"One of the most cynical films ever made, a French mockumentary about a serial killer with the complicity of a camera crew—hilarious, the darkest of humor.."

"I know I had it as my number one for last year, but it really is that special. One of the films of the decade for sure."

"Years ago, during those quaint days of DVD-by-mail rental, I made a dork pact with one of my friends that for several weeks straight we’d only watch films in the Criterion Collection. Additionally, they had to be films we didn’t know much about. The experience was a total revelation. There were so many amazing films that I discovered during those weeks that made me really rethink a lot of what I thought I knew about the history of cinema. Films like Ballad of a Soldier, Death of a Cyclist, René Clair comedies like À nous la liberté or Le million, American indie landmarks like Symbiopschycotaxiplasm and the stunning Ermanno Olmi pair from the early 60s Il posto and I fidanzati. But the one from this period that I always recommend to friends is Green for Danger, a delightful British murder mystery that I had never heard of."

"I think when you ask for favorite films, you’re really asking “favorite films at 15” — you know what I’m saying? Formative favorite films. I don’t think they really change much. You sort of can’t argue with your inner 13-year-old that watched something 25,000 times. Now I’ll see something adult and be affected by it — like A Separation, which I saw and I loved — but it’s gonna be hard to top those 25,000 viewings when you were 13. You get past pubescence and it’s cooked. Put a fork in it, your favorite films is done. [Laughs] Don’t hold me to it. The English Patient: Oh my gosh, it was just so affecting when I saw it. The performances are impeccable. The sense of time and place; everything about it. It’s really one of those kinds of epics — like Lawrence of Arabia is an epic. You rarely see epics any more."