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The Boy on the Bridge
The Boy on the Bridge
M. R. Carey | 2017 | Science Fiction/Fantasy
9
9.0 (3 Ratings)
Book Rating
Before reading this I had watched 'The Girl with All the Gifts', so I had a good grasp of the 'world/universe' this was set in.

I would not recommend reading 'The Boy on the Bridge' without having first read, or watched 'The Girl with All the Gifts', as I felt this book relies on you having some knowledge of the current situation.
I believe watching 'The Girl with All the Gifts' gave an added depth, that helped me with visualising the surrounding world.

However, counterintuitively, I believe the author does like to drop his readers blind into completely new situations, where nothing can be assumed as normal, adding to twists/discoveries, and assumes you are intelligent enough to catch up.
This book is also a prequel of sorts, so some may find reading them in reverse order a better experience, the choice is yours!

The book follows a small science expedition, with a miltary escort, through a few narrators.
The characters perspectives are distinctly different, it is a joy to revel in just how different, and well written, they are.

The story itself unfolds with high impact stakes slowly building, and culminating in a fast paced battle for survival, as you would expect from any post apocalyptic zombie story, but perhaps not in the way you would think.

I absolutely raced through this book, it kept me gripped the whole time but it isn't full of action, and deals with the genre, in what I believe, is a fairly fresh way.
I would like to see more books in this setting, but perhaps centered around other parts of the world, and how they have dealt with the situation.

I would highly recommend the series, as they are well written and gratifying in that sense. I enjoyed the variance of characters, and the science was not overwhelming or detracting.

I look forward to reading some of M. R. Carey's books in other genres.
  
The Last Librarian
The Last Librarian
Brandt Legg | 2015 | Dystopia, Fiction & Poetry
4
7.0 (2 Ratings)
Book Rating
Poorly written and unoriginal
I wanted so much to like this book. The synopsis makes it sound like a more modern take on Fahrenheit 451 or 1984, however no matter how many times this book tries to reference these classics, it will never live up to these.

The good thing about this book is that the idea behind it. Set in a futuristic society where a pandemic has wiped out a large part of the population, the thought behind it is fairly relevant and in keeping with today’s events and you can almost imagine that this could’ve easily happened today. That however is where the good stops. The story is far too overly complicated and predictable, and also pretty dull. It doesn’t help that the author has decided that despite being set less than 80 years from today, everything has changed - the language, the continents, technology to the point where everything has a ridiculous and laughable new name. I never understand why authors try and rename everything just because it’s classed as a futuristic book, it’s entirely unnecessary. And then there’s the acronyms. Within the first half of the book so many silly acronyms are introduced that I quickly lost the will to even try and remember what they stood for, it’s far too many.

The characters are whiny and self absorbed, with a large part of the chapters taken up by their monotonous and rambling inner monologuing. And then they all seem to inexplicably talk in literary quotes all the time, to constantly stress their self importance and the worthiness of the books. The relationships between characters also seem poorly developed yet progress far too quickly.

Overall I really didn’t enjoy this book, and the fact that it has been set up for 2 further sequels doesn’t interest me in the slightest. I’d have to be very desperate to read those.
  
A Love Song for Liars (Rivals, #1)
A Love Song for Liars (Rivals, #1)
7
7.0 (1 Ratings)
Book Rating
3.5 stars.

I picked this up free a few months ago after reading another of the authors works and enjoying it.

This one follows Annie who is playing lead in her schools musical of The Little Mermaid. She wants to prove to her rock star father that she can cut it in the music industry while he doesn't want her anywhere near it, unlike his protégé Tyler. He was her best friend for a long time, the boy from the wrong side of the tracks who she fell for, before her dad offered to send him to the same prestigious private school as her and show him how to make his music better. Then he went from her best friend to they boys she hated in the span of a few weeks. It's hard to stay hating him when he lives in your pool house and keeps coming to your rescue, though.

I found this a quick easy read. I got drawn into the angst that was Annie and Tyler's relationship really quickly. There's an element of love/hate but you quickly see the hate is hiding a hurt from several months ago when Tyler said something she was never meant to hear. They have a rather interesting back story that we learn as the story progresses and I was willing them to just go for it, despite all the things that could go wrong or spoil it for them. They just had a deep connection that I felt deserved to explored.

Unfortunately, it seems their story is spread over three books with a fourth addition as a bonus and I will be reading them at some point in the future but my reading list is almost 100 books long right now - though I have been steamrolling through them lately - so it's on my wish list on Amazon.

It also appears I should have read the Wicked series by this author first as that is Annie's dad Jax's romance but, oh well. I'll read it at a later date, too.
  
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Zoe Nock (13 KP) rated The Last in Books

Jun 26, 2019  
The Last
The Last
Hanna Jameson | 2019 | Dystopia, Fiction & Poetry, Thriller
8
7.2 (6 Ratings)
Book Rating
Different take on a dystopian theme (0 more)
Lost it's way a little towards the end (0 more)
What scares you the most? Ghouls, vampires, slime-fanged aliens ...or something terrible that truly could happen? For me it's definitely the latter.

Our narrator, Jon, is a historian witnessing the most monumental event of humanity but at a great distance. He feels compelled to keep a record of the people isolated with him in a vast hotel. He collects their stories and feelings in the faint hope that some sort of civilisation will survive long enough to rediscover them. Through his journal we experience what it would be like to be aware that the world was ending, billions dying, but be totally disconnected from the horrific events.

Most books set during an apocalypse are fraught with traumatic dashes, violent brushes with death, horror and misery. There are elements of that here but this book mostly poses the question of what you would do if there was little drama but lots of time to dwell on things. The people in the hotel are comparatively safe in an old hotel surrounded by forest. They wait for something to happen, for someone to rescue them, or perhaps just for their food to run out. Jon embarks on a quest to solve one cruel murder, taking him down a path of mistrust and near hysteria.

I enjoyed the blend of dystopia and murder mystery; the first half of the book reads like a modern day progeny of George Orwell and Agatha Christie. Asking your audience to imagine bombs wiping out entire countries but then drastically limiting their focus to one death amongst multitudes is startling. I also liked the references to real people and places, there were definite shades of the Cecil Hotel here for a true-crime/horror podcast junkie like me to appreciate. However, I do feel that the novel lost it's way towards the end - trying to be all things to all people perhaps. It's definitely worth reading and I'm keen to see more from this author.