"I just love this album and I love the history behind it. I don’t think it’s cheesy, I think it’s muso and I really like muso music. The origins of it, the way they found Roberta when she was young and naïve, and they realised that the only way to really capture her was to create an environment that she was used to, so they recorded it all in a church, to give her a sense of the places that she sang in when she was young. And you get that on this album, it’s fucking amazing. There’s some unbelievable songwriting. I might have first heard it when I was really young, there was always this estuary of weird and exciting people coming through this house, playing different music."

"I love every album by Kanye, and I covered part of "Heartless" from the 808s & Heartbreak album [in]. But if I had to pick just one, I would pick My Beautiful Dark Twisted Fantasy. I remember listening to it for the first time, and it was like a proper, physical shock. It still feels really modern. It sums up everything I love about Kanye: excess, the production, memory, the future. It's comic, it's tragic, it's extravagant—and at the centre there's this one voice, and it's an angry man battling his demons. It's very much an album in format, as well—I wouldn't choose just one song. It's an experience. Sometimes I forget about this album, voluntarily, and I go back to it and discover something else. It's like a hydra, with a hundred heads."

"I love Bill Withers and this is my favourite Bill Withers record. Again, it's about the rhythm section. It has the most beautiful songs, but also the most incredible rhythm. This is just a particularly good selection of songs - you've got 'Use Me' on there, which is a classic, and that would be the first song I'd ever heard by him, when I was really young, like 12, in the clubs in Norwich - [adopts Norfolk accent] "excuse me, have you got 'Use Me'?". But now 'Kissing My Love' is pretty much my favourite song on that record. It's just beautiful, beautiful music: a beautiful, beautiful man, incredible singing, but also something you can actually have a dance too. What more can you ask than that? It covers all bases."

"This was the point where Steve Miller set up his own studio and started recording in his own time. He lost himself in that process. I love his take on music – it's his own brand of psychedelia. It's very blissful on one hand, very groovy on the other. He created his own musical world and almost ends up referencing himself rather than taking influences from other people. I love it when an artist has a feedback loop to their own music. The first track, 'Song For Our Ancestors', is the one for me. It's soundtrack-y, incredibly evocative. It starts with a giant foghorn and this beautiful tremolo guitar that seems to emerge from the mists. Again, it's taking you somewhere, imagining this other world, albeit rooted in history rather than just imagination."

"This could possibly be my favourite ever album. I first heard it through Adrian's dad, who's a massive music…I was going to say "freak", but let's say "fan" [laughs]. He's one of those people whose passion for music is relentless. This reminds me of the early days of the band being together, and we all fell in love with it together. And what I love most about it is that every time I go back to it, it's like I haven't finished with it. It's so layered in its music and its storytelling – there's so much going on. I feel like I'm going on a different adventure every time I listen to it. It's like this ever-changing kaleidoscope of colours to get lost in. That's a perfect record to me.
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