"Dirty Mind is the first one where I feel Prince became the Prince we all know and love. There had been somewhat suggestive lyrics with 'Soft & Wet', which came out earlier, but this is where he went full force with songs like 'Sister' and 'Head'. The record cover, the whole package, really says something to me. Instead of looking like a black guy from Minneapolis, he looks New Wave and you can't really tell what he is. He's got bed springs behind him and the album is called Dirty Mind, the first song is called 'Dirty Mind' and it just hits you over the head with this new direction. Maybe my favourite song on the record is 'Partyup', the last song on it. I understand there's rumours that he sort of traded that song with Morris Day. He said if you give me that song I'll record an album for you or I'll put together The Time For You. It's just an amazing song. Spoon covered it a long time ago for this Prince compilation."

"As often happens the first record you really get into by an artist, sometimes it's hard to replace that one. She's had great records since but this is the first one that I was blown away by. This record came out in the summer of '98 and my band had been dropped by Elektra. Right after that I moved into the guest room of my best friend's house. I had nowhere to go, I didn't have any money and now I certainly had nothing to do. My relationship with my girlfriend was on the rocks and this was the record I had on in this very bleak moment. Constantly on. It was a thing where it hurts to put it on. It hurts to listen to 'No Sense' and 'Metal Heart'. It's too raw almost. But again, I like being able to feel something in music. I still love it and play it and I still feel like I'm sitting in my friend's extra room in October with the window open and the rain is coming down. It still gives me that feeling."

"There's a song on our new record called 'Us' that is sort of free-flowing, a little ambient, more of a soundscape than a song. For the most part we haven't gone there a lot. The only thing I would say is that I have a tendency to try and write songs where you stay in one mood the whole time. I've broken out of that a few times but that's my general tendency, to not add a bridge that changes the mood of the song. I want to get into the feeling of a song and stay there, and find a way to keep that interesting. And I think that's what is happening on records like this. It's all about a mood. This record makes me feel like it's, you know, I got into it when I was a sophomore in high school and I was going through my first real relationship. I still feel it listening to this record. It sounds like cold Temple Texas and falling in love for the first time. "

"The first thing I should say is that it's not necessarily in order of favouritism. It was purely just well, what can I put down, and then rifling through and changing my mind and then going on to something else. But Flipron are a band that when I had a recording studio they turned up and said something like we've got a hundred quid, how much time can we have. And I just really liked them and I really liked the songs that they'd got. So two years later they were in the studio and we became firm friends. I produced a couple of records for them as well. But it's a funny thing because I prefer the stuff I wasn't involved with, of which this album is one. My studio closed down and we all went off and did our own thing and then they turned up with their first two albums. And with this one I just really love the songs on it. Each one is kind of like a story."