"Baxter Dury was a big inspiration for me and Laurie. Back in the day when we were first touring we’d do loads of shows and I remember that on pretty much every journey we’d have the album Happy Soup on, not talking to each other, we’d just have that on full blast. ‘Claire’ was the one that struck a chord with me, I love the honesty and sincerity of it and the softness in his voice. The instrumentation is everything that I love about a tune, it’s quite melancholic and nice and sad. “I love Baxter Dury. I love Ian Dury as well, but I think they’re in completely different ballparks, they get compared quite a lot but I don’t think they should. I actually discovered Baxter Dury through my Mum, I feel like I’m dropping my parents into this whole thing! My Mum’s very much into new and current music, she’s got her finger on the pulse and she’s always introducing me to new stuff. When this came out she was the first person who showed it to me. She said ‘This is Ian Dury’s son’ and I was ‘Woah, this is fucking sick.’ “Weirdly, Baxter was doing something on 6 Music and he played one of our tunes. He ended up talking to Laurie about the tune, a song of ours called ‘Where's Your Car Debbie?’ and I think he wanted to know more about it. Much to our excitement, we got in contact with him and ended up doing a tune with him and becoming friends with him, it was wicked."

"It's the first record produced by Stevie Wonder, and one where he plays everything himself. The contract he signed with Motown meant that he would be in complete control. There may be other albums by him where he's more consistent. Or maybe they're more classic. But it's the approach to that record, and the sound that I love. 'Love Having You Around' is one of my favourite Stevie Wonder songs. The whole record has this funkiness to it, and his drumming is unlike any other drummer I've heard. He speeds up and slows down on the track. On 'Love Having You… he's just really grooving, because he's playing music with himself. It's not done to a click track. That kind of movement and the grooves are the things I like most in the music - that's something I think about a lot when making music as well, I'm always trying to get away from using a click track. It can be much more exciting to have things constantly speeding up and slowing down. There's just something about people doing records on their own that I really like. I remember when I heard this for the first time, and it was so distorted, and maybe there was a vocoder being used. The first time I put it in, I was thinking that maybe they'd put the wrong CD in the box - maybe a Jeff Beck one, something more bluesy! I really liked that in itself. Stevie's experimenting! There's a real playfulness about this, that I try to have in the music-making that I do! It's having the confidence to play around and being aware that you might stumble on to something."