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Crossing the Line (World Apart, 1)
Crossing the Line (World Apart, 1)
4
4.0 (1 Ratings)
Book Rating
I'm working my way through a list of books found here: http://booklikes.com/apps/reading-lists/146/books-to-fall-in-love-with on BookLikes and that's the only reason I've read this.

It's also turned out to be the first on it of the seven I've read, that I haven't liked. DNF @ 39%.

I don't know if it had anything to do with my lack of love for NA books as of so many months ago but I didn't gel with the storyline or the characters, though I did like the hero's Aussie-isms (they remind me a lot of British lingo).

If I don't get into the story then I can't be arsed to read sex scenes between characters and these two couldn't seem to get enough of each other.

Not for me, this one.
  
All That Jazz (1979)
All That Jazz (1979)
1979 | Drama, Musical, Sci-Fi
8.5 (4 Ratings)
Movie Favorite

"This is a movie about showbiz, musicals, death, Bob Fosse, his love life: it’s all over the map. I can’t tell you what it’s about, but I love it. It’s so sexy. The first ten minutes are a feat of editing and music. One of the great openings of a musical. “It’s showtime,” says Roy Scheider as Joe Gideon, a thinly veiled portrait of Fosse himself. Little echoes of Joel Grey singing “Willkommen” in Cabaret. Gideon is our master of ceremonies, warning us to get ready to see some blood, sweat, and tears. I love movie musicals about showbiz—The Band Wagon, A Star Is Born, Singin’ in the Rain—and this really fits in that genre, with the dark edge of The Bad and the Beautiful. That should have been a musical directed by Fosse! Fosse as a choreographer turned director reminds me of another director I love, Stanley Donen. Aside from dance and music, their movies have another thing in common: incredible editing. All That Jazz and Lenny both play around with time in a way the Donen film Two for the Road does. A lot has been written about Fosse and his love of Fellini films. All That Jazz does borrow from 8½, but this is not an homage. Fosse, inspired by Fellini, created something new. It’s a tragedy that Fosse didn’t live longer, because in his five films—Sweet Charity, Cabaret, Lenny, All That Jazz, and Star 80—I see what could have been one of the great filmmakers of all time. Imagine Bob Fosse directing Chicago! All That Jazz is the beginning of that journey. It’s as if all his gifts—the love of dance and the inspiration from Jerome Robbins and Jack Cole; the personal and profound collaboration with his partner, Gwen Verdon; and the man himself—were coming into focus."

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Despicable Me 2 (2013)
Despicable Me 2 (2013)
2013 | Animation, Comedy, Family
The second installment of Dreamwork’s Despicable Me franchise had me laughing out loud repeatedly throughout the movie. Getting the biggest laughs, like in the first movie, were the antics of the Minions, the formerly felonious Gru’s eager assistants. While the first Despicable Me actually had me tearing up at some points, I think overall I laughed more during this one.

 Although Gru (voiced by Steve Carrell), and his daughters Margo, Edith and Agnes are the main characters, the Minions steal many scenes. Watch for references to The Love Boat and the Village People when the Minions go on vacation.
The main story line introduces us to the Anti Villain League, an organization that that sends a resourceful agent named Lucy (voiced by Kristin Wiig) to contact (kidnap!) Gru in order to help them find the villain who is stealing a serum that turns things monstrous. Resistant at first, Gru acquiesces, and what follows is a quick-paced and laugh-out-loud funny tale of good vs. bad as Gru and Lucy work to solve the mystery of who the culprit is. During all this Gru also shows us how much of a doting and protective father he’s become to his girls.

In a slightly predictable sub-plot, Gru both fends off, and finds, love! We saw the movie in 3D, which I normally do not do, as it frequently makes me feel slightly ill, however, in this instance it was totally fitting, and completely drew us into the story and the characters.