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Have you ever opened a package and immediately felt giddy over the book that popped out? Well, I will be honest that is how I felt about this book. The cover pulls you in, the weight and feel of the paper further builds up the hopes in your mind, and then to cap it all off, the description is intriguing! Did I mention I got a hardcover edition? 

  Bryan Litfin is a new to me author with a very great writing style. He pulls you in with vivid characters, drama, battles, and dreams. I loved the period and setting, and I am so thankful for the research Bryan Litfin put into making this book believable and accurate. The characters were pretty realistic, and they chose believable courses of action. Although at times I marveled at their courage! The Religious aspects of the book were spot on for the period (but more on that in a bit), and I truly felt like I was back in time facing off against the lions with the characters. Both Flavia and Rex captured me from the first page, and I enjoyed getting to go on their journey (But I am curious to see what happens to them next).

  On the religious aspect. I usually only review Christian Fiction. This is not your normal overtly Christian Fiction. It does not mention God in the sense of having a personal deep abiding relationship with him. He is thought of more as a deity and mostly mentioned in passing. He is not the focus of this story, as most people expect from Christian Fiction. Yet to clarify it is not primarily listed as Christian Fiction, but Ancient, Historical, Romance with a Christian fiction genre thrown in there. Personally, if this book were to be marketed directly to a non-Christian audience, I could see it doing very well (maybe even having a movie made of it) but directing it towards Christians… I do not think it will go well. Also, because it has sexual connotations throughout the story, as well as taking an odd (period correct though) stance on women.

Overall, I give it 2 out of 5 stars for the great research, interesting story plot, and vivid characters. But I would NOT recommend it to anyone who is not sure of their faith, has problems with reading sexual references, or an impressionable audience. I would also recommend the publisher Revell not label it as Christian Fiction.

*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
  
The Angel of Vine
The Angel of Vine
Society & Culture
10
10.0 (1 Ratings)
Podcast Rating
Brilliant storyline (4 more)
True Crime inspired
Amazing cast
Glorious suspense
Truly Wonderful writing
Fantastic Fiction
As a fan of true crime podcasts, I have very few fiction podcasts in my favourites (mostly things like King Falls AM, for the wackiness) and I tend to avoid crime fiction, primarily because the real thing is better, crazier, and so much more twisted.
The Angel of Vine is a sublime fictional podcast, written to sound like true crime in the Noir tradition being retold in the modern podcast format. The podcast begins with the discovery of some old cassette tapes by the family of a deceased ex-cop turned private detective, and their choice to involve a podcaster/reporter to help them investigate the story enshrined in those cassettes.
Following the investigation into the murder of a young actress in Hollywood, the podcaster makes use of the recordings to tell Harry's story.
Voiced by some amazing talent (including the gorgeous growl of Joe Manganiello, the incomparable Alan Tudzyk, and the delightful Mischa Collins) the story is gripping, compelling, and extremely difficult to not binge.
For fans of true crime, crime drama, and any sort of Noir (Sam Spade eat your heart out), this is a podcast to listen to, save, and listen to again later.
  
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Zoe Bell recommended Pulp Fiction (1994) in Movies (curated)

 
Pulp Fiction (1994)
Pulp Fiction (1994)
1994 | Crime

"This is going to sound ridiculous because it’s going to sound like I’m doing a bunch of ass-licking but Pulp Fiction. And I shouldn’t hesitate, because it’s good cinema, but… I remember watching Pulp Fiction — whatever age I was, teenage years somewhere — and really struck at the cleverness of it and loving that you can have something as violent, but as humorous and as… I could feel — you know, because I didn’t know him as a person at that point; he was just the director — but I could feel his brain working in the conversations in his head, and his opinions about stuff. The conversations that were like, “I’ve had conversations like that about why you call it a quarter pounder or a royale with cheese.” It was so clever and reachable by me. And I wasn’t a film buff, I wasn’t sort of like a fan about any of that stuff. It just really spoke to me, it was so clever. Then I went back and watched Reservoir Dogs. I think I’d seen it before but I went back and watched it again. But yes, Pulp Fiction was definitely… Actually, it’s cool that I get to say that; I’m happy to be able to say that."

Source
  
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Hugh Bonneville recommended Pulp Fiction (1994) in Movies (curated)

 
Pulp Fiction (1994)
Pulp Fiction (1994)
1994 | Crime

"Well, maybe that’s why David Heyman and Paul King cast me in Paddington, I don’t know [laughs]. You’ll be surprised by my fifth one, then. OK, try and find the link with this: Pulp Fiction. I think that’s the exception that proves the rule. I think it was great, it was such a breath of fresh air. That same year, I remember, I was completely enamored by two films: The Lion King and Pulp Fiction, so you couldn’t get more extreme than those two. They both have death in them, I suppose. But Pulp Fiction was such a great breath of fresh air when it came out, and I think it still remains such a cool and fantastic piece of the cinema. Obviously it was the second film after Reservoir Dogs that brought Tarantino into the fold, but I think it’s a gloriously slick and entertaining piece of movie-making, structurally and cinematically, with these great, legendary performances that were instantly loved, and instantly classic and endlessly imitated. The number of people I’ve seen doing Christopher Walken impressions — or Bruce Willis impressions from that movie — or indeed Samuel L Jackson… It’s sort of a great cinematic feat and [it’s filled with] dark, dark humor."

Source
  
Born a Crime: Stories from a South African Childhood
Born a Crime: Stories from a South African Childhood
Trevor Noah | 2017 | Biography
10
9.2 (16 Ratings)
Book Rating
As it states in my profile on here, I will read non-fiction, but it really depends on the subject matter. My usual reading go-to is fiction. I like the distraction, the "virtual escape" it provides from Life now and again. Trevor Noah's recollections of growing up in South Africa was definitely the non-fiction I did not know I was seeking.

I am turned 50 last November. I can remember Ronald Reagan's presidency in the 80s. I can also remember hearing about apartheid, and later, Nelson Mandela in the news at the time, thinking it quite bad, but not really knowing/understanding the fullest extent to just how bad it truly was. Through Trevor's stories, I truly what apartheid was and the horrible conditions non-white people were forced to live under.

The stories are presented in such way as to be insightful, but to also, at times, to be fun or amusing or even serious. We learn the meaning behind to the book's title, BORN A CRIME, and what that means for Trevor's life growing up in both apartheid/post-apartheid South Africa.

Profoundly eye-opening! It should definitely be <b>required reading</b> in high school! Jus' sayin'..