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ArecRain (8 KP) rated Servant: The Kindred (Servant, #3) in Books
Jan 18, 2018
I almost feel bad having this series as my first review since I have absolutely nothing good to say about this book, or the series for that matter. Every element of this book was just terrible, from the language to the plot development, or lack thereof.
By the time I came to the final novel in the Servant trilogy, I quite literally had to force myself to read every page. Unlike the first two, where I became hooked on a goal that Gabrielle Cody was trying to reach, this book just grossed me out, bored me, and irritated me when I wasnt bored. After the first chapter, I lost any hope that this novel was an improvement on the first two.
The foul language was so excessive that I noticed myself just passing over it like you would the word the or and. The fact that Gaby couldnt form a sentence without saying the f-word seemed a bit juvenile to me. Fosters attempt to make Gaby seem uneducated is contradicted when she randomly uses words like cathartic. It was out of her character.
The characters were more frustrating in this novel than in the previous ones. Gaby and Luthers arguing left me so annoyed that, at times, I just skipped over it. I could not understand why Luther was so obsessed with her since any normal person probably would just ignored her from the get go. However, I felt that Gabys character had become more realistic in her feelings and thoughts. I actually liked that Gaby was so jealous of Ann, Luthers partner who is perfect in every way. I also liked the relationship she forms with Bliss, a ex-prostitute that Gaby saved from the streets, and the two orphans that Gaby takes under her wing.
The biggest problem I have with this series is the pedestal that Foster place Gaby upon. Foster makes her protagonist so strong and unbeatable that, more than once, I thought that the author was trying to make Gaby a god on earth. Gaby only obtains one injury through the entire novel, a bullet wound that is used to further the plot. Without the bullet wound, Gaby would have never gone to get a tattoo. Nobody can touch Gaby, something I found not only a nuascance but unlikely.
The final noteworthy thing about this book, is that we discover Gaby ancestry. I felt appeased in my search for discovering more about Gabys past and parents. Any surprise I had about her parentage was nullified by Fosters writing style.
I do believe I have complained enough about this series. I did have hope for it but was disappointed. After reading such an unpleasing series, I am going to read a book I know I should end up enjoying.
By the time I came to the final novel in the Servant trilogy, I quite literally had to force myself to read every page. Unlike the first two, where I became hooked on a goal that Gabrielle Cody was trying to reach, this book just grossed me out, bored me, and irritated me when I wasnt bored. After the first chapter, I lost any hope that this novel was an improvement on the first two.
The foul language was so excessive that I noticed myself just passing over it like you would the word the or and. The fact that Gaby couldnt form a sentence without saying the f-word seemed a bit juvenile to me. Fosters attempt to make Gaby seem uneducated is contradicted when she randomly uses words like cathartic. It was out of her character.
The characters were more frustrating in this novel than in the previous ones. Gaby and Luthers arguing left me so annoyed that, at times, I just skipped over it. I could not understand why Luther was so obsessed with her since any normal person probably would just ignored her from the get go. However, I felt that Gabys character had become more realistic in her feelings and thoughts. I actually liked that Gaby was so jealous of Ann, Luthers partner who is perfect in every way. I also liked the relationship she forms with Bliss, a ex-prostitute that Gaby saved from the streets, and the two orphans that Gaby takes under her wing.
The biggest problem I have with this series is the pedestal that Foster place Gaby upon. Foster makes her protagonist so strong and unbeatable that, more than once, I thought that the author was trying to make Gaby a god on earth. Gaby only obtains one injury through the entire novel, a bullet wound that is used to further the plot. Without the bullet wound, Gaby would have never gone to get a tattoo. Nobody can touch Gaby, something I found not only a nuascance but unlikely.
The final noteworthy thing about this book, is that we discover Gaby ancestry. I felt appeased in my search for discovering more about Gabys past and parents. Any surprise I had about her parentage was nullified by Fosters writing style.
I do believe I have complained enough about this series. I did have hope for it but was disappointed. After reading such an unpleasing series, I am going to read a book I know I should end up enjoying.
BookInspector (124 KP) rated Tin Man in Books
Sep 24, 2020
I would like to begin by saying, that I heard so much about this novel and I didn’t expect this book to be so tiny. It is only around 197 pages, but it has a really powerful punch to throw.
This novel carries a story of two friends, Ellis and Michael. They are the main characters in this book and the whole book was told from their perspectives. I shouldn’t forget Annie as well, even though she is kind of a silent character, she plays an integral part in the essence of this novel. All the characters are exceptionally crafted and incredibly complex. The whole novel got my brain working and imagination just flew free. I loved that author allowed the reader to paint the characters themselves, she allows you to know the story, but at the same time, there are so many details missing and so many questions left unanswered. I am not really sure whether I liked those gaps or not… because everything made so much sense. I found all the characters very likable and their internal relationship very amusing.
The narrative of this book was very confusing to me, it always keeps jumping between present and past, filling this book with romantic, but at the same time heartbreaking stories. I really enjoyed all the twists which author brought in, it made this book even more deeper and unexpected. I really liked the topics Sarah Winman was highlighting in this novel, such as homosexuality, friendship, HIV, family issues, loneliness etc. HIV hasn’t been discussed in the books for a while now, and I am great full for this reminder.
This was my first encounter with Sarah Winman’s writing, but there is no doubt that her writing style is very unique and absolutely masterful. The thing is, even though I admire her writing gift and I strongly believe she should be awarded for it, I am not a very big fan of it. Too many unanswered questions and I was not very satisfied with the closure of this book. Another thing what nagged me was the length of the chapters. Even though the book is not very long, the chapters were pretty long for my liking and it kind of dragged sometimes. So, to conclude, even though there were some things which were not for me, I truly think this book is a must-read, the characters and the plot are absolutely unique and very creative, and the prose is absolutely gorgeous and mentally challenging. Get it, read it, and I hope you will enjoy it! 🙂 (I know it is a confusing review and sometimes sentences contradict themselves, but that how this book made me feel… 🙂 )
This novel carries a story of two friends, Ellis and Michael. They are the main characters in this book and the whole book was told from their perspectives. I shouldn’t forget Annie as well, even though she is kind of a silent character, she plays an integral part in the essence of this novel. All the characters are exceptionally crafted and incredibly complex. The whole novel got my brain working and imagination just flew free. I loved that author allowed the reader to paint the characters themselves, she allows you to know the story, but at the same time, there are so many details missing and so many questions left unanswered. I am not really sure whether I liked those gaps or not… because everything made so much sense. I found all the characters very likable and their internal relationship very amusing.
The narrative of this book was very confusing to me, it always keeps jumping between present and past, filling this book with romantic, but at the same time heartbreaking stories. I really enjoyed all the twists which author brought in, it made this book even more deeper and unexpected. I really liked the topics Sarah Winman was highlighting in this novel, such as homosexuality, friendship, HIV, family issues, loneliness etc. HIV hasn’t been discussed in the books for a while now, and I am great full for this reminder.
This was my first encounter with Sarah Winman’s writing, but there is no doubt that her writing style is very unique and absolutely masterful. The thing is, even though I admire her writing gift and I strongly believe she should be awarded for it, I am not a very big fan of it. Too many unanswered questions and I was not very satisfied with the closure of this book. Another thing what nagged me was the length of the chapters. Even though the book is not very long, the chapters were pretty long for my liking and it kind of dragged sometimes. So, to conclude, even though there were some things which were not for me, I truly think this book is a must-read, the characters and the plot are absolutely unique and very creative, and the prose is absolutely gorgeous and mentally challenging. Get it, read it, and I hope you will enjoy it! 🙂 (I know it is a confusing review and sometimes sentences contradict themselves, but that how this book made me feel… 🙂 )
Midge (525 KP) rated Buried Secrets in Books
Jan 31, 2019
Plenty of action (3 more)
Genius characterisation
Plenty of twists
Brilliant conclusion
An Action-Packed Thriller!
I picked up a copy of "Buried Secrets" as it was chosen for our Book Club monthly read and I am so glad that I did because it transpired to be an amazing roller-coaster read and I didn’t want it to end.
First, we meet Brett Larson and his wife Emily who have recently moved into their first home, a beautiful, rural, yellow, farmhouse. When Brett finds human remains on their property and a mysterious note hidden in a box, he immediately starts his own investigation with no thought about what he might be getting himself into, that soon starts to land him in a great deal of trouble. We are then introduced to James Russo who is in prison awaiting trial and his cell-mate, Nate Reuter, who appears to be obsessed with the developments in the local tabloids of the discovery of the remains on the Larson property. Told in alternating chapters, I couldn’t read this exciting novel fast enough, so keen was I to know how the two stories would relate to each other.
T.J. Brearton has done a fantastic job in "Buried Secrets" with the characters. Emily and Brett are just like any other newly-weds, having just moved into their first home together and the excitement of Emily discovering that she is pregnant. I can only imagine their unease at the discovery of the bones and yet Brett couldn’t just leave matters for the police to investigate. For his part, Russo, who was an equally important character in the story, is a likeable bad guy, trying to keep out of trouble but kept finding himself in desperate situations. I found myself continually rooting for him as he kept trying to do what he thought was the right thing. I was left wondering exactly what choices I would make if I were to ever find myself in similar situations to Russo. "Buried Secrets" is a thought-provoking book because of that.
In the second half of the book, Brearton really picks up the pace, and I was kept guessing what was going to happen next the whole time I was reading this crime novel. The twists kept on coming at me right until the very end.
The way in which T.J. Brearton brings everything to a conclusion is just fabulous and I haven’t got anything negative thing to say about this book. I loved it and it has left me eager to read more from this author. "Buried Secrets" is an exciting and action-packed thriller that I highly recommend.
First, we meet Brett Larson and his wife Emily who have recently moved into their first home, a beautiful, rural, yellow, farmhouse. When Brett finds human remains on their property and a mysterious note hidden in a box, he immediately starts his own investigation with no thought about what he might be getting himself into, that soon starts to land him in a great deal of trouble. We are then introduced to James Russo who is in prison awaiting trial and his cell-mate, Nate Reuter, who appears to be obsessed with the developments in the local tabloids of the discovery of the remains on the Larson property. Told in alternating chapters, I couldn’t read this exciting novel fast enough, so keen was I to know how the two stories would relate to each other.
T.J. Brearton has done a fantastic job in "Buried Secrets" with the characters. Emily and Brett are just like any other newly-weds, having just moved into their first home together and the excitement of Emily discovering that she is pregnant. I can only imagine their unease at the discovery of the bones and yet Brett couldn’t just leave matters for the police to investigate. For his part, Russo, who was an equally important character in the story, is a likeable bad guy, trying to keep out of trouble but kept finding himself in desperate situations. I found myself continually rooting for him as he kept trying to do what he thought was the right thing. I was left wondering exactly what choices I would make if I were to ever find myself in similar situations to Russo. "Buried Secrets" is a thought-provoking book because of that.
In the second half of the book, Brearton really picks up the pace, and I was kept guessing what was going to happen next the whole time I was reading this crime novel. The twists kept on coming at me right until the very end.
The way in which T.J. Brearton brings everything to a conclusion is just fabulous and I haven’t got anything negative thing to say about this book. I loved it and it has left me eager to read more from this author. "Buried Secrets" is an exciting and action-packed thriller that I highly recommend.
Hazel (1853 KP) rated God: A Human History in Books
Nov 5, 2017
An Ambiguous History
I received this book for free through Goodreads First Reads.
Where did religion come from? This is the question Reza Aslan, a scholar of religions, attempts to answer in his latest publication, God: A Human History. To date, Aslan has tackled subjects such as the life of Jesus of Nazareth, and the origins, evolution and future of Islam. In this book, the author journeys back to the earliest evidence of human existence and, using a mix of resources, theories and investigations, tries to determine how our ancestors conceived the idea of gods and souls. Maintaining the idea that the majority of humans think of God as a divine version of ourselves, Aslan also looks at the way our perception of life after death has altered due to the changes in our governments and cultures.
Reza Aslan claims that he, a Muslim-devout-Christian-convert-turned-Sufi, is neither trying to prove or disprove the existence of God or gods. Instead, he is providing readers with a thorough history of religion with a strong suggestion that we, as believers, have fashioned God in our image, and not the other way around.
Insisting that belief systems are inherited from each previous generation, Aslan takes a look at ancient cave drawings where he, and many other theorists, surmise that a form of religion was already well underway. Lack of written word results in a lot of speculation and hypothesis as to what these, usually animal-like, drawings represent, however, many have come to the conclusion that early humans had some form of animistic belief system.
Although not a dig at religion, after all, the author is religious himself, the following chapters bring in to question the authenticity of past and present beliefs. With reference to various psychologists, Aslan poses the theory that ancient humans may have misinterpreted dreams as evidence of a spirit realm. With no one qualified to clarify the things they did not understand, anything without a clear explanation may have been attributed to a god or gods.
As the author describes how religious ideas may have developed from these primitive beliefs to the fully detailed faiths of today, he labels the human race as anthropocentric creatures that have based their religions on human traits and emotions. By reporting in this way, it comes across that the past ideas of the soul, spiritual realms, gods and so forth could not possibly be true, yet, as the final chapters suggest, Aslan is still adamant about the existence of God.
Aslan’s narrative speeds up, finally reaching the recognizable religions of today. Beginning with the Israelites, enslaved by the Egyptians, the author explains, using biblical references, how the first successful monotheistic religion came about. However, researchers have studied the early Bible texts and are inconclusive as to whether the God worshipped by the Jews was the only divine being or whether there were others of a similar standing.
Next, Aslan explores Christianity, posing more questions than he solves, for example, is God one or is God three (i.e. the Holy Trinity)? He defines and compares the definitions of monotheism and pantheism, eventually bringing in Islam and the development of Sufism, which he is not afraid of admitting he agrees with.
God: A Human History is disappointingly short, ending with the feeble conclusion that humans are born with the ability to be convinced of the existence of a divine being and the soul, but it is our own choice to decide whether or not to believe in them. The remaining third of the book is an abundance of notes on the texts, bibliographical references, and Reza Aslan’s personal opinions about the ideas and theories mentioned in his history of religion.
Although an extensive history on the origins of religion, God: A Human History leaves readers none the wiser as to whether their belief is founded in truth or whether it is something that has evolved over time due to lack of understanding about the world. Granted, it was not the aim of the book to prove or disprove the existence of God, however, it may unintentionally sow seeds of doubt or, potentially, anger devout believers. However, there is no attempt at persuading readers to believe one thing or another, thus making it suitable for people of all religion and none.
Where did religion come from? This is the question Reza Aslan, a scholar of religions, attempts to answer in his latest publication, God: A Human History. To date, Aslan has tackled subjects such as the life of Jesus of Nazareth, and the origins, evolution and future of Islam. In this book, the author journeys back to the earliest evidence of human existence and, using a mix of resources, theories and investigations, tries to determine how our ancestors conceived the idea of gods and souls. Maintaining the idea that the majority of humans think of God as a divine version of ourselves, Aslan also looks at the way our perception of life after death has altered due to the changes in our governments and cultures.
Reza Aslan claims that he, a Muslim-devout-Christian-convert-turned-Sufi, is neither trying to prove or disprove the existence of God or gods. Instead, he is providing readers with a thorough history of religion with a strong suggestion that we, as believers, have fashioned God in our image, and not the other way around.
Insisting that belief systems are inherited from each previous generation, Aslan takes a look at ancient cave drawings where he, and many other theorists, surmise that a form of religion was already well underway. Lack of written word results in a lot of speculation and hypothesis as to what these, usually animal-like, drawings represent, however, many have come to the conclusion that early humans had some form of animistic belief system.
Although not a dig at religion, after all, the author is religious himself, the following chapters bring in to question the authenticity of past and present beliefs. With reference to various psychologists, Aslan poses the theory that ancient humans may have misinterpreted dreams as evidence of a spirit realm. With no one qualified to clarify the things they did not understand, anything without a clear explanation may have been attributed to a god or gods.
As the author describes how religious ideas may have developed from these primitive beliefs to the fully detailed faiths of today, he labels the human race as anthropocentric creatures that have based their religions on human traits and emotions. By reporting in this way, it comes across that the past ideas of the soul, spiritual realms, gods and so forth could not possibly be true, yet, as the final chapters suggest, Aslan is still adamant about the existence of God.
Aslan’s narrative speeds up, finally reaching the recognizable religions of today. Beginning with the Israelites, enslaved by the Egyptians, the author explains, using biblical references, how the first successful monotheistic religion came about. However, researchers have studied the early Bible texts and are inconclusive as to whether the God worshipped by the Jews was the only divine being or whether there were others of a similar standing.
Next, Aslan explores Christianity, posing more questions than he solves, for example, is God one or is God three (i.e. the Holy Trinity)? He defines and compares the definitions of monotheism and pantheism, eventually bringing in Islam and the development of Sufism, which he is not afraid of admitting he agrees with.
God: A Human History is disappointingly short, ending with the feeble conclusion that humans are born with the ability to be convinced of the existence of a divine being and the soul, but it is our own choice to decide whether or not to believe in them. The remaining third of the book is an abundance of notes on the texts, bibliographical references, and Reza Aslan’s personal opinions about the ideas and theories mentioned in his history of religion.
Although an extensive history on the origins of religion, God: A Human History leaves readers none the wiser as to whether their belief is founded in truth or whether it is something that has evolved over time due to lack of understanding about the world. Granted, it was not the aim of the book to prove or disprove the existence of God, however, it may unintentionally sow seeds of doubt or, potentially, anger devout believers. However, there is no attempt at persuading readers to believe one thing or another, thus making it suitable for people of all religion and none.
Hazel (1853 KP) rated God: A Human History in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.
</i>
Where did religion come from? This is the question Reza Aslan, a scholar of religions, attempts to answer in his latest publication, <i>God: A Human History.</i> To date, Aslan has tackled subjects such as the life of Jesus of Nazareth, and the origins, evolution and future of Islam. In this book, the author journeys back to the earliest evidence of human existence and, using a mix of resources, theories and investigations, tries to determine how our ancestors conceived the idea of gods and souls. Maintaining the idea that the majority of humans think of God as a divine version of ourselves, Aslan also looks at the way our perception of life after death has altered due to the changes in our governments and cultures.
Reza Aslan claims that he, a Muslim-devout-Christian-convert-turned-Sufi, is neither trying to prove or disprove the existence of God or gods. Instead, he is providing readers with a thorough history of religion with a strong suggestion that we, as believers, have fashioned God in our image, and not the other way around.
Insisting that belief systems are inherited from each previous generation, Aslan takes a look at ancient cave drawings where he, and many other theorists, surmise that a form of religion was already well underway. Lack of written word results in a lot of speculation and hypothesis as to what these, usually animal-like, drawings represent, however, many have come to the conclusion that early humans had some form of animistic belief system.
Although not a dig at religion, after all, the author is religious himself, the following chapters bring in to question the authenticity of past and present beliefs. With reference to various psychologists, Aslan poses the theory that ancient humans may have misinterpreted dreams as evidence of a spirit realm. With no one qualified to clarify the things they did not understand, anything without a clear explanation may have been attributed to a god or gods.
As the author describes how religious ideas may have developed from these primitive beliefs to the fully detailed faiths of today, he labels the human race as anthropocentric creatures that have based their religions on human traits and emotions. By reporting in this way, it comes across that the past ideas of the soul, spiritual realms, gods and so forth could not possibly be true, yet, as the final chapters suggest, Aslan is still adamant about the existence of God.
Aslan’s narrative speeds up, finally reaching the recognizable religions of today. Beginning with the Israelites, enslaved by the Egyptians, the author explains, using biblical references, how the first successful monotheistic religion came about. However, researchers have studied the early Bible texts and are inconclusive as to whether the God worshipped by the Jews was the only divine being or whether there were others of a similar standing.
Next, Aslan explores Christianity, posing more questions than he solves, for example, is God one or is God three (i.e. the Holy Trinity)? He defines and compares the definitions of monotheism and pantheism, eventually bringing in Islam and the development of Sufism, which he is not afraid of admitting he agrees with.
<i>God: A Human History </i>is disappointingly short, ending with the feeble conclusion that humans are born with the ability to be convinced of the existence of a divine being and the soul, but it is our own choice to decide whether or not to believe in them. The remaining third of the book is an abundance of notes on the texts, bibliographical references, and Reza Aslan’s personal opinions about the ideas and theories mentioned in his history of religion.
Although an extensive history on the origins of religion, <i>God: A Human History </i>leaves readers none the wiser as to whether their belief is founded in truth or whether it is something that has evolved over time due to lack of understanding about the world. Granted, it was not the aim of the book to prove or disprove the existence of God, however, it may unintentionally sow seeds of doubt or, potentially, anger devout believers. However, there is no attempt at persuading readers to believe one thing or another, thus making it suitable for people of all religion and none.
</i>
Where did religion come from? This is the question Reza Aslan, a scholar of religions, attempts to answer in his latest publication, <i>God: A Human History.</i> To date, Aslan has tackled subjects such as the life of Jesus of Nazareth, and the origins, evolution and future of Islam. In this book, the author journeys back to the earliest evidence of human existence and, using a mix of resources, theories and investigations, tries to determine how our ancestors conceived the idea of gods and souls. Maintaining the idea that the majority of humans think of God as a divine version of ourselves, Aslan also looks at the way our perception of life after death has altered due to the changes in our governments and cultures.
Reza Aslan claims that he, a Muslim-devout-Christian-convert-turned-Sufi, is neither trying to prove or disprove the existence of God or gods. Instead, he is providing readers with a thorough history of religion with a strong suggestion that we, as believers, have fashioned God in our image, and not the other way around.
Insisting that belief systems are inherited from each previous generation, Aslan takes a look at ancient cave drawings where he, and many other theorists, surmise that a form of religion was already well underway. Lack of written word results in a lot of speculation and hypothesis as to what these, usually animal-like, drawings represent, however, many have come to the conclusion that early humans had some form of animistic belief system.
Although not a dig at religion, after all, the author is religious himself, the following chapters bring in to question the authenticity of past and present beliefs. With reference to various psychologists, Aslan poses the theory that ancient humans may have misinterpreted dreams as evidence of a spirit realm. With no one qualified to clarify the things they did not understand, anything without a clear explanation may have been attributed to a god or gods.
As the author describes how religious ideas may have developed from these primitive beliefs to the fully detailed faiths of today, he labels the human race as anthropocentric creatures that have based their religions on human traits and emotions. By reporting in this way, it comes across that the past ideas of the soul, spiritual realms, gods and so forth could not possibly be true, yet, as the final chapters suggest, Aslan is still adamant about the existence of God.
Aslan’s narrative speeds up, finally reaching the recognizable religions of today. Beginning with the Israelites, enslaved by the Egyptians, the author explains, using biblical references, how the first successful monotheistic religion came about. However, researchers have studied the early Bible texts and are inconclusive as to whether the God worshipped by the Jews was the only divine being or whether there were others of a similar standing.
Next, Aslan explores Christianity, posing more questions than he solves, for example, is God one or is God three (i.e. the Holy Trinity)? He defines and compares the definitions of monotheism and pantheism, eventually bringing in Islam and the development of Sufism, which he is not afraid of admitting he agrees with.
<i>God: A Human History </i>is disappointingly short, ending with the feeble conclusion that humans are born with the ability to be convinced of the existence of a divine being and the soul, but it is our own choice to decide whether or not to believe in them. The remaining third of the book is an abundance of notes on the texts, bibliographical references, and Reza Aslan’s personal opinions about the ideas and theories mentioned in his history of religion.
Although an extensive history on the origins of religion, <i>God: A Human History </i>leaves readers none the wiser as to whether their belief is founded in truth or whether it is something that has evolved over time due to lack of understanding about the world. Granted, it was not the aim of the book to prove or disprove the existence of God, however, it may unintentionally sow seeds of doubt or, potentially, anger devout believers. However, there is no attempt at persuading readers to believe one thing or another, thus making it suitable for people of all religion and none.
Becs (244 KP) rated Stars Like Fate in Books
Oct 2, 2019
Highlights: I loved the cover design, it helped give an idea of what Nyole looked like. I wish there were pictures of the other characters, like as a gallery at the back of the book. It was nice of the author to put a character list and their pronunciation at the beginning of the book. It helped tremendously!!
Style: Casual to light
Point of View: Third person
Difficulty reading: First couple of chapters were difficult to get into but after the fifth chapter, I couldn’t put the book down! It has it’s fast-paced moments that has you flipping through pages and it has its slower moments that take a bit more effort to get into. A very fun read!
Promise: The book promised a fantasy, adventure packed book and it delivered it on a silver platter. The characters are mythical, the countries are mythical, and magic is involved – leading to the fantasy aspect of things. Nyole and Saphryis both go on a long and heartbreaking journey to gain Saphryis her memories and power back – leading to the adventure aspect of things.
Quality: An all-around great book. If you like World of Warcraft, you’ll like this book. It touches on the mythical creatures in a way that resembles characters in World of Warcraft.
Insights: I loved the fact that it was a fantasy young adult book. These types of books are one of my favorite genres. When I first got the book, I read the synopsis and instantly thought of World of Warcraft. Reading, I had a difficult time with the first five chapters. It wasn’t that they were bad, it was more along the lines of they lacked in the background and the flow seemed like it was all over the place. Once I hit chapter six though, I couldn’t put the book down. The background and plot leveled out so it was a much easier read. As I was coming down to the last couple of chapters, I realized I didn’t want it to end. I wanted it to continue on into an everlasting void of Stars Like Fate because fate is simply ineffable.
Ah-Ha Moment: When Nyole finally realized that he was related to King Aryon. I would also become furious if I was related to someone as cruel as King Aryon the murderer.
Favorite Quote: “Fate is unexplainable, Fate is unfair, but Fate will always happen.” – Nyole realizes that if he never would have met Saphryis, then he would have never known what was coming in the future. But with meeting her, he realizes what is coming and has a faint idea what Saphryis will mean to him.
“ ‘I need you to live, Saphryis. I need you around,’ Nyole murmured before adding a selfish wish. ‘I want you beside me.’ ” – I feel this is the moment that Nyole falls just a bit in love with Saphryis. Which is good, because I ship them 110%.
What will you gain: A love for a new and upcoming author with an imaginative world that you can just step right into. Plus an awesome book worth a re-read!
Aesthetics: Cover design was really nice, character list was great, nice size book – not too heavy and not to thin, font and size was good – didn’t strain the eyes, there were a few grammatical errors – but are barely noticeable, third-person point of view, a riveting action fantasy book that will keep you on your toes.
“Fate is simply ineffable.”
Style: Casual to light
Point of View: Third person
Difficulty reading: First couple of chapters were difficult to get into but after the fifth chapter, I couldn’t put the book down! It has it’s fast-paced moments that has you flipping through pages and it has its slower moments that take a bit more effort to get into. A very fun read!
Promise: The book promised a fantasy, adventure packed book and it delivered it on a silver platter. The characters are mythical, the countries are mythical, and magic is involved – leading to the fantasy aspect of things. Nyole and Saphryis both go on a long and heartbreaking journey to gain Saphryis her memories and power back – leading to the adventure aspect of things.
Quality: An all-around great book. If you like World of Warcraft, you’ll like this book. It touches on the mythical creatures in a way that resembles characters in World of Warcraft.
Insights: I loved the fact that it was a fantasy young adult book. These types of books are one of my favorite genres. When I first got the book, I read the synopsis and instantly thought of World of Warcraft. Reading, I had a difficult time with the first five chapters. It wasn’t that they were bad, it was more along the lines of they lacked in the background and the flow seemed like it was all over the place. Once I hit chapter six though, I couldn’t put the book down. The background and plot leveled out so it was a much easier read. As I was coming down to the last couple of chapters, I realized I didn’t want it to end. I wanted it to continue on into an everlasting void of Stars Like Fate because fate is simply ineffable.
Ah-Ha Moment: When Nyole finally realized that he was related to King Aryon. I would also become furious if I was related to someone as cruel as King Aryon the murderer.
Favorite Quote: “Fate is unexplainable, Fate is unfair, but Fate will always happen.” – Nyole realizes that if he never would have met Saphryis, then he would have never known what was coming in the future. But with meeting her, he realizes what is coming and has a faint idea what Saphryis will mean to him.
“ ‘I need you to live, Saphryis. I need you around,’ Nyole murmured before adding a selfish wish. ‘I want you beside me.’ ” – I feel this is the moment that Nyole falls just a bit in love with Saphryis. Which is good, because I ship them 110%.
What will you gain: A love for a new and upcoming author with an imaginative world that you can just step right into. Plus an awesome book worth a re-read!
Aesthetics: Cover design was really nice, character list was great, nice size book – not too heavy and not to thin, font and size was good – didn’t strain the eyes, there were a few grammatical errors – but are barely noticeable, third-person point of view, a riveting action fantasy book that will keep you on your toes.
“Fate is simply ineffable.”
Haley Mathiot (9 KP) rated A Quilter's Diary: Written in Stitches in Books
Apr 27, 2018
Description (from Amazon): Ever wanted to write the story of your life? With fabric as your paper and a needle as your pen, you can chronicle your most memorable moments. Bestselling author Mimi Dietrich explains how to tell your personal story or the story of someone special to you in extraordinary quilts.
* Construct the pieces of your life in fabric with your choice of 100 pieced and appliquéd block patterns
* Let Mimi guide your designs with inspiring questions and themes 24 categories include family, friends, holidays, hobbies, and more
* A gallery of quilts, plus Mimi s unique setting tips, will help you launch your own ideas
A Quilter’s Diary is a simple guide book to telling your life story in quilt blocks. Mimi tells you how to pick the blocks, arrange the quilt in order, and make each square special and unique to you.
There are tons of blocks to pick from, and she encourages you to branch out from her suggestions and take a creative license, showing examples and giving ideas.
(Here is one page from the book with some ideas for a “hobby” quilt block. See the books on the left? Guess what’s going on my quilt!)
(photo url: http://lh3.ggpht.com/_-sER6e5xCaQ/S0K4VzGxaBI/AAAAAAAABgc/i_AHcoFr-hU/DSCN0052_thumb%5B2%5D.jpg?imgmax=800)
Some of the quilt squares that are suggested are: Heritage, Childhood, Parents, Grandparents, First Love, True Love, Wedding, Children, Pets, Seasons, Travel, Dreams and wishes… and tons more. Each theme has seven or eight ideas for you to use, or you can create your own using the theme.
Every quilt block has questions that you can answer to inspire you. They make you think about important things and decide what kind of square you’d like to make.
There was also some basic quilt making instructions and appliqué and embroidery instructions that are clear and concise with very good illustrations.
Then there were photographs of quilts. Oh the quilts were just beautiful! So artistic in every way.
This book had my mouth watering and my fingers itching for fabric and embroidery floss. The idea of a quilt as a diary and a permanent keepsake is an old one, but it looks so much less intimidating through this book because of the way it’s presented.
This book is incredibly inspiring, and I intend to start my own quilt diary. It will take years to finish because I don’t have much to share right now, but I’m sure as life goes on, with the help of this book, I’ll have a very special and unique keepsake when it’s finally done.
About the Author:
Mimi Dietrich is a nationally known teacher and the author of many best-selling books, including Martingale & Company's all-time best-seller, Happy Endings. Her books have sold over a half million copies to date. This is her 15th book for Martingale and Company
~Haleyknitz
* Construct the pieces of your life in fabric with your choice of 100 pieced and appliquéd block patterns
* Let Mimi guide your designs with inspiring questions and themes 24 categories include family, friends, holidays, hobbies, and more
* A gallery of quilts, plus Mimi s unique setting tips, will help you launch your own ideas
A Quilter’s Diary is a simple guide book to telling your life story in quilt blocks. Mimi tells you how to pick the blocks, arrange the quilt in order, and make each square special and unique to you.
There are tons of blocks to pick from, and she encourages you to branch out from her suggestions and take a creative license, showing examples and giving ideas.
(Here is one page from the book with some ideas for a “hobby” quilt block. See the books on the left? Guess what’s going on my quilt!)
(photo url: http://lh3.ggpht.com/_-sER6e5xCaQ/S0K4VzGxaBI/AAAAAAAABgc/i_AHcoFr-hU/DSCN0052_thumb%5B2%5D.jpg?imgmax=800)
Some of the quilt squares that are suggested are: Heritage, Childhood, Parents, Grandparents, First Love, True Love, Wedding, Children, Pets, Seasons, Travel, Dreams and wishes… and tons more. Each theme has seven or eight ideas for you to use, or you can create your own using the theme.
Every quilt block has questions that you can answer to inspire you. They make you think about important things and decide what kind of square you’d like to make.
There was also some basic quilt making instructions and appliqué and embroidery instructions that are clear and concise with very good illustrations.
Then there were photographs of quilts. Oh the quilts were just beautiful! So artistic in every way.
This book had my mouth watering and my fingers itching for fabric and embroidery floss. The idea of a quilt as a diary and a permanent keepsake is an old one, but it looks so much less intimidating through this book because of the way it’s presented.
This book is incredibly inspiring, and I intend to start my own quilt diary. It will take years to finish because I don’t have much to share right now, but I’m sure as life goes on, with the help of this book, I’ll have a very special and unique keepsake when it’s finally done.
About the Author:
Mimi Dietrich is a nationally known teacher and the author of many best-selling books, including Martingale & Company's all-time best-seller, Happy Endings. Her books have sold over a half million copies to date. This is her 15th book for Martingale and Company
~Haleyknitz
Kyera (8 KP) rated Stalking Jack the Ripper in Books
Feb 1, 2018
Stalking Jack the Ripper is a fascinating, fictional take on the reign of terror that gripped London in the late 1800's. The story is told through the eyes of a teen girl, Audrey Rose, who is doing her best to study under her uncle's tutelage - as a forensic scientist. She is drawn into the murders, even though her family and society does not agree with her inclusion in the affair as it is not right for ladies to be interested in such things.
The author did a brilliant job weaving what facts we know historically about Jack the Ripper into her carefully crafted narrative. The dialogue is a bit clunky at times and the pacing could have been better, but overall I enjoyed this book. Some people felt that the perpetrator was obvious from the first moment they stepped on the scene, but I didn't feel that way. It seemed like the suspense and horror built over the course of the book until you finally realize who the killer is in the final moments before its reveal.
The characters were both a high and low point in the book. I enjoyed the fact that the main character was meant to be a more progressive person than women in her time generally, but sometimes her inner dialogues were strange moments of her thinking utterly ridiculous thoughts and then immediately dismissing them like oh no that cannot be. She desires to be both pretty and fierce and does not understand why society feels that she cannot be both. Audrey Rose also has a propensity for charging into dangerous situations with no planning, when a murderer is stalking the streets looking for women to cut apart. It's difficult to explain how all of those things combined to affect her portrayal, but overall it made her seem less strong, much more insecure, and significantly less grounded than I feel the author was hoping to portray her.
Thomas Cresswell, on the other hand, is the witty British boy that you can help but love when he enters a scene. He made brilliant deductions and didn't miss a moment attempting to seduce Miss Audrey Rose. The two of them together were such a fun team, even if Audrey Rose's inner dialogue was frustratingly superficial. Oh, I hate this boy, oh, I can't help but want to kiss him, he's terrible, he's wonderful. Please, Audrey Rose, control your emotions and be the strong heroine we deserve in this book. Together, they were very reminiscent of Sherlock Holmes and John Watson.
The author creates a vivid landscape upon which this gruesome tableau takes place. That being said, I would definitely caution some readers from this book as the violence is quite explicitly described. It can definitely be too much for some younger readers or people who are squeamish. If you feel like you're okay with the gory details and enjoy forensic science, I believe you will enjoy this book.
The author did a brilliant job weaving what facts we know historically about Jack the Ripper into her carefully crafted narrative. The dialogue is a bit clunky at times and the pacing could have been better, but overall I enjoyed this book. Some people felt that the perpetrator was obvious from the first moment they stepped on the scene, but I didn't feel that way. It seemed like the suspense and horror built over the course of the book until you finally realize who the killer is in the final moments before its reveal.
The characters were both a high and low point in the book. I enjoyed the fact that the main character was meant to be a more progressive person than women in her time generally, but sometimes her inner dialogues were strange moments of her thinking utterly ridiculous thoughts and then immediately dismissing them like oh no that cannot be. She desires to be both pretty and fierce and does not understand why society feels that she cannot be both. Audrey Rose also has a propensity for charging into dangerous situations with no planning, when a murderer is stalking the streets looking for women to cut apart. It's difficult to explain how all of those things combined to affect her portrayal, but overall it made her seem less strong, much more insecure, and significantly less grounded than I feel the author was hoping to portray her.
Thomas Cresswell, on the other hand, is the witty British boy that you can help but love when he enters a scene. He made brilliant deductions and didn't miss a moment attempting to seduce Miss Audrey Rose. The two of them together were such a fun team, even if Audrey Rose's inner dialogue was frustratingly superficial. Oh, I hate this boy, oh, I can't help but want to kiss him, he's terrible, he's wonderful. Please, Audrey Rose, control your emotions and be the strong heroine we deserve in this book. Together, they were very reminiscent of Sherlock Holmes and John Watson.
The author creates a vivid landscape upon which this gruesome tableau takes place. That being said, I would definitely caution some readers from this book as the violence is quite explicitly described. It can definitely be too much for some younger readers or people who are squeamish. If you feel like you're okay with the gory details and enjoy forensic science, I believe you will enjoy this book.
Just Send Me Word: A True Story of Love and Survival in the Gulag
Book
From Orlando Figes, international bestselling author of A People's Tragedy, Just Send Me Word is the...
Rachel King (13 KP) rated Blood Bound (Mercy Thompson, #2) in Books
Feb 11, 2019
What I think I like best about Briggs' style of writing - at least in the Mercy Thompson series - is how in-depth the background information is. Everything and everyone has a history and then some - whether it be political, eventful, magical, biological, etc., Briggs' writes it and Mercy gets to discover it. I find it all intensely fascinating and makes me want to grill the author about all of the details that she has not yet uncovered.
For instance, I would really like to know what it is that makes all of these preternatural men fall for Mercy, first Samuel, then Adam, now Stefan, and I'm half-betting Zee, too. She may be a walker, but there can't be anything in the walker repertiore that resembles an Americanized Aphrodite. The fact that she sorely lacks in female friends, with maybe the exception of Honey, only adds to the image. Don't get me wrong - I love the tension building between the two dominant werewolves, even if Briggs' could stand to devote more plot time to it. Neither can I decide who I like better with Mercy - Adam seems to compliment Mercy's personality very well, but Samuel's interest in children appeals to my mothering instincts. Hopefully, Stefan's relationship with Mercy will be explored more in the next book so that I can form an opinion about him as well. I am also remotely wondering if Adam had some kind of relationship with Marjorie Hanna, Mercy's ghost friend, since she did a drawing of him apparently before she died.
So my overall concensus is fantastic background development, messy relationships, and lots of questions needing answered.
For instance, I would really like to know what it is that makes all of these preternatural men fall for Mercy, first Samuel, then Adam, now Stefan, and I'm half-betting Zee, too. She may be a walker, but there can't be anything in the walker repertiore that resembles an Americanized Aphrodite. The fact that she sorely lacks in female friends, with maybe the exception of Honey, only adds to the image. Don't get me wrong - I love the tension building between the two dominant werewolves, even if Briggs' could stand to devote more plot time to it. Neither can I decide who I like better with Mercy - Adam seems to compliment Mercy's personality very well, but Samuel's interest in children appeals to my mothering instincts. Hopefully, Stefan's relationship with Mercy will be explored more in the next book so that I can form an opinion about him as well. I am also remotely wondering if Adam had some kind of relationship with Marjorie Hanna, Mercy's ghost friend, since she did a drawing of him apparently before she died.
So my overall concensus is fantastic background development, messy relationships, and lots of questions needing answered.