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Roadkill (Cal Leandros, #5)
6
6.0 (1 Ratings)
Book Rating
Fifth book in the Cal Leandros series, and Rob Thurman appears to have learnt her lesson from the disappointing "Deathwish".

Again, the narrative is told in the first person but (thankfully) this time, Rob Thurman does not take it chapter about to have different characters speaking. Whereas "Deathwish" had it brother about per chapter (who 'sounded' far too alike), "Roadkill" only has Cal Leandros narrating, with his sections 'book-ended' by a chapter told by a completely different character, complete with their own distinctive voice.

This is a return to form!
  
This Is Spinal Tap (1984)
This Is Spinal Tap (1984)
1984 | Comedy

"The last one, for me, just in terms of comedy, is This is Spinal Tap. [Laughs] I mean, I love Spinal Tap. When I first saw it in 1984 I was the only person in the cinema at Swiss Cottage in London, and I didn’t know whether it was real or if it wasn’t. [Laughs] It was just so profoundly funny. I think it obviously inspired me personally, in a huge way. I would say that the movies that inspired Anvil! were a combination of Withnail and I and This is Spinal Tap. [Laughs]"

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Tim Forbes recommended A Man Escaped (1956) in Movies (curated)

 
A Man Escaped (1956)
A Man Escaped (1956)
1956 | Drama
(0 Ratings)
Movie Favorite

"Robert Bresson’s ode to freedom is an astounding tour de force. As a prison-break movie, it is a thriller of high suspense, told by a master who eschews artifice. He relies on precisely observed action, a sophisticated and spare technique (no one makes more of off-camera space and sound), and a direct, first-person narration to achieve a fully realized world of remarkable intensity in which our identification with the protagonist is total. His unshakeable faith and persistent effort elevate us all. His liberation is ours."

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KeithGordan recommended Harold and Maude (1971) in Movies (curated)

 
Harold and Maude (1971)
Harold and Maude (1971)
1971 | Comedy, Drama, Romance
8.6 (5 Ratings)
Movie Favorite

"Do I have to say anything? I don’t know if I’ve ever met anyone who didn’t love this film. There’s a reason it ran for over a year in one theater near me growing up in New York (as well as a reason its distributors tried to dump it, since it was so resolutely odd and unique . . . and wonderful). Having Bud Cort do a cameo in my first feature was a private dream come true. A film to live by, this affected and inspired me as much as a person as as a filmmaker."

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