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D.B. and Me
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In the gripping tale of D.B. and Me, the enigmatic hijacker, D.B. Cooper, parachutes into the...
Contemporary MM Romance True Crime Suspense Mystery
Kyera (8 KP) rated Scarlet (The Lunar Chronicles, #2) in Books
Jan 31, 2018
This is the fantastic sequel to Cinder, the first book in the Lunar Chronicles. Marissa Meyer does a brilliant job of introducing us to a new duo that will be featured in the book, while intricately weaving their story in with the characters that we already know and love. In case you weren't aware Scarlet is a retelling of the Little Red Riding Hood fairytale. As this is the second book in the series, there will be plot points referenced from the first book and may spoil you. I suggest you read Cinder before you read this review.
Scarlet is incredibly different from Cinder, our main character from the first book. With fiery hair and a temper to match, Scarlet is an accomplished pilot and a force to be reckoned with. When her grandmother goes missing, she will stop at nothing to get her back - even if that means teaming up with a street fighter who has never had tomatoes before... named Wolf.
There is a dichotomy in the portrayal of Wolf as he is seen as violent and angry during a fight, but so innocently curious and nervous with Scarlet. She introduces him to the wonders of fresh produce and his reaction is so precious, he just reminds me of a puppy in those moments. I can't say that I like him more than Kai, but he definitely grows on you over the course of the book.
It was nice to see Kai in his role as the Emporer of the Eastern Commonwealth. In the first book, he was only just coming to terms with the drastic change in his circumstances and now he must be the leader his people need. You watch as he struggles to reconcile the needs of his people with the desires of his heart. Completely untested as a ruler, he does what he can to protect his people from Queen Levana but worries that it will not be enough. It was heartbreaking to see the turmoil and know that he will only face more difficult decisions in the future.
Cinder's world was completely turned upside down at the end of the first novel. As a result, she is on the run and teams up with <i>Captain</i> Carswell Thorne. His utter enamorment with himself is hilarious and plays really well off of Cinder's more serious, yet still sarcastic personality.
I really enjoyed seeing the world expand a bit more as we learned about other locations in the Earthen Union and spent time in France. We were given more of Cinder's history and the groundwork was laid for plot points and characters in the future books. This was a great story, but I can't say much else without spoilers - so just go read the series, you won't regret it.
Scarlet is incredibly different from Cinder, our main character from the first book. With fiery hair and a temper to match, Scarlet is an accomplished pilot and a force to be reckoned with. When her grandmother goes missing, she will stop at nothing to get her back - even if that means teaming up with a street fighter who has never had tomatoes before... named Wolf.
There is a dichotomy in the portrayal of Wolf as he is seen as violent and angry during a fight, but so innocently curious and nervous with Scarlet. She introduces him to the wonders of fresh produce and his reaction is so precious, he just reminds me of a puppy in those moments. I can't say that I like him more than Kai, but he definitely grows on you over the course of the book.
It was nice to see Kai in his role as the Emporer of the Eastern Commonwealth. In the first book, he was only just coming to terms with the drastic change in his circumstances and now he must be the leader his people need. You watch as he struggles to reconcile the needs of his people with the desires of his heart. Completely untested as a ruler, he does what he can to protect his people from Queen Levana but worries that it will not be enough. It was heartbreaking to see the turmoil and know that he will only face more difficult decisions in the future.
Cinder's world was completely turned upside down at the end of the first novel. As a result, she is on the run and teams up with <i>Captain</i> Carswell Thorne. His utter enamorment with himself is hilarious and plays really well off of Cinder's more serious, yet still sarcastic personality.
I really enjoyed seeing the world expand a bit more as we learned about other locations in the Earthen Union and spent time in France. We were given more of Cinder's history and the groundwork was laid for plot points and characters in the future books. This was a great story, but I can't say much else without spoilers - so just go read the series, you won't regret it.
postapocalypticplayground (27 KP) rated Circe in Books
May 29, 2018
I admit that I purchased this book solely on the cover which is amazing and the first edition print run has the most amazing embossing on the hard cover itself – like Helios himself the sun is luminescent when it shines upon it!
This was my first foray into ancient mythology and I had not read the Song of Achilles first, which I don’t think really matters but it’s likely there will be parity between the tales at some point. I did however, find that this book was really accessible for those who had a little knowledge. Most people know Zeus and Athena and many will know the stories of Icarus and Deadalus, and Theseus and the Minotaur, and by having just that little bit of understanding made the book all the more joyful to read.
Circe is a tale told in retrospect, a tale of a goddess in exile. Throughout her hundreds of years she is tested and put through trials, often lonely, but not always – and taking the time to learn all that she can about what she truly is, not just a goddess but a witch with a great power. I found it it was a story which ebbed and flowed, much like her life on her island of Aiaia. There was often a great deal to love, I enjoyed her interactions and reactions to what she learns and also the calmness about her time alone and the knowledge that she has committed wrongs that will endure as a result of her vanity. I hate to use the Journey word but that it what this story comes down to – as an immortal however, she is a lot more stubborn and has many hundreds of years longer to learn from what has come before, but there is learning and catharsis.
However there was just a little bit too much time spent getting to the place she gets to. I devoured the first 250 pages, I loved that it was a new genre to me and I was enjoying what I was reading, however, I found the last section lagged and it felt that it was a little repetitive. She’s stuck on an island so I get that there wasn’t much else to do but sit and wait for people to come to her but I felt that the final section, which was the most poignant could have been wrapped up a little better and without the slight ick factor that I felt about a certain turn of events.
I give this 4* the first 250 pages were 5* all the way but I felt it just stumbled at the last section which was a shame.
This was my first foray into ancient mythology and I had not read the Song of Achilles first, which I don’t think really matters but it’s likely there will be parity between the tales at some point. I did however, find that this book was really accessible for those who had a little knowledge. Most people know Zeus and Athena and many will know the stories of Icarus and Deadalus, and Theseus and the Minotaur, and by having just that little bit of understanding made the book all the more joyful to read.
Circe is a tale told in retrospect, a tale of a goddess in exile. Throughout her hundreds of years she is tested and put through trials, often lonely, but not always – and taking the time to learn all that she can about what she truly is, not just a goddess but a witch with a great power. I found it it was a story which ebbed and flowed, much like her life on her island of Aiaia. There was often a great deal to love, I enjoyed her interactions and reactions to what she learns and also the calmness about her time alone and the knowledge that she has committed wrongs that will endure as a result of her vanity. I hate to use the Journey word but that it what this story comes down to – as an immortal however, she is a lot more stubborn and has many hundreds of years longer to learn from what has come before, but there is learning and catharsis.
However there was just a little bit too much time spent getting to the place she gets to. I devoured the first 250 pages, I loved that it was a new genre to me and I was enjoying what I was reading, however, I found the last section lagged and it felt that it was a little repetitive. She’s stuck on an island so I get that there wasn’t much else to do but sit and wait for people to come to her but I felt that the final section, which was the most poignant could have been wrapped up a little better and without the slight ick factor that I felt about a certain turn of events.
I give this 4* the first 250 pages were 5* all the way but I felt it just stumbled at the last section which was a shame.
SunnyD (6 KP) rated Eleanor & Park in Books
Jun 15, 2018 (Updated Jun 16, 2018)
Realistic adolescent love (1 more)
Natural plot progression
Unrealistic conflict resolution (1 more)
So many questions
The feels, and then let down...
Contains spoilers, click to show
This books grabbed me right from the beginning. At first, I was really interested in Eleanor's life and how she'd gotten to where she was. I was heartbroken by the way she was made to live. Her circumstances really made me feel for her. Her growing relationship with Park was perfection. It was a sweet reminder of what it's like to fall in love as a teen. The development of their love was totally realistic.
I love that the book is narrated by both Eleanor and Park. I even loved that some of their parts were so short. The short parts really made a statement. This book is a great example of simplistic but powerful writing. I really fell in love with it.
I could not put it down as it lead up to it's climax. Unfortunately, it went a little downhill for me there. I can only explain with spoiling it. Park's father giving him the okay to drive Eleanor across state by himself in the middle of the night with Eleanor's abusive stepdad running looking like crazy for her when Park just barely got his license raised some questions for me. I'm not even sure that he knew Park's mom let him get his license without him knowing. And then Park's father tells him that he can do this for Eleanor on one condition: that he do so driving his manual transmission truck to prove that he can drive stick. This is where things got ridiculous. This was an emergency and these are young teenagers. Park proving he can finally drive stick so that he can take Eleanor to Minnesota felt out of place in this situation. The "sex scene" was not written with the same care as the rest of the book before they left home.
And then there's the ending. I'm conflicted by this. I actually understand why Eleanor might've wanted to cut connections off with Park. It was natural for Park to try to move on after a year of not hearing from her. The ending with the unknown three-word postcard from Eleanor left me wanting more. Not knowing what she said was also upsetting though. It was probably upsetting because I was upset with the conflict resolution.
I read an interview with the author where she stated that she may be thinking about writing for these characters again. I have hope that she may redeem the story but it's been a while.
I love that the book is narrated by both Eleanor and Park. I even loved that some of their parts were so short. The short parts really made a statement. This book is a great example of simplistic but powerful writing. I really fell in love with it.
I could not put it down as it lead up to it's climax. Unfortunately, it went a little downhill for me there. I can only explain with spoiling it. Park's father giving him the okay to drive Eleanor across state by himself in the middle of the night with Eleanor's abusive stepdad running looking like crazy for her when Park just barely got his license raised some questions for me. I'm not even sure that he knew Park's mom let him get his license without him knowing. And then Park's father tells him that he can do this for Eleanor on one condition: that he do so driving his manual transmission truck to prove that he can drive stick. This is where things got ridiculous. This was an emergency and these are young teenagers. Park proving he can finally drive stick so that he can take Eleanor to Minnesota felt out of place in this situation. The "sex scene" was not written with the same care as the rest of the book before they left home.
And then there's the ending. I'm conflicted by this. I actually understand why Eleanor might've wanted to cut connections off with Park. It was natural for Park to try to move on after a year of not hearing from her. The ending with the unknown three-word postcard from Eleanor left me wanting more. Not knowing what she said was also upsetting though. It was probably upsetting because I was upset with the conflict resolution.
I read an interview with the author where she stated that she may be thinking about writing for these characters again. I have hope that she may redeem the story but it's been a while.
Lee Ronaldo recommended Ladies of the Canyon by Joni Mitchell in Music (curated)
Message in a Bottle
7.8
Rate It
Book
Shimmering with suspense and emotional intensity - takes readers on a hunt for the truth about a man...
Gareth von Kallenbach (977 KP) rated Bridget Jones's Baby (2016) in Movies
Jul 15, 2019
Fifteen years after she charmed the world with the Diary of Bridget Jones, Rene Zellweger is back and her love life is just as complicated as usual, making the audience to laugh nonstop.
At the beginning I didn’t know what to expect from this film because the first movie was great, the second not so much; but it has been 12 years since then, fortunately it was a very pleasant surprise.
In this third film British singleton Bridget has broken up with Mark Darcy (Colin Firth) and turned her focus on advancing her career, she is now a top news producer who can’t help but worrying because she is a 43 yrs. old single woman, whose friends are in committed relationships and having kids.
In an attempt to cheer her up one of these fun friends Miranda (Sarah Solemani) take her to a music festival as a getaway weekend, where Bridget meets Jack (Patrick Dempsey), an American love guru with whom she has a one-night stand.
That encounter is followed by a Baptism a week later, where Mr. Darcy is the godparent, whom she shagged but then realized that He hasn’t change and still a workaholic, the reason why they broke up in the first place, so she decided to leave him in bed and try to move on.
But something happened and, like you can probably tell from the title, Bridget is pregnant. But she is not sure who the father is. It could be the confident and gorgeous Jack or the always elegant and perfect gentleman Mark.
Like in the first 2 films we have two very attractive men fighting for her love. But Bridget is less interested in whom she’ll end up with and instead is more concerned with who she’s hurting by giving them the news that one is the father and the other one isn’t. She decides to wait until after giving birth to get a DNA test for the baby, in the meantime both men decide to assist during the stages of her pregnancy creating some delightful charming old-fashioned comedy set ups.
Jones’s Baby really works and I can say with confidence it is one of the best sequels of the year, I think the big difference is that Jones is no longer the butt of jokes, and matter of fact there is not a single chubby joke, and yes Zellweger doesn’t look like the same Bridget (even my husband who loves chick flicks, thought it was a different actress) but hey! She shouldn’t look the same. It’s been 15 years; In fact, neither does Firth as Mr. Darcy or Dr. McDreammy. As a franchise, this Jones has done more than update from a pen to paper diary to an iPad, it’s embraced its characters to allow them to get involved in very funny situations and laid less emphasis on crying to the song “All By Myself”.
At the beginning I didn’t know what to expect from this film because the first movie was great, the second not so much; but it has been 12 years since then, fortunately it was a very pleasant surprise.
In this third film British singleton Bridget has broken up with Mark Darcy (Colin Firth) and turned her focus on advancing her career, she is now a top news producer who can’t help but worrying because she is a 43 yrs. old single woman, whose friends are in committed relationships and having kids.
In an attempt to cheer her up one of these fun friends Miranda (Sarah Solemani) take her to a music festival as a getaway weekend, where Bridget meets Jack (Patrick Dempsey), an American love guru with whom she has a one-night stand.
That encounter is followed by a Baptism a week later, where Mr. Darcy is the godparent, whom she shagged but then realized that He hasn’t change and still a workaholic, the reason why they broke up in the first place, so she decided to leave him in bed and try to move on.
But something happened and, like you can probably tell from the title, Bridget is pregnant. But she is not sure who the father is. It could be the confident and gorgeous Jack or the always elegant and perfect gentleman Mark.
Like in the first 2 films we have two very attractive men fighting for her love. But Bridget is less interested in whom she’ll end up with and instead is more concerned with who she’s hurting by giving them the news that one is the father and the other one isn’t. She decides to wait until after giving birth to get a DNA test for the baby, in the meantime both men decide to assist during the stages of her pregnancy creating some delightful charming old-fashioned comedy set ups.
Jones’s Baby really works and I can say with confidence it is one of the best sequels of the year, I think the big difference is that Jones is no longer the butt of jokes, and matter of fact there is not a single chubby joke, and yes Zellweger doesn’t look like the same Bridget (even my husband who loves chick flicks, thought it was a different actress) but hey! She shouldn’t look the same. It’s been 15 years; In fact, neither does Firth as Mr. Darcy or Dr. McDreammy. As a franchise, this Jones has done more than update from a pen to paper diary to an iPad, it’s embraced its characters to allow them to get involved in very funny situations and laid less emphasis on crying to the song “All By Myself”.
Emma @ The Movies (1786 KP) rated Trolls World Tour (2019) in Movies
Jun 8, 2020
Trolls World Tour, or the film that kicked off the Home Premiere debacle... I decided to pay money for this, a lot of money for just one person to watch, and all because I wanted to see something brand new.
Life in the village is going great, but when a bat flies in with a message for Queen Poppy the tune changes. Poppy's eternal enthusiasm means she doesn't want to see the potential danger that's on its way... because evidently she learned nothing in the last movie... When Barb from the Hard Rock trolls starts conquering all the other villages it's down to a few determined trolls to come to the rescue.
The first thing that struck me was that this would have been so much better on the big screen, the impact of all the explosive glitter and sparkle is lost in the home setting. That's entirely a me point though, surround me visually with all that song and glitter and you'll mesmerise me but on the small screen it doesn't have the same wow to it.
I had one thing that kept popping up in my head throughout the film, and that was how on earth do they not know that these other places exist when they're so close together? Especially as in the last film the Bergens meant they had to discover more around their village... which leads to the next thought of, if the Bergens love trolls so much then how haven't they discovered the others either... but this could be a slippery slope.
If you ignore that continuity then the plot isn't bad, classic good versus evil with a logical reasoning behind the events. The only issue it that there are a lot of new characters and ideas to deal with. I still don't know some of the names from the original characters! Evidently it's Cooper and not "giraffe" as I kept having to put in my notes every time.
I love all the different styles of music that World Tour collects together but it does feel like there's a bias against the Classical trolls. I didn't sit and count all the trolls to get percentages but it feels like they aren't seen as much as the others at times. There's a good mix on genres with the new trolls and I particularly liked the bounty hunters, it was a funny addition to the lineup.
The acting and the script is pretty much what you'd expect but I don't think it has the same spark as the first film. There are tangents that seem unnecessary and fleeting moments that had potential but were glitter glued over almost as soon as they presented themselves. Even though it felt like it missed some good opportunities and didn't shine as bright as the first, I know that kids will still love this one.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/trolls-world-tour-movie-review.html
Life in the village is going great, but when a bat flies in with a message for Queen Poppy the tune changes. Poppy's eternal enthusiasm means she doesn't want to see the potential danger that's on its way... because evidently she learned nothing in the last movie... When Barb from the Hard Rock trolls starts conquering all the other villages it's down to a few determined trolls to come to the rescue.
The first thing that struck me was that this would have been so much better on the big screen, the impact of all the explosive glitter and sparkle is lost in the home setting. That's entirely a me point though, surround me visually with all that song and glitter and you'll mesmerise me but on the small screen it doesn't have the same wow to it.
I had one thing that kept popping up in my head throughout the film, and that was how on earth do they not know that these other places exist when they're so close together? Especially as in the last film the Bergens meant they had to discover more around their village... which leads to the next thought of, if the Bergens love trolls so much then how haven't they discovered the others either... but this could be a slippery slope.
If you ignore that continuity then the plot isn't bad, classic good versus evil with a logical reasoning behind the events. The only issue it that there are a lot of new characters and ideas to deal with. I still don't know some of the names from the original characters! Evidently it's Cooper and not "giraffe" as I kept having to put in my notes every time.
I love all the different styles of music that World Tour collects together but it does feel like there's a bias against the Classical trolls. I didn't sit and count all the trolls to get percentages but it feels like they aren't seen as much as the others at times. There's a good mix on genres with the new trolls and I particularly liked the bounty hunters, it was a funny addition to the lineup.
The acting and the script is pretty much what you'd expect but I don't think it has the same spark as the first film. There are tangents that seem unnecessary and fleeting moments that had potential but were glitter glued over almost as soon as they presented themselves. Even though it felt like it missed some good opportunities and didn't shine as bright as the first, I know that kids will still love this one.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/trolls-world-tour-movie-review.html
Bob Mann (459 KP) rated Call Me by Your Name (2017) in Movies
Sep 29, 2021
Of lazy Italian summer nights.
It took me two sittings on different transatlantic flights to get through Luca Guadagnino’s much vaunted coming of age film. And I accept that this piecemeal approach might not have enhanced my opinion of the movie. Because I’m going to upset some of you who claimed it to be your “film of the year” last year. While I enjoyed it, it certainly didn’t grab me like that.
What I will admit is that the film is gloriously sun-drenched and atmospheric, set as it is in the countryside around Crema in northern Italy. Shut your eyes and you can almost smell the olive trees and the bolognese simmering on the stove.
You have to hand it to them: the film just reeks of Italian class.
The story, set in 1983, concerns the 17 year-old musical prodigy Elio (Timothée Chalamet, “Lady Bird“, “Interstellar“) who, with his good looks, has the opportunity to seduce his fair share of Italian babes, specifically the gorgeous Marzia (Esther Garrel) who has the hots for him. Although not one to look a gift vagina in the mouth, Elio is sexually conflicted and finds himself increasingly drawn, romantically, to the dashing and cock-sure 24-year old American visitor Oliver (Armie Hammer, “Free Fire“, “The Man From U.N.C.L.E.“): a feeling that is, initially, reluctantly returned.
Love unrequited. Lady in red Marzia (Esther Garrel) – will she be eventually told to get on her bike?
The Oscar-winning screenplay by James Ivory (he of Merchant and Ivory production fame) is rich and deep with lines that roll off the actors’ tongues like syrup. The action also includes the most inappropriate use of foodstuffs since “American Pie” (and presumably that went in the bin afterwards!).
Family times around the dinner table can get exceptionally loud.
The drama is slow and drawn-out, so action-film fans will be asleep within the first 30 minutes. That wasn’t a problem for me…. it is a film in which you can really soak up the atmosphere. And it exquisitely explores the genuine pain of first love.
The pain of first love.
But what I’m afraid I really couldn’t relate to was Elio’s action about half-way through the film. In the main, he acts as a typically introspective and sensitive teenager, slightly awkward and bashful in approaching sexual matters. But then in a pivotal scene he makes a daring move which – to me – seemed completely out of character. This rather threw me, and I never really got my equilibrium back with the movie after that.
Elio and Oliver…. with Elio about to do something out of character.
It’s no doubt a finely crafted film. The sex scenes are beautifully shot and could never be accused of veering towards the pornographic. But I’m honestly not sure it’s a film that gripped me enough to seek it out to watch again in the future. (Sorry CMBYN lovers!)
What I will admit is that the film is gloriously sun-drenched and atmospheric, set as it is in the countryside around Crema in northern Italy. Shut your eyes and you can almost smell the olive trees and the bolognese simmering on the stove.
You have to hand it to them: the film just reeks of Italian class.
The story, set in 1983, concerns the 17 year-old musical prodigy Elio (Timothée Chalamet, “Lady Bird“, “Interstellar“) who, with his good looks, has the opportunity to seduce his fair share of Italian babes, specifically the gorgeous Marzia (Esther Garrel) who has the hots for him. Although not one to look a gift vagina in the mouth, Elio is sexually conflicted and finds himself increasingly drawn, romantically, to the dashing and cock-sure 24-year old American visitor Oliver (Armie Hammer, “Free Fire“, “The Man From U.N.C.L.E.“): a feeling that is, initially, reluctantly returned.
Love unrequited. Lady in red Marzia (Esther Garrel) – will she be eventually told to get on her bike?
The Oscar-winning screenplay by James Ivory (he of Merchant and Ivory production fame) is rich and deep with lines that roll off the actors’ tongues like syrup. The action also includes the most inappropriate use of foodstuffs since “American Pie” (and presumably that went in the bin afterwards!).
Family times around the dinner table can get exceptionally loud.
The drama is slow and drawn-out, so action-film fans will be asleep within the first 30 minutes. That wasn’t a problem for me…. it is a film in which you can really soak up the atmosphere. And it exquisitely explores the genuine pain of first love.
The pain of first love.
But what I’m afraid I really couldn’t relate to was Elio’s action about half-way through the film. In the main, he acts as a typically introspective and sensitive teenager, slightly awkward and bashful in approaching sexual matters. But then in a pivotal scene he makes a daring move which – to me – seemed completely out of character. This rather threw me, and I never really got my equilibrium back with the movie after that.
Elio and Oliver…. with Elio about to do something out of character.
It’s no doubt a finely crafted film. The sex scenes are beautifully shot and could never be accused of veering towards the pornographic. But I’m honestly not sure it’s a film that gripped me enough to seek it out to watch again in the future. (Sorry CMBYN lovers!)
Jessica - Where the Book Ends (15 KP) rated Leah on the Offbeat in Books
Jan 30, 2019
**** SPOILER ALERT ****
Actual rating: 1.5 -- I have the unpopular opinion.
I was super excited to read this book when it came out especially after I read and loved Simon vs. the Homosapiens Agenda. A lot of people read this and were sharing their love of it on Bookstagram and Booktube. With all the hype I decided to put off reading it a bit so that it would be fresh and new for me and I could form my own opinion and not be swayed by the masses. I'm glad I did but at the same time kind of wish I hadn't waited.
Honestly, I didn't like this book. I loved Simon vs. the Homosapien's Agenda, and I gave that book 5 stars. I loved Leah in that book and I really related with her (the little bit we had of her), and I was super pumped when I found out she was getting her own book. To be honest, I didn't like Leah in this book. I thought she was bitchy and bratty. I didn't like the way she treated people and I especially didn't like the fact that this book was just sooooooo predictable.
Lets first start with her love interest Garrett. I thought he was great! He obviously liked Leah and I thought their interactions were wonderful. I know Leah was trying to figure out her feelings and where she stood with her sexuality, but honestly, I would have been happier if she'd ended up with Garrett, the relationship seemed more real to me and less forced.
Her second love interest and ultimately who Leah chose to be with... Abby Suso. Don't like her... at all. Disliked her completely in Simon's book and couldn't stand her in this book. If we're keeping score I called this relationship back when initially reading Simon vs. I thought about how Abby and Leah interacted and about how "straight" Abby was and I just knew these two would be forced together. I don't like Abby. She doesn't seem genuine her interactions seemed forced and she just doesn't fit with the other characters. Most importantly I feel like this was an insta-love relationship. It was like one minute Abby was straight and in love with Nick and then when she realized that her and Nick would have to do the long distance thing or break up due to going to different colleges; Leah was suddenly an option and she was suddenly good enough. This whole relationship just infuriated me.
All in all, I am extremely disappointed in this book. I love Becky Albertalli and her writing, but this book was a big miss for me. It seemed rushed and almost like she threw it together because she needed a sequel to Simon. I will read her future books but I just can't side with the masses on this one.
Actual rating: 1.5 -- I have the unpopular opinion.
I was super excited to read this book when it came out especially after I read and loved Simon vs. the Homosapiens Agenda. A lot of people read this and were sharing their love of it on Bookstagram and Booktube. With all the hype I decided to put off reading it a bit so that it would be fresh and new for me and I could form my own opinion and not be swayed by the masses. I'm glad I did but at the same time kind of wish I hadn't waited.
Honestly, I didn't like this book. I loved Simon vs. the Homosapien's Agenda, and I gave that book 5 stars. I loved Leah in that book and I really related with her (the little bit we had of her), and I was super pumped when I found out she was getting her own book. To be honest, I didn't like Leah in this book. I thought she was bitchy and bratty. I didn't like the way she treated people and I especially didn't like the fact that this book was just sooooooo predictable.
Lets first start with her love interest Garrett. I thought he was great! He obviously liked Leah and I thought their interactions were wonderful. I know Leah was trying to figure out her feelings and where she stood with her sexuality, but honestly, I would have been happier if she'd ended up with Garrett, the relationship seemed more real to me and less forced.
Her second love interest and ultimately who Leah chose to be with... Abby Suso. Don't like her... at all. Disliked her completely in Simon's book and couldn't stand her in this book. If we're keeping score I called this relationship back when initially reading Simon vs. I thought about how Abby and Leah interacted and about how "straight" Abby was and I just knew these two would be forced together. I don't like Abby. She doesn't seem genuine her interactions seemed forced and she just doesn't fit with the other characters. Most importantly I feel like this was an insta-love relationship. It was like one minute Abby was straight and in love with Nick and then when she realized that her and Nick would have to do the long distance thing or break up due to going to different colleges; Leah was suddenly an option and she was suddenly good enough. This whole relationship just infuriated me.
All in all, I am extremely disappointed in this book. I love Becky Albertalli and her writing, but this book was a big miss for me. It seemed rushed and almost like she threw it together because she needed a sequel to Simon. I will read her future books but I just can't side with the masses on this one.