"I first heard Nirvana probably when I was 11 or 12. There was an older kid in my neighbourhood who used to listen to them on a boom box on the back of his BMX, but I didn't know what it was. I remember it sounding like a car crash, like nothing I'd ever heard before, so violent and aggressive. Also this kid was pretty cool, he had a chopper bike and a jean jacket, he might even have had one tattoo. I just remember thinking 'he's a badass', while I was on my neon bike and wearing shorts. I didn't stand a chance. I never spoke to him, I just asked his little brother what it was, and then later I was in a record store with my mum and we saw Nirvana Unplugged…, and I said 'I love this band!'. I think she was so shocked that I had said I loved anything at all that she bought the album on cassette and it was what we listened to on the school run. It was then I first started truly caring about delivery, I'm less bothered about the actual songs. I'm interested in art, I consider myself an artist more than a musician because I can't actually play an instrument. I nearly chose Bleach because that's catharsis on tape, but everything about Nevermind is iconic, it's got everything you could want from Nirvana."

"Some people would say that The Smiths never really recorded one great album and that they were more of a singles band and I kind of see what they mean. I do really like Meat Is Murder, which is a weirdly psychedelic record with really long tracks. They really did the legwork with that album. But I remember before The Queen Is Dead came out it was an event… they were about to release their first album as a big band. I remember hearing the first single, ‘Bigmouth Strikes Again’, and they had moved on. And then I got it and… the cover was awful… just a piece of shit. But then I played it and it starts with that sample: 'Oh take me back to dear old Blighty…' And it was, 'Fucking hell…' Just astonishing. One of the best openings to an album ever. And that’s before you get to ‘There Is A Light That Never Goes Out’. They could have had the photograph outside of Salford Lads Club as the front cover but then Morrissey is wearing a really daft jacket. It’s brown with black love hearts on it. Very strange. I remember seeing them on that tour when they came to the G-Mex. They came on stage to 'The Queen Is Dead' and Morrissey was carrying a placard that said, 'Two pale ales please'. He had a white blazer on and shades and, fuck me, he looked like Elvis."

"I remember this from the time, but also my son, Sonny, who's five, is obsessed with this record. I first played it to him when he was three and he'd get his little guitar off the shelf and just go mental with it. When one of your kids likes it that means you have to listen to it about 15 times a day but I didn't mind. It's like, "Yeah let's stick it on, play it louder." It's just absolutely perfect and so heavy. And lyrically I get it now but I didn't at the time. You don't really get lyrics when you're a kid. You just think it's about horses. I always thought Jeff Beck's 'Hi Ho Silver Lining' was "silver lightning" - I thought it was about a horse. That whole thing to me is just a love song for a horse. Fuck knows what it's actually about. Drugs? Yeah, probably. One of my favourite memories of school is the school cloakroom full of tartan - that was for Bay City Rollers, but it just really reminds me of this era. My sister was a couple of years younger than me but she had Osmonds socks and an Osmonds lampshade. She had a couple of their albums. But 'Crazy Horses' is such a fantastic record. The first record that I ever liked was 'Billy Don't Be a Hero' by Paper Lace. I nearly chose that, but then I listened to it again and it's not very good."