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Gareth von Kallenbach (980 KP) rated Mission: Impossible III (2006) in Movies
Aug 14, 2019
The summer movie season of 2006 is underway with the release of Mission Impossible 3 which once again stars Tome Cruise as agent Ethan Hunt. The film opens with a tense interrogation scene with an icily cold Philip Seymour Hoffman threatening to shoot a woman unless Ethan reveals the location of something called “The Rabbits Foot”.
The film then goes back in time where Ethan is busy entertaining at a party for his pending marriage where it is learned that he has put his days in the field behind him to be a training instructor as well as his pending marriage to Julia (Michelle Monaghan).
No sooner does the party get info full swing when Ethan is summed to a meeting by a phone call. During the meeting he is given a secret message and learns that one of his prize pupils, Lindsey (Keri Russell), has been captured by a known arms dealer named Owen Davian (Hoffman).
Normal policy is should an agent be captured, they are disavowed and on their own, but for this case, an exception is made and a plan is put into place to retrieve Lindsey. Despite his misgivings, Ethan is drawn back into the fray and joins the rescue team in Berlin.
What at first seems to be a text book rescue takes an unexpected twist and lands Ethan and his team afoul of the company director Brassel (Lawrence Fishburne). This sets the stage for a future operation to obtain Davian at the Vatican as it is hoped they can learn to whom he intends to deliver an item known as “The Rabbits Foot” and exactly what it is.
While things at first seem to go as planned, before long, Ethan and his team must deal with forces outside of their mission plan and are soon caught up in a situation that has grown larger than anyone could have predicted, and with dire consequences.
Sadly, despite the good setup, the film goes very wrong and very fast. One issue that arises is a plot so filled with holes and complications it makes even the most hackneyed summer movie plot seem like a Shakespearean wannabe in comparison. The film goes from one scenario to another with all sorts of new complications many of which are never fully explained, or worse yet left hanging.
Characters act a certain way only to change pace in the film without any explanation. One such scenario involves a character who helps Ethan only to later be revealed as a bad guy, yet the how, where, and why of their actions are never explained, as is one of the key plot devices that drives the film.
While I am willing to expect a certain amount of non-sequitors for a summer movie, the number that M.I. 3” tosses out is ludicrous.
Another glaring issue with the film is the action sequences. Yes, there are a few well planned sequences such as a helicopter chase and a daring battle on a bridge, but they all seem surprisingly flat and lack any real tension or drama. They just simply unfold without fully engaging the viewer.
Another issue is that Director J.J. Abrams uses very close camera angles for some of the action sequences which when combined with the shaky camera style, results in sequences that are very hard to watch due to the frantic motion. I am all for realism, but when I cannot fully understand what is going on as the camera is bouncing all over the scene, then this is a problem.
The final frustration I had with the film falls solely with Cruise himself. Yes I can separate all of the recent off camera exploits that have been well documented the past year, but what I do have an issue with is how unfit Cruise seems for the part. The man is a very good performer with a long history of box office success. Yet, his diminutive size does not make me believe him as an action star. It is hard to believe that he is capable of doing such daring acts of strength as well as dispatching all manner of imposing bad guys. In a very underwhelming finale, Hoffman seemed much more suited as a character of menace as his look and the way he carried himself was one of power. With Cruise, I kept seeing a person trying to make me believe his character was tough guy, and I simply was not buying it. The same was also true for his relationship with Julia. The utter lack of chemistry between them and the awkward and stiff love scenes did nothing to make me believe that this is a person whom Ethan is willing to risk everything for.
Hoffman fresh off his Oscar win for “Capote” does the best he can with what is at best a stock character but he like the supporting Ving Rhames are not given much to work with.
The locales of the film are amazing but sadly they alone cannot carry the film. During the approximately Two Hour and 10 minute run time, there were about 40 minutes of real entertainment for me and much of this came at the start of the film.
While it is better than the last film in the series, the issues I documented above really hamper what could have been, and should have been not only the best film in the series, but is instead another hollow Summer Film that looks flashy, just as long as you do not remove the bumper sticker to see all the dents underneath.
The film then goes back in time where Ethan is busy entertaining at a party for his pending marriage where it is learned that he has put his days in the field behind him to be a training instructor as well as his pending marriage to Julia (Michelle Monaghan).
No sooner does the party get info full swing when Ethan is summed to a meeting by a phone call. During the meeting he is given a secret message and learns that one of his prize pupils, Lindsey (Keri Russell), has been captured by a known arms dealer named Owen Davian (Hoffman).
Normal policy is should an agent be captured, they are disavowed and on their own, but for this case, an exception is made and a plan is put into place to retrieve Lindsey. Despite his misgivings, Ethan is drawn back into the fray and joins the rescue team in Berlin.
What at first seems to be a text book rescue takes an unexpected twist and lands Ethan and his team afoul of the company director Brassel (Lawrence Fishburne). This sets the stage for a future operation to obtain Davian at the Vatican as it is hoped they can learn to whom he intends to deliver an item known as “The Rabbits Foot” and exactly what it is.
While things at first seem to go as planned, before long, Ethan and his team must deal with forces outside of their mission plan and are soon caught up in a situation that has grown larger than anyone could have predicted, and with dire consequences.
Sadly, despite the good setup, the film goes very wrong and very fast. One issue that arises is a plot so filled with holes and complications it makes even the most hackneyed summer movie plot seem like a Shakespearean wannabe in comparison. The film goes from one scenario to another with all sorts of new complications many of which are never fully explained, or worse yet left hanging.
Characters act a certain way only to change pace in the film without any explanation. One such scenario involves a character who helps Ethan only to later be revealed as a bad guy, yet the how, where, and why of their actions are never explained, as is one of the key plot devices that drives the film.
While I am willing to expect a certain amount of non-sequitors for a summer movie, the number that M.I. 3” tosses out is ludicrous.
Another glaring issue with the film is the action sequences. Yes, there are a few well planned sequences such as a helicopter chase and a daring battle on a bridge, but they all seem surprisingly flat and lack any real tension or drama. They just simply unfold without fully engaging the viewer.
Another issue is that Director J.J. Abrams uses very close camera angles for some of the action sequences which when combined with the shaky camera style, results in sequences that are very hard to watch due to the frantic motion. I am all for realism, but when I cannot fully understand what is going on as the camera is bouncing all over the scene, then this is a problem.
The final frustration I had with the film falls solely with Cruise himself. Yes I can separate all of the recent off camera exploits that have been well documented the past year, but what I do have an issue with is how unfit Cruise seems for the part. The man is a very good performer with a long history of box office success. Yet, his diminutive size does not make me believe him as an action star. It is hard to believe that he is capable of doing such daring acts of strength as well as dispatching all manner of imposing bad guys. In a very underwhelming finale, Hoffman seemed much more suited as a character of menace as his look and the way he carried himself was one of power. With Cruise, I kept seeing a person trying to make me believe his character was tough guy, and I simply was not buying it. The same was also true for his relationship with Julia. The utter lack of chemistry between them and the awkward and stiff love scenes did nothing to make me believe that this is a person whom Ethan is willing to risk everything for.
Hoffman fresh off his Oscar win for “Capote” does the best he can with what is at best a stock character but he like the supporting Ving Rhames are not given much to work with.
The locales of the film are amazing but sadly they alone cannot carry the film. During the approximately Two Hour and 10 minute run time, there were about 40 minutes of real entertainment for me and much of this came at the start of the film.
While it is better than the last film in the series, the issues I documented above really hamper what could have been, and should have been not only the best film in the series, but is instead another hollow Summer Film that looks flashy, just as long as you do not remove the bumper sticker to see all the dents underneath.
Heather Cranmer (2721 KP) rated Failure to Protect (Dre Thomas & Angela Evans #4) in Books
Nov 12, 2019
I don't normally read legal thrillers, but there was something about Failure to Protect by Pamela Samuels Young that drew me in. I think it's because I was bullied as a child, but mostly because I'm a mom now. My oldest son has high functioning Autism and ADHD. He was bullied one year in school, and his school seemed to not do anything about it. Failure to Protect was a very emotional read, and I'm really glad I decided to give it a try.
The plot for Failure to Protect was solid. Nine-year-old Bailey Lewis is constantly being bullied at her school. When something major happens, Bailey's mother, Erika, decides to sue the elementary school. However, the principal, Darcella, is more concerned with keeping the school's good record intact instead of worrying about bullied students. The principal will do whatever it takes to make sure her school's stellar reputation doesn't get soiled even if it means doing some bullying herself.
Pamela Samuels Young did such a stellar job with the world building. Her knowledge of the court process and justice system is fantastic. Young is an attorney, and it's obvious she knows her stuff. Unfortunately, the subject of bullying in schools is all too real, and sadly, many schools are more worried about their reputation and all the paperwork and time a bullying case would take than actually caring about a bullied student. This fiction novel reads like a true story. There are a few plot twists which make this book even more interesting! Failure to Protect also answered every question I had. There's no speculation in Failure to Protect, and there's also no cliffhangers. This book is part of a series, but it's the first book I've read in the series, and I feel like it works as a standalone.
The pacing in Failure to Protect is done perfectly. Every single paragraph, and every single chapter flowed smoothly into the next. Not once did I want to put this book down. It had my attention throughout! I was also a fan of the short chapters which I felt helped with the pacing.
The best thing about Failure to Protect, besides everything, were the characters. Each character had such a unique personality which really helped them to feel like a real person rather than just a character in a novel. I loved little Bailey, and I just wanted to hug her and let her know that I'd protect her against her bully. It was heartbreaking reading about all she went through in her young life from losing her father not too long ago to being relentlessly bullied in school and online. I also felt horrible for her mother Erika. She also went through two horrible tragedies including one a parent should never have to go through. I was constantly in her corner, and I kept rooting for her throughout the whole bullying ordeal with the school. Erika felt like what happened to Bailey was mostly her fault, and I wanted to tell Erika that sometimes it's not easy to know everything about our children. Dre was my favorite character. I enjoyed his thought process and how passionate he was about everything. It was obvious how much he loved his goddaughter Bailey. I loved how Angela grew as a character when it came to her relationship with Erika. At first, she wasn't big on Erika, but it was obvious how much she did end up caring for her. Angela and Jenny were both fantastic attorneys, and I loved how they were willing to dedicate all their time and knowledge for Bailey's case. Darcella, the principal, was such a horrible person. Young did a fantastic job at creating Darcella to be the antagonist. So many times I was so angry with Darcella. I wanted to just shake her and ask her why she didn't do anything for Bailey. Darcella does explain why she decided to overlook the bullying, but I just wanted to know why she bothered to work in a profession dealing with children if she didn't have any empathy. I was so annoyed with Darcella. I was also annoyed with Ethan Landers, Darcella's attorney. I know he was just doing his job at the end of the day, but it wasn't easy to read about how he could just side with the enemy. Zola, Bailey's teacher, was also an interesting character. She was so conflicted about doing the right thing, and I liked reading about why she chose to do what she did. Apache, Dre's best friend, was a minor character in Failure to Protect, but he gets a mention because I loved his scenes. He was such a character, and I loved how comical he was especially when it came to helping out Dre.
Trigger warnings in Failure to Protect include bullying, racism, sexual situations (although not too graphic), suicide, death, lying, alcohol, mentions of past drug use and selling, profanity, and mentions of violence.
All in all, Failure to Protect is an emotionally well written novel. It would make a fantastic Lifetime movie - at least that's what I kept thinking whilst reading it. The story line is something that unfortunately is so commonplace in a lot of schools. I would definitely recommend Failure to Protect by Pamela Samuels Young to those aged 18+. I think this is a book that everyone should read and can relate to on at least some level. If you do decide to read Failure to Protect (which you should), please know that you'll feel a vast range of emotions!
--
(A special thank you to Pamela Samuels Young for providing me with an eBook of Failure to Protect in exchange for an honest and unbiased review.)
The plot for Failure to Protect was solid. Nine-year-old Bailey Lewis is constantly being bullied at her school. When something major happens, Bailey's mother, Erika, decides to sue the elementary school. However, the principal, Darcella, is more concerned with keeping the school's good record intact instead of worrying about bullied students. The principal will do whatever it takes to make sure her school's stellar reputation doesn't get soiled even if it means doing some bullying herself.
Pamela Samuels Young did such a stellar job with the world building. Her knowledge of the court process and justice system is fantastic. Young is an attorney, and it's obvious she knows her stuff. Unfortunately, the subject of bullying in schools is all too real, and sadly, many schools are more worried about their reputation and all the paperwork and time a bullying case would take than actually caring about a bullied student. This fiction novel reads like a true story. There are a few plot twists which make this book even more interesting! Failure to Protect also answered every question I had. There's no speculation in Failure to Protect, and there's also no cliffhangers. This book is part of a series, but it's the first book I've read in the series, and I feel like it works as a standalone.
The pacing in Failure to Protect is done perfectly. Every single paragraph, and every single chapter flowed smoothly into the next. Not once did I want to put this book down. It had my attention throughout! I was also a fan of the short chapters which I felt helped with the pacing.
The best thing about Failure to Protect, besides everything, were the characters. Each character had such a unique personality which really helped them to feel like a real person rather than just a character in a novel. I loved little Bailey, and I just wanted to hug her and let her know that I'd protect her against her bully. It was heartbreaking reading about all she went through in her young life from losing her father not too long ago to being relentlessly bullied in school and online. I also felt horrible for her mother Erika. She also went through two horrible tragedies including one a parent should never have to go through. I was constantly in her corner, and I kept rooting for her throughout the whole bullying ordeal with the school. Erika felt like what happened to Bailey was mostly her fault, and I wanted to tell Erika that sometimes it's not easy to know everything about our children. Dre was my favorite character. I enjoyed his thought process and how passionate he was about everything. It was obvious how much he loved his goddaughter Bailey. I loved how Angela grew as a character when it came to her relationship with Erika. At first, she wasn't big on Erika, but it was obvious how much she did end up caring for her. Angela and Jenny were both fantastic attorneys, and I loved how they were willing to dedicate all their time and knowledge for Bailey's case. Darcella, the principal, was such a horrible person. Young did a fantastic job at creating Darcella to be the antagonist. So many times I was so angry with Darcella. I wanted to just shake her and ask her why she didn't do anything for Bailey. Darcella does explain why she decided to overlook the bullying, but I just wanted to know why she bothered to work in a profession dealing with children if she didn't have any empathy. I was so annoyed with Darcella. I was also annoyed with Ethan Landers, Darcella's attorney. I know he was just doing his job at the end of the day, but it wasn't easy to read about how he could just side with the enemy. Zola, Bailey's teacher, was also an interesting character. She was so conflicted about doing the right thing, and I liked reading about why she chose to do what she did. Apache, Dre's best friend, was a minor character in Failure to Protect, but he gets a mention because I loved his scenes. He was such a character, and I loved how comical he was especially when it came to helping out Dre.
Trigger warnings in Failure to Protect include bullying, racism, sexual situations (although not too graphic), suicide, death, lying, alcohol, mentions of past drug use and selling, profanity, and mentions of violence.
All in all, Failure to Protect is an emotionally well written novel. It would make a fantastic Lifetime movie - at least that's what I kept thinking whilst reading it. The story line is something that unfortunately is so commonplace in a lot of schools. I would definitely recommend Failure to Protect by Pamela Samuels Young to those aged 18+. I think this is a book that everyone should read and can relate to on at least some level. If you do decide to read Failure to Protect (which you should), please know that you'll feel a vast range of emotions!
--
(A special thank you to Pamela Samuels Young for providing me with an eBook of Failure to Protect in exchange for an honest and unbiased review.)
Sophia (Bookwyrming Thoughts) (530 KP) rated Revived in Books
Jan 23, 2020
I must be the sad opposite corner of book club. NEARLY EVERYONE ELSE LOVED REVIVED AND I DIDN'T.
Oh wait. You guys totally feel my pain... right? At least, when it comes to bestselling novels and what not?
Here's my impression of this year's Gateway Readers Award nominees:
<b>2014-15 GATEWAY READERS AWARD NOMINEES</b>
Of Poseidon by Anna Banks Eh... sounds very romancy.
Croak by Gina Damico I have this book and wasn't able to read it last month. :(
Something Like Normal by Trish Doller Nope.
Don't Turn Around by Michelle Gagnon Consider me very interested.
The Fault in Our Stars by John Green Completed. Me thinks this is overrated. I'm sure Ella agrees.
Burning Blue by Paul Griffin Meh.
The Night She Disappeared by April Henry Meh.
Every Day by David Levithan Probably as overrated as TFIOS.
Revived by Cat Patrick I'm discussing this in the next few minutes. Go figure.
Starters by Lissa Price NOPE.
Trafficked by Kim Purcell My comment about this made favorite book club moment for one of my friends.
Boy21 by Matthew Quick ha. Ha. HA. Yeah... NO.
Dark Eyes by William Richter Meh.
Article 5 by Kristen Simmons Consider me a tad interested.
Breaking Beautiful by Jennifer Shaw Wolf Hello? Sophia + Contemporary = No, no, nooo, don't mess with my heart. Yes, that's a song.
I envy the middle schoolers. They have better nominees (Truman Readers Award). :p
I was overly hesitant with reading Revived. I mean, a girl dies at a really young age and became a guinea pig in this program that brings dead people back to life. Great! But honestly, do I care? No... not really. It's like Zach's Lie and Jack's Run with the name changes and "witness protection program" (not necessarily the latter, but it feels like it). It's like Falls the Shadow with the "experiment," and since the idea seems a little similar to that particular book (minus clones. That concept is used in Patrick's The Originals.), I pretty much knew I would be treading on thin ice if I read the book. Very thin ice, because this could go a few ways:
1. It would be absolutely magnifique! As a result, I'll be fangirling with Kahlan and Co.
2. I would find it predictable. But the thing is, most books ARE predictable to me. Lupe and Small Co. warned me of this.
3. WHYYYYY. *wails*
Here's the truth in paragraph format (oh, and technically, the review):
Revived wasn't a waste of my time, but I just don't like the book. I mainly don't like this entire analogy of "God" and "Jesus" and "Converts" and "Disciples" being used. I just don't. I get the analogy I mean, only someone as divine as God can actually bring back the "dead." Really, it's as bad as learning about the Puritans an absolute nightmare (even though Honors American Literature tests are the only reasons WHY my grade is climbing quickly). Plus, I try to tread very carefully with these topics.
I also found Revived pretty predictable. By page 88, there were two sentences that pretty much gave the entire plot away:
<blockquote>If God says we move, there's nothing Mason can do about it. If God says we move, we move.</blockquote>
Tell me that doesn't make you ask questions. The first comment I had? So basically if God says you die, you die? In treading very carefully on delicate topics, yes, this is true. In relation to the book, this so called God is what? A person! Tell me if you would actually be willing to die for a random stranger who you a) have no clue WHO it actually is, b) WHAT he looks like, and c) doesn't he sound like a person with an over-inflated ego?
I honestly didn't like the way the story would actually go from then on out. My second point bull's eye was the newspaper article Daisy shows Matt about what really happened to her and 20 others:
<blockquote> after a Brown Academy bus drove over Highway 13 bridge and plummeted into icy...</blockquote>
Heh. Sounds fishy. One does not simply drive over a highway bridge and "plummet" into a lake. True, true, there may have been a patch of ice, but here's the thing: snow plowers usually plow and salt highways first. So the chances of a bus just "driving" over a highway bridge sounds quite fishy unless it was done on purpose... by "God." Or, the bus driver was suicidal. But why kill a bunch of little kids?
Add to the fact that "police have not determined the cause of the collision..." Had there really been a patch of ice, it wouldn't just simply disappear right away. Or would it?
Finally, I don't get the end. Not really. I see some loopholes to the end here. What if Matt accidentally calls Daisy by her real name and not what everyone else knows her to be? (There was also one more question, but I can't post it without giving away HUGE spoilers.) I would actually love to see a second epilogue in regards to this to be honest.
But really. Had I been screeching about WHY I wasted my time, this wouldn't be called, "Review: Revived by Cat Patrick."
-------------------------
Original Rating: 2.5 out of 5
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/10/review-revived-by-cat-patrick.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Oh wait. You guys totally feel my pain... right? At least, when it comes to bestselling novels and what not?
Here's my impression of this year's Gateway Readers Award nominees:
<b>2014-15 GATEWAY READERS AWARD NOMINEES</b>
Of Poseidon by Anna Banks Eh... sounds very romancy.
Croak by Gina Damico I have this book and wasn't able to read it last month. :(
Something Like Normal by Trish Doller Nope.
Don't Turn Around by Michelle Gagnon Consider me very interested.
The Fault in Our Stars by John Green Completed. Me thinks this is overrated. I'm sure Ella agrees.
Burning Blue by Paul Griffin Meh.
The Night She Disappeared by April Henry Meh.
Every Day by David Levithan Probably as overrated as TFIOS.
Revived by Cat Patrick I'm discussing this in the next few minutes. Go figure.
Starters by Lissa Price NOPE.
Trafficked by Kim Purcell My comment about this made favorite book club moment for one of my friends.
Boy21 by Matthew Quick ha. Ha. HA. Yeah... NO.
Dark Eyes by William Richter Meh.
Article 5 by Kristen Simmons Consider me a tad interested.
Breaking Beautiful by Jennifer Shaw Wolf Hello? Sophia + Contemporary = No, no, nooo, don't mess with my heart. Yes, that's a song.
I envy the middle schoolers. They have better nominees (Truman Readers Award). :p
I was overly hesitant with reading Revived. I mean, a girl dies at a really young age and became a guinea pig in this program that brings dead people back to life. Great! But honestly, do I care? No... not really. It's like Zach's Lie and Jack's Run with the name changes and "witness protection program" (not necessarily the latter, but it feels like it). It's like Falls the Shadow with the "experiment," and since the idea seems a little similar to that particular book (minus clones. That concept is used in Patrick's The Originals.), I pretty much knew I would be treading on thin ice if I read the book. Very thin ice, because this could go a few ways:
1. It would be absolutely magnifique! As a result, I'll be fangirling with Kahlan and Co.
2. I would find it predictable. But the thing is, most books ARE predictable to me. Lupe and Small Co. warned me of this.
3. WHYYYYY. *wails*
Here's the truth in paragraph format (oh, and technically, the review):
Revived wasn't a waste of my time, but I just don't like the book. I mainly don't like this entire analogy of "God" and "Jesus" and "Converts" and "Disciples" being used. I just don't. I get the analogy I mean, only someone as divine as God can actually bring back the "dead." Really, it's as bad as learning about the Puritans an absolute nightmare (even though Honors American Literature tests are the only reasons WHY my grade is climbing quickly). Plus, I try to tread very carefully with these topics.
I also found Revived pretty predictable. By page 88, there were two sentences that pretty much gave the entire plot away:
<blockquote>If God says we move, there's nothing Mason can do about it. If God says we move, we move.</blockquote>
Tell me that doesn't make you ask questions. The first comment I had? So basically if God says you die, you die? In treading very carefully on delicate topics, yes, this is true. In relation to the book, this so called God is what? A person! Tell me if you would actually be willing to die for a random stranger who you a) have no clue WHO it actually is, b) WHAT he looks like, and c) doesn't he sound like a person with an over-inflated ego?
I honestly didn't like the way the story would actually go from then on out. My second point bull's eye was the newspaper article Daisy shows Matt about what really happened to her and 20 others:
<blockquote> after a Brown Academy bus drove over Highway 13 bridge and plummeted into icy...</blockquote>
Heh. Sounds fishy. One does not simply drive over a highway bridge and "plummet" into a lake. True, true, there may have been a patch of ice, but here's the thing: snow plowers usually plow and salt highways first. So the chances of a bus just "driving" over a highway bridge sounds quite fishy unless it was done on purpose... by "God." Or, the bus driver was suicidal. But why kill a bunch of little kids?
Add to the fact that "police have not determined the cause of the collision..." Had there really been a patch of ice, it wouldn't just simply disappear right away. Or would it?
Finally, I don't get the end. Not really. I see some loopholes to the end here. What if Matt accidentally calls Daisy by her real name and not what everyone else knows her to be? (There was also one more question, but I can't post it without giving away HUGE spoilers.) I would actually love to see a second epilogue in regards to this to be honest.
But really. Had I been screeching about WHY I wasted my time, this wouldn't be called, "Review: Revived by Cat Patrick."
-------------------------
Original Rating: 2.5 out of 5
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/10/review-revived-by-cat-patrick.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Daniel Boyd (1066 KP) rated Wheelman (2017) in Movies
Oct 24, 2017 (Updated Oct 24, 2017)
Grillo is great (1 more)
Decent script
One Hell Of A Night
Wheelman is a Netflix movie that unfortunately debuted on the same date as the hotly anticipated Stephen King adaption, 1922. Though Wheelman deserves more than to be overlooked and although I didn't expect much going into it, I came away afterwards pleasantly surprised.
This movie reminds me of a bunch of others. There is some aspects of Phonebooth used here, it was also reminiscent of a Tom Hardy film called Locke that came out a couple of years ago. It is also similar to what Drive was marketed as in the trailers before it's release, (even though Drive ended up being a psychological nior drama.) The movie took a while to convince me; for the first 15 minutes nothing happened that really excited me, but once I got a bit deeper into and more invested in the story that was unfolding, I ended up being sucked into the wild ride that the protagonist was going through. I think that the film's success on that front, relies a great deal on the performance of Frank Grillo, so it's just as well he brought his A-game here. For 99% of the movie, Grillo is onscreen, so there is no hiding from the camera in terms of his performance and he nails every second of it. He really manages to make an insanely dangerous situation feel grounded and relatable. The other actors are mostly featured via their voices on the phone, which again makes their performances difficult to deliver, but they all manage it convincingly. I always knew who each person was in relation to each other and what each character's motives were, which isn't always clear in a movie where most characters are only heard on the phone.
The script is decent, but I feel that a lot of the dialogue was ad-libbed, which again adds a natural, more realistic feel to the events that are unfolding. This was a good move by the director and the direction overall is great. There are some fairly odd creative choices made, but all of them are effective and feel worthwhile. The cinematography and sound mixing are implemented effectively and add to the overall urgent tone that the movie is pursuing.
Overall, this is definitely worth a watch. To me, it is like a callback to a 70's action chase thriller, with a modern twist. There is also an element of film noir present and the intense tone will keep you engaged until the end credits. You do need to stick with the film past the fifteen minute mark though. Although the whole thing is only 82 minutes long in it's entirety, it takes while to really suck you in, but once it does, it is a really fun ride worth taking.
This movie reminds me of a bunch of others. There is some aspects of Phonebooth used here, it was also reminiscent of a Tom Hardy film called Locke that came out a couple of years ago. It is also similar to what Drive was marketed as in the trailers before it's release, (even though Drive ended up being a psychological nior drama.) The movie took a while to convince me; for the first 15 minutes nothing happened that really excited me, but once I got a bit deeper into and more invested in the story that was unfolding, I ended up being sucked into the wild ride that the protagonist was going through. I think that the film's success on that front, relies a great deal on the performance of Frank Grillo, so it's just as well he brought his A-game here. For 99% of the movie, Grillo is onscreen, so there is no hiding from the camera in terms of his performance and he nails every second of it. He really manages to make an insanely dangerous situation feel grounded and relatable. The other actors are mostly featured via their voices on the phone, which again makes their performances difficult to deliver, but they all manage it convincingly. I always knew who each person was in relation to each other and what each character's motives were, which isn't always clear in a movie where most characters are only heard on the phone.
The script is decent, but I feel that a lot of the dialogue was ad-libbed, which again adds a natural, more realistic feel to the events that are unfolding. This was a good move by the director and the direction overall is great. There are some fairly odd creative choices made, but all of them are effective and feel worthwhile. The cinematography and sound mixing are implemented effectively and add to the overall urgent tone that the movie is pursuing.
Overall, this is definitely worth a watch. To me, it is like a callback to a 70's action chase thriller, with a modern twist. There is also an element of film noir present and the intense tone will keep you engaged until the end credits. You do need to stick with the film past the fifteen minute mark though. Although the whole thing is only 82 minutes long in it's entirety, it takes while to really suck you in, but once it does, it is a really fun ride worth taking.
Kaysee Hood (83 KP) rated All the Crooked Saints in Books
Nov 17, 2017
Music (2 more)
Mental Illness
Family
Saints Have Darkness, Too
Forget all you know about Stiefvater's previous books.
Okay, don't forget everything. Let me make it a bit clearer. Forget the characters you've known before. Forget the twists and turns, plots, and bits of information before. You'll need your mind clear to process All the Crooked Saints because a whole new world has been created in 1962 Colorado on a ranch in Bicho Raro where miracles take place, yet not the type of miracles you may have in mind.
The Sorias have a gift to perform these miracles on people who come, called pilgrims, where the darkness within a person becomes tangible. Some come believing once it is done then all is well. This is not the case. Drawing out the darkness is the first part. The second part is on the pilgrim to figure out on their own or darkness shall overcome the Soria who attempts to help. This is how it has always been. This is what the Sorias have been told. This is what the cousins, who the story is greatly based around, have been told. Yet is this the truth?
This is what the cousins (Beatriz and Joaquin) are trying to figure out when Daniel, the oldest of their trio, breaks the rule in aiding one of the pilgrims. They know neither can directly interfere. So Beatriz goes out on a limb using the radio system she has built for Joaquin to see if the broadcasting can help the others and let Daniel know he is not alone until they figure out how to change his fate. They've noticed the broadcast has done well for the other pilgrims, so why not their dear cousin, too? They have to figure it out before he dies out in the valley from the darkness, starvation, dehydration, or the elements.
However, there may be a slight problem with this plan. Well, two problems. One, Pete Wyatt arrived with a pilgrim to do odd jobs around the ranch to earn the box truck. The very box truck Beatriz fixed up and built the radio station in. As well as he is doing Pete may earn the truck before they can help Daniel. It's hard enough working under the time frame they have without the ticking time of Pete. Two, a Soria recognized Joaquin's voice. This means their secret is no longer a secret. This means they may not be able to help Daniel anyway.
They're pressed for time. Can Pete be talked to? Can Daniel, the saint, who should have known better, even be saved from his darkness? Or will the little bit of work be all in vain?
All this can be found out in the tale that will have you turning pages to find out if Daniel can be saved from his darkness, why he risked his life, and if the other pilgrims can be helped without bringing darkness to them all.
Okay, don't forget everything. Let me make it a bit clearer. Forget the characters you've known before. Forget the twists and turns, plots, and bits of information before. You'll need your mind clear to process All the Crooked Saints because a whole new world has been created in 1962 Colorado on a ranch in Bicho Raro where miracles take place, yet not the type of miracles you may have in mind.
The Sorias have a gift to perform these miracles on people who come, called pilgrims, where the darkness within a person becomes tangible. Some come believing once it is done then all is well. This is not the case. Drawing out the darkness is the first part. The second part is on the pilgrim to figure out on their own or darkness shall overcome the Soria who attempts to help. This is how it has always been. This is what the Sorias have been told. This is what the cousins, who the story is greatly based around, have been told. Yet is this the truth?
This is what the cousins (Beatriz and Joaquin) are trying to figure out when Daniel, the oldest of their trio, breaks the rule in aiding one of the pilgrims. They know neither can directly interfere. So Beatriz goes out on a limb using the radio system she has built for Joaquin to see if the broadcasting can help the others and let Daniel know he is not alone until they figure out how to change his fate. They've noticed the broadcast has done well for the other pilgrims, so why not their dear cousin, too? They have to figure it out before he dies out in the valley from the darkness, starvation, dehydration, or the elements.
However, there may be a slight problem with this plan. Well, two problems. One, Pete Wyatt arrived with a pilgrim to do odd jobs around the ranch to earn the box truck. The very box truck Beatriz fixed up and built the radio station in. As well as he is doing Pete may earn the truck before they can help Daniel. It's hard enough working under the time frame they have without the ticking time of Pete. Two, a Soria recognized Joaquin's voice. This means their secret is no longer a secret. This means they may not be able to help Daniel anyway.
They're pressed for time. Can Pete be talked to? Can Daniel, the saint, who should have known better, even be saved from his darkness? Or will the little bit of work be all in vain?
All this can be found out in the tale that will have you turning pages to find out if Daniel can be saved from his darkness, why he risked his life, and if the other pilgrims can be helped without bringing darkness to them all.
For Scrabble Lovers
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Canadian author Susin Nielsen continues to entertain children with her latest novel Word Nerd. Similarly with characters from previous novels, the pre-teen Ambrose is a bit of a misfit. With a deathly peanut allergy and an over protective parent who travels from job to job, Ambrose never manages to make any friends. Now settled in Vancouver, Ambrose is the happiest he has ever been. He is homeschooled away from all the bullies, has made a friend and found a passion in Scrabble. However, he has to keep all of this secret from his mother.
Ambrose is a funny, intelligent narrator who draws the reader in from the very first line: “The day I almost died…” Like many children who do not fit in with peers at school, Ambrose’s passions lie within less conventional past times, i.e. playing Scrabble. Able to quickly pull out several words from a jumble of letters – emphasized by the anagram chapter headings – he is overjoyed to learn of a nearby Scrabble club and knows just the person to accompany him.
Cosmo is a character that younger readers may struggle to come to terms with. An ex-convict and recovering drug addict, Cosmo also enjoys playing Scrabble and is persuaded by his annoying neighbour – Ambrose – to go to the club. An unconventional friendship sparks between the two of them, both unintentionally helping the other out. Cosmo encourages Ambrose to stand up to the bullies, whereas having a child around keeps Cosmo away from the things that resulted in a prison sentence. Despite the positives in this relationship, Ambrose’s mother believes Cosmo to be completely untrustworthy.
Although Ambrose and Cosmo are the main characters in Word Nerd, Ambrose’s mother maintains an important role. Having lost her husband suddenly and unexpectedly, she must have been terrified to learn of Ambrose’s peanut allergy. In order to prevent her son from leaving her as well, she has become overprotective and controlling, denying Ambrose the right to live his own life.
Some readers may have experienced similar situations either at school or with their parents. Word Nerd, whilst being a form of entertainment, explains the potential reasons behind these scenarios, helping children to understand what may be occurring in their lives. It also highlights the dangers of drug addictions and crime, but also suggests that people can change their ways.
Word Nerd, whilst voiced by a twelve year old, is more appropriate for readers in their teens. Ambrose is very mature at such a young age, and the book contains subjects of drugs and violence as well as mild sexual references. What Susin Nielsen has produced is an amusing story with a powerful message. Both entertaining and insightful, Word Nerd is perhaps Nielsen’s best novel yet.
Canadian author Susin Nielsen continues to entertain children with her latest novel Word Nerd. Similarly with characters from previous novels, the pre-teen Ambrose is a bit of a misfit. With a deathly peanut allergy and an over protective parent who travels from job to job, Ambrose never manages to make any friends. Now settled in Vancouver, Ambrose is the happiest he has ever been. He is homeschooled away from all the bullies, has made a friend and found a passion in Scrabble. However, he has to keep all of this secret from his mother.
Ambrose is a funny, intelligent narrator who draws the reader in from the very first line: “The day I almost died…” Like many children who do not fit in with peers at school, Ambrose’s passions lie within less conventional past times, i.e. playing Scrabble. Able to quickly pull out several words from a jumble of letters – emphasized by the anagram chapter headings – he is overjoyed to learn of a nearby Scrabble club and knows just the person to accompany him.
Cosmo is a character that younger readers may struggle to come to terms with. An ex-convict and recovering drug addict, Cosmo also enjoys playing Scrabble and is persuaded by his annoying neighbour – Ambrose – to go to the club. An unconventional friendship sparks between the two of them, both unintentionally helping the other out. Cosmo encourages Ambrose to stand up to the bullies, whereas having a child around keeps Cosmo away from the things that resulted in a prison sentence. Despite the positives in this relationship, Ambrose’s mother believes Cosmo to be completely untrustworthy.
Although Ambrose and Cosmo are the main characters in Word Nerd, Ambrose’s mother maintains an important role. Having lost her husband suddenly and unexpectedly, she must have been terrified to learn of Ambrose’s peanut allergy. In order to prevent her son from leaving her as well, she has become overprotective and controlling, denying Ambrose the right to live his own life.
Some readers may have experienced similar situations either at school or with their parents. Word Nerd, whilst being a form of entertainment, explains the potential reasons behind these scenarios, helping children to understand what may be occurring in their lives. It also highlights the dangers of drug addictions and crime, but also suggests that people can change their ways.
Word Nerd, whilst voiced by a twelve year old, is more appropriate for readers in their teens. Ambrose is very mature at such a young age, and the book contains subjects of drugs and violence as well as mild sexual references. What Susin Nielsen has produced is an amusing story with a powerful message. Both entertaining and insightful, Word Nerd is perhaps Nielsen’s best novel yet.
Christine (14 KP) rated Me Before You in Books
Jul 4, 2017
Ham Handedly Dealing with Sensitive Materials
Contains spoilers, click to show
I did NOT like this book. In fact, there were several sections of this book where I actively hated the book. Before you continue reading, note that I do intend to spoil the story.
First, the only character that has more than 5 lines that I didn't think was awful was Nathan the nurse. Lou, Will and their whole families were terrible! Selfish, rude, cold and uncaring. Maybe my sister is too supportive even at the worst of times, but Treena made me want to scream with her selfishness.
Second, I feel as though they took an exceptionally sensitive subject and kicked it around in the dirt for a while. I would be interested in sitting around discussing the concept of euthanasia. However, I feel like this story focused on all the wrong arguments.
Third, this book did a huge disservice to the paraplegic and quadriplegic community. Even with the addition of the chat rooms with the other members of the community, there is a lot of emphasis on how life will inevitably blow until the end of time if you're in a wheelchair. It felt like a book that was intended to educate and inform people who maybe don't know much about this life and instead, they wrote an extremely whiny story about one man who's a giant asshole.
Fourth, Louisa's rape should have been a major plot point, treated as a juxtaposition to Will's accident. Instead, the treat Lou getting raped by a group of men as an after thought that Will cures with one conversation.
Fifth, the writing was lazy and the pacing was bad. It felt overly long and things were dragged out farther than they needed to be. Also, Will's family's money was a bit of an easy fix. Will could have top of the line everything. He could afford to go on fancy expensive trips. He could afford a nurse to come over several times a day. Imagine how much more real this story would be if Lou was the disabled person. Lou's mom would be the one responsible for her care. This would be a much more dire situation. Will comes across whiny because he has to rely on other people. He doesn't seem like a sad man in a bad situation. He seems like a whiny selfish asshole
Finally, what do these people have against therapy. When someone has been through an experience as traumatic as a car accident that leaves you paralyzed, you should probably speak to a therapist. I do not mean Nathan, the physical therapist. I mean a psychologist. I'm not saying Will wouldn't have ultimately made the same decision, but somehow I think trained licensed professional might have been a better option for Camilla Traynor to hire as opposed to unemployed waitress.
I know I'm apparently in the minority in this, but I HATED this book.
First, the only character that has more than 5 lines that I didn't think was awful was Nathan the nurse. Lou, Will and their whole families were terrible! Selfish, rude, cold and uncaring. Maybe my sister is too supportive even at the worst of times, but Treena made me want to scream with her selfishness.
Second, I feel as though they took an exceptionally sensitive subject and kicked it around in the dirt for a while. I would be interested in sitting around discussing the concept of euthanasia. However, I feel like this story focused on all the wrong arguments.
Third, this book did a huge disservice to the paraplegic and quadriplegic community. Even with the addition of the chat rooms with the other members of the community, there is a lot of emphasis on how life will inevitably blow until the end of time if you're in a wheelchair. It felt like a book that was intended to educate and inform people who maybe don't know much about this life and instead, they wrote an extremely whiny story about one man who's a giant asshole.
Fourth, Louisa's rape should have been a major plot point, treated as a juxtaposition to Will's accident. Instead, the treat Lou getting raped by a group of men as an after thought that Will cures with one conversation.
Fifth, the writing was lazy and the pacing was bad. It felt overly long and things were dragged out farther than they needed to be. Also, Will's family's money was a bit of an easy fix. Will could have top of the line everything. He could afford to go on fancy expensive trips. He could afford a nurse to come over several times a day. Imagine how much more real this story would be if Lou was the disabled person. Lou's mom would be the one responsible for her care. This would be a much more dire situation. Will comes across whiny because he has to rely on other people. He doesn't seem like a sad man in a bad situation. He seems like a whiny selfish asshole
Finally, what do these people have against therapy. When someone has been through an experience as traumatic as a car accident that leaves you paralyzed, you should probably speak to a therapist. I do not mean Nathan, the physical therapist. I mean a psychologist. I'm not saying Will wouldn't have ultimately made the same decision, but somehow I think trained licensed professional might have been a better option for Camilla Traynor to hire as opposed to unemployed waitress.
I know I'm apparently in the minority in this, but I HATED this book.
Rachel King (13 KP) rated A Short History of Myth in Books
Feb 11, 2019
For such a short book, I developed quite a strong opinion about the text while reading it. I have been curious about Armstrong's writings for a long time, but this is the first attempt I have made at actually reading anything by her. I have always been a fan of ancient mythology, such as Greek and Egyptian, so this seemed like an easy choice.
In seven chapters, Armstrong takes a simplified stroll through history, focusing on the concept of myth and its impact on civilization. All throughout the book, she attempts to support her claim that a person can believe in myths without believing that the myths are actually true, and that the failure of modern society is by not following her specific edict. While this notion strikes me as absurd, I keep reading because, hey, it's a short book.
While I know only bits and pieces about many of the world's religions, I do know both the history and the holy book of my religion, Christianity. It becomes apparent to me early in the text that she is masking her opinions and interpretations of this religion as actual fact, so I can only imagine how she misconstrues other religions.
Her citations were lacking to me, with many claims going unsupported, others only partially supported, such as citation #84 and #30, and some citations simply not even applying to the specified text, such as citation #87. In citation #55, she claims that the Bible contains a Creation myth in which God brings the world into being by killing a sea monster, but one of the four verses she cites make no reference to anything of the sort (Job 3:12), and the other three (Isaiah 27:1, Job 26:13, Psalm 74:14) that do mention a leviathan cannot be interpreted that way when read in context. Isaiah is describing the end of days, while Job merely says that God created the serpent, and the verse in Psalm is within the context of a song about God rescuing the Hebrews from Egyptian slavery -- no relevancy to Creation. She makes the claim that Paul "was not much interested in Jesus's teachings, which he rarely quotes, or in the events of his earthly life." This claim is easily disproved by examining how Paul's words line up with Jesus's in John 5:21 vs. 1 Corinthians 15:22, Matthew 6:25 vs. Philippians 4:6, and many other passages.
While going through the citations, I got the feeling that the author depended on secondary sources for her information without actually studying the original source of her information. The book struck me as highly opinionated, vague, and too general for the topic being addressed. I have no doubt that there are better and more thorough books available on the topic of myth. I do not believe that I will be reading any more of Armstrong's works in the future.
In seven chapters, Armstrong takes a simplified stroll through history, focusing on the concept of myth and its impact on civilization. All throughout the book, she attempts to support her claim that a person can believe in myths without believing that the myths are actually true, and that the failure of modern society is by not following her specific edict. While this notion strikes me as absurd, I keep reading because, hey, it's a short book.
While I know only bits and pieces about many of the world's religions, I do know both the history and the holy book of my religion, Christianity. It becomes apparent to me early in the text that she is masking her opinions and interpretations of this religion as actual fact, so I can only imagine how she misconstrues other religions.
Her citations were lacking to me, with many claims going unsupported, others only partially supported, such as citation #84 and #30, and some citations simply not even applying to the specified text, such as citation #87. In citation #55, she claims that the Bible contains a Creation myth in which God brings the world into being by killing a sea monster, but one of the four verses she cites make no reference to anything of the sort (Job 3:12), and the other three (Isaiah 27:1, Job 26:13, Psalm 74:14) that do mention a leviathan cannot be interpreted that way when read in context. Isaiah is describing the end of days, while Job merely says that God created the serpent, and the verse in Psalm is within the context of a song about God rescuing the Hebrews from Egyptian slavery -- no relevancy to Creation. She makes the claim that Paul "was not much interested in Jesus's teachings, which he rarely quotes, or in the events of his earthly life." This claim is easily disproved by examining how Paul's words line up with Jesus's in John 5:21 vs. 1 Corinthians 15:22, Matthew 6:25 vs. Philippians 4:6, and many other passages.
While going through the citations, I got the feeling that the author depended on secondary sources for her information without actually studying the original source of her information. The book struck me as highly opinionated, vague, and too general for the topic being addressed. I have no doubt that there are better and more thorough books available on the topic of myth. I do not believe that I will be reading any more of Armstrong's works in the future.
graveyardgremlin (7194 KP) rated Bloodshot (Cheshire Red Reports, #1) in Books
Feb 15, 2019
What a truly awesome and fresh take on vampires in the crowded genre of Urban Fantasy! The star of <u><b>Bloodshot</b></u> is vampire Raylene Pendle, a top thief of priceless artifacts, who takes on a case from another vampire. This vampire, Ian Stott, was blinded by a top-secret government program and wants Raylene to steal back papers dealing with those experiments. What follows is a fast-paced, scene-changing adventure filled with unique characters that fulfills everything the book promised and more.
Raylene is your typical vampire in a lot of ways: the sun gives her a nasty sunburn to the extent of death, there's no awakening to dusk after decapitation or going up in flames, and of course, she's preternaturally fast and strong. However, she differs in that she's paranoid, self-deprecating, neurotic, and a tad OCD. So while Raylene can kick some major ass and make sarcastic remarks like the rest of the UF heroines, she also second- (and third and fourth) guesses herself a lot and is always prepared for the worst, usually thanks to her quick wits and sometimes even to the helpful contents of her "go-bag". I found Raylene to be a terrific protagonist, and for someone who claims to be anti-social, she sure picks up a lot of "pet people" throughout the duration of the book, which makes her a big, warm, gooey marshmallow inside (even if she doesn't own up to the fact).
What did surprise me was how funny the book was. I laughed, giggled, chortled, snorted, and smiled (usually rather goofily) quite often (there was many a line that left me in hysterics -- good thing I was reading in the privacy of my own home). Judging by the cover, I expected a more serious and suspenseful read, but while I wouldn't say this was exactly light, it wasn't as heavy as I imagined either. The plot moves swiftly each step of the way and kept me glued to the pages; there wasn't one dull moment to be had. Every character that popped up in the book was interesting and fully fleshed out, no bores within these covers, and helped move the story along. The writing was great, from Raylene's first-person inner dialogue to the action scenes, not one thing bothered me overly much.
While there is a sense of closure to the book as a whole, the story is really just beginning and I am left eager (and impatient beyond belief) for the next installment, [b:Hellbent|9842559|Hellbent (Cheshire Red Reports, #2)|Cherie Priest|http://www.goodreads.com/images/nocover-60x80.jpg|14733361] (set to come out August 30, 2011). If one book can make you a fan of an author, surely this one did it for me. Cherie Priest created a great intro to a character whose very vitality is evident every page of this book and has made Raylene one of my new favorites in the UF field.
Raylene is your typical vampire in a lot of ways: the sun gives her a nasty sunburn to the extent of death, there's no awakening to dusk after decapitation or going up in flames, and of course, she's preternaturally fast and strong. However, she differs in that she's paranoid, self-deprecating, neurotic, and a tad OCD. So while Raylene can kick some major ass and make sarcastic remarks like the rest of the UF heroines, she also second- (and third and fourth) guesses herself a lot and is always prepared for the worst, usually thanks to her quick wits and sometimes even to the helpful contents of her "go-bag". I found Raylene to be a terrific protagonist, and for someone who claims to be anti-social, she sure picks up a lot of "pet people" throughout the duration of the book, which makes her a big, warm, gooey marshmallow inside (even if she doesn't own up to the fact).
What did surprise me was how funny the book was. I laughed, giggled, chortled, snorted, and smiled (usually rather goofily) quite often (there was many a line that left me in hysterics -- good thing I was reading in the privacy of my own home). Judging by the cover, I expected a more serious and suspenseful read, but while I wouldn't say this was exactly light, it wasn't as heavy as I imagined either. The plot moves swiftly each step of the way and kept me glued to the pages; there wasn't one dull moment to be had. Every character that popped up in the book was interesting and fully fleshed out, no bores within these covers, and helped move the story along. The writing was great, from Raylene's first-person inner dialogue to the action scenes, not one thing bothered me overly much.
While there is a sense of closure to the book as a whole, the story is really just beginning and I am left eager (and impatient beyond belief) for the next installment, [b:Hellbent|9842559|Hellbent (Cheshire Red Reports, #2)|Cherie Priest|http://www.goodreads.com/images/nocover-60x80.jpg|14733361] (set to come out August 30, 2011). If one book can make you a fan of an author, surely this one did it for me. Cherie Priest created a great intro to a character whose very vitality is evident every page of this book and has made Raylene one of my new favorites in the UF field.
Kaz (232 KP) rated White Teeth in Books
May 15, 2019
A Disappointing Read
What the 'blurb' says:
'One of the most talked about debut novels of all time, White Teeth is a funny, generous, big-hearted novel, adored by critics and readers alike. Dealing - among many other things - with friendship, love, war, three cultures and three families over three generations, one brown mouse, and the tricky way the past has of coming back and biting you on the ankle, it is a life-affirming, riotous must-read of a book.'
My Thoughts:
This novel has had quite a lot of attention over the past few years, particularly on BookTube. So when I saw it in my local charity shop, I decided to give it a go. I have to admit that upon starting it, I had very high expectations of it, so I was quite disappointed by the end.
First, the positives. This is had some very good writing within it.. The way in which Zadie Smith writes, is funny and the characters were very believable.
But the plot itself, was the main problem I had with this book. At the beginning, certain characters had a lot of attention and their stories seemed to be developing nicely and some of the things that happened to them, were really intense. But then suddenly, all of the focus of this story was completely shifted, onto another character and those who initially seemed important, became secondary characters, who were hardly mentioned in the rest of the book. Then, more and more characters were added, without fully focusing on any one person. This meant that, by the end of the book, even though they believeable, I really didn't feel like I knew any of them
Partly due to this, and the fact that every chapter felt like an individual short story, this made the flow of the plot stop and start all of the time, and, although some chapters were really enjoyable, for me, they didn't link together well.
Randomly also, there were almost essay-like chapters, which talked about the ideas of identity and race within a multicultural society. Even though these were really interesting and thought provoking, they didn't seem to belong within the story itself. So for me, the organization of the plot was really weak.
The most disappointing thing for me, was the end. The different strands of story did kind of come together towards the end. It was all building up to something that I thought, would make a powerful ending.
However, it felt like Zadie Smith had run out of energy by the end and couldn't be bothered to gives us readers a plausible and realistic conclusion. For some characters, they didn't really have any resolution at all. This made me feel frustrated about investing time on this book.
I think this book had some interesting ideas and the style of writing was really good, but the plot was terrible. This is shame, because this could have been brilliant..
My Rating ***
'One of the most talked about debut novels of all time, White Teeth is a funny, generous, big-hearted novel, adored by critics and readers alike. Dealing - among many other things - with friendship, love, war, three cultures and three families over three generations, one brown mouse, and the tricky way the past has of coming back and biting you on the ankle, it is a life-affirming, riotous must-read of a book.'
My Thoughts:
This novel has had quite a lot of attention over the past few years, particularly on BookTube. So when I saw it in my local charity shop, I decided to give it a go. I have to admit that upon starting it, I had very high expectations of it, so I was quite disappointed by the end.
First, the positives. This is had some very good writing within it.. The way in which Zadie Smith writes, is funny and the characters were very believable.
But the plot itself, was the main problem I had with this book. At the beginning, certain characters had a lot of attention and their stories seemed to be developing nicely and some of the things that happened to them, were really intense. But then suddenly, all of the focus of this story was completely shifted, onto another character and those who initially seemed important, became secondary characters, who were hardly mentioned in the rest of the book. Then, more and more characters were added, without fully focusing on any one person. This meant that, by the end of the book, even though they believeable, I really didn't feel like I knew any of them
Partly due to this, and the fact that every chapter felt like an individual short story, this made the flow of the plot stop and start all of the time, and, although some chapters were really enjoyable, for me, they didn't link together well.
Randomly also, there were almost essay-like chapters, which talked about the ideas of identity and race within a multicultural society. Even though these were really interesting and thought provoking, they didn't seem to belong within the story itself. So for me, the organization of the plot was really weak.
The most disappointing thing for me, was the end. The different strands of story did kind of come together towards the end. It was all building up to something that I thought, would make a powerful ending.
However, it felt like Zadie Smith had run out of energy by the end and couldn't be bothered to gives us readers a plausible and realistic conclusion. For some characters, they didn't really have any resolution at all. This made me feel frustrated about investing time on this book.
I think this book had some interesting ideas and the style of writing was really good, but the plot was terrible. This is shame, because this could have been brilliant..
My Rating ***