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The King's Concubine
The King's Concubine
Anne O'Brien | 2012 | Fiction & Poetry
8
8.0 (1 Ratings)
Book Rating
This is the second novel by Anne O'Brien that I have read recently, and I have enjoyed them both. Although both novels were written in the first person, a narrative technique that I usually don't like as it is difficult for authors to pull off, I have found O'Brien's writing convincing and applaud her for this.

The protagonist of this particular novel is Alice Perrers, best known as mistress to Edward III. Not an awful lot, it seems, is really known about Alice, at least before her time at court. O'Brien has used known facts and woven her story about these, filling in the gaps with imagination and probability. Historically, Alice Perrers has never come across as a particularly nice person, seeming to be greedy, grasping and manipulative. O'Brien doesn't do a total whitewash job on her, but she does give a more sympathetic portrayal. Her Alice is still keen to acquire land holdings, but seen as a woman who has come from practically nothing and can see what her future might be without royal patronage, it is difficult to really blame her. History has always tended to be written by the victors and by men, and in medieval times they would not have liked a woman stepping out of her 'place' so it is quite understandable that Alice Perrers should have been so vilified.

Overall, I thought this was a good read. I read Vannora Bennett's The People's Queen a while back, which is also about Alice Perrers (she seems to be enjoying something of a renaissance!) but I preferred O'Brien's book. The cover gives O'Brien a plaudit of being 'better than Philippa Gregory'. Well, I can't argue with that as I haven't cared much for either of the books by Gregory that I have read, so I will wholeheartedly agree that O'Brien is much more worth reading! I look forward to her book on Eleanor of Aquitaine.
  
IA: The Origin Novels (Books 1-3)
IA: The Origin Novels (Books 1-3)
John Darryl Winston | 2018 | Science Fiction/Fantasy, Thriller, Young Adult (YA)
10
10.0 (1 Ratings)
Book Rating
The IA novels are one of the strongest 'young adult' science fiction series I've read, and this edition combines the trilogy so far plus a novella. Since the reader will want to keep reading from the first page though all 3.5 books this seems like an opportunity that's hard to pass up.

The origin story involves Naz, a teenage boy who lives with his sister and aunt in the Exclave, a ghetto suburb of a large city. Naz is unusual in two ways - he can't remember anything before two years ago and he sometimes hears voices in his head. He doesn't like to draw attention though so keeps his head down and looks after his sister.

After an incident on the way to school, things start to change. He grows as a person and also begins to discover his past, and his potential for the future. Just perhaps one person can make a difference. As he continues on his journey it becomes clear that he may not be entirely on his own.

The stories are set in a near future, with the Exclave being a rather grim backdrop for a tale that concentrates on character. There are light touches of what could be termed science fiction throughout, both with Naz's backstory and in the world around him. The hero shows very real weaknesses and flaws as well as strengths as he battles through bullying, fitting in to new environments, love and loss.

Winston is an extremely talented author and these stories demonstrate why novels termed 'young adult' are frequently worthy of being read by an older audience. The character development shows a strong arc for all the main players - and even the bit parts are memorable.

If you are looking for a strong series of books that will keep you thinking and entertained long after you have finished the last page, this fits the bill to a tee.
  
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Johnny Marr recommended Bert Jansch by Bert Jansch in Music (curated)

 
Bert Jansch by Bert Jansch
Bert Jansch by Bert Jansch
1965 | Folk, Singer-Songwriter
(0 Ratings)
Album Favorite

"Well, speaking of authenticity, if you are going to be authentic then you really have to do it right. On the complete opposite side of the spectrum, what Bert Jansch was doing as a young man was deeply authentic and was genuinely very weird. Bert was a young person very much of his time but was making music that almost sounded ancient. From the guitar-playing point of view, he was innovating on an acoustic guitar in a way that was as powerful as Pete Townshend with electricity in The Who and as intricate as what Jimi Hendrix was doing with his space rock-blues. Vocally, Bert was almost punky and in the way he and his peers went about their lives, he was one of the very first lo-fi musicians - and that was 40 or 50 years ago. Bert was one of my few real heroes. I got to be friends with him for about ten years before he died. He was an amazing person and because we were friends I got to find out that the lifestyle choice of the folkies in Soho in the 60s was a very deliberate and radical. They made certain choices and the fact their music was not in the charts was no accident. In Bert's case, he was the king of the UK beats as a result of the beat poet influence on his generation. Also, he was tuned into the political climate of the time and things like the CND movement and the radical student scene. Bert was a lot more than an earnest folky with an acoustic guitar. I particularly like his second record. The album before it [1965's Bert Jansch] is more revered and held up by most journalists as being the seminal one, but I think the songs are better on It Don't Bother Me, particularly the title track. The fact that they were both recorded in a kitchen at his mate's house is another reason why it has never dated."

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    Thief Alert.

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Maureen Fry and the Angel of the North
Maureen Fry and the Angel of the North
Rachel Joyce | 2022 | Contemporary, Fiction & Poetry
10
10.0 (1 Ratings)
Book Rating
Ok, I’ll put my hand up to this: I haven’t read the first two books in this trilogy! But I’ve heard enough about them that it feels as though I have! And they’re on my bookshelf. It’s not actually unusual for me to read trilogies out of order, and I can say in this case that I didn’t feel as though I’d missed anything major that made it incomprehensible. Maureen Fry to me was perfectly readable and very enjoyable on its own. That’s not to say that I won’t read Harold and Queenie’s stories though!

Maureen isn’t an instantly likeable person. She’s standoffish, rude and has experienced enough trauma in her life to make her attitude and personality unpleasant, yet understandable. As a child she was described as difficult, and she describes herself as a difficult adult. Harold clearly adores her, and finds this part of her just as endearing as the rest. We’ve all met difficult people like Maureen, possibly made sure that we avoided them afterwards, and this novella goes some way to explain how and why Maureen became the person she was.

Maureen doesn’t have an easy time during her journey, mainly because of her ‘spikiness’, but at the same time, it shows how intolerant some people can be (Maureen is included here!). We meet one of Harold’s friends from his walk who proves particularly invaluable for Maureen.

At the centre of this is Maureen’s loss. When her son died by suicide many years before this story takes place, he takes a piece of Maureen with him. This journey, which is, incidentally to Queenie’s garden, helps Maureen to come to terms with her sons death and life without him.

It’s quite beautiful. I’m not saying that Maureen transforms into a wonderfully kind, light-hearted woman (she doesn’t), but I do believe she comes to an understanding with her grief.

This was well worth the reading.