"I really love heavy metal. I’m very open, so I don’t really care about genres and often with heavy metal I just like it. I was a huge fan of many heavy metal bands when I was a kid, the first concert I went to was Gojira and then Mastodon and then Slayer. I was eleven and I really loved it. “None of my friends liked the music and so I remember feeling at home at the shows, because I met people who understood it. It’s so angry without being hostile if you really listen to it, but it can sound hostile to people who don’t understand it. “This is quite a calm song by Mastodon. It’s a childhood memory, but a song that allowed me to discover Mastodon with a more melodic song than most heavy metal bands I knew. I saw them play two times actually. “I try and turn what I love about heavy metal into something that more people can understand, like in songs like “Under The Water” and “The Seed”, the single I just released, is more heavy. I like the weight"

"I first heard this one in 2000, or maybe 2001. My girlfriend at the time, Eleanor, had a Bo Diddley compilation that I think she got from her brother. I was grown by then so it wasn’t like I was listening to Bo in the crib, you know? But I came around to it. ""For a long time, I wasn’t a fan of the blues, because my limited understanding of it was cover bands on Sixth Street here in Austin - that version of the genre was just white guys trying to imitate Stevie Ray Vaughan. I think Bo transcended blues though. There’s so much more going on; there’s pop elements, there’s pure rock and roll elements. ""What I love about him the most is that he’s all about the maracas. That’s something that I’ve snagged, for sure, they’re the coolest percussion instrument. He went on The Ed Sullivan Show with a four-piece band, and one of them was just there to play maracas - that’s how essential it was to the sound. On this song, Jerome himself is the maraca player and he’s singing the response vocal - singing his own name. I love that."

"You know, I haven’t seen the film in a very long time, but because it was another thing that my sister and I, as kids, would watch — the film Lady Jane, with Helena Bonham Carter. And Helena Bonham Carter was, I think she was like, 17. I feel funny saying that’s one of my favorite films, but it really inspired us, and we’re both actors now, and she is, to us, still amazing. When I watched it, I just remember thinking, “Oh my gosh, that’s my dream,” to play that role. I love her. Lady Jane started my love of period films and the British accent, which I’m obsessed with. I just did my first one. I did a medieval film [Ironclad] that… Do you know Jason Flemyng? He’s one of my really good friends. As soon as I heard Jason Flemyng was doing it and that it was medieval, I was like, I don’t even care what it’s about — I gotta do it just for the fun. I was the only girl on the movie. It was hilarious. And yes, I got to do my British accent."

"My first favorite film is The Shining by Stanley Kubrick. I am a huge horror film fan. I love them so much. I’ve always loved them. Ever since I was a kid, I’ve been attracted to scary stuff; I don’t know why. When I was younger I would watch a lot of the cheesier process-of-elimination slasher ’90s films. And then I feel like, as my tastes matured a little bit as I got older, I found The Shining, which is a movie that my dad had always spoken about with this weird fear, because he’d never finished the movie. He’s like, “The one film I’ve never been able to finish in my life is The Shining.” So I grew up like, “What is The Shining?” And then, finally I watched it, and it was just incredible. Well, Stanley Kubrick’s my favorite director, so you’ll probably see a lot of his films in the top five. I just love that movie so much, and it’s my favorite on-screen performance of all time, from Jack Nicholson. I think that he’s absolutely incredible. I’m ready to play a role like that."

"I was half tempted to put in all of The Beatles' albums. It's really hard for me to pick one because I fucking love all of them. They mean so much to me. I think Revolver, because it pointed the way forward. It's interesting that 'Tomorrow Never Knows', which still sounds like something that's coming from the future, was the first song that they started work on. They started that in early 1966 or whatever. Pretty far out when you think about it. That song always sounds contemporary to me. That thing with the bass and drums where it's just one groove, like a loop. And all the tape sounds that are coming in and out. It's very advanced for its time. The sound was so different that you knew there was something else going on, that something was changing culturally and musically for people, which of course it did the following year. The Indian influence is there as well. Obviously it's in 'Love You To', the George track, but also the way the guitars are played. You've got a slight drone going on with the guitars."

"I chose Both Sides Now because it was reworkings of some of her songs, and I only came across it after watching a documentary on the radio. It brought me to some songs I'd never heard before but then I fell in love with, such as 'A Case Of You', which is just amazing. I think it really made me revisit her lyrics. There's something about taking your songs and revisiting them and yet still being true to the songs - many others have tried to do it, but sound shit. Hers were equally as beautiful. So I chose that record as a fulcrum in my Joni Mitchell journey, as I first liked her more almost obscure albums, those that were in my parents' collection, such as Chalk Mark In A Rain Storm and Dog Eat Dog, and then I found Blue, The Hissing Of Summer Lawns and Court And Spark. But I like this album because it took me there, and as an artist, it shows the measure of her songs. Where she can make that sort of record and still make me want to hear the others, and love them too."