I did and would highly recommend reading it!
This isn’t a book I would have ordinarily thought of reading, but I’m glad I did and would highly recommend reading it!
ClareR (5879 KP) rated The Shadow of Perseus in Books
Mar 10, 2023
Have I said lately how much I’m enjoying these retellings of Greek myths? Keep ‘em coming, I say!
And here’s another take on the story of Perseus, except this has more of a historical fiction slant to it. There’s no magic, no snakey hair, no sea monster come to take it’s sacrifice. Instead there is a story packed full of adventure with women who try to make the best of their lives in a world where the patriarchy always comes out on top.
Much like the Perseus in Natalie Haynes’ Stone Blind, Perseus in The Shadow is very unlikeable. He’s immature, sulky, and believes the world - and his grandfather - owes him something. His ability to spin his own heroic deeds (are they heroic?!)makes fools of all the men, I felt. The women aren’t fooled though, and as in the original, Medusa pays the ultimate price.
The Narrator on the audiobook, Olivia Darnley, does a really good job of bringing the characters to life. She evokes the bravery and determination of all three of the female characters: Danae, Medusa and Andromeda. They all for a time become mistresses of their own fate, and I loved them for that. But of course, Perseus puts an end to all of that for all three of them. All through his own selfishness.
I’m going to have to go and read Daughters of Sparta, aren’t I? Oh yes I am! If it’s as good as The Shadow of Perseus, it’ll be time well spent!
And here’s another take on the story of Perseus, except this has more of a historical fiction slant to it. There’s no magic, no snakey hair, no sea monster come to take it’s sacrifice. Instead there is a story packed full of adventure with women who try to make the best of their lives in a world where the patriarchy always comes out on top.
Much like the Perseus in Natalie Haynes’ Stone Blind, Perseus in The Shadow is very unlikeable. He’s immature, sulky, and believes the world - and his grandfather - owes him something. His ability to spin his own heroic deeds (are they heroic?!)makes fools of all the men, I felt. The women aren’t fooled though, and as in the original, Medusa pays the ultimate price.
The Narrator on the audiobook, Olivia Darnley, does a really good job of bringing the characters to life. She evokes the bravery and determination of all three of the female characters: Danae, Medusa and Andromeda. They all for a time become mistresses of their own fate, and I loved them for that. But of course, Perseus puts an end to all of that for all three of them. All through his own selfishness.
I’m going to have to go and read Daughters of Sparta, aren’t I? Oh yes I am! If it’s as good as The Shadow of Perseus, it’ll be time well spent!
Otway93 (580 KP) rated Night of the Living Dead (1968) in Movies
Oct 1, 2022
Acting (4 more)
Soundtrack
Characters
Ending
Genuinely Frightening
Almost the perfect horror movie!
This film is basically a horror masterpiece, with it's only downside being some of the worst movie punches I've ever seen near the ending. These are barely worth mentioning but this is the only downside I could find apart from all the clichés, which this movie invented anyway, so you can hardly count that against it!
The story is of course typical, but with a little bit of a science-fiction element I wasn't aware of, so that was a nice surprise! But it is worth mentioning the small, enclosed setting which makes the film all that much scarier and makes it a genuinely frightening movie.
All of the actors played their parts to perfection, and the perfect blend of different character traits among the 6 main characters provides the film with another layer of horror.
The soundtrack is beautiful. An unusual score consisting of strings, horns and synthesisers, all at different times. It is reminiscent of 1950s and early 1960s Kaiju films.
Finally, the ending. The ending is a masterpiece, and certainly not the typical zombie ending. I'll leave it there to leave the "surprise" intact.
Overall, apart from the aforementioned punches, a total masterpiece, and I can't wait to watch Dawn of the Dead when it arrives!
P.S. The original quality of the film is quite poor, but the 4K remaster is stunning, so I definitely recommend the Criterion Collection 4K remaster as the film quality is dramatically improved.
The story is of course typical, but with a little bit of a science-fiction element I wasn't aware of, so that was a nice surprise! But it is worth mentioning the small, enclosed setting which makes the film all that much scarier and makes it a genuinely frightening movie.
All of the actors played their parts to perfection, and the perfect blend of different character traits among the 6 main characters provides the film with another layer of horror.
The soundtrack is beautiful. An unusual score consisting of strings, horns and synthesisers, all at different times. It is reminiscent of 1950s and early 1960s Kaiju films.
Finally, the ending. The ending is a masterpiece, and certainly not the typical zombie ending. I'll leave it there to leave the "surprise" intact.
Overall, apart from the aforementioned punches, a total masterpiece, and I can't wait to watch Dawn of the Dead when it arrives!
P.S. The original quality of the film is quite poor, but the 4K remaster is stunning, so I definitely recommend the Criterion Collection 4K remaster as the film quality is dramatically improved.
ClareR (5879 KP) rated Thirsty Animals in Books
Jun 25, 2023
I’m really going to have to start rationing my exposure to dystopian fiction. Although to be fair, after reading Thirsty Animals I did try to cut down the time spent in the shower (although I’m pretty sure that’s cancelled out by the marathon-length showers taken by the 19 year old). This is one of those books that is so plausible that you will be thinking about your own impact on the environment. It’s not ‘preachy’ though. It’s just the rather disturbing story of Aida’s life after she is forced to return to her home on a livestock farm (cows and sheep) when water starts to become really scarce - even in Scotland.
Until the point at which Aida goes home, Scotland is one of the last places with running water. But that is about to change.
This isn’t quite Mad Max, although when the water is switched off and people aren’t allowed to move about within Scotland, it does become pretty lawless - as Aida and her family soon find out.
Thirsty Animals is highly likely to be amongst my favourite books this year. Nothing seemed far-fetched, and the relationships were entirely believable. These were people in extremis, and no matter their behaviour, who knows how we would behave in a similar situation in order to keep ourselves and our families alive?
This is certainly a book that has kept me thinking about it for a while after having finished it.
I’m so intrigued where Rachelle Atalla will go next - I’ll certainly be reading it!
Until the point at which Aida goes home, Scotland is one of the last places with running water. But that is about to change.
This isn’t quite Mad Max, although when the water is switched off and people aren’t allowed to move about within Scotland, it does become pretty lawless - as Aida and her family soon find out.
Thirsty Animals is highly likely to be amongst my favourite books this year. Nothing seemed far-fetched, and the relationships were entirely believable. These were people in extremis, and no matter their behaviour, who knows how we would behave in a similar situation in order to keep ourselves and our families alive?
This is certainly a book that has kept me thinking about it for a while after having finished it.
I’m so intrigued where Rachelle Atalla will go next - I’ll certainly be reading it!
ClareR (5879 KP) rated The Glutton in Books
Dec 20, 2023
Well, here’s another absolute banger of a historical fiction novel!
The Glutton by A. K. Blakemore is based on the real life story of Tarare, a man born into poverty but happy with that life. That is until his mother meets the man who changes her life, presumably for the better - and changes Tarare’s life for the worst.
He’s known as the man who ate a golden fork (that eventually kills him), live animals, offal, a baby - but still people want to watch him put away vast amounts of food (and non-food!). And if it means he’s fed, Tarare sees it as a way of satiating the ever-present hunger. The draw of the circus freak is overwhelming for the French public.
Tarare is a simple man who is taken advantage of at every turn. I felt so sorry for him. He has the disadvantage of not only being very unusual, but also uneducated and poor. He has to fight to survive, both as a soldier and as a civilian, and he’s seen as a joke by the more well-off.
For such a grotesque subject matter, the writing really is rather beautiful. Descriptions of Tarare’s childhood and the place that he grew up were sensitively done - you could see the love of his local area and the love he felt for his mother. Even in the most disgusting sections of the book, there was a kind of beauty.
A deliciously bizarre, beautifully written book. I loved it.
The Glutton by A. K. Blakemore is based on the real life story of Tarare, a man born into poverty but happy with that life. That is until his mother meets the man who changes her life, presumably for the better - and changes Tarare’s life for the worst.
He’s known as the man who ate a golden fork (that eventually kills him), live animals, offal, a baby - but still people want to watch him put away vast amounts of food (and non-food!). And if it means he’s fed, Tarare sees it as a way of satiating the ever-present hunger. The draw of the circus freak is overwhelming for the French public.
Tarare is a simple man who is taken advantage of at every turn. I felt so sorry for him. He has the disadvantage of not only being very unusual, but also uneducated and poor. He has to fight to survive, both as a soldier and as a civilian, and he’s seen as a joke by the more well-off.
For such a grotesque subject matter, the writing really is rather beautiful. Descriptions of Tarare’s childhood and the place that he grew up were sensitively done - you could see the love of his local area and the love he felt for his mother. Even in the most disgusting sections of the book, there was a kind of beauty.
A deliciously bizarre, beautifully written book. I loved it.
ClareR (5879 KP) rated The Silence Factory in Books
Jul 16, 2024
I’m an arachnophobe. I run from rooms when there’s a particularly large spider around - and I still loved this book. I have to admit, I did have to visualise them as chunkier and furrier with fewer legs. Web-weaving Jack Russells, if you will 🤦🏼♀️ But that’s the joy of reading!
A factory in Telverton seems to have acquired a particular breed of spider whose web, when spun into a silken fabric, can bring silence to the person/ people sitting inside. However, if the fabric is the other way round, it produces sounds that can make people go mad (they don’t make too much of that fact). So, no the best factory to work in, then!
I enjoyed the two timelines: the discovery of the spiders in 1820, told through the journals of Sophia Ashmore-Percy; and the manufacture of the silk in a factory town decades later along with an audiologist who goes to work for Sir Edward Ashmore-Percy. He has the task of helping Sir Ashmore-Percy’s deaf daughter to hear.
I love how Bridget Collins mixes historical fiction and fantasy, and makes it all seem perfectly reasonable. There’s a lot to be said in this story about taking advantage of people for profit (in the factory in particular) and how nature can be used for man’s own ends, regardless of the consequences. Humans aren’t painted in the best of light, and I actually felt sorry for the spiders 🕷️🕷️🕷️
Still don’t like spiders though.
A factory in Telverton seems to have acquired a particular breed of spider whose web, when spun into a silken fabric, can bring silence to the person/ people sitting inside. However, if the fabric is the other way round, it produces sounds that can make people go mad (they don’t make too much of that fact). So, no the best factory to work in, then!
I enjoyed the two timelines: the discovery of the spiders in 1820, told through the journals of Sophia Ashmore-Percy; and the manufacture of the silk in a factory town decades later along with an audiologist who goes to work for Sir Edward Ashmore-Percy. He has the task of helping Sir Ashmore-Percy’s deaf daughter to hear.
I love how Bridget Collins mixes historical fiction and fantasy, and makes it all seem perfectly reasonable. There’s a lot to be said in this story about taking advantage of people for profit (in the factory in particular) and how nature can be used for man’s own ends, regardless of the consequences. Humans aren’t painted in the best of light, and I actually felt sorry for the spiders 🕷️🕷️🕷️
Still don’t like spiders though.
Gareth von Kallenbach (980 KP) rated Gravity (2013) in Movies
Jun 19, 2019
We’ve long been spoiled by depictions of space in most science fiction, or at least in popular science fiction. A frontier, a futuristic ocean of sorts for maritime-type traversal. It’s hardly ever depicted as a particularly dangerous place. That’s exactly why Alfanso Cuaron’s Gravity is so incredibly refreshing and surprisingly so at that. All he really had to do was set out to depict a story in space that highlights how dangerous it really is. And boy does he succeed. Gravity is not only intriguing in its science, but also an incredibly gripping thriller.
The premise is focused and simple for the betterment of the film. Sandra Bullock plays Ryan Stone, a scientist who is on her first space walk installing new components onto the Hubble telescope. She is accompanied by George Clooney’s character, Kowalski, an experienced astronaut who’s calm in crisis helps guide the frightened Bullock through the following events. A massive accident leaves the characters stranded in space with no way home, periled by the hazards that go with being stuck in the abyss.
At its core, Gravity is a survival thriller movie. There is no villain other than the environment, no schemes or whacky plot twists. It’s reminiscent of a film like Cast Away, albeit quicker in pace because survival is more immediately at stake. The film takes so much into account, impressively, about the kinds of hazards one might face in a crisis that leaves them stuck in orbit. Oxygen, debris, structural damage, even how objects interact with one another or move in zero gravity. Most films in space neglect the ‘no sound in space’ rule, largely because of how awkward it would be to watch a Star Wars battle with no sound. But this film follows the rule, for the most part, and just that tiny detail alone adds so much to the anxiety of the situation. Watching speeding debris silently obliterate an entire space station while only hearing the internal suit audio of the protagonist might be the most frightening and memorable moments of any science fiction thriller I have seen in years.
Alfonso Cuaron is no stranger to striking imagery and near masterful shooting of important scenes. He has done so in his previous works, like Children of Men and Harry Potter and the Prisoner of Azkaban. He does so again through the action in Gravity. Although I will say a few visual metaphors in Gravity are a bit heavy handed in how they refer to the back story of the protagonist; yet nevertheless they end up having quite an impact despite arguable cheesiness.
The two leads do great in their roles; not hugely surprising considering Clooney and Bullock are established actors with great works under their belts. But at the same time both characters are light in their characterization, perhaps even ‘one-note’, particularly the case for Clooney. I do not necessarily think this is a bad thing, because it keeps the action of the film focused on the survival and the intensity of the situation. But, when those quieter scenes come by to pad the action, leaving the characters to mingle, I can’t help but feel like the drama is a little forced. There to give the audience someone to care about and desire to not die in space, and only for that purpose. Even if it’s forced, the personal struggle of Bullock’s character is admittedly compelling and you do want to see her make it out alive. Both the writing an acting for her character do an excellent job portraying her as someone overcoming an extremely difficult situation that she’s ill-equipped to deal with.
I’m not usually a fan of 3D, I think it’s often distracting and gimmicky. But this is one film that the 3D effect soars in. In the non-action moments it is nearly unnoticeable. And in those sequences where vessels are exploding spectacularly, space debris splintering in every direction, the 3D effect adds an extra layer of chaos and intensity around the characters’ fate. I seldom recommend going to see a film in 3D, but this is one I thoroughly recommend doing so.
Gravity is a pure focused thriller that tackles an environment so rich with possibility for great survival storytelling. Forget all the safe depictions of space like Star Wars and Star Trek, because this will make you as frightened of being stuck in space as Jaws did of being out in open water. It’s not perfect, certainly, as its drama ultimately draws too much attention to itself as a device of the plot, feeling a bit forced. Nevertheless, the superb acting on the parts of both leads ends up overcoming the potential shallowness of the characterization and makes you care about their survival – an absolute necessity in a film like this. The situations dealt with not only feel realistic, but are so excellently shot that the intensity is simply stunning.
http://sknr.net/2013/10/04/gravity/
The premise is focused and simple for the betterment of the film. Sandra Bullock plays Ryan Stone, a scientist who is on her first space walk installing new components onto the Hubble telescope. She is accompanied by George Clooney’s character, Kowalski, an experienced astronaut who’s calm in crisis helps guide the frightened Bullock through the following events. A massive accident leaves the characters stranded in space with no way home, periled by the hazards that go with being stuck in the abyss.
At its core, Gravity is a survival thriller movie. There is no villain other than the environment, no schemes or whacky plot twists. It’s reminiscent of a film like Cast Away, albeit quicker in pace because survival is more immediately at stake. The film takes so much into account, impressively, about the kinds of hazards one might face in a crisis that leaves them stuck in orbit. Oxygen, debris, structural damage, even how objects interact with one another or move in zero gravity. Most films in space neglect the ‘no sound in space’ rule, largely because of how awkward it would be to watch a Star Wars battle with no sound. But this film follows the rule, for the most part, and just that tiny detail alone adds so much to the anxiety of the situation. Watching speeding debris silently obliterate an entire space station while only hearing the internal suit audio of the protagonist might be the most frightening and memorable moments of any science fiction thriller I have seen in years.
Alfonso Cuaron is no stranger to striking imagery and near masterful shooting of important scenes. He has done so in his previous works, like Children of Men and Harry Potter and the Prisoner of Azkaban. He does so again through the action in Gravity. Although I will say a few visual metaphors in Gravity are a bit heavy handed in how they refer to the back story of the protagonist; yet nevertheless they end up having quite an impact despite arguable cheesiness.
The two leads do great in their roles; not hugely surprising considering Clooney and Bullock are established actors with great works under their belts. But at the same time both characters are light in their characterization, perhaps even ‘one-note’, particularly the case for Clooney. I do not necessarily think this is a bad thing, because it keeps the action of the film focused on the survival and the intensity of the situation. But, when those quieter scenes come by to pad the action, leaving the characters to mingle, I can’t help but feel like the drama is a little forced. There to give the audience someone to care about and desire to not die in space, and only for that purpose. Even if it’s forced, the personal struggle of Bullock’s character is admittedly compelling and you do want to see her make it out alive. Both the writing an acting for her character do an excellent job portraying her as someone overcoming an extremely difficult situation that she’s ill-equipped to deal with.
I’m not usually a fan of 3D, I think it’s often distracting and gimmicky. But this is one film that the 3D effect soars in. In the non-action moments it is nearly unnoticeable. And in those sequences where vessels are exploding spectacularly, space debris splintering in every direction, the 3D effect adds an extra layer of chaos and intensity around the characters’ fate. I seldom recommend going to see a film in 3D, but this is one I thoroughly recommend doing so.
Gravity is a pure focused thriller that tackles an environment so rich with possibility for great survival storytelling. Forget all the safe depictions of space like Star Wars and Star Trek, because this will make you as frightened of being stuck in space as Jaws did of being out in open water. It’s not perfect, certainly, as its drama ultimately draws too much attention to itself as a device of the plot, feeling a bit forced. Nevertheless, the superb acting on the parts of both leads ends up overcoming the potential shallowness of the characterization and makes you care about their survival – an absolute necessity in a film like this. The situations dealt with not only feel realistic, but are so excellently shot that the intensity is simply stunning.
http://sknr.net/2013/10/04/gravity/