"It’s such a touching, beautiful depiction of coming of age and discovering one’s sexuality and first love. I thought Timothée Chalamet’s performance was so beautiful and he captured youthful discoveries in such a way, I was moved for days. And again, the pacing of the film was so patient and thoughtful, and the cinematography and the location really brought you into the film. I felt transported. The monologue with the father towards the end of the film, where he reveals that he perhaps had a similar experience, or his life could have been different had he allowed himself the room to be who he needed to be – I just thought it was such a beautiful moment."

"This isn't part of any phase in my life. I just heard it on Peel, and it had this "gathering of the tribes" time signature - not sure if that's true or not, but it's such a strange record. The delivery... the first line, "Saw her face in the window, it looks quite strange..." That's brilliant. And it's like an odd, surreal miniature. I don't know what it is that makes me like it so much. The chorus goes, "I just can't believe that looking over you, I find you appealing, but it seems that I do." That sums up the way I feel about the record. It's not a pretty record, but I love it."

"When I was a boy I dreamed of sailing and exploring the the open seas. I know my inspiration arose from watching episodes of The Undersea World of Jacques Cousteau. This almanac was the first gift I received from my then girlfriend, now wife, and why I still love her. She saw my passion for the ocean and presented me with a book by my hero. Cousteau gives many examples of how we have been destroying our shared environment for thousands of years. But more importantly, he always leads us to solutions we can implement to save and restore our planet. “We have one planet. We have to take care of it.”"

"Shawshank Redemption, because I love that it is about the power of the human spirit. That movie is one that I watch when I think about giving up. And that’s rare. I don’t do that anymore, but when I was first starting out in this industry, I would use that film as a metaphor for life because it was really hard and I was getting told “no” by all the studios and [wondered] if I would ever be a successful filmmaker. I would literally look and I would say, “If [Andy Dufresne] can survive and go through all that and keep his spirit then so can I, dammit [laughing].” That’s one of my favorites."