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Ivana A. | Diary of Difference (1171 KP) rated The Cruel Prince in Books
Oct 25, 2018
The Cruel Prince - Holly Black [BOOK REVIEW]
I asked you guys on a Goodreads poll to decide what should be my next read. And a huge number of you have decided that The Cruel Prince should be the one! And here I am, one week later, saying THANK YOU, for giving me a reason to read this book now!
Now, before I say anything else, I want you to know that I don’t have much experience living and reading about the Faerie world. I know fairies exist, and I know about that world, but I wasn’t too involved when I grabbed this book.
And I am glad for that, because…
The Cruel Prince is a great book to start your experience in this magical world. It starts with a great statement that there won’t be any fish sticks, or ketchup or TV Shows (believe me, that is Chapter 1), and it gives you a wonderful introduction to what turns out to be a beautiful place.
We follow the story through Jude’s eyes. Jude and her two sisters witness the murder of their parents. And not just that, but they also get dragged into the Faerie world because the person that kills their parents is the father of Jude’s oldest sister.
And living in the Faerie world as a human is not easy at all. At school, Jude and her sister Taryn are constantly being bullied, and the biggest bully of them all is Cardan. He is the prince, the last son of the king, and he is so evil and self-assured. *gasps* And I love him!
‘’The odd thing about ambition is this: You can acquire it like a fever, but it is not so easy to shed.’’
While Taryn is calm and tries to avoid trouble, Jude is restless and keeps talking back to Cardan. She won’t let him win, and she won’t let him humiliate her. And that brings her a hell of a trouble.
And one day, she had enough. She decides to be even more fierceless and brutal, because that is the only way of survival…
‘’If I cannot be better than them, I will become so much worse.’’
I love Jude, with all my heart. I loved her bravery and the way she never gives up, and keeps going for what she wants, even if people think she is being silly. I strongly agree with Jude - we should all strive towards our goals, no matter how difficult or ridiculous they may seem.
I also love Cardan. He is not a mean person,even though he is really cruel, but the background story is so harsh, and the reasons behind it are so strong. I could understand where he came from, but I am not in any way encouraging his bullying. I think that’s not acceptable under any circumstances. He was amazingly described, and there is the fight between good and evil going inside him.
‘’Love is a noble cause. How can anything done in the service of a noble cause be wrong?’’
The love and hate between Jude and Cardan is something you need to read about. Only Holly Black is able to describe the way they are towards each other. But this is the best love-hate game I have read in a while.
When we enter this world, we also see it from the eyes of her sisters Taryn and Vivi, and what I loved was that we get told the pro’s and con’s of the world, and why Taryn would decide to marry a faerie and get her place in the Court, or why Vivi would leave and go back to the human world. And sometimes, when you are a human in a world so beautiful, but so cruel, you realise that you can’t live with it (all that have read the book will know exactly to which scene I am referring to…).
If you haven’t picked up this book yet, please do so. I could not recommend it enough! It is filled with a lovely scenery of an amazing world, great adventure, great characters and stories around them. I read it in almost one go, as I couldn’t put it down!
A masterpiece, where faeries would give up their immortality to have this on their bookshelves, I am sure!
‘’And no matter how eager you are for it, you cannot make the moon set nor rise any faster.’’
Now, before I say anything else, I want you to know that I don’t have much experience living and reading about the Faerie world. I know fairies exist, and I know about that world, but I wasn’t too involved when I grabbed this book.
And I am glad for that, because…
The Cruel Prince is a great book to start your experience in this magical world. It starts with a great statement that there won’t be any fish sticks, or ketchup or TV Shows (believe me, that is Chapter 1), and it gives you a wonderful introduction to what turns out to be a beautiful place.
We follow the story through Jude’s eyes. Jude and her two sisters witness the murder of their parents. And not just that, but they also get dragged into the Faerie world because the person that kills their parents is the father of Jude’s oldest sister.
And living in the Faerie world as a human is not easy at all. At school, Jude and her sister Taryn are constantly being bullied, and the biggest bully of them all is Cardan. He is the prince, the last son of the king, and he is so evil and self-assured. *gasps* And I love him!
‘’The odd thing about ambition is this: You can acquire it like a fever, but it is not so easy to shed.’’
While Taryn is calm and tries to avoid trouble, Jude is restless and keeps talking back to Cardan. She won’t let him win, and she won’t let him humiliate her. And that brings her a hell of a trouble.
And one day, she had enough. She decides to be even more fierceless and brutal, because that is the only way of survival…
‘’If I cannot be better than them, I will become so much worse.’’
I love Jude, with all my heart. I loved her bravery and the way she never gives up, and keeps going for what she wants, even if people think she is being silly. I strongly agree with Jude - we should all strive towards our goals, no matter how difficult or ridiculous they may seem.
I also love Cardan. He is not a mean person,even though he is really cruel, but the background story is so harsh, and the reasons behind it are so strong. I could understand where he came from, but I am not in any way encouraging his bullying. I think that’s not acceptable under any circumstances. He was amazingly described, and there is the fight between good and evil going inside him.
‘’Love is a noble cause. How can anything done in the service of a noble cause be wrong?’’
The love and hate between Jude and Cardan is something you need to read about. Only Holly Black is able to describe the way they are towards each other. But this is the best love-hate game I have read in a while.
When we enter this world, we also see it from the eyes of her sisters Taryn and Vivi, and what I loved was that we get told the pro’s and con’s of the world, and why Taryn would decide to marry a faerie and get her place in the Court, or why Vivi would leave and go back to the human world. And sometimes, when you are a human in a world so beautiful, but so cruel, you realise that you can’t live with it (all that have read the book will know exactly to which scene I am referring to…).
If you haven’t picked up this book yet, please do so. I could not recommend it enough! It is filled with a lovely scenery of an amazing world, great adventure, great characters and stories around them. I read it in almost one go, as I couldn’t put it down!
A masterpiece, where faeries would give up their immortality to have this on their bookshelves, I am sure!
‘’And no matter how eager you are for it, you cannot make the moon set nor rise any faster.’’
Gareth von Kallenbach (980 KP) rated The Day the Earth Stood Still (2008) in Movies
Aug 14, 2019
In 1951 Director Robert Wise helped create one of the most insightful films of the dawning Science Fiction genre. At that time, the growing theme was the good folks of Earth having to defend ourselves against all manner of evil creatures from beyond.
This tone has carried over to modern day as the notion of hostile invaders from beyond has become part of our cinematic and written culture.
The ironic thing about “The Day The Earth Stood Still” was that it was a cautionary tale that stood apart from the genre films of the day. Instead of an all out assault on humanity, a visitor named Klaatu (Michael Rennie) came to deliver a message that change was needed or else there would be dire consequences. Klaatu told the people of the earth that they must learn to live in peace and make war a thing of the past or they would run the risk of being destroyed by more powerful races that would see them as a threat to their peaceful ways.
Klaatu had a powerful robot named Gort who would destroy any hints of aggression and used him to get his message of the need for peace across.
Now in 2008, 20th Century Fox has recreated this classic tale with a star studded cast and a large production budget.
In the new version, Jennifer Connelly stars as Helen Benson, a scientist who is raising her stepson Jacob (Jaden Smith), who still mourns for his father who was recently killed while serving in the gulf. One night, Helen is taken into custody by agents who whisk her and other scientists to a secret conference where it is learned that an object in on a collision course with Manhattan and that due to a lack of warning, there is no time to evacuate the city.
Just when the gathered group prepares for the worst, the mysterious object lands in the middle of Central Park and after being surrounded by the military, produces a lone being from the interior of the spherical object. Just as Helen is about to make first contact with the being, he is shot by a nervous soldier, and before anyone knows what has happened, a giant mechanized being emerges from the sphere and incapacitates the assembled crowd with a sound wave. Just as the creature is about to take matters further he is called off by the wounded being.
The wounded being is taken to for medical care and the confounded scientists are amazed to find a human being underneath the organic suit that the being was wearing. The being grows very quickly and is soon a full grown adult.
Naturally these events are very concerning to the U.S. government and Defense Secretary Jackson (Kathy Bates). The Being identifies himself as Klaatu (Keanu Reeves), and asks to speak with the leaders of the world about a very important matter. Jackson is convinced that Klaatu is the first wave of an invasion and orders him to be interrogated in order to learn his true mission.
Klaatu is able to escape and soon finds himself on the run with Helen and in doing so, learns about humanity. As his mission is revealed, it soon becomes a race against time for Klaatu and Helen to save the world from the greatest threat it has ever known.
The setup to the new film was very good and I was fortunate enough to see the film at an Imax screen which really enhanced the visuals of the film. Sadly there was not enough action for it to hold my attention as the best visuals in the film were largely shown in the trailer.
Once the events of the plot were put into motion, I found them to be very underwhelming, and the message of the film was lost in a series of muddled dialogue and a script lacking any really tension or drama. Klaatu is supposed to be a fish out of water that learns through Helen and Jacob about the other side of humanity, the one that is not about war, death, and destruction. Yet, thanks to the lack of chemistry between Reeves and the always good Connelly the audience is left with little to root for.
When the action finally comes it is very brief and restrained and not nearly enough to save the film, which stumbles to a very awkward and predictable finale.
I had hoped that this new version would be able to up the action promised in the first film and greater delve into the origins of Klaatu as well as the message of change he brought to humanity. Instead the film loses its way and the message becomes an afterthought leaving the audience with very little.
This tone has carried over to modern day as the notion of hostile invaders from beyond has become part of our cinematic and written culture.
The ironic thing about “The Day The Earth Stood Still” was that it was a cautionary tale that stood apart from the genre films of the day. Instead of an all out assault on humanity, a visitor named Klaatu (Michael Rennie) came to deliver a message that change was needed or else there would be dire consequences. Klaatu told the people of the earth that they must learn to live in peace and make war a thing of the past or they would run the risk of being destroyed by more powerful races that would see them as a threat to their peaceful ways.
Klaatu had a powerful robot named Gort who would destroy any hints of aggression and used him to get his message of the need for peace across.
Now in 2008, 20th Century Fox has recreated this classic tale with a star studded cast and a large production budget.
In the new version, Jennifer Connelly stars as Helen Benson, a scientist who is raising her stepson Jacob (Jaden Smith), who still mourns for his father who was recently killed while serving in the gulf. One night, Helen is taken into custody by agents who whisk her and other scientists to a secret conference where it is learned that an object in on a collision course with Manhattan and that due to a lack of warning, there is no time to evacuate the city.
Just when the gathered group prepares for the worst, the mysterious object lands in the middle of Central Park and after being surrounded by the military, produces a lone being from the interior of the spherical object. Just as Helen is about to make first contact with the being, he is shot by a nervous soldier, and before anyone knows what has happened, a giant mechanized being emerges from the sphere and incapacitates the assembled crowd with a sound wave. Just as the creature is about to take matters further he is called off by the wounded being.
The wounded being is taken to for medical care and the confounded scientists are amazed to find a human being underneath the organic suit that the being was wearing. The being grows very quickly and is soon a full grown adult.
Naturally these events are very concerning to the U.S. government and Defense Secretary Jackson (Kathy Bates). The Being identifies himself as Klaatu (Keanu Reeves), and asks to speak with the leaders of the world about a very important matter. Jackson is convinced that Klaatu is the first wave of an invasion and orders him to be interrogated in order to learn his true mission.
Klaatu is able to escape and soon finds himself on the run with Helen and in doing so, learns about humanity. As his mission is revealed, it soon becomes a race against time for Klaatu and Helen to save the world from the greatest threat it has ever known.
The setup to the new film was very good and I was fortunate enough to see the film at an Imax screen which really enhanced the visuals of the film. Sadly there was not enough action for it to hold my attention as the best visuals in the film were largely shown in the trailer.
Once the events of the plot were put into motion, I found them to be very underwhelming, and the message of the film was lost in a series of muddled dialogue and a script lacking any really tension or drama. Klaatu is supposed to be a fish out of water that learns through Helen and Jacob about the other side of humanity, the one that is not about war, death, and destruction. Yet, thanks to the lack of chemistry between Reeves and the always good Connelly the audience is left with little to root for.
When the action finally comes it is very brief and restrained and not nearly enough to save the film, which stumbles to a very awkward and predictable finale.
I had hoped that this new version would be able to up the action promised in the first film and greater delve into the origins of Klaatu as well as the message of change he brought to humanity. Instead the film loses its way and the message becomes an afterthought leaving the audience with very little.
Sophia (Bookwyrming Thoughts) (530 KP) rated Awaken (Awakened Fate #1) in Books
Jan 23, 2020
Awaken is the first book in the Awakened Fate series by Skye Malone, and I'm pretty familiar with her other series as Megan Joel Peterson (The Children and the Blood trilogy) that I was confident her latest book will go into my good graces pretty easily. Thing is, Awaken reminded me so much of The Little Mermaid, I can't help but have the urge to sing "Under the Sea" and ask one question:
<b>"Sebastian, Sebastian, where art thou?"</b>
I had also associated funny brow movements with the author in particular. As in, brows drawing down, which I still don't know how that works without your brows looking like a seesaw or ending up with a pouting pucker fish face.
But back to The Little Mermaid similarities... and not brow movements.
Chloe has red hair, or as the book describes, auburn. But auburn's technically red with a tinge of brown. Ariel has red hair. The difference? Chloe doesn't know how to swim, and has been living on land her entire life. Then there's Zeke, which I sort of predicted him to have dark hair, and he does! Just like the princey dude for whom I've forgotten the name. In fact, said unknown princeling stalks Ariel, and so does Zeke... due to curiosity on who the pretty girl is. It's not revealed in Awaken, but I won't be surprised if Zeke is a prince.
<blockquote>Despite the fact we were barely any distance from the shore, the temperature had dropped to levels ordinarily found in places even deeper than Nyciena, with darkness to match.</blockquote>
Every book has got to have an Ursula of some sort. And she just oozes darkness, doesn't she? Too bad the Ursulas here aren't Octopuses. ;)
<blockquote>The girl changed the ocean when she was near it – a statement that on any level should have been impossible.</blockquote>
Okay, here's Sophia Lin logic: See, Ariel has a curse. I was sort of assuming Chloe willingly turned into a human just like Ariel, but she doesn't lose her voice, right? Except, here's the curse: she changes the ocean... and it's not exactly a pleasant way. Technically, that logic isn't going to get you far, because it isn't true, and I can't reveal the actual answer without spoiling anything. Nor do I want to reveal anything, because answers are spoilers, and not everyone can be trusted with the trusty little spoiler button. ;)
Then there are the differences, which pretty much revamps The Little Mermaid. Enough commentary on Little Mermaid.
Awaken follows two views – Chloe and Zeke. The best part of those two views though? They balance each other out pretty well. Chloe doesn't really know anything about what she is, so we're basically following a naïve character for most of the story who has strange things happening to her and strange peeps with glowing eyes wanting to murder the likes of her. Very boring in my opinion, because she doesn't know what's going on and it's all confusing and she's stuck in the hospital every once in awhile from an unfortunate encounter with said strange flowing peepy eyes. Zeke balances her out because he pretty much knows what's going on from his observations – but he doesn't really know what Chloe is until the end either.
Let's just say that balance is a good thing. Because I just can't handle an utterly boring character, and I'm sure not everyone likes that either. But if there's one thing Chloe has that makes her an interesting character, it's her voice and her frustration on why her parents hate the ocean with a passion and come up with logical, but weird excuses for them.
The only problem I probably have is how some of the terms don't appear in the pronunciation guide, and how the long ones are confusing. Maybe my head just needs to wrap around them after reading Irish terms from the second book in the Danaan Trilogy. O_o
Awaken is a good start to the Awakened Fate series, and while we spend most of the time above the surface, it's hinted that the sequel will most likely be focused underwater. It's a quick read for those who enjoy reading stories related to <s>merps</s> merpeople.
------------------
original rating: 4.5 out of 5
Original review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/review-awaken-by-skye-malone.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
<b>"Sebastian, Sebastian, where art thou?"</b>
I had also associated funny brow movements with the author in particular. As in, brows drawing down, which I still don't know how that works without your brows looking like a seesaw or ending up with a pouting pucker fish face.
But back to The Little Mermaid similarities... and not brow movements.
Chloe has red hair, or as the book describes, auburn. But auburn's technically red with a tinge of brown. Ariel has red hair. The difference? Chloe doesn't know how to swim, and has been living on land her entire life. Then there's Zeke, which I sort of predicted him to have dark hair, and he does! Just like the princey dude for whom I've forgotten the name. In fact, said unknown princeling stalks Ariel, and so does Zeke... due to curiosity on who the pretty girl is. It's not revealed in Awaken, but I won't be surprised if Zeke is a prince.
<blockquote>Despite the fact we were barely any distance from the shore, the temperature had dropped to levels ordinarily found in places even deeper than Nyciena, with darkness to match.</blockquote>
Every book has got to have an Ursula of some sort. And she just oozes darkness, doesn't she? Too bad the Ursulas here aren't Octopuses. ;)
<blockquote>The girl changed the ocean when she was near it – a statement that on any level should have been impossible.</blockquote>
Okay, here's Sophia Lin logic: See, Ariel has a curse. I was sort of assuming Chloe willingly turned into a human just like Ariel, but she doesn't lose her voice, right? Except, here's the curse: she changes the ocean... and it's not exactly a pleasant way. Technically, that logic isn't going to get you far, because it isn't true, and I can't reveal the actual answer without spoiling anything. Nor do I want to reveal anything, because answers are spoilers, and not everyone can be trusted with the trusty little spoiler button. ;)
Then there are the differences, which pretty much revamps The Little Mermaid. Enough commentary on Little Mermaid.
Awaken follows two views – Chloe and Zeke. The best part of those two views though? They balance each other out pretty well. Chloe doesn't really know anything about what she is, so we're basically following a naïve character for most of the story who has strange things happening to her and strange peeps with glowing eyes wanting to murder the likes of her. Very boring in my opinion, because she doesn't know what's going on and it's all confusing and she's stuck in the hospital every once in awhile from an unfortunate encounter with said strange flowing peepy eyes. Zeke balances her out because he pretty much knows what's going on from his observations – but he doesn't really know what Chloe is until the end either.
Let's just say that balance is a good thing. Because I just can't handle an utterly boring character, and I'm sure not everyone likes that either. But if there's one thing Chloe has that makes her an interesting character, it's her voice and her frustration on why her parents hate the ocean with a passion and come up with logical, but weird excuses for them.
The only problem I probably have is how some of the terms don't appear in the pronunciation guide, and how the long ones are confusing. Maybe my head just needs to wrap around them after reading Irish terms from the second book in the Danaan Trilogy. O_o
Awaken is a good start to the Awakened Fate series, and while we spend most of the time above the surface, it's hinted that the sequel will most likely be focused underwater. It's a quick read for those who enjoy reading stories related to <s>merps</s> merpeople.
------------------
original rating: 4.5 out of 5
Original review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/review-awaken-by-skye-malone.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Bob Mann (459 KP) rated Peaks and Valleys (2020) in Movies
Apr 29, 2021
Acting of the two leads (2 more)
Cinematography of the beautiful Alaskan wilderness
Script and direction both good
Two strangers forced to over-winter in Alaskan wilderness
In “Peaks and Valleys”, Jack (Kevin T. Bennett) is living as a recluse in a remote cabin in Alaska. His solitude is rudely interrupted by a plane which drops a naked, trussed-up and drugged-up girl into his lake. Traumatised by her experiences, the girl (Bailey, played by Kitty Mahoney) is unwilling to trust the man. But trust him she must, since they are in the Alaskan wilderness and Jack tells her that the supply plane might not come for a couple of months.
How and why was Bailey dumped from the plane? Why is Jack living all alone in the wilderness, and why is he packing a hand-gun? As tempers fray, can the pair survive each other’s company? All intriguing questions that demand answers.
Positives:
- Although it’s only a low-budget Indie-film, it has an intriguing premise that packs a punch above its weight. Since although the story is told in a linear way, the script includes ‘asides’ – told either through imagined conversations or dreams – that create a jigsaw of questions for the viewer. And the dynamic between Jack and Bailey develops in an interesting way. Overall, I was intrigued to see how the questions raised would pan out.
- I’m often disappointed that the acting in these types of Indie films is below par. To a large degree, this is not the case here. Kevin Bennett is very believable as the crusty old backwoodsman. And Kitty Mahoney, in her movie debut, delivers a smashing performance. She has real screen-presence. I’m not sure if this was a “one off” for her, or if she intends to pursue an acting career: but I really hope it’s the latter.
- Another star of the show is the dramatic Alaskan landscapes, lovingly photographed by cinematographer Bryan Pentecostes. Some of the shots are just “double-WOW”! The movie is a wonderful piece of PR for the Alaskan Tourist Board, for sure.
- Michael Dillon’s script avoids clichés and lazy wins. It would be an easy plot point to see the vulnerable young Bailey sexually exploited by the older man. But very much on topic, following the debate around “Promising Young Woman” and earning the film a welcome #notallmen hashtag, Jack makes it abundantly clear that this is not a route we’re going to go down.
- The clever script also has some nice lines that resonate: “We can’t change the wrong that’s been done to us.” growls Jack, “But we’re damned if we don’t let it change us”. But amongst the philosophical sound-bytes, the script also finds time to have some light-hearted fun at times. A nice scene to emphasise the growing relationship and mutual respect between the pair is when Jack teaches Bailey to ice-fish. Jack examines Bailey’s amateurish efforts. “It ain’t the prettiest hole, but I’d stick my pole in it” he says. “I bet you say that to all the girls” quips back Bailey.
- I enjoyed the music by Evan Evans very much too. There’s also a nice song over the end credits by Gregory Alan Isakov as well.
- Finally, a special shout-out to Garrett Martin for some very well done and quease-inducing injury make-up.
Negatives:
- For all the good aspects about the script, there are a few times, particularly early on in Jack and Bailey’s relationship, where I found the exchanges between them forced and unconvincing. This was sometimes down to the script, and sometimes down to over-stretching the acting abilities of the cast.
- The dramatic finale – although surprising and satisfying – relies on some rather unbelievable timing.
Summary Thoughts: When I start watching a low-budget Indie film, I tend to set my expectations accordingly. Often the acting is naff; the script will be hand-gnawingly awful; and/or the production values are found wanting. I was really pleasantly surprised that this movie ticked the “none of the above” box. And yes, there were a few rough edges here and there, but I’ve seen multi-million pound Hollywood blockbusters that were far worse. Michael Burns has delivered a tight and intriguing movie that sensibly sticks to a 96 minute run time, such that I was never bored.
I really enjoyed this one and recommend it. And you only need to fork out a few quid to rent it on Amazon. If you do, I’d be interested in your views.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/29/peaks-and-valleys-two-strangers-forced-to-over-winter-in-the-alaskan-wilderness/. Thanks).
How and why was Bailey dumped from the plane? Why is Jack living all alone in the wilderness, and why is he packing a hand-gun? As tempers fray, can the pair survive each other’s company? All intriguing questions that demand answers.
Positives:
- Although it’s only a low-budget Indie-film, it has an intriguing premise that packs a punch above its weight. Since although the story is told in a linear way, the script includes ‘asides’ – told either through imagined conversations or dreams – that create a jigsaw of questions for the viewer. And the dynamic between Jack and Bailey develops in an interesting way. Overall, I was intrigued to see how the questions raised would pan out.
- I’m often disappointed that the acting in these types of Indie films is below par. To a large degree, this is not the case here. Kevin Bennett is very believable as the crusty old backwoodsman. And Kitty Mahoney, in her movie debut, delivers a smashing performance. She has real screen-presence. I’m not sure if this was a “one off” for her, or if she intends to pursue an acting career: but I really hope it’s the latter.
- Another star of the show is the dramatic Alaskan landscapes, lovingly photographed by cinematographer Bryan Pentecostes. Some of the shots are just “double-WOW”! The movie is a wonderful piece of PR for the Alaskan Tourist Board, for sure.
- Michael Dillon’s script avoids clichés and lazy wins. It would be an easy plot point to see the vulnerable young Bailey sexually exploited by the older man. But very much on topic, following the debate around “Promising Young Woman” and earning the film a welcome #notallmen hashtag, Jack makes it abundantly clear that this is not a route we’re going to go down.
- The clever script also has some nice lines that resonate: “We can’t change the wrong that’s been done to us.” growls Jack, “But we’re damned if we don’t let it change us”. But amongst the philosophical sound-bytes, the script also finds time to have some light-hearted fun at times. A nice scene to emphasise the growing relationship and mutual respect between the pair is when Jack teaches Bailey to ice-fish. Jack examines Bailey’s amateurish efforts. “It ain’t the prettiest hole, but I’d stick my pole in it” he says. “I bet you say that to all the girls” quips back Bailey.
- I enjoyed the music by Evan Evans very much too. There’s also a nice song over the end credits by Gregory Alan Isakov as well.
- Finally, a special shout-out to Garrett Martin for some very well done and quease-inducing injury make-up.
Negatives:
- For all the good aspects about the script, there are a few times, particularly early on in Jack and Bailey’s relationship, where I found the exchanges between them forced and unconvincing. This was sometimes down to the script, and sometimes down to over-stretching the acting abilities of the cast.
- The dramatic finale – although surprising and satisfying – relies on some rather unbelievable timing.
Summary Thoughts: When I start watching a low-budget Indie film, I tend to set my expectations accordingly. Often the acting is naff; the script will be hand-gnawingly awful; and/or the production values are found wanting. I was really pleasantly surprised that this movie ticked the “none of the above” box. And yes, there were a few rough edges here and there, but I’ve seen multi-million pound Hollywood blockbusters that were far worse. Michael Burns has delivered a tight and intriguing movie that sensibly sticks to a 96 minute run time, such that I was never bored.
I really enjoyed this one and recommend it. And you only need to fork out a few quid to rent it on Amazon. If you do, I’d be interested in your views.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/29/peaks-and-valleys-two-strangers-forced-to-over-winter-in-the-alaskan-wilderness/. Thanks).
Lottie disney bookworm (1056 KP) rated A Vow So Bold and Deadly in Books
Jun 17, 2021
Regular readers will know that I devoured the Cursebreaker series earlier in the year but Netgalley were generous enough to provide the opportunity to listen to this fantastic audiobook in exchange for an honest review.
The final book in the Cursebreakers series is a hard thing to come to terms with. Brigid Kemmerer has been messing with our hearts for 2 books so far and she isn’t about to let us go without a fight! Rhen and Grey are on opposite sides of a war, Harper is (deservedly) super mad at Rhen and Lilith has returned, seemingly unharmed. Is there nothing that can stop the enchantress?
Similarly to the previous two books, A Vow so Bold and Deadly is written from multiple POVs but what I loved in comparison to A Heart so Fierce and Broken is that we got a lot more of Harper! I really felt that Lia Mara took a bit of Harper’s “airtime” in the last book.
I also specifically loved the audiobook version because any third party’s speech within a character’s POV is done in that character’s voice – Rhen voicing Lilith is particularly hilarious.
The characters themselves seem to fall in my favour as we progress through the series and AVSBAD was no exception.
I still loved Harper with her fierceness and her sarcasm. I think the physical journey in the book (this is me trying to not give any spoilers) really spoke to her as a character and her unwavering, loyal nature and the fact that her anger towards Rhen took a long time to dissipate felt very real. I also loved her friendship with Zo but I must admit that sometimes Harper did border on petty – I guess she is fairly young though.
Lia Mara was a great character in AHSFAB, she was a breath of fresh air and I really admired her fight for peace in a violent kingdom. However, shacking up with Grey has made this Queen a wet fish! For a woman who has been raised with the notion that you do not need a man to rule Lia Mara severely disappoints. I really didn’t understand her character in the final book, she was unable to stand up for herself and totally dependent on Grey, even pining after him at times. It was sickening.
Grey has been my favourite in both the previous books, even when he was scary Grey! Don’t get me wrong he hasn’t totally changed and it is nice to see his struggles in gaining the loyalty of people in Shyl Shallow BUT his coldness towards Harper and THAT ending….nah it didn’t sit well with me. The fact that Grey has a claim to Emberfall is bad enough (it seems to be the only Kingdom in the fictional universe which includes bastards in the laws of succession) but to completely disregard Rhen is not the Grey the readers know and love.
Speaking of Rhen, and I’m going to get a lot of hate for this, but Rhen has never been my favourite. He has gone from being a tortured prince to a torturing prince to a tortured prince again. He just doesn’t seem to develop. Yes, I felt sorry for him, particularly towards the end of the book but I didn’t love him. I nearly did in book 1 but then he ruined it in book 2 and has never redeemed himself. I particularly felt that the ending held no justice for Rhen – there was a clear path for a happily ever after for all and, while I love a good twist, I feel that Kemmerer’s choice of ending kind of kicked Rhen while he was down.
The ending of A Vow So Bold and Deadly definitely paves the way for a spin off book but that feels like it would centre more around Grey and Lia Mara and so I don’t know how much appetite I would have for it. I’d read it but it wouldn’t be top of my TBR.
Overall I liked this book, but I didn’t love it. I had such high expectations after ACSDAL and was willing to overlook AHSFAB as plot filler but this ending fell flat for me. As someone who has read both the book and listened to the audiobook I would recommend the audiobook as it seems to keep you interested in that first few hundred pages where very little happens.
The final book in the Cursebreakers series is a hard thing to come to terms with. Brigid Kemmerer has been messing with our hearts for 2 books so far and she isn’t about to let us go without a fight! Rhen and Grey are on opposite sides of a war, Harper is (deservedly) super mad at Rhen and Lilith has returned, seemingly unharmed. Is there nothing that can stop the enchantress?
Similarly to the previous two books, A Vow so Bold and Deadly is written from multiple POVs but what I loved in comparison to A Heart so Fierce and Broken is that we got a lot more of Harper! I really felt that Lia Mara took a bit of Harper’s “airtime” in the last book.
I also specifically loved the audiobook version because any third party’s speech within a character’s POV is done in that character’s voice – Rhen voicing Lilith is particularly hilarious.
The characters themselves seem to fall in my favour as we progress through the series and AVSBAD was no exception.
I still loved Harper with her fierceness and her sarcasm. I think the physical journey in the book (this is me trying to not give any spoilers) really spoke to her as a character and her unwavering, loyal nature and the fact that her anger towards Rhen took a long time to dissipate felt very real. I also loved her friendship with Zo but I must admit that sometimes Harper did border on petty – I guess she is fairly young though.
Lia Mara was a great character in AHSFAB, she was a breath of fresh air and I really admired her fight for peace in a violent kingdom. However, shacking up with Grey has made this Queen a wet fish! For a woman who has been raised with the notion that you do not need a man to rule Lia Mara severely disappoints. I really didn’t understand her character in the final book, she was unable to stand up for herself and totally dependent on Grey, even pining after him at times. It was sickening.
Grey has been my favourite in both the previous books, even when he was scary Grey! Don’t get me wrong he hasn’t totally changed and it is nice to see his struggles in gaining the loyalty of people in Shyl Shallow BUT his coldness towards Harper and THAT ending….nah it didn’t sit well with me. The fact that Grey has a claim to Emberfall is bad enough (it seems to be the only Kingdom in the fictional universe which includes bastards in the laws of succession) but to completely disregard Rhen is not the Grey the readers know and love.
Speaking of Rhen, and I’m going to get a lot of hate for this, but Rhen has never been my favourite. He has gone from being a tortured prince to a torturing prince to a tortured prince again. He just doesn’t seem to develop. Yes, I felt sorry for him, particularly towards the end of the book but I didn’t love him. I nearly did in book 1 but then he ruined it in book 2 and has never redeemed himself. I particularly felt that the ending held no justice for Rhen – there was a clear path for a happily ever after for all and, while I love a good twist, I feel that Kemmerer’s choice of ending kind of kicked Rhen while he was down.
The ending of A Vow So Bold and Deadly definitely paves the way for a spin off book but that feels like it would centre more around Grey and Lia Mara and so I don’t know how much appetite I would have for it. I’d read it but it wouldn’t be top of my TBR.
Overall I liked this book, but I didn’t love it. I had such high expectations after ACSDAL and was willing to overlook AHSFAB as plot filler but this ending fell flat for me. As someone who has read both the book and listened to the audiobook I would recommend the audiobook as it seems to keep you interested in that first few hundred pages where very little happens.
Purple Phoenix Games (2266 KP) rated Com-Pet-Ability in Tabletop Games
Apr 14, 2020
I have two dogs: a Yorkshire Terrier and a Powderpuff Chinese Crested. I love them dearly, but I just cannot see myself having any more 4-legged mammal pets. We promised our son a pet fish when we move (or a whole aquarium community if my wife will allow), but other than that, we will NOT be adding more pets to our household. So when I heard about a game that requires you to collect cards so that you have five pets to take home I immediate gave the deer-in-headlights look. No, I would not have a pet deer.
ComPetAbility is a card game with two play modes: a mode for players aged 7+ and one for younger gamers. We will be taking a look at the game for older gamers. In this game mode a player is attempting to amass five pets that will be accepting of each other and not cause heck in your house.
DISCLAIMER: We were provided a copy of the game for the purposes of this review. I do not intend to cover every single rule included in the rule book, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy from the publisher directly or from your FLGS. -T
To setup, shuffle the large deck of cards and deal five to each player. Put the rest of the cards in the middle of the table as a draw pile, flip one over for the “shed” pile. You are now setup and ready to go!
The goal of the game is to begin a turn with five compatible pets (com-pet-able). This is achieved by having five cards whose three icons are satisfied with each other. For instance, turtles are compatible with every other type of animal, so the three icons on turtle cards are all green – compatible with all dogs, cats, and birds. Some dogs are compatible with other dogs but not cats, and some cats are compatible with other cats or kittens but not birds.
So on a turn, a player will choose a card to draw from either the draw pile or the shed pile to add to their hand. A turn ends when that player sheds (discards) a card to the shed pile. Turns continue in this fashion until a player begins their turn with five compatible animals. Players will then add up the points in their hands (the numbers in the upper right corner of the cards) of compatible animals. The player that ended the game with a completed set of five animal pets will score a bonus 10 points to add to their total. Whomever scores the highest is the winner of ComPetAbility!
Components. This is a stack of cards in a tin can. Yep, a tin can with a plastic lid. It’s very novel and lovely, but heck for someone who cares about how the games look and fit on their shelves. The game cards are good quality, which is handy because the game mode aimed at smaller children have them handling the cards a lot too so they have to be able to withstand that abuse. The art is cute, and the layout is easy to understand – even for young ones. No issues with the components from us (aside from the can not being a box, wink wink).
So here’s the thing with this one. We liked it. It is a great idea and is executed well. I don’t think I will pull this one out with adult gamers anymore though. The children’s mode of this game is what I hold dear, as my three-year-old LOVES it and “wins” every time. I have just played this one too many times where a player can be dealt either a winning hand or four of the five cards right away. I’m no designer, so I don’t know how to mitigate that besides chalking it up to “luck of the draw.” But that’s a negative for me, and perhaps I shouldn’t let it detract from an otherwise enjoyable game, but it’s what comes to mind every time I see on the shelf as a possibility for Game Night. However, if you like the theme, the style, and ease of play between two different modes then check it out. It can be used as a light filler, a gateway game, or children’s game. So for the pure flexibility of this one, Purple Phoenix Games gives it a canned (hehe) 13 / 18. The turtles are really cute, but the hybrid animals are kinda weird-lookin’.
ComPetAbility is a card game with two play modes: a mode for players aged 7+ and one for younger gamers. We will be taking a look at the game for older gamers. In this game mode a player is attempting to amass five pets that will be accepting of each other and not cause heck in your house.
DISCLAIMER: We were provided a copy of the game for the purposes of this review. I do not intend to cover every single rule included in the rule book, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy from the publisher directly or from your FLGS. -T
To setup, shuffle the large deck of cards and deal five to each player. Put the rest of the cards in the middle of the table as a draw pile, flip one over for the “shed” pile. You are now setup and ready to go!
The goal of the game is to begin a turn with five compatible pets (com-pet-able). This is achieved by having five cards whose three icons are satisfied with each other. For instance, turtles are compatible with every other type of animal, so the three icons on turtle cards are all green – compatible with all dogs, cats, and birds. Some dogs are compatible with other dogs but not cats, and some cats are compatible with other cats or kittens but not birds.
So on a turn, a player will choose a card to draw from either the draw pile or the shed pile to add to their hand. A turn ends when that player sheds (discards) a card to the shed pile. Turns continue in this fashion until a player begins their turn with five compatible animals. Players will then add up the points in their hands (the numbers in the upper right corner of the cards) of compatible animals. The player that ended the game with a completed set of five animal pets will score a bonus 10 points to add to their total. Whomever scores the highest is the winner of ComPetAbility!
Components. This is a stack of cards in a tin can. Yep, a tin can with a plastic lid. It’s very novel and lovely, but heck for someone who cares about how the games look and fit on their shelves. The game cards are good quality, which is handy because the game mode aimed at smaller children have them handling the cards a lot too so they have to be able to withstand that abuse. The art is cute, and the layout is easy to understand – even for young ones. No issues with the components from us (aside from the can not being a box, wink wink).
So here’s the thing with this one. We liked it. It is a great idea and is executed well. I don’t think I will pull this one out with adult gamers anymore though. The children’s mode of this game is what I hold dear, as my three-year-old LOVES it and “wins” every time. I have just played this one too many times where a player can be dealt either a winning hand or four of the five cards right away. I’m no designer, so I don’t know how to mitigate that besides chalking it up to “luck of the draw.” But that’s a negative for me, and perhaps I shouldn’t let it detract from an otherwise enjoyable game, but it’s what comes to mind every time I see on the shelf as a possibility for Game Night. However, if you like the theme, the style, and ease of play between two different modes then check it out. It can be used as a light filler, a gateway game, or children’s game. So for the pure flexibility of this one, Purple Phoenix Games gives it a canned (hehe) 13 / 18. The turtles are really cute, but the hybrid animals are kinda weird-lookin’.
Bob Mann (459 KP) rated King of Thieves (2018) in Movies
Sep 28, 2021
No f-ing honour among f-ing thieves.
What a cast! Micheal Caine; Jim Broadbent; Tom Courtenay; Michael Gambon; Ray Winstone; Paul Whitehouse…. Just one look at the poster and you think yes, Yes, YES! But would this be a case where my expectations would be dashed?
Having seen the film at a preview showing last night, I’m pleased to say no, it’s not. I was very much entertained.
The film tells the ridiculous true story of the “over the hill gang” – the bunch of largely pensioner-age criminals who successfully extracted what was definitely £14 million – and could have been up to £200 million – of goodies from a vault in London’s Hatton Gardens jewellery district over the Easter Bank Holiday weekend in 2015. The gang is led by the “king of thieves” – Brian (Michael Caine) – highly regarded as an ‘elder statesman’ among the London criminal scene.
Did you see Mark Kermode‘s excellent “Secrets of Cinema” series on the BBC? (If not, seek it out on a catch-up service!) The first of the series deconstructs the “Heist” movie, showing how such movies track the preparation, the execution and the progressive unravelling of the wicked scheme, typically through internal strife among the gang itself. (Pretty much as you would assume happens most of the time in real life!) Kermode points out that such movies play with our emotion in secretly wishing the bad ‘uns to succeed in doing something we would never have the bottle to ‘step out of line’ to do. “King of Thieves” nicely follows this well trodden story-arc, but – for me – does it with significantly greater style than the norm.
Yes, it’s very much a “Brit-flick”, and I’m not sure how it will play outside of the UK. But the film’s script, penned by Joe Penhall (“The Road”, “Enduring Love”), plays beautifully to the extreme age of its cast – the average age of the actors playing the gang is over 67… and that includes the 35-year old Charlie “Stardust” Cox (who is actually very good as the young foil for the older blades)! There is lots of laugh-out-loud dialogue relating to bodily deficiencies and ailments and the tendencies of old-folk to nod off at inconvenient times! However, its not very deep stuff, giving little background to the characters. And if you are of a sensitive disposition, the language used in the film is pretty extreme: F-bombs and C-bombs are dropped in every other sentence.
The film is delivered with visual style by “The Theory of Everything” director James Marsh. He cleverly reflects that all of the older leads have past records: the film nicely interweaving tiny snippets of past British crime movies to illustrate the career exploits of the now-creaky old folks. (If in the epilepsy-inducing opening titles you thought you caught a subliminal shot of the gold from “The Italian Job” – the superior 1969 version – then you were right!) As well as “The Italian Job”, the snippets also includes “The Lavender Hill Mob” and (if I’m not mistaken) the late George Sewell in “Robbery”.
It’s all delivered to a deafeningly intrusive – but in a good way – jazz-style soundtrack by the continually up-and-coming Benjamin Wallfisch.
As in the recent “The Children Act”, it is the acting of the senior leads that makes the film fly for me. Caine is just MAGNIFICENT, at the age of 85 with the same screen presence he had (as featured) stepping out of that prison in “The Italian Job”; Winstone is as good as ever in playing a menacing thug, and even gets to do a Michael Caine impression!; Gambon is hilarious as the weak-bladdered “Billy the Fish”. But it is Broadbent that really impresses: he generally appears in films as a genial but slightly ditzy old gent in films like the “Potter” series; “Paddington” and “Bridget Jones“. While he has played borderline darker roles (“The Lady in the Van” for example), he rarely goes full “Sexy Beast” evil…. but here he is borderline psycho and displays blistering form. A head-to-head unblinking confrontation between Broadbent and Caine is a high-point in the whole film… just electrifying. I’d love to see BAFTA nominations for them both in Acting/Supporting Acting categories.
In summary, it’s a sweary but stylishly-executed heist movie that has enough humour to thoroughly entertain this cinema-goer. The film is on general release in the UK from September 14th and comes with my recommendation.
Having seen the film at a preview showing last night, I’m pleased to say no, it’s not. I was very much entertained.
The film tells the ridiculous true story of the “over the hill gang” – the bunch of largely pensioner-age criminals who successfully extracted what was definitely £14 million – and could have been up to £200 million – of goodies from a vault in London’s Hatton Gardens jewellery district over the Easter Bank Holiday weekend in 2015. The gang is led by the “king of thieves” – Brian (Michael Caine) – highly regarded as an ‘elder statesman’ among the London criminal scene.
Did you see Mark Kermode‘s excellent “Secrets of Cinema” series on the BBC? (If not, seek it out on a catch-up service!) The first of the series deconstructs the “Heist” movie, showing how such movies track the preparation, the execution and the progressive unravelling of the wicked scheme, typically through internal strife among the gang itself. (Pretty much as you would assume happens most of the time in real life!) Kermode points out that such movies play with our emotion in secretly wishing the bad ‘uns to succeed in doing something we would never have the bottle to ‘step out of line’ to do. “King of Thieves” nicely follows this well trodden story-arc, but – for me – does it with significantly greater style than the norm.
Yes, it’s very much a “Brit-flick”, and I’m not sure how it will play outside of the UK. But the film’s script, penned by Joe Penhall (“The Road”, “Enduring Love”), plays beautifully to the extreme age of its cast – the average age of the actors playing the gang is over 67… and that includes the 35-year old Charlie “Stardust” Cox (who is actually very good as the young foil for the older blades)! There is lots of laugh-out-loud dialogue relating to bodily deficiencies and ailments and the tendencies of old-folk to nod off at inconvenient times! However, its not very deep stuff, giving little background to the characters. And if you are of a sensitive disposition, the language used in the film is pretty extreme: F-bombs and C-bombs are dropped in every other sentence.
The film is delivered with visual style by “The Theory of Everything” director James Marsh. He cleverly reflects that all of the older leads have past records: the film nicely interweaving tiny snippets of past British crime movies to illustrate the career exploits of the now-creaky old folks. (If in the epilepsy-inducing opening titles you thought you caught a subliminal shot of the gold from “The Italian Job” – the superior 1969 version – then you were right!) As well as “The Italian Job”, the snippets also includes “The Lavender Hill Mob” and (if I’m not mistaken) the late George Sewell in “Robbery”.
It’s all delivered to a deafeningly intrusive – but in a good way – jazz-style soundtrack by the continually up-and-coming Benjamin Wallfisch.
As in the recent “The Children Act”, it is the acting of the senior leads that makes the film fly for me. Caine is just MAGNIFICENT, at the age of 85 with the same screen presence he had (as featured) stepping out of that prison in “The Italian Job”; Winstone is as good as ever in playing a menacing thug, and even gets to do a Michael Caine impression!; Gambon is hilarious as the weak-bladdered “Billy the Fish”. But it is Broadbent that really impresses: he generally appears in films as a genial but slightly ditzy old gent in films like the “Potter” series; “Paddington” and “Bridget Jones“. While he has played borderline darker roles (“The Lady in the Van” for example), he rarely goes full “Sexy Beast” evil…. but here he is borderline psycho and displays blistering form. A head-to-head unblinking confrontation between Broadbent and Caine is a high-point in the whole film… just electrifying. I’d love to see BAFTA nominations for them both in Acting/Supporting Acting categories.
In summary, it’s a sweary but stylishly-executed heist movie that has enough humour to thoroughly entertain this cinema-goer. The film is on general release in the UK from September 14th and comes with my recommendation.
Daniel Boyd (1066 KP) rated The Night Of - Season 1 in TV
Jul 19, 2017
Fantastic performances by the entire cast (4 more)
Phenomenal Script
Beautiful cinematography
Clever use of lighting
Brillaint direction
A Masterpice of Storytelling.
The Night Of stars Riz Ahmed as Naz, a young guy from Manhattan from an Asian family, who makes a series of bad decisions on what was supposed to be a simple night out; leading to his subsequent arrest and trial for the murder of a young girl. While there is no denying that Naz made some bad decisions and it is hard to deny he looks guilty, we are on this guy’s side at the start of the series. Then Jon Turturro comes into the show as Naz’s lawer John Stone. This is Turturro’s best role in years, possibly in his entire career and it serves as a stark reminder how wasted this guy is in the Transformers series and Adam Sandler Movies. Both leads give convincing performances as their respective characters, thrust into a situation that ends up being way out of their depth, they are both fish out of water, on either side of the justice system and we see the adapt or die method used by each of them.
Preacher, Westworld and Stranger Things are widely considered to be the best new TV shows of 2016, but I reckon that The Night Of is probably the most important new show broadcast this year. In the wake of a plethora of horrific, recent terror attacks across the world and following the vote to elect Donald Trump as the president of the most powerful country in the world, (a man who once expressed the desire to ban all Muslims from entering the USA,) this show seems unfortunately more relevant than ever. The show doesn’t shove any explicit propaganda down your throat, but there is no denying the racist undertones present and the social issues that the show presents to us. The writing is also fantastic throughout and this is by far the most painfully realistic show I have seen in the last few years. The show isn’t without its quirks though, but the consistently realistic nature of the writing and the performances are what make this show so immersive. The series also takes the viewer on a journey of discovery, constantly dropping unexpected character twists and new hints towards what really happened on the night referred to in the show’s title. This show throws so many interesting conversation starters into the viewership’s collective mind and constantly keeps you guessing as a spectator to these gruesome events.
This is a show that everyone should try, in a post brexit world where racial tensions are at an extreme high, this show is painfully relevant to people on either side of the argument. The crime itself becomes a background element as we see the biased treatment of a young Muslim man by the system and the assumptions made for and against him. There are so many backdoor deals being made between lawyers and other law officials and really the worst light is thrown on the criminal justice system itself and how broken the whole thing is. By halfway through the series’ 8 episodes, the issue of whether or not Naz actually committed the crime is irrelevant, the most important thing at this point being trying to keep everybody involved with this high profile case happy.
Although the moral points that this show chooses to pursue are unflinching and extremely well handled, the more technical aspects of the show are also expertly executed. I have already spoke about Riz Ahmed and John Turturro’s stand out performances, but the show’s supporting cast doesn’t contain any weak spots either and features a well rounded variety of races, ages and social classes. Naz’s family are all brilliant as are the other lawyers that make up the case. I have also already spoke about the high quality script present in the show, but I feel that the show’s writing team can’t be praised enough for the consistently high quality script they have produced. The cinematography of the show is also impressive throughout, with each shot perfectly complimenting the tone that the show sets and framing the actor’s performances masterfully. The use of light is also well implemented and adds to each shot composition and the overall aesthetic of the show. As highlighted above the actor’s performances are fantastic, but they are guided very well by the show’s directors. The score is also a nice addition to the tone of the show, as are all of the sound effects and audio used throughout.
Overall, this is the definition of great television and is the example that all other TV shows should aim for. Even if you don’t agree with the moral compasses of the show’s characters, it is objectively impossible to deny the show’s high caliber of technical filmaking. This is without a doubt one of the best shows aired in 2016 and could even be considered as one of the best seasons of a TV show of the last decade.
Preacher, Westworld and Stranger Things are widely considered to be the best new TV shows of 2016, but I reckon that The Night Of is probably the most important new show broadcast this year. In the wake of a plethora of horrific, recent terror attacks across the world and following the vote to elect Donald Trump as the president of the most powerful country in the world, (a man who once expressed the desire to ban all Muslims from entering the USA,) this show seems unfortunately more relevant than ever. The show doesn’t shove any explicit propaganda down your throat, but there is no denying the racist undertones present and the social issues that the show presents to us. The writing is also fantastic throughout and this is by far the most painfully realistic show I have seen in the last few years. The show isn’t without its quirks though, but the consistently realistic nature of the writing and the performances are what make this show so immersive. The series also takes the viewer on a journey of discovery, constantly dropping unexpected character twists and new hints towards what really happened on the night referred to in the show’s title. This show throws so many interesting conversation starters into the viewership’s collective mind and constantly keeps you guessing as a spectator to these gruesome events.
This is a show that everyone should try, in a post brexit world where racial tensions are at an extreme high, this show is painfully relevant to people on either side of the argument. The crime itself becomes a background element as we see the biased treatment of a young Muslim man by the system and the assumptions made for and against him. There are so many backdoor deals being made between lawyers and other law officials and really the worst light is thrown on the criminal justice system itself and how broken the whole thing is. By halfway through the series’ 8 episodes, the issue of whether or not Naz actually committed the crime is irrelevant, the most important thing at this point being trying to keep everybody involved with this high profile case happy.
Although the moral points that this show chooses to pursue are unflinching and extremely well handled, the more technical aspects of the show are also expertly executed. I have already spoke about Riz Ahmed and John Turturro’s stand out performances, but the show’s supporting cast doesn’t contain any weak spots either and features a well rounded variety of races, ages and social classes. Naz’s family are all brilliant as are the other lawyers that make up the case. I have also already spoke about the high quality script present in the show, but I feel that the show’s writing team can’t be praised enough for the consistently high quality script they have produced. The cinematography of the show is also impressive throughout, with each shot perfectly complimenting the tone that the show sets and framing the actor’s performances masterfully. The use of light is also well implemented and adds to each shot composition and the overall aesthetic of the show. As highlighted above the actor’s performances are fantastic, but they are guided very well by the show’s directors. The score is also a nice addition to the tone of the show, as are all of the sound effects and audio used throughout.
Overall, this is the definition of great television and is the example that all other TV shows should aim for. Even if you don’t agree with the moral compasses of the show’s characters, it is objectively impossible to deny the show’s high caliber of technical filmaking. This is without a doubt one of the best shows aired in 2016 and could even be considered as one of the best seasons of a TV show of the last decade.
Molly J (Cover To Cover Cafe) (106 KP) rated Mother's Love in Books
Feb 25, 2019
<p style="text-align: center;"><img class="aligncenter size-full wp-image-12694" src="http://cafinatedreads.com/wp-content/uploads/2017/04/Scavenger_17.jpg"; alt="" width="500" height="200" />
<span style="color: #993300;"><b><i>EXCERPT</i></b></span>
<span style="color: #993300;">“I want three chickie legs and a big ole bunch of taters,” Gracie announced as she pointed to the food in the steam table. “Lotsa gravy, too—right, Matthias? Do you like lotsa gravy on your taters?”</span>
<p style="text-align: center;"><span style="color: #993300;">“That looks like awesome gravy.” Matthias smiled at the women who were filling his plate. “If I could have some on my chicken as well as my taters,” he said, winking at Gracie, “that would be wonderful. Denki, ladies. This is a fabulous meal.”</span>
<p style="text-align: center;"><span style="color: #993300;">As Rose gazed around the crowded greenhouse, looking for three empty chairs, she was very aware that folks were watching her—whispering about the man who followed her between the tables, carrying Gracie as though she were his. Rose wanted to announce, loud and clear, that Matthias Wagler was only here for the food.</span>
<p style="text-align: center;"><span style="color: #993300;">But they’ll know that’s not true. Just like you do.</span>
<p style="text-align: center;"><span style="color: #993300;">Rose’s cheeks tingled with heat. She hurried toward the last unoccupied table in the back corner of the big glassed-in room, not meeting anyone’s gaze. Settling into a folding chair, Rose sighed heavily as she gazed at the plate she’d filled. Why had she taken so much food when she had no appetite? Why had her attention wandered as she’d listened to Matthias’s voice and watched him hold Gracie against his hip as though he’d done that dozens of times? She smiled weakly at him as he gently set Gracie in the chair beside hers. Because she couldn’t think of a thing to say, Rose took Gracie’s hand and bowed her head in prayer. She heard Matthias sit in the chair on the other side of her daughter.</span>
<p style="text-align: center;"><span style="color: #993300;">What have I gotten myself into, Lord? I’ve just buried my mother yet I’m allowing this man I’ve met only once to sit with me and to entertain my little girl. This feels so improper—and everyone else is thinking I’ve wandered off the straight and narrow, too.</span>
<p style="text-align: center;"><span style="color: #993300;">Rose’s eyes fluttered open. Was God displeased with her behavior? Had she really lost her way? Now that she’d given in to Gracie’s fascination with Matthias, how could she tell him she wanted nothing more to do with him? She glanced at him and nipped her lip.</span>
<p style="text-align: center;"><span style="color: #993300;">He’s still in prayer before his meal. Gracie has put her tiny hand on top of his big strong one. How can that be so wrong when it looks so right? So sweet.</span>
<p style="text-align: center;"><em><strong><span style="color: #008080;">My Thoughts:</span></strong></em>
<span style="color: #008080;">I absolutely loved this book! It really and truly hit home with me. As somone who lost their own mother, reading Rose's story was close to my heart. This story wasn't just about Rose losing her mother, though. It's so much more than that. </span>
<span style="color: #008080;">Among the pages of this book you'll find hope, warmth, secrets, love and laughter. Rose's daughter will quickly steal your heart! Each page turn made me feel a part of Rose's story as if I was there, among the Amish. I love that! And Matthias' character. Lordy. I loved his character. He was a strong widower and wonderful for the part he played in Rose's journey. </span>
<span style="color: #008080;">If you are looking for a book that is about second chances, and love, faith and hope, then this book is for you. The Amish are considered Plain, but in <em><strong>A Mother's Love</strong></em> they are anything but. Ms. Hubbard has once again created a 4 star read that is worthy of recommendations and keeping on the shelf forever. Well done, Ms. Hubbard! </span>
<p style="text-align: center;"><em><strong>Giveaway
</strong></em><a id="rcwidget_js5c33y7" class="rcptr" href="http://www.rafflecopter.com/rafl/display/28e4345f2196/"; rel="nofollow" data-template="" data-theme="classic" data-raflid="28e4345f2196">a Rafflecopter giveaway</a>
<script src="https://widget-prime.rafflecopter.com/launch.js"></script><a href="http://cafinatedreads.com/goddess-fish-promotions-vbb-review-scavenger-hunt-a-mothers-love-by-charlotte-hubbard/"; target="_blank">This review was originally posted on Cafinated Reads</a>
<span style="color: #993300;"><b><i>EXCERPT</i></b></span>
<span style="color: #993300;">“I want three chickie legs and a big ole bunch of taters,” Gracie announced as she pointed to the food in the steam table. “Lotsa gravy, too—right, Matthias? Do you like lotsa gravy on your taters?”</span>
<p style="text-align: center;"><span style="color: #993300;">“That looks like awesome gravy.” Matthias smiled at the women who were filling his plate. “If I could have some on my chicken as well as my taters,” he said, winking at Gracie, “that would be wonderful. Denki, ladies. This is a fabulous meal.”</span>
<p style="text-align: center;"><span style="color: #993300;">As Rose gazed around the crowded greenhouse, looking for three empty chairs, she was very aware that folks were watching her—whispering about the man who followed her between the tables, carrying Gracie as though she were his. Rose wanted to announce, loud and clear, that Matthias Wagler was only here for the food.</span>
<p style="text-align: center;"><span style="color: #993300;">But they’ll know that’s not true. Just like you do.</span>
<p style="text-align: center;"><span style="color: #993300;">Rose’s cheeks tingled with heat. She hurried toward the last unoccupied table in the back corner of the big glassed-in room, not meeting anyone’s gaze. Settling into a folding chair, Rose sighed heavily as she gazed at the plate she’d filled. Why had she taken so much food when she had no appetite? Why had her attention wandered as she’d listened to Matthias’s voice and watched him hold Gracie against his hip as though he’d done that dozens of times? She smiled weakly at him as he gently set Gracie in the chair beside hers. Because she couldn’t think of a thing to say, Rose took Gracie’s hand and bowed her head in prayer. She heard Matthias sit in the chair on the other side of her daughter.</span>
<p style="text-align: center;"><span style="color: #993300;">What have I gotten myself into, Lord? I’ve just buried my mother yet I’m allowing this man I’ve met only once to sit with me and to entertain my little girl. This feels so improper—and everyone else is thinking I’ve wandered off the straight and narrow, too.</span>
<p style="text-align: center;"><span style="color: #993300;">Rose’s eyes fluttered open. Was God displeased with her behavior? Had she really lost her way? Now that she’d given in to Gracie’s fascination with Matthias, how could she tell him she wanted nothing more to do with him? She glanced at him and nipped her lip.</span>
<p style="text-align: center;"><span style="color: #993300;">He’s still in prayer before his meal. Gracie has put her tiny hand on top of his big strong one. How can that be so wrong when it looks so right? So sweet.</span>
<p style="text-align: center;"><em><strong><span style="color: #008080;">My Thoughts:</span></strong></em>
<span style="color: #008080;">I absolutely loved this book! It really and truly hit home with me. As somone who lost their own mother, reading Rose's story was close to my heart. This story wasn't just about Rose losing her mother, though. It's so much more than that. </span>
<span style="color: #008080;">Among the pages of this book you'll find hope, warmth, secrets, love and laughter. Rose's daughter will quickly steal your heart! Each page turn made me feel a part of Rose's story as if I was there, among the Amish. I love that! And Matthias' character. Lordy. I loved his character. He was a strong widower and wonderful for the part he played in Rose's journey. </span>
<span style="color: #008080;">If you are looking for a book that is about second chances, and love, faith and hope, then this book is for you. The Amish are considered Plain, but in <em><strong>A Mother's Love</strong></em> they are anything but. Ms. Hubbard has once again created a 4 star read that is worthy of recommendations and keeping on the shelf forever. Well done, Ms. Hubbard! </span>
<p style="text-align: center;"><em><strong>Giveaway
</strong></em><a id="rcwidget_js5c33y7" class="rcptr" href="http://www.rafflecopter.com/rafl/display/28e4345f2196/"; rel="nofollow" data-template="" data-theme="classic" data-raflid="28e4345f2196">a Rafflecopter giveaway</a>
<script src="https://widget-prime.rafflecopter.com/launch.js"></script><a href="http://cafinatedreads.com/goddess-fish-promotions-vbb-review-scavenger-hunt-a-mothers-love-by-charlotte-hubbard/"; target="_blank">This review was originally posted on Cafinated Reads</a>