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Smartly written, highly engaging, totally unputdownable - I love this book! Seriously, it's not often that a book will so capture my interest in the first page that I don't put it down for seventy pages (regrettably), and when I next pick it up, keep reading until it's finished - at 509 pages too!

Deanna Raybourn did a wonderful job bringing the characters and Victorian setting alive, and in a fairly realistic fashion. The only iffy thing was how easily it was accepted that Portia was a lesbian. I know that the March's are a peculiar and unconventional bunch, but still. All the 'gay' plotting felt too modern to me and that's my only beef with the book, not that I overly minded it (just enough to mention it :P). The way the story unfolded was seamless and fitting with the atmosphere of the mystery. Lady Julia was a wonderful character and it really is amazing how well everything was brought to life using a first-person narrative. I am looking forward to the next installment and know that won't be enough of these characters!
  
    Fairyland

    Fairyland

    Paul McAuley

    (0 Ratings) Rate It

    Book

    The 21st century. Europe is divided between the First World bourgeoisie, made rich by nanotechnology...

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David Schwartz recommended Late Spring (1949) in Movies (curated)

 
Late Spring (1949)
Late Spring (1949)
1949 |
7.0 (1 Ratings)
Movie Favorite

"Is Setsuko Hara the most beautiful actress in movie history? That’s just a rhetorical question . . . the answer, of course, is yes. In Late Spring, she plays the young daughter of a widowed father who reluctantly wants to see her married. I am the man she should have married, but that’s a different story. Like many cinephiles, I was first drawn to Ozu by his serene compositions, the meditative “pillow shots” of train stations and empty rooms that served as scene transitions, and the exquisite way that his films explore the architecture of domestic and urban life. Repeated viewings reveal that underneath the director’s formal, often eccentric playfulness, there lies a fascinating undercurrent of sexual neurosis and pathology that is thinly masked by the demure self-sacrifice of the characters. In their own quiet way, Ozu’s families are deeply fascinating. And this two-disc set has an amazing bonus: Tokyo-ga, Wim Wenders’s loving and thoughtful feature-length tribute to Ozu, the actor Chishu Ryu, and Tokyo. It’s a first-person documentary and urban portrait par excellence, photographed by Ed Lachman."

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